mini mozart
Mini Mozart offers fun and interactive live music classes for toddlers and babies. The classes feature two or more live instruments; a clarinet, violin, flute, French horn, saxophone or trumpet with a piano accompanist. The idea of Mini Mozart is to get children actually listening, not just hearing. Children interact with our live musicians in a way that is impossible with recorded music.
It’s hard to say which will be your favourite part of the class; the warm up where the teachers introduce their instruments allowing your little one to get up close and touch the instruments, or the part where they reveal their suitcase full of fun props that will entice your child on an interactive musical adventure.
Packed with puppets, parachutes & percussion, bursting with Bach & bubbles, and flush with fairy tales and flutes; follow our rotating team of 4 teachers and their piano accompanist on a multi-sensory musical journey that will inspire your little one with instruments from every section of the orchestra.
“I couldn’t wait to get out and about after Alfie was born. Mini Mozart was perfect because it was interesting for both of us!” Claire, Mum to Alfie (aged 4 months)
Start time: 9.30am for toddlers and 10.15 for babies.
Time: 09:30
Venue: Lauderdale House
| Price band | A | B |
| Standard | £143.00 | |
| Concession | ||
| Child |
Website: www.minimozart.com
One off payment of £143.00 or £47.66 every month for 3 months. Start time 9.30am for toddlers and 10.15 for babies.
Join the tropical pop-up dance floor with N6Zumba – the dance-fitness party with a Latin twist! All levels welcome, drop in any time to start feeling the benefits of a healthier and happier lifestyle. Classes run with the Haringey school term and are ladies only – sorry guys!
Join the tropical pop-up dance floor with N6Zumba – the dance-fitness party with a Latin twist! All levels welcome, drop in any time to start feeling the benefits of a healthier and happier lifestyle. Classes run with the Haringey school term and are ladies only – sorry guys!
Rucksack music at Jacksons Lane.
Email: admin@jacksonslane.org.uk
Wednesdays and Fridays 10.15-11.15am.
Come and enjoy a relaxed, interactive guided musical session for children & their adults (parents/carers). Expect nursery rhymes, popular songs & movement, with small percussion instruments to play and live guitar accompaniment. Lots of singing, stomping, clapping, wriggling, just having a good time. Learning through enjoyment. Classes are 1 hour with a break. Tutor is jazz musician Faye Patton.
Suitable for children 0 – 4 years old.
NO NEED TO BOOK – JUST DROP IN!
£5.00 per child/£3.50 siblings
For more information – www.rucksackmusic.co.uk
Weekly drop-in Hatha yoga classes suitable for all levels, beginners welcome. Come and practice some lovely postures in a safe environment that will leave you feeling uplifted and refreshed. I am certified by the British Wheel of Yoga (BWY) and classes include a mixture of pranayama, postures and relaxation with focus on correct alignment. The steady flow of postures will improve your strength and flexibility. Mats, blocks and bricks provided or you are welcome to bring your own.
*Email me to book your place and receive your first class FREE*
Free and open to all but do phone to book your place. In these lively debates, prominent and informed speakers argue their points of view on issues of current importance. They are ‘seconded’ by pupils from local schools, and audience members also have the opportunity to sway the opinion of those attending.
The motion: This House Believes that Social Media Undermines Democracy
Proposing: Carl Miller, Research Director of the Centre for the Analysis of Social Media at the think tank Demos
Opposing: Paolo Gerbaudo, political and cultural sociologist, lecturer in Digital Culture and Society at King’s College London
Join the tropical pop-up dance floor with N6Zumba – the dance-fitness party with a Latin twist! All levels welcome, drop in any time to start feeling the benefits of a healthier and happier lifestyle. Classes run with the Haringey school term and are ladies only – sorry guys!
To reserve your free place please contact the office.
“This house believes that the use of social media undermines democracy”
Proposer: Carl Miller. Reserach Director of the Centre for the Analysis of Social Media at Demos.
Opposing: Paolo Gerbaudo. Sociologist and lecturer in Digital Culture and Society at King’s College, London
The very popular Little Owl Book Club returns in January with an extra class due to demand. This award-winning class for kids age 2-4 takes place in our light and airy conservatory on Friday mornings. Devised with a reading specialist the class gives a fun start to phonics and letters. There are 2 great stories, a letter of the week taught with active games, then a fun art project to keep little hands busy.
