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See daring feats and dancing in the sky in this fun and fantastic performance with live music, laughter and much more. Everyone is welcome in this funny, family-friendly show – the circus as you’ve never seen it before!

Suitable for all ages

A brand-new circus cabaret for the 21st century! A sizzling, scintillating night of daring feats, fun and fantastic performance. Expect a night packed with Chinese Pole, silks, straps, aerial hoop, hand balancing, acrobatics, hooping and flying pole, alongside brilliant live music from Peter Reynolds.

See daring feats and dancing in the sky in this fun and fantastic performance with live music, laughter and much more. Everyone is welcome in this funny, family-friendly show – the circus as you’ve never seen it before!

Suitable for all ages

A brand-new circus cabaret for the 21st century! A sizzling, scintillating night of daring feats, fun and fantastic performance. Expect a night packed with Chinese Pole, silks, straps, aerial hoop, hand balancing, acrobatics, hooping and flying pole, alongside brilliant live music from Peter Reynolds.

A brand-new circus cabaret for the 21st century! A sizzling, scintillating night of daring feats, fun and fantastic performance. Expect a night packed with Chinese Pole, silks, straps, aerial hoop, hand balancing, acrobatics, hooping and flying pole, alongside brilliant live music from Peter Reynolds.

A brand-new circus cabaret for the 21st century! A sizzling, scintillating night of daring feats, fun and fantastic performance. Expect a night packed with Chinese Pole, silks, straps, aerial hoop, hand balancing, acrobatics, hooping and flying pole, alongside brilliant live music from Peter Reynolds.

A brand-new circus cabaret for the 21st century! A sizzling, scintillating night of daring feats, fun and fantastic performance. Expect a night packed with Chinese Pole, silks, straps, aerial hoop, hand balancing, acrobatics, hooping and flying pole, alongside brilliant live music from Peter Reynolds.

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

Come and join the invincible Captain Cauliflower and his faithful companion Marvin on an unforgettable adventure into outer space and deep under the ocean. Packed with extreme silliness and unquestionable danger. 

Award winner for Best Children’s Event at Adelaide Fringe 2019

“Outrageously funny” British Theatre Guide

Suitable for ages 3+

Come and join the invincible Captain Cauliflower and his faithful companion Marvin on an unforgettable adventure into outer space and deep under the ocean. Packed with extreme silliness and unquestionable danger. 

Award winner for Best Children’s Event at Adelaide Fringe 2019

“Outrageously funny” British Theatre Guide

Suitable for ages 3+

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

London premiere

A rare chance to see the internationally acclaimed Circolombia in a more intimate setting. Vest-igios fuses stunning physical performance with film to create a remarkable visual journey infused with extravagant visions, terrifying acrobatics and unthinkable magic moments.

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

London premiere

A rare chance to see the internationally acclaimed Circolombia in a more intimate setting. Vest-igios fuses stunning physical performance with film to create a remarkable visual journey infused with extravagant visions, terrifying acrobatics and unthinkable magic moments.

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

London premiere

A rare chance to see the internationally acclaimed Circolombia in a more intimate setting. Vest-igios fuses stunning physical performance with film to create a remarkable visual journey infused with extravagant visions, terrifying acrobatics and unthinkable magic moments.

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

London premiere

A rare chance to see the internationally acclaimed Circolombia in a more intimate setting. Vest-igios fuses stunning physical performance with film to create a remarkable visual journey infused with extravagant visions, terrifying acrobatics and unthinkable magic moments.

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

Tue 12 October at 7.30pm

By Matthías Tryggvi Haraldsson

Translated by Philip Roughton

A one-man play about loneliness and Western angst, mass produced furniture and much, much more.

Tickets £15, £12 conc., £5 online
Buy tickets for two plays within the festival for 20%, or all five for £50 / £40 concessions.

Part of a week-long festival of new Nordic plays.

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

By Lisa Langseth
Translated by Rochelle Wright

A one-woman play about the destructive obsession with other people’s opinions and materialism, loneliness and class.

Tickets £15, £12 conc., £5 online
Buy tickets for two plays within the festival for 20%, or all five for £50 / £40 concessions.

Part of a week-long festival of new Nordic plays.

In 2020 and 2021, when waves of pandemic locked down London and elsewhere, the Heath became a place of escape and refuge for many.  Rachael Weitzman’s exhibition of paintings made during this period is a celebration of the Heath and the ancient trees that live there.

Rachael describes these paintings as ‘portraits’ of trees, the paint forming a lattice of trunks and branches, dappled with light or silhouetted against the sky – characterful and strange, rather than pretty or picturesque.  Her inspiration comes from Japanese prints as well as 20^thCentury abstraction; she uses different elements to produce a particular style that conveys the solidity, scale and unique ‘personality’ of each tree.

When she first visited the Heath she was amazed at its size, losing her bearings and loving the feeling of being in an endless wilderness.  As she says, “There is something really magical about this area of woodland.  It’s so unusual, even outside London, to find such ancient trees in non-agricultural land.  The people who manage it have done such a fantastic job of maintaining it in an unspoilt way”.

