Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
“Victoria Melody should be a national treasure, a household name.”
— Time Out
Award-winning theatre-maker Victoria Melody, directed by the legendary Mark Thomas, blends storytelling, comedy, elaborate costumes, and historical re-enactment to celebrate Britain’s ordinary heroes.
Shining a light on food bank workers, volunteers, and community organisers, it explores the people who quietly keep the country running. Through immersive research and first-hand experience — becoming a musketeer included — Victoria uncovers the passion, struggle, and humour in everyday lives.
With her signature wit and curiosity, she invites audiences to see the world differently, offering a joyful and unexpected take on who really shapes Britain.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
★★★★
“One of comedy’s most skilled performers… this is an exquisite, erudite, well-crafted show”
— Evening Standard
★★★★
“His shows are a joy to watch”
— The Guardian
“He is one amazing comedian”
—Time Out
From the comedian who invented the phrase ‘No Planet B’, Rob Newman brings a new show about future cities, lost beavers, philistine Bingo callers, Dorothy Parker’s Multiverse Diaries and A Man Called Clive.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Jacksons Lane presents a brand-new strand of free live music events in our bar this Summer, curated by Highgate musician Steve Somerset. Each month will see Steve and his band The Lost Weekend perform alongside special guests. Arrive early to bag a seat!
Admission free, donations welcome on the night.
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
“One of Britain’s outstanding poets”
— Sir Paul McCartney
“Fantastically entertaining. As a writer of comic prose Clarke is the match of anyone alive, and his turns of phrase are as sharp as his suits”
— The Times
A literary phenomenon and ‘Godfather of Punk Poetry‘, John Cooper Clarke has shaped music, literature, and fashion. From his iconic poem I Wanna Be Yours — a global hit with the Arctic Monkeys — to Evidently Chickentown featuring in The Sopranos, his influence is undeniable.
Rising from Salford’s working men’s clubs to sharing stages with Joy Division, The Clash, and the Sex Pistols, John became one of punk’s most important figures. His sharp-witted performances blend classic verse, new material, and hilarious riffs on modern life.
With a 2025 tour set for major venues like the London Palladium and Co-op Live, this is a rare chance to see a living legend up close at Jacksons Lane.
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
“Nothing short of sensational” – Broadway Baby
Inspired by the life of Nina Simone, this acclaimed solo performance blends storytelling and song to explore her journey from piano prodigy to civil rights icon. A moving tribute to an extraordinary voice.
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
“Wonderful, a joy” Pick of the Week, BBC Radio 4
“A seasoned professional, excellent command of the stage.” Broadway Baby
Join the ‘Emperor of Illusion’ and his magical dog, Baldwin, on a hilariously silly, death-defying adventure. Award-winning magic, puppetry, and escapology, guaranteed to entertain children and parents alike.
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
18 September & 19 September 2025
Jacksons Lane, 269a Archway Road, London N6 5AA
7:30pm (running time will be approximately 90 minutes, no interval)
Trailer: https://youtu.be/y1aq2vC35cY
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
18 September & 19 September 2025
Jacksons Lane, 269a Archway Road, London N6 5AA
7:30pm (running time will be approximately 90 minutes, no interval)
Trailer: https://youtu.be/y1aq2vC35cY
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
Wilma Johnson
Ghosts of the Madruga
12 – 25 September
The Madrugada – the time between midnight and dawn when barriers between
the worlds are fragile and dreams and reality mingle.
Wilma Johnson creates vivid dreamscapes in which real people cross paths
with goddesses, gorgons and mythological creatures.
Many are set in her childhood home in Highgate which was destroyed by fire
– the spirit of the house has presence of its own.
Highgate Gallery. Wilma Johnson: Ghosts of the Madrugada will be open:
Friday 12 September: 13.00 – 17.00
Saturday 13 September: 10.00 – 16.00
Sunday 14 September: : 10.00 – 16.00
Wednesday 17 September: 13.00 – 17.00
Thursday 18 September: 13.00 – 17.00
Friday 19 September: 13.00 – 17.00
Saturday 20 September: 10.00 – 16.00
Sunday 21 September: 10.00 – 16.00
Wednesday 24 September: 13.00 – 17.00
Thursday 25 September: 13.00 – 17.00
The new interactive cabaret from the creators of An Evening Without Kate Bush and Julie Madly Deeply.
Join Sarah-Louise Young as she invites you to celebrate all things tribute in this ‘joyously immersive experience’ (★★★★ The Stage). This Is Your Tribute is a musical nostalgia fest, filled with singalongs, dance breaks, wigs and wonderment from ‘an artist at the top of their game’.
Seventy minutes. Seven seasons. One vampire. This award-winning parody sees Spike retell Buffy the Vampire Slayer with razor-sharp wit, 90s nostalgia, and plenty of stakes. Perfect for super-fans and newcomers alike.
The Magical Mr West (from Morgan & West) presents Adventures in Science! Join him and his corvid Crowbert for an incredible journey into scientific principles, featuring curious contraptions, skills, and silliness.
Poet, comic, singer and glasses-wearer John Hegley returns with a hit-list of seriously funny, cleverly comic poems on everything from love and art to dogs, dads, carrots – and, of course, potatoes.
A joyful jumble of wit, wordplay and heart from a true original.
The Odd Ones is a unique exploration of individuality, social dynamics, and finding your place. Three distinct performers—an acrobat, a contemporary dancer, and a breakdancer—navigate their differences, learning to connect and collaborate. This show embraces every facet of “oddness,” moving seamlessly between beauty and rawness, humour and vulnerability.
A roller disco ride through one woman’s tangled tale of identity, immigration and unexpected glitter. Performed on skates with fierce physicality and fearless humour, this is storytelling at its most chaotic and captivating.
Join Baby Bear on a playful journey through nature in this uplifting puppetry adventure for babies, toddlers and their families. With beautiful visuals, gentle interaction and a soothing soundtrack, it’s the perfect first theatre experience.
traSh is a striking solo performance that exposes the hidden costs of fast fashion.
Using circus, physical theatre and 15.6kg of clothing, the average person in Europe buys each year, Delia Ceruti explores fashion’s impact on the environment, on workers and on mental health.
Shortlisted for Most Outstanding Dance at Brighton Fringe 2025, this powerful and darkly humorous show asks us to rethink what we wear and why.
Pivot Point Circus presents Darling, a regency cabaret! Join for a night of revelry, enthralling aerials, and debaucherous acrobatics.
Secure your tickets posthaste! Darling – you simply must attend.
Back by popular demand Ray Bubbles fills the stage with giant bubble storms, dancing shapes, and more — all powered by soap and science. A fun, inclusive show loved by families and sensory-friendly audiences alike.