Class 1: 10.00-10.50
Class 2: 11.05-11.55
No classes during half-term: Monday 12 -Friday 16 February
Rucksack music at Jacksons Lane.
Email: admin@jacksonslane.org.uk
Fridays and Wednesdays 10.15-11.15am.
Come and enjoy a relaxed, interactive guided musical session for children & their adults (parents/carers). Expect nursery rhymes, popular songs & movement, with small percussion instruments to play and live guitar accompaniment. Lots of singing, stomping, clapping, wriggling, just having a good time. Learning through enjoyment. Classes are 1 hour with a break. Tutor is jazz musician Faye Patton.
Suitable for children 0 – 4 years old.
NO NEED TO BOOK – JUST DROP IN!
£5.00 per child/£3.50 siblings
For more information – www.rucksackmusic.co.uk
Join us for the Annual Fundraising Concert in aid of the Harington Scheme and Noah’s Ark Children’s Hospice.
The Haydn Chamber Orchestra, conducted by Jonathan Bloxham with pianist Charles Owen, will be performing on Saturday 27th January 2018 at 7.30pm.
Tickets ( £25, £20, £15, £10) and further information from Pauline Treen 020 8340 5643.
Enjoy our house 5 piece Brazlian band perform from 6-9pm
Adriana vasques is a london based singer, pianist and composer. She graduated in classical piano in trieste, her italian hometown on the adriatic coast.
She has performed extensively in italy, slovenia and croatia at many well established venues and festivals, singing in jazz, pop and funk bands before choosing to perform mainly her brazilian song repertoire and her own compositions. Adriana has performed and recorded in italy with reputable musicians such as andrea allione (paolo conte), pietro tonolo (paul motian, gil evans orchestra), glauco venier (kenny wheeler, norma winstone), elvis stanić (gilberto gil, django bates), luis bonilla (mingus big band, lester bowie) as well as many others.
Alongside her performing career, she has also worked as a music tutor and radio host. For over twenty years she has produced and hosted several music radio shows in which she has welcomed and embraced a variety of musical styles , interviewed dozens of musicians as well as other professionals in the musical world .
After defending her graduation thesis on five of her compositions in relation to rhythmic didactics, one of her compositions, nu-mi (danza), was awarded first prize at “ premio nazionale delle arti “ in rome and has since been recorded by other musicians in three different albums. Adriana has started performing her own compositions recently.
After moving to london in 2009, she toured europe and canada with the irish cult band the commitments , over the past few years she has performed with some of the best musicians on the london scene.
mini mozart
Mini Mozart offers fun and interactive live music classes for toddlers and babies. The classes feature two or more live instruments; a clarinet, violin, flute, French horn, saxophone or trumpet with a piano accompanist. The idea of Mini Mozart is to get children actually listening, not just hearing. Children interact with our live musicians in a way that is impossible with recorded music.
It’s hard to say which will be your favourite part of the class; the warm up where the teachers introduce their instruments allowing your little one to get up close and touch the instruments, or the part where they reveal their suitcase full of fun props that will entice your child on an interactive musical adventure.
Packed with puppets, parachutes & percussion, bursting with Bach & bubbles, and flush with fairy tales and flutes; follow our rotating team of 4 teachers and their piano accompanist on a multi-sensory musical journey that will inspire your little one with instruments from every section of the orchestra.
“I couldn’t wait to get out and about after Alfie was born. Mini Mozart was perfect because it was interesting for both of us!” Claire, Mum to Alfie (aged 4 months)
Start time: 9.30am for toddlers and 10.15 for babies.
Time: 09:30
Venue: Lauderdale House
| Price band | A | B |
| Standard | £143.00 | |
| Concession | ||
| Child |
Website: www.minimozart.com
One off payment of £143.00 or £47.66 every month for 3 months. Start time 9.30am for toddlers and 10.15 for babies.
Join the tropical pop-up dance floor with N6Zumba – the dance-fitness party with a Latin twist! All levels welcome, drop in any time to start feeling the benefits of a healthier and happier lifestyle. Classes run with the Haringey school term and are ladies only – sorry guys!
