For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
shakespear in song
friday 3 february
18 songs 14 composers 10 plays 1 playwright
A song recital exploring love, lust, power and decay. Four centuries of the bard’s songs, interwoven with spoken poetry from his sonnets and plays.
Sheakespear’s plays and poetry have inspired the finest composers of songs. Traditional Elizabethan settings will be performed alongside timeless arrangements by Purcell, Quiter, Finzi, Schubert and Haydn. Female composers Dring and Maconchy, together with contemporary settings by Korngold, Horovitz and Tippett.
Contralto Lucy Stevens
Pianist Elizabeth Marcus
Doors and bar open at 7pm, performance at 8pm.
Tickets can be purchased at Ticket Source – http://bit.ly2i687Zx
Price band
Standard £12.00
Concessions £10.00
to book
Box office: 07790456169
Website: www.shakespeareinsong.com
Baby Circus is an awakening of curiosity and joy. Beginning gradually and softly, performers get acquainted with each infant as the audience arrives before moving to the performance space. As circus characters and acts are introduced, infants will be captivated and parents entertained. Developed by director Mette Ylikorva and appearing as part of Jacksons Lane’s Sirkus Finnish showcase. 11am and 1pm sessions are for those aged 0 to 1. 3pm performances for those aged 1 to 3.
This acclaimed Edinburgh sell-out production from Jacksons Lane’s Artistic Director Adrian Berry tells the story of a young David Bowie obsessive.
Martin is a boy with problems – an illness no-one understands and a head full of sound and vision. So when an unexpected gift arrives on his birthday, Martin embarks on a thrilling journey in the footsteps of his obsession, leading him to discover some long-hidden truths about himself. What follows will change his life forever…
Powerful and touching, music and magic realism collide in this darkly funny and moving solo production featuring Alex Walton and the voice of writer & comedian Rob Newman. With a blistering Bowie soundtrack, the life of the pop fan is dissected in this tale of unnatural teenage wildlife.
“Moving and touching, it blew me away. I cried my eyes out. You forget you’re in a theatre, and you can’t ask for much more than that” BBC London Live
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.
12th to 21st May
Jacksons Lane Theatre, Archway Rd, Highgate
Director – Simon Iorio
Musical Director – Oliver John Ruthven
With period orchestra Musica Poetica
Claudio Monteverdi’s L’Incoronazione di Poppea, the third of his three surviving operas, rightly occupies an elevated position in the history of the genre. It is a masterpiece of text setting and musical invention, at a time when opera as we know it today was very new, and certainly not performed in anything like the same way. Monteverdi was blessed to be able to set a particularly fine libretto, written Giovanni Busenello, perhaps the first great opera librettist, and Da Ponte’s literary forefather.
For HGO, performing this wonderful work is a very important milestone, particularly given that we coincide with the 450th anniversary of Monteverdi’s birth. Indeed, we will be performing it on Monteverdi’s exact birthday, Thursday 18th May. This production also marks the first time that HGO will perform an opera in its original language (other than English), together with the first time that we will perform with surtitles. This is an indication of our pledge as a training opera company to give our singers a complete experience of performing opera, as well as giving our audiences a presentation of this work with not only the authentic music, but also the authentic text.
HGO will be joined by an array of period instruments for Poppea; two harpsichords, chamber organ, two theorbos, viola da gamba, violone and violins. This promises to be a vibrant and exciting production of one of the greatest works of art of the seventeenth century, and one not to be missed.