BUST is based in London, and focuses on a group of thirty-somethings who are growing up. Faced with real life challenges and topics (e.g. breast cancer, miscarriage, accidents, gay partnership…) BUST explores the measures people take to fulfill their sense of purpose in the world. Essentially, it’s commentary on commitment, sacrifice and family.
After Naomi Lowde’s well-received musical debut, “Redundancy the Musical” (www.redundancythemusical.com) at the Hen and Chickens Theatre in February last year (www.offwestend.com/index.php/plays/view/7201), she worked on several new pieces and productions in Hong Kong. Now Lowde has returned to London to debut BUST.
*10% of ticket sales will be donated to The Carers Trust.
**The Red Hedgehog operates a Green Transport Scheme. Those traveling to the venue by environmentally friendly methods will recieve a £1 voucher to be used at the bar or against a future ticket purchase.
10-14 September, The Red Hedgehog,
7:30pm Tuesday-Saturday
2:30pm Wednesday and Saturday
BUST is based in London, and focuses on a group of thirty-somethings who are growing up. Faced with real life challenges and topics (e.g. breast cancer, miscarriage, accidents, gay partnership…) BUST explores the measures people take to fulfill their sense of purpose in the world. Essentially, it’s commentary on commitment, sacrifice and family.
After Naomi Lowde’s well-received musical debut, “Redundancy the Musical” (www.redundancythemusical.com) at the Hen and Chickens Theatre in February last year (www.offwestend.com/index.php/plays/view/7201), she worked on several new pieces and productions in Hong Kong. Now Lowde has returned to London to debut BUST.
*10% of ticket sales will be donated to The Carers Trust.
**The Red Hedgehog operates a Green Transport Scheme. Those traveling to the venue by environmentally friendly methods will recieve a £1 voucher to be used at the bar or against a future ticket purchase.
10-14 September, The Red Hedgehog,
7:30pm Tuesday-Saturday
2:30pm Wednesday and Saturday
BUST is based in London, and focuses on a group of thirty-somethings who are growing up. Faced with real life challenges and topics (e.g. breast cancer, miscarriage, accidents, gay partnership…) BUST explores the measures people take to fulfill their sense of purpose in the world. Essentially, it’s commentary on commitment, sacrifice and family.
After Naomi Lowde’s well-received musical debut, “Redundancy the Musical” (www.redundancythemusical.com) at the Hen and Chickens Theatre in February last year (www.offwestend.com/index.php/plays/view/7201), she worked on several new pieces and productions in Hong Kong. Now Lowde has returned to London to debut BUST.
*10% of ticket sales will be donated to The Carers Trust.
**The Red Hedgehog operates a Green Transport Scheme. Those traveling to the venue by environmentally friendly methods will recieve a £1 voucher to be used at the bar or against a future ticket purchase.
10-14 September, The Red Hedgehog,
7:30pm Tuesday-Saturday
2:30pm Wednesday and Saturday
BUST is based in London, and focuses on a group of thirty-somethings who are growing up. Faced with real life challenges and topics (e.g. breast cancer, miscarriage, accidents, gay partnership…) BUST explores the measures people take to fulfill their sense of purpose in the world. Essentially, it’s commentary on commitment, sacrifice and family.
After Naomi Lowde’s well-received musical debut, “Redundancy the Musical” (www.redundancythemusical.com) at the Hen and Chickens Theatre in February last year (www.offwestend.com/index.php/plays/view/7201), she worked on several new pieces and productions in Hong Kong. Now Lowde has returned to London to debut BUST.
*10% of ticket sales will be donated to The Carers Trust.
**The Red Hedgehog operates a Green Transport Scheme. Those traveling to the venue by environmentally friendly methods will recieve a £1 voucher to be used at the bar or against a future ticket purchase.
10-14 September, The Red Hedgehog,
7:30pm Tuesday-Saturday
2:30pm Wednesday and Saturday
BUST is based in London, and focuses on a group of thirty-somethings who are growing up. Faced with real life challenges and topics (e.g. breast cancer, miscarriage, accidents, gay partnership…) BUST explores the measures people take to fulfill their sense of purpose in the world. Essentially, it’s commentary on commitment, sacrifice and family.
After Naomi Lowde’s well-received musical debut, “Redundancy the Musical” (www.redundancythemusical.com) at the Hen and Chickens Theatre in February last year (www.offwestend.com/index.php/plays/view/7201), she worked on several new pieces and productions in Hong Kong. Now Lowde has returned to London to debut BUST.
*10% of ticket sales will be donated to The Carers Trust.
**The Red Hedgehog operates a Green Transport Scheme. Those traveling to the venue by environmentally friendly methods will recieve a £1 voucher to be used at the bar or against a future ticket purchase.