LUX is pleased to invite local residents, community groups and businesses to a free breakfast event at its building in Waterlow Park. Join us for coffee, tea and pastries, meet our team and other locals as well as visit our current exhibition. All welcome, drop in any time between 9 – 10.30am.
The current exhibition, BL CK B X: Alia Syed, presents Syed’s Wallpaper, a double screen film that was originally commissioned by the Glynn Vivian Art Gallery in 2008. Wallpaper is a performative documentary in which four generations of women in the artist’s family attempt to recreate a wallpaper design that was painted by Syed’s grandmother when the artist was a child. It features Syed, her daughter, mother, and grandmother, as well as her sister, artist-filmmaker Tanya Syed. Documenting the process in video and 16mm film, the five women take turns in the film’s technical roles (performer, director, camera operator), thus de-stabilizing the relationship between filmmaker and filmed subject, and the traditional generational hierarchy. The result is a self-reflexive and delicately layered film which deals with family, memory and subjectivity. Wallpaper is shown alongside a library display of Syed’s Points of Departure (2014) and A Story Told (2004).
Join the tropical pop-up dance floor with N6Zumba – the dance-fitness party with a Latin twist! All levels welcome, drop in any time to start feeling the benefits of a healthier and happier lifestyle. Classes run with the Haringey school term and are ladies only – sorry guys!
Rucksack music at Jacksons Lane.
Email: admin@jacksonslane.org.uk
Wednesdays and Fridays 10.15-11.15am.
Come and enjoy a relaxed, interactive guided musical session for children & their adults (parents/carers). Expect nursery rhymes, popular songs & movement, with small percussion instruments to play and live guitar accompaniment. Lots of singing, stomping, clapping, wriggling, just having a good time. Learning through enjoyment. Classes are 1 hour with a break. Tutor is jazz musician Faye Patton.
Suitable for children 0 – 4 years old.
NO NEED TO BOOK – JUST DROP IN!
£5.00 per child/£3.50 siblings
For more information – www.rucksackmusic.co.uk
Weekly drop-in Hatha yoga classes suitable for all levels, beginners welcome. Come and practice some lovely postures in a safe environment that will leave you feeling uplifted and refreshed. I am certified by the British Wheel of Yoga (BWY) and classes include a mixture of pranayama, postures and relaxation with focus on correct alignment. The steady flow of postures will improve your strength and flexibility. Mats, blocks and bricks provided or you are welcome to bring your own.
*Email me to book your place and receive your first class FREE*
Join the tropical pop-up dance floor with N6Zumba – the dance-fitness party with a Latin twist! All levels welcome, drop in any time to start feeling the benefits of a healthier and happier lifestyle. Classes run with the Haringey school term and are ladies only – sorry guys!
The very popular Little Owl Book Club returns in January with an extra class due to demand. This award-winning class for kids age 2-4 takes place in our light and airy conservatory on Friday mornings. Devised with a reading specialist the class gives a fun start to phonics and letters. There are 2 great stories, a letter of the week taught with active games, then a fun art project to keep little hands busy.
Class 1: 10.00-10.50
Class 2: 11.05-11.55
No classes during half-term: Monday 12 -Friday 16 February
Rucksack music at Jacksons Lane.
Email: admin@jacksonslane.org.uk
Fridays and Wednesdays 10.15-11.15am.
Come and enjoy a relaxed, interactive guided musical session for children & their adults (parents/carers). Expect nursery rhymes, popular songs & movement, with small percussion instruments to play and live guitar accompaniment. Lots of singing, stomping, clapping, wriggling, just having a good time. Learning through enjoyment. Classes are 1 hour with a break. Tutor is jazz musician Faye Patton.
Suitable for children 0 – 4 years old.
NO NEED TO BOOK – JUST DROP IN!
£5.00 per child/£3.50 siblings
For more information – www.rucksackmusic.co.uk
Philip Diggle: “I see a red door and I want it painted black.”
Rolling Stones, Paint It Black.
Memory Theatre The ‘memory theatre’ was an aspect of a science of the imagination which was practiced from Classical times up to the Renaissance. It was used for the development of memory, and also as a ‘mind-map’ – a connected symbolic space, often represented as a building, which spanned the imaginative or conceptual faculty. (digital brilliance.com) Oxford Dictionaries.
