Featuring over 30 hits from the 1960s, SHOUT! the smash-hit Mod Musical bursts onto the stage with colour, glitz and energy in this all-new production
Journey back to the liberating days of 1960s’ London and explore the infectious pop anthems that made household names of stars such as Petula Clark, Dusty Springfield, Lulu and Shirley Bassey!
Hip swivel-ling hits include YOU’RE MY WORLD, SHOUT, DOWNTOWN, GOLDFINGER, TO SIR WITH LOVE, THOSE WERE THE DAYS, SON OF A PREACHER MAN, THESE BOOTS ARE MADE FOR WALKIN, ONLY WANT TO BE WITH YOU, WISHIN’ & HOPIN, DON’T SLEEP IN THE SUBWAY, and YOU DON’T HAVE TO SAY YOU LOVE ME, by writers such as Burt Bacharach, Carole King, Leslie Bricusse & Anthony Newley, and Tony Hatch & Jackie Trent!
Join us as we track the lives of five women as they come of age in this psychedelic, eye-popping, fun-filled musical comedy, which will make you want to throw your head back and SHOUT!
What is the Soundtrack of your life?
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Featuring over 30 hits from the 1960s, SHOUT! the smash-hit Mod Musical bursts onto the stage with colour, glitz and energy in this all-new production
Journey back to the liberating days of 1960s’ London and explore the infectious pop anthems that made household names of stars such as Petula Clark, Dusty Springfield, Lulu and Shirley Bassey!
Hip swivel-ling hits include YOU’RE MY WORLD, SHOUT, DOWNTOWN, GOLDFINGER, TO SIR WITH LOVE, THOSE WERE THE DAYS, SON OF A PREACHER MAN, THESE BOOTS ARE MADE FOR WALKIN, ONLY WANT TO BE WITH YOU, WISHIN’ & HOPIN, DON’T SLEEP IN THE SUBWAY, and YOU DON’T HAVE TO SAY YOU LOVE ME, by writers such as Burt Bacharach, Carole King, Leslie Bricusse & Anthony Newley, and Tony Hatch & Jackie Trent!
Join us as we track the lives of five women as they come of age in this psychedelic, eye-popping, fun-filled musical comedy, which will make you want to throw your head back and SHOUT!
What is the Soundtrack of your life?
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Featuring over 30 hits from the 1960s, SHOUT! the smash-hit Mod Musical bursts onto the stage with colour, glitz and energy in this all-new production
Journey back to the liberating days of 1960s’ London and explore the infectious pop anthems that made household names of stars such as Petula Clark, Dusty Springfield, Lulu and Shirley Bassey!
Hip swivel-ling hits include YOU’RE MY WORLD, SHOUT, DOWNTOWN, GOLDFINGER, TO SIR WITH LOVE, THOSE WERE THE DAYS, SON OF A PREACHER MAN, THESE BOOTS ARE MADE FOR WALKIN, ONLY WANT TO BE WITH YOU, WISHIN’ & HOPIN, DON’T SLEEP IN THE SUBWAY, and YOU DON’T HAVE TO SAY YOU LOVE ME, by writers such as Burt Bacharach, Carole King, Leslie Bricusse & Anthony Newley, and Tony Hatch & Jackie Trent!
Join us as we track the lives of five women as they come of age in this psychedelic, eye-popping, fun-filled musical comedy, which will make you want to throw your head back and SHOUT!
What is the Soundtrack of your life?
Jacksons Lane presents a brand-new strand of free live music events in our bar this Summer, curated by Highgate musician Steve Somerset. Each month will see Steve and his band The Lost Weekend perform alongside special guests. Arrive early to bag a seat!
Admission free, donations welcome on the night.
Featuring over 30 hits from the 1960s, SHOUT! the smash-hit Mod Musical bursts onto the stage with colour, glitz and energy in this all-new production
Journey back to the liberating days of 1960s’ London and explore the infectious pop anthems that made household names of stars such as Petula Clark, Dusty Springfield, Lulu and Shirley Bassey!
Hip swivel-ling hits include YOU’RE MY WORLD, SHOUT, DOWNTOWN, GOLDFINGER, TO SIR WITH LOVE, THOSE WERE THE DAYS, SON OF A PREACHER MAN, THESE BOOTS ARE MADE FOR WALKIN, ONLY WANT TO BE WITH YOU, WISHIN’ & HOPIN, DON’T SLEEP IN THE SUBWAY, and YOU DON’T HAVE TO SAY YOU LOVE ME, by writers such as Burt Bacharach, Carole King, Leslie Bricusse & Anthony Newley, and Tony Hatch & Jackie Trent!
