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Oct
4
Sat
Bambolina & Dodo @ Lauderdale House
Oct 4 @ 9:00 am – 9:45 am

Two shows at 10.00 and 11.30

For ages 2-7 Under 2s go free

Inspired, amongst others, by the myth of Pygmalion and the tales of E.T.A. Hoffmann, this is a poetic pantomime that blends circus, theatre and puppetry. It tells the impossible love story of a mechanical doll called Bambolina and its maker, Dodo.

Feb
12
Sun
LAUDERDALE SUZUKI MUSIC: SING WITH PATTY @ Lauderdale House
Feb 12 @ 2:30 pm – 3:00 pm

LAUDERDALE SUZUKI MUSIC: SING WITH PATTY Sun 12 Feb, 2.30–3pm | Free A free singing session for children under 5 years old. Patty will teach songs with hand movements, chime bars and percussion instruments. These classes provide an excellent foundation for learning an instrument.

Mar
9
Sat
Highgate Choral Society Spring Concert @ All Hallows' Church
Mar 9 @ 7:00 pm – 9:30 pm

hcs_JGM_A5_2pp March final

Janacek’s Glagolitic Mass, so-named as it uses a ninth century text written in Old Church Slavonic, is also known as the Slavonic Mass. Rather than a traditional sacred piece, Janacek is thought to have conceived his mass as a celebration of Slavic culture and the pan-Slavic movement that he supported.

The Glagolitic Mass was first performed in Brno, Czechoslovakia, in April 1926. It is a highly original work for choir, organ and orchestra that expresses dramatic energy and tenderness in equal measure, and is recognised today as one of most significant contributions to choral music in the twentieth century.

Poulenc’s Gloria is a joyful rendering of the Gloria text from the Catholic Mass, and one of Poulenc’s most celebrated works. Scored for soprano, choir and large orchestra, it was composed in 1959 and first performed in 1961 in Boston to critical acclaim. Poulenc was known for composing music of sharp contrasts and his Gloria, which is jocund as well as solemn, is no exception.


Always Moving On is a brand new work for choir and orchestra, written by newcomer Christopher Ashley. An eight-minute orchestral march of aspiration and healing, it provides a modern twist to the familiar and popular format pioneered by Elgar and Walton in the early 20th century. The piece gives expression to the timeless virtues of hope, joy, patience and tolerance, offering respite from uncertainty and gloom.