Philip Diggle is inspired by philosophical ideas, and these are used to tie together the paintings on the theme of Memory Theatre in his fifth exhibition at Highgate Gallery. The ‘stage’ for Diggle’s ‘memory theatre’ is painting; it is both the forum and the activity. In painting, memories are discovered and ordered in the doing and building of the works.
Diggle’s work is vigorously physical, with encrusted surfaces thick with oil paint. In these pieces, the paint becomes the means by which memories are enclosed, caged, covered, discovered, accreted, obscured and created. In his last Highgate Gallery show, large images of heads dominated. Some of these heads exist beneath the new works, so that creation and destruction co-exist. The process is a demonstration and investigation of the persistence yet elusiveness of memory.
Vivid red paintings are almost 3-dimensional objects revealing their making and history and physicality and – as Diggle puts it – screaming ‘I’m alive’. Works in brown, metaphorical visceral battles, attest to a more desperate survival impulse – ‘I’m still here’.
A series of larger works refer to human experience within the built environment – ‘contained’ life, a ‘theatre’. In some, the figure (highly abstracted) appears at the centre of the scenes. In these, another interest of Diggle’s emerges: rhetoric. His own mark-making becomes a metaphor for the verbal play of words in public argument.
Philip’s ideas found practical focus in his art classes. Pupils were encouraged to speak, present and respond to poetry and philosophy: a critical method which built self-awareness, confidence, and sense of context. This initiative was rolled out school-wide.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Exhibition continues until 15 February.
Philip Diggle: “I see a red door and I want it painted black.”
Rolling Stones, Paint It Black.
Memory Theatre The ‘memory theatre’ was an aspect of a science of the imagination which was practiced from Classical times up to the Renaissance. It was used for the development of memory, and also as a ‘mind-map’ – a connected symbolic space, often represented as a building, which spanned the imaginative or conceptual faculty.
(digital brilliance.com) Oxford Dictionaries.
Philip Diggle is inspired by philosophical ideas, and these are used to tie together the paintings on the theme of Memory Theatre in his fifth exhibition at Highgate Gallery. The ‘stage’ for Diggle’s ‘memory theatre’ is painting; it is both the forum and the activity. In painting, memories are discovered and ordered in the doing and building of the works.
Diggle’s work is vigorously physical, with encrusted surfaces thick with oil paint. In these pieces, the paint becomes the means by which memories are enclosed, caged, covered, discovered, accreted, obscured and created. In his last Highgate Gallery show, large images of heads dominated. Some of these heads exist beneath the new works, so that creation and destruction co-exist. The process is a demonstration and investigation of the persistence yet elusiveness of memory.
Vivid red paintings are almost 3-dimensional objects revealing their making and history and physicality and – as Diggle puts it – screaming ‘I’m alive’. Works in brown, metaphorical visceral battles, attest to a more desperate survival impulse – ‘I’m still here’.
A series of larger works refer to human experience within the built environment – ‘contained’ life, a ‘theatre’. In some, the figure (highly abstracted) appears at the centre of the scenes. In these, another interest of Diggle’s emerges: rhetoric. His own mark-making becomes a metaphor for the verbal play of words in public argument.
Philip’s ideas found practical focus in his art classes. Pupils were encouraged to speak, present and respond to poetry and philosophy: a critical method which built self-awareness, confidence, and sense of context. This initiative was rolled out school-wide.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Exhibition continues until 15 February.
Philip Diggle: “I see a red door and I want it painted black.”
Rolling Stones, Paint It Black.
Memory Theatre The ‘memory theatre’ was an aspect of a science of the imagination which was practiced from Classical times up to the Renaissance. It was used for the development of memory, and also as a ‘mind-map’ – a connected symbolic space, often represented as a building, which spanned the imaginative or conceptual faculty. (digital brilliance.com) Oxford Dictionaries.
Philip Diggle is inspired by philosophical ideas, and these are used to tie together the paintings on the theme of Memory Theatre in his fifth exhibition at Highgate Gallery. The ‘stage’ for Diggle’s ‘memory theatre’ is painting; it is both the forum and the activity. In painting, memories are discovered and ordered in the doing and building of the works.