Join us as we track the lives of five women as they come of age in this psychedelic, eye-popping, fun-filled musical comedy, which will make you want to throw your head back and SHOUT!
What is the Soundtrack of your life?
Featuring over 30 hits from the 1960s, SHOUT! the smash-hit Mod Musical bursts onto the stage with colour, glitz and energy in this all-new production
Journey back to the liberating days of 1960s’ London and explore the infectious pop anthems that made household names of stars such as Petula Clark, Dusty Springfield, Lulu and Shirley Bassey!
Hip swivel-ling hits include YOU’RE MY WORLD, SHOUT, DOWNTOWN, GOLDFINGER, TO SIR WITH LOVE, THOSE WERE THE DAYS, SON OF A PREACHER MAN, THESE BOOTS ARE MADE FOR WALKIN, ONLY WANT TO BE WITH YOU, WISHIN’ & HOPIN, DON’T SLEEP IN THE SUBWAY, and YOU DON’T HAVE TO SAY YOU LOVE ME, by writers such as Burt Bacharach, Carole King, Leslie Bricusse & Anthony Newley, and Tony Hatch & Jackie Trent!
Join us as we track the lives of five women as they come of age in this psychedelic, eye-popping, fun-filled musical comedy, which will make you want to throw your head back and SHOUT!
What is the Soundtrack of your life?
Featuring over 30 hits from the 1960s, SHOUT! the smash-hit Mod Musical bursts onto the stage with colour, glitz and energy in this all-new production
Journey back to the liberating days of 1960s’ London and explore the infectious pop anthems that made household names of stars such as Petula Clark, Dusty Springfield, Lulu and Shirley Bassey!
Hip swivel-ling hits include YOU’RE MY WORLD, SHOUT, DOWNTOWN, GOLDFINGER, TO SIR WITH LOVE, THOSE WERE THE DAYS, SON OF A PREACHER MAN, THESE BOOTS ARE MADE FOR WALKIN, ONLY WANT TO BE WITH YOU, WISHIN’ & HOPIN, DON’T SLEEP IN THE SUBWAY, and YOU DON’T HAVE TO SAY YOU LOVE ME, by writers such as Burt Bacharach, Carole King, Leslie Bricusse & Anthony Newley, and Tony Hatch & Jackie Trent!
Join us as we track the lives of five women as they come of age in this psychedelic, eye-popping, fun-filled musical comedy, which will make you want to throw your head back and SHOUT!
What is the Soundtrack of your life?
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
“One of Britain’s outstanding poets”
— Sir Paul McCartney
“Fantastically entertaining. As a writer of comic prose Clarke is the match of anyone alive, and his turns of phrase are as sharp as his suits”
— The Times
A literary phenomenon and ‘Godfather of Punk Poetry‘, John Cooper Clarke has shaped music, literature, and fashion. From his iconic poem I Wanna Be Yours — a global hit with the Arctic Monkeys — to Evidently Chickentown featuring in The Sopranos, his influence is undeniable.
Rising from Salford’s working men’s clubs to sharing stages with Joy Division, The Clash, and the Sex Pistols, John became one of punk’s most important figures. His sharp-witted performances blend classic verse, new material, and hilarious riffs on modern life.
With a 2025 tour set for major venues like the London Palladium and Co-op Live, this is a rare chance to see a living legend up close at Jacksons Lane.
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
“Nothing short of sensational” – Broadway Baby
Inspired by the life of Nina Simone, this acclaimed solo performance blends storytelling and song to explore her journey from piano prodigy to civil rights icon. A moving tribute to an extraordinary voice.
Join us for an evening with the UK’s No.1 Jive & Swing band! The Jive Aces strive to spread smiles and cheer with their swinging music and classic vintage style from crooning smooth ballads to blasting honking rhythm and blues.
With their hallmark yellow suits and a repertoire that stretches from the timeless tunes of the swing era to the glitz of the Rat Pack with a dash of classic rock & roll, they perform songs in their unique upbeat style by such great artists as Louis Prima, Bobby Darin, Louis Armstrong, Sammy Davis Jr. and Ella Fitzgerald as well as a selection of superb original tunes.
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
“Wonderful, a joy” Pick of the Week, BBC Radio 4
“A seasoned professional, excellent command of the stage.” Broadway Baby
Join the ‘Emperor of Illusion’ and his magical dog, Baldwin, on a hilariously silly, death-defying adventure. Award-winning magic, puppetry, and escapology, guaranteed to entertain children and parents alike.