10-14 September, The Red Hedgehog,
7:30pm Tuesday-Saturday
2:30pm Wednesday and Saturday
“A new writing night where casting, rehearsing, and performing takes place in the course of a single evening.” Once a month, writers are given the chance to see their words brought to life by performers, who in turn get to hone their improvisation and workshopping skills in a relaxed atmosphere, and be on the pulse of new work. Sketches, monologues, duologues, spoken word, performance poetry – as long as it’s new! Stitchin’ Fiction strives to create new links between passionate creatives – pulling words off the page and into reality. Based in the heart of North London, join in or come along to watch the newest of new writing from 7:30pm! Date: Tuesday 3rd February Time: 6pm for Participants – Public Scratch Performance begins 7:30pm followed by Q&A Venue: The Boogaloo, 312 Archway Road, London, N6 5AT The Boogaloo with Stitchin’ Fiction strive to create new links between budding creatives. Our aim: to give you a platform to show your work and take creative risks. Get the words out of your notebooks and your laptops; give them life in this relaxed scratch evening.
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.
Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.
Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.
It is the story of the battle for hope and the survival of a community in a small wooden shed.
It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.
The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.
Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.
Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.
Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.
It is the story of the battle for hope and the survival of a community in a small wooden shed.
It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.
The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.
Presented by HiLo Productions
By Gail Louw
Directed by John Burrows
Performed by Andrew Wheaton
27th – 29th April
Friday & Saturday 7.30pm
Sunday 4pm
The story of a 20th century dad, his son & Brahms
Anton does his best but it’s a heartless and tough world out there – what with the Nazis, internment, a loveless marriage and a son he can’t communicate with. Being Brahms is a much better option, a world of soothing lullabies and the lovely Clara Schulmann to drool over, a world where everything seems so much clearer.
Multi award winning playwright Gail Louw blends a universal, heartfelt story about fathers and sons with the wondrous music of Johannes Brahms in this new one-man drama.
Gail Louw has her plays performed throughout the world: Duwayne, (Best New Play at Brighton Fringe), Blonde Poison (Argus Angel, Best of the Fest – San Francisco, South Africa and Sydney Opera House). Miss Dietrich Regrets (Naledi Award). And this is my friend Mr Laurel, with Jeffrey Holland (Edinburgh and tour), Two Sisters (Los Angeles and UK). Most recently is sell out UK tour of The Mitfords. Oberon have published two collections of Gail’s plays.
Once described by The Stage as an actor of all parts, Andrew Wheaton has played everything from a dead body in a comedy thriller to multi-role ensemble work, and major roles in productions as diverse as Shakespeare and musicals in the West End and New York.
Tickets
£16 (£14 concession)
Presented by HiLo Productions
By Gail Louw
Directed by John Burrows
Performed by Andrew Wheaton
27th – 29th April
Friday & Saturday 7.30pm
Sunday 4pm
The story of a 20th century dad, his son & Brahms
Anton does his best but it’s a heartless and tough world out there – what with the Nazis, internment, a loveless marriage and a son he can’t communicate with. Being Brahms is a much better option, a world of soothing lullabies and the lovely Clara Schulmann to drool over, a world where everything seems so much clearer.
Multi award winning playwright Gail Louw blends a universal, heartfelt story about fathers and sons with the wondrous music of Johannes Brahms in this new one-man drama.
Gail Louw has her plays performed throughout the world: Duwayne, (Best New Play at Brighton Fringe), Blonde Poison (Argus Angel, Best of the Fest – San Francisco, South Africa and Sydney Opera House). Miss Dietrich Regrets (Naledi Award). And this is my friend Mr Laurel, with Jeffrey Holland (Edinburgh and tour), Two Sisters (Los Angeles and UK). Most recently is sell out UK tour of The Mitfords. Oberon have published two collections of Gail’s plays.
Once described by The Stage as an actor of all parts, Andrew Wheaton has played everything from a dead body in a comedy thriller to multi-role ensemble work, and major roles in productions as diverse as Shakespeare and musicals in the West End and New York.
Tickets
£16 (£14 concession)
Presented by HiLo Productions
By Gail Louw
Directed by John Burrows
Performed by Andrew Wheaton
27th – 29th April
Friday & Saturday 7.30pm
Sunday 4pm
The story of a 20th century dad, his son & Brahms
Anton does his best but it’s a heartless and tough world out there – what with the Nazis, internment, a loveless marriage and a son he can’t communicate with. Being Brahms is a much better option, a world of soothing lullabies and the lovely Clara Schulmann to drool over, a world where everything seems so much clearer.
Multi award winning playwright Gail Louw blends a universal, heartfelt story about fathers and sons with the wondrous music of Johannes Brahms in this new one-man drama.
Gail Louw has her plays performed throughout the world: Duwayne, (Best New Play at Brighton Fringe), Blonde Poison (Argus Angel, Best of the Fest – San Francisco, South Africa and Sydney Opera House). Miss Dietrich Regrets (Naledi Award). And this is my friend Mr Laurel, with Jeffrey Holland (Edinburgh and tour), Two Sisters (Los Angeles and UK). Most recently is sell out UK tour of The Mitfords. Oberon have published two collections of Gail’s plays.
Once described by The Stage as an actor of all parts, Andrew Wheaton has played everything from a dead body in a comedy thriller to multi-role ensemble work, and major roles in productions as diverse as Shakespeare and musicals in the West End and New York.
Tickets
£16 (£14 concession)