Diggle’s work is vigorously physical, with encrusted surfaces thick with oil paint. In these pieces, the paint becomes the means by which memories are enclosed, caged, covered, discovered, accreted, obscured and created. In his last Highgate Gallery show, large images of heads dominated. Some of these heads exist beneath the new works, so that creation and destruction co-exist. The process is a demonstration and investigation of the persistence yet elusiveness of memory.
Vivid red paintings are almost 3-dimensional objects revealing their making and history and physicality and – as Diggle puts it – screaming ‘I’m alive’. Works in brown, metaphorical visceral battles, attest to a more desperate survival impulse – ‘I’m still here’.
A series of larger works refer to human experience within the built environment – ‘contained’ life, a ‘theatre’. In some, the figure (highly abstracted) appears at the centre of the scenes. In these, another interest of Diggle’s emerges: rhetoric. His own mark-making becomes a metaphor for the verbal play of words in public argument.
Philip’s ideas found practical focus in his art classes. Pupils were encouraged to speak, present and respond to poetry and philosophy: a critical method which built self-awareness, confidence, and sense of context. This initiative was rolled out school-wide.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Exhibition continues until 15 February.
Enjoy our house 5 piece Brazlian band perform from 6-9pm
Adriana vasques is a london based singer, pianist and composer. She graduated in classical piano in trieste, her italian hometown on the adriatic coast.
She has performed extensively in italy, slovenia and croatia at many well established venues and festivals, singing in jazz, pop and funk bands before choosing to perform mainly her brazilian song repertoire and her own compositions. Adriana has performed and recorded in italy with reputable musicians such as andrea allione (paolo conte), pietro tonolo (paul motian, gil evans orchestra), glauco venier (kenny wheeler, norma winstone), elvis stanić (gilberto gil, django bates), luis bonilla (mingus big band, lester bowie) as well as many others.
Alongside her performing career, she has also worked as a music tutor and radio host. For over twenty years she has produced and hosted several music radio shows in which she has welcomed and embraced a variety of musical styles , interviewed dozens of musicians as well as other professionals in the musical world .
After defending her graduation thesis on five of her compositions in relation to rhythmic didactics, one of her compositions, nu-mi (danza), was awarded first prize at “ premio nazionale delle arti “ in rome and has since been recorded by other musicians in three different albums. Adriana has started performing her own compositions recently.
After moving to london in 2009, she toured europe and canada with the irish cult band the commitments , over the past few years she has performed with some of the best musicians on the london scene.
mini mozart
Mini Mozart offers fun and interactive live music classes for toddlers and babies. The classes feature two or more live instruments; a clarinet, violin, flute, French horn, saxophone or trumpet with a piano accompanist. The idea of Mini Mozart is to get children actually listening, not just hearing. Children interact with our live musicians in a way that is impossible with recorded music.
It’s hard to say which will be your favourite part of the class; the warm up where the teachers introduce their instruments allowing your little one to get up close and touch the instruments, or the part where they reveal their suitcase full of fun props that will entice your child on an interactive musical adventure.
Packed with puppets, parachutes & percussion, bursting with Bach & bubbles, and flush with fairy tales and flutes; follow our rotating team of 4 teachers and their piano accompanist on a multi-sensory musical journey that will inspire your little one with instruments from every section of the orchestra.
“I couldn’t wait to get out and about after Alfie was born. Mini Mozart was perfect because it was interesting for both of us!” Claire, Mum to Alfie (aged 4 months)
Start time: 9.30am for toddlers and 10.15 for babies.
Time: 09:30
Venue: Lauderdale House
| Price band | A | B |
| Standard | £143.00 | |
| Concession | ||
| Child |
Website: www.minimozart.com
One off payment of £143.00 or £47.66 every month for 3 months. Start time 9.30am for toddlers and 10.15 for babies.
Join the tropical pop-up dance floor with N6Zumba – the dance-fitness party with a Latin twist! All levels welcome, drop in any time to start feeling the benefits of a healthier and happier lifestyle. Classes run with the Haringey school term and are ladies only – sorry guys!