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
18 September & 19 September 2025
Jacksons Lane, 269a Archway Road, London N6 5AA
7:30pm (running time will be approximately 90 minutes, no interval)
Trailer: https://youtu.be/y1aq2vC35cY
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
18 September & 19 September 2025
Jacksons Lane, 269a Archway Road, London N6 5AA
7:30pm (running time will be approximately 90 minutes, no interval)
Trailer: https://youtu.be/y1aq2vC35cY
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
The new interactive cabaret from the creators of An Evening Without Kate Bush and Julie Madly Deeply.
Join Sarah-Louise Young as she invites you to celebrate all things tribute in this ‘joyously immersive experience’ (★★★★ The Stage). This Is Your Tribute is a musical nostalgia fest, filled with singalongs, dance breaks, wigs and wonderment from ‘an artist at the top of their game’.
Seventy minutes. Seven seasons. One vampire. This award-winning parody sees Spike retell Buffy the Vampire Slayer with razor-sharp wit, 90s nostalgia, and plenty of stakes. Perfect for super-fans and newcomers alike.
The Magical Mr West (from Morgan & West) presents Adventures in Science! Join him and his corvid Crowbert for an incredible journey into scientific principles, featuring curious contraptions, skills, and silliness.
Poet, comic, singer and glasses-wearer John Hegley returns with a hit-list of seriously funny, cleverly comic poems on everything from love and art to dogs, dads, carrots – and, of course, potatoes.
A joyful jumble of wit, wordplay and heart from a true original.
Francis Beckett’s new play Make England Great Again is set just after the Britons First Party wins its first ever general election victory, and its charismatic leader Max Moore enters 10 Downing Street.
It’s a comedy, but also a warning.
Francis Beckett’s last three plays have had successful runs at Upstairs at the Gatehouse. The New Statesman called A Modest Little Man “a moving and entertaining play about Clement Attlee.”
In The House Magazine, John McDonnell MP wrote of Vodka with Stalin: “As always with Francis’s work, you can’t fail to become emotionally close to the characters.”
His Tom Lehrer is Teaching Math and Doesn’t Want to Talk to You was “A glorious celebration of one of the brightest, wittiest and most principled satirists”.
Francis Beckett’s new play Make England Great Again is set just after the Britons First Party wins its first ever general election victory, and its charismatic leader Max Moore enters 10 Downing Street.
It’s a comedy, but also a warning.
Francis Beckett’s last three plays have had successful runs at Upstairs at the Gatehouse. The New Statesman called A Modest Little Man “a moving and entertaining play about Clement Attlee.”
In The House Magazine, John McDonnell MP wrote of Vodka with Stalin: “As always with Francis’s work, you can’t fail to become emotionally close to the characters.”
His Tom Lehrer is Teaching Math and Doesn’t Want to Talk to You was “A glorious celebration of one of the brightest, wittiest and most principled satirists”.
Francis Beckett’s new play Make England Great Again is set just after the Britons First Party wins its first ever general election victory, and its charismatic leader Max Moore enters 10 Downing Street.
It’s a comedy, but also a warning.
Francis Beckett’s last three plays have had successful runs at Upstairs at the Gatehouse. The New Statesman called A Modest Little Man “a moving and entertaining play about Clement Attlee.”
In The House Magazine, John McDonnell MP wrote of Vodka with Stalin: “As always with Francis’s work, you can’t fail to become emotionally close to the characters.”
His Tom Lehrer is Teaching Math and Doesn’t Want to Talk to You was “A glorious celebration of one of the brightest, wittiest and most principled satirists”.
The Odd Ones is a unique exploration of individuality, social dynamics, and finding your place. Three distinct performers—an acrobat, a contemporary dancer, and a breakdancer—navigate their differences, learning to connect and collaborate. This show embraces every facet of “oddness,” moving seamlessly between beauty and rawness, humour and vulnerability.
Francis Beckett’s new play Make England Great Again is set just after the Britons First Party wins its first ever general election victory, and its charismatic leader Max Moore enters 10 Downing Street.
It’s a comedy, but also a warning.
Francis Beckett’s last three plays have had successful runs at Upstairs at the Gatehouse. The New Statesman called A Modest Little Man “a moving and entertaining play about Clement Attlee.”
In The House Magazine, John McDonnell MP wrote of Vodka with Stalin: “As always with Francis’s work, you can’t fail to become emotionally close to the characters.”
His Tom Lehrer is Teaching Math and Doesn’t Want to Talk to You was “A glorious celebration of one of the brightest, wittiest and most principled satirists”.