It is now 150 years since an Act of Parliament saved the Heath from development, after a long campaign by activists to save it.  In recognition of the history of the area, its beauty and the way in which it has been of such solace to so many in recent times, ten per cent of sales from this show are being donated to Heath Hands, a charity which organises volunteers to maintain, conserve and educate people about the Heath.

Rachael Weitzman has lived in North London for most of her life.  She went to Chelsea College of Art and Design in 1992 and taught there for a number of years while painting and exhibiting at various galleries and art spaces in London.

For further information please contact rachaelkirkby@yahoo.co.uk

Instagram rachaelweitzman

By Katarina G. Nolsøe / Kristofer Grønskag
Translated by Hans Tórgarð & Bergljót av Skarð / Neil Howard

A series of vivid poems illuminate a struggle with depression and exciting events examine the need to be seen in today’s world in this double-bill of staged readings.

Tickets £15, £12 conc., £5 online
Buy tickets for two plays within the festival for 20%, or all five for £50 / £40 concessions.

Part of a week-long festival of new Nordic plays.

By Mika Myllyaho
Translated by Eva Buchwald

A dark comedy full of heart, exploring how two very different people can sustain a friendship.

Tickets £15, £12 conc., £5 online
Buy tickets for two plays within the festival for 20%, or all five for £50 / £40 concessions.

Part of a week-long festival of new Nordic plays.

By Vivian Nielsen
Translated by Jonathan Sydenham

Discover where we, as individuals, fit into the climate crisis in this darkly comedic performance-lecture.

Tickets £15, £12 conc., £5 online
Buy tickets for two plays within the festival for 20%, or all five for £50 / £40 concessions.

Part of a week-long festival of new Nordic plays.

Introducing Brain Fools, a new young Jacksons Lane-supported circus company. Lucky Pigeons is ‘soulful stories and stupid circus’ – a bright and infectious experience so fresh-off-the-belt the pigeons haven’t even hatched yet. A mix of absurd and extravagant theatre, impressive acrobatics, empathetic and funny stories, with a pinch of satirical spice, this is their first work-in-progress showing. Brain Fools is Finn & Toffy, recent graduates of National Centre for Circus Arts

Created with the support of Jacksons Lane and the National Centre for Circus Arts. Mentored by Sean Kempton

Introducing Brain Fools, a new young Jacksons Lane-supported circus company. Lucky Pigeons is ‘soulful stories and stupid circus’ – a bright and infectious experience so fresh-off-the-belt the pigeons haven’t even hatched yet. A mix of absurd and extravagant theatre, impressive acrobatics, empathetic and funny stories, with a pinch of satirical spice, this is their first work-in-progress showing. Brain Fools is Finn & Toffy, recent graduates of National Centre for Circus Arts

Created with the support of Jacksons Lane and the National Centre for Circus Arts. Mentored by Sean Kempton

Drawing from circus, stand-up and live art, Contra is a solo-cabaret of contradictions. This highly physical show interrogates personal, social and historical occupations of the female body.

Returning after its sell-out run at Jacksons Lane in 2019, Contra is not to be missed.

“Uncompromising, confrontational and thrilling” The List

Suitable for ages 16+

Supported by Jacksons Lane

Come with us on a bubbly, barmy bath time adventure around the world and home again celebrating all things bath-time. This quirky, vibrant and humorous tale is an uplifting and playful take on the well-loved book by Julia Jarman and Adrian Reynolds.

“A fun, energetic and delightful production” Broadway Baby

Suitable for ages 2 – 5

Come with us on a bubbly, barmy bath time adventure around the world and home again celebrating all things bath-time. This quirky, vibrant and humorous tale is an uplifting and playful take on the well-loved book by Julia Jarman and Adrian Reynolds.

“A fun, energetic and delightful production” Broadway Baby

Suitable for ages 2 – 5

Reaching the live finals of Britain’s Got Talent and with over 500 million YouTube hits worldwide, Christian Lee is “The King of Comedy Magic” (Time Out).

For half term he brings fun, frolics and illusion to Jacksons Lane in a non-stop feast of tricks, magic and comedy.

Reaching the live finals of Britain’s Got Talent and with over 500 million YouTube hits worldwide, Christian Lee is “The King of Comedy Magic” (Time Out).

For half term he brings fun, frolics and illusion to Jacksons Lane in a non-stop feast of tricks, magic and comedy.Christian Lee is Magic!

Reaching the live finals of Britain’s Got Talent and with over 500 million YouTube hits worldwide, Christian Lee is “The King of Comedy Magic” (Time Out).

For half term he brings fun, frolics and illusion to Jacksons Lane in a non-stop feast of tricks, magic and comedy.

Reaching the live finals of Britain’s Got Talent and with over 500 million YouTube hits worldwide, Christian Lee is “The King of Comedy Magic” (Time Out).

For half term he brings fun, frolics and illusion to Jacksons Lane in a non-stop feast of tricks, magic and comedy.Christian Lee is Magic!

Reaching the live finals of Britain’s Got Talent and with over 500 million YouTube hits worldwide, Christian Lee is “The King of Comedy Magic” (Time Out).

For half term he brings fun, frolics and illusion to Jacksons Lane in a non-stop feast of tricks, magic and comedy.