The 10th Annual Kyffin Williams Lecture: Conservation Challenges
Jenny Williamson, Easel Painting Conservator
Jenny Williamson has come to know Kyffin Williams’s pictures well through her work at galleries across Wales. In this talk to mark Kyffin’s centenary year she will answer questions such as ‘what does an art conservator do?’ ‘what does she aim to achieve?’, ‘what techniques does she use?’ and ‘what pitfalls does she need to avoid?’
Talks take place on Mondays at 7pm in the AV Room in the Mills Centre. Refreshments, including wine, are available from 6.30 pm and afterwards.
Philip Diggle: “I see a red door and I want it painted black.”
Rolling Stones, Paint It Black.
Memory Theatre The ‘memory theatre’ was an aspect of a science of the imagination which was practiced from Classical times up to the Renaissance. It was used for the development of memory, and also as a ‘mind-map’ – a connected symbolic space, often represented as a building, which spanned the imaginative or conceptual faculty. (digital brilliance.com) Oxford Dictionaries.
Philip Diggle is inspired by philosophical ideas, and these are used to tie together the paintings on the theme of Memory Theatre in his fifth exhibition at Highgate Gallery. The ‘stage’ for Diggle’s ‘memory theatre’ is painting; it is both the forum and the activity. In painting, memories are discovered and ordered in the doing and building of the works.
Diggle’s work is vigorously physical, with encrusted surfaces thick with oil paint. In these pieces, the paint becomes the means by which memories are enclosed, caged, covered, discovered, accreted, obscured and created. In his last Highgate Gallery show, large images of heads dominated. Some of these heads exist beneath the new works, so that creation and destruction co-exist. The process is a demonstration and investigation of the persistence yet elusiveness of memory.
Vivid red paintings are almost 3-dimensional objects revealing their making and history and physicality and – as Diggle puts it – screaming ‘I’m alive’. Works in brown, metaphorical visceral battles, attest to a more desperate survival impulse – ‘I’m still here’.
A series of larger works refer to human experience within the built environment – ‘contained’ life, a ‘theatre’. In some, the figure (highly abstracted) appears at the centre of the scenes. In these, another interest of Diggle’s emerges: rhetoric. His own mark-making becomes a metaphor for the verbal play of words in public argument.
Philip’s ideas found practical focus in his art classes. Pupils were encouraged to speak, present and respond to poetry and philosophy: a critical method which built self-awareness, confidence, and sense of context. This initiative was rolled out school-wide.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Exhibition continues until 15 February.
Join the tropical pop-up dance floor with N6Zumba – the dance-fitness party with a Latin twist! All levels welcome, drop in any time to start feeling the benefits of a healthier and happier lifestyle. Classes run with the Haringey school term and are ladies only – sorry guys!
Rucksack music at Jacksons Lane.
Email: admin@jacksonslane.org.uk
Wednesdays and Fridays 10.15-11.15am.
Come and enjoy a relaxed, interactive guided musical session for children & their adults (parents/carers). Expect nursery rhymes, popular songs & movement, with small percussion instruments to play and live guitar accompaniment. Lots of singing, stomping, clapping, wriggling, just having a good time. Learning through enjoyment. Classes are 1 hour with a break. Tutor is jazz musician Faye Patton.
Suitable for children 0 – 4 years old.
NO NEED TO BOOK – JUST DROP IN!
£5.00 per child/£3.50 siblings
For more information – www.rucksackmusic.co.uk
Philip Diggle: “I see a red door and I want it painted black.”
Rolling Stones, Paint It Black.
Memory Theatre The ‘memory theatre’ was an aspect of a science of the imagination which was practiced from Classical times up to the Renaissance. It was used for the development of memory, and also as a ‘mind-map’ – a connected symbolic space, often represented as a building, which spanned the imaginative or conceptual faculty. (digital brilliance.com) Oxford Dictionaries.
Philip Diggle is inspired by philosophical ideas, and these are used to tie together the paintings on the theme of Memory Theatre in his fifth exhibition at Highgate Gallery. The ‘stage’ for Diggle’s ‘memory theatre’ is painting; it is both the forum and the activity. In painting, memories are discovered and ordered in the doing and building of the works.
Diggle’s work is vigorously physical, with encrusted surfaces thick with oil paint. In these pieces, the paint becomes the means by which memories are enclosed, caged, covered, discovered, accreted, obscured and created. In his last Highgate Gallery show, large images of heads dominated. Some of these heads exist beneath the new works, so that creation and destruction co-exist. The process is a demonstration and investigation of the persistence yet elusiveness of memory.
Vivid red paintings are almost 3-dimensional objects revealing their making and history and physicality and – as Diggle puts it – screaming ‘I’m alive’. Works in brown, metaphorical visceral battles, attest to a more desperate survival impulse – ‘I’m still here’.
A series of larger works refer to human experience within the built environment – ‘contained’ life, a ‘theatre’. In some, the figure (highly abstracted) appears at the centre of the scenes. In these, another interest of Diggle’s emerges: rhetoric. His own mark-making becomes a metaphor for the verbal play of words in public argument.
Philip’s ideas found practical focus in his art classes. Pupils were encouraged to speak, present and respond to poetry and philosophy: a critical method which built self-awareness, confidence, and sense of context. This initiative was rolled out school-wide.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Exhibition continues until 15 February.
Weekly drop-in Hatha yoga classes suitable for all levels, beginners welcome. Come and practice some lovely postures in a safe environment that will leave you feeling uplifted and refreshed. I am certified by the British Wheel of Yoga (BWY) and classes include a mixture of pranayama, postures and relaxation with focus on correct alignment. The steady flow of postures will improve your strength and flexibility. Mats, blocks and bricks provided or you are welcome to bring your own.
*Email me to book your place and receive your first class FREE*
Philip Diggle: “I see a red door and I want it painted black.”
Rolling Stones, Paint It Black.
Memory Theatre The ‘memory theatre’ was an aspect of a science of the imagination which was practiced from Classical times up to the Renaissance. It was used for the development of memory, and also as a ‘mind-map’ – a connected symbolic space, often represented as a building, which spanned the imaginative or conceptual faculty. (digital brilliance.com) Oxford Dictionaries.
Philip Diggle is inspired by philosophical ideas, and these are used to tie together the paintings on the theme of Memory Theatre in his fifth exhibition at Highgate Gallery. The ‘stage’ for Diggle’s ‘memory theatre’ is painting; it is both the forum and the activity. In painting, memories are discovered and ordered in the doing and building of the works.
Diggle’s work is vigorously physical, with encrusted surfaces thick with oil paint. In these pieces, the paint becomes the means by which memories are enclosed, caged, covered, discovered, accreted, obscured and created. In his last Highgate Gallery show, large images of heads dominated. Some of these heads exist beneath the new works, so that creation and destruction co-exist. The process is a demonstration and investigation of the persistence yet elusiveness of memory.
Vivid red paintings are almost 3-dimensional objects revealing their making and history and physicality and – as Diggle puts it – screaming ‘I’m alive’. Works in brown, metaphorical visceral battles, attest to a more desperate survival impulse – ‘I’m still here’.
A series of larger works refer to human experience within the built environment – ‘contained’ life, a ‘theatre’. In some, the figure (highly abstracted) appears at the centre of the scenes. In these, another interest of Diggle’s emerges: rhetoric. His own mark-making becomes a metaphor for the verbal play of words in public argument.
Philip’s ideas found practical focus in his art classes. Pupils were encouraged to speak, present and respond to poetry and philosophy: a critical method which built self-awareness, confidence, and sense of context. This initiative was rolled out school-wide.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Exhibition continues until 15 February.
Join the tropical pop-up dance floor with N6Zumba – the dance-fitness party with a Latin twist! All levels welcome, drop in any time to start feeling the benefits of a healthier and happier lifestyle. Classes run with the Haringey school term and are ladies only – sorry guys!
The very popular Little Owl Book Club returns in January with an extra class due to demand. This award-winning class for kids age 2-4 takes place in our light and airy conservatory on Friday mornings. Devised with a reading specialist the class gives a fun start to phonics and letters. There are 2 great stories, a letter of the week taught with active games, then a fun art project to keep little hands busy.
Class 1: 10.00-10.50
Class 2: 11.05-11.55
No classes during half-term: Monday 12 -Friday 16 February