Newly announced as Associate Artists at Jacksons Lane, Alula are a phenomenon. Three strong, skilled young women with a rapport like no other; their main discipline – the Cyr Wheel – has astounded audiences the world over. Now they return to their home for this very special one-off event, combining stylish group work, astonishing solos, acrobatics and live music, with a special guest or two thrown in to the mix. Come join Alula’s world!
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
David Bowie loved the circus, and we love David Bowie.
Jacksons Lane pays its respects with a once-in-a-lifetime night of spectacular sound and vision that we think will blow your minds. Performers from across the globe come together to celebrate Ziggy, the Thin White Duke, and maybe even Jareth the Goblin King as they choose their favourite Bowie look and song for a night of spaceman-inspired circus that’s out of this world.
—
We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
Closing the festival in screwball style, join Ireland’s most emotional dancers as they share their bullet proof secret to life and happiness! A motivational, semi-nude, breathtakingly funny show, Sean and Seamus dance and bicker their way through an hour of physical and meta-physical comedy.
“if Michael Flatley and Jim Carey had a sadomasochistic love child they would be it” Elle Magazine
“THIS SHOW WILL CHANGE YOUR LIFE; OR AT LEAST MAKE YOU LAUGH. WHAT MORE COULD YOU WANT?”
THE IRISH TIMES
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We have introduced a Pay What You Decide policy for Postcards Festival 2016 shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
Jonathan Pie is a respected News reporter for a respected News broadcaster but he has a problem. He has several problems. He hates his job. He hates his colleagues. But mainly he hates the f**king News.
Join him for this live show where he hilariously reveals the truth behind recent News events both home and abroad. He’ll also be discussing his own meteoric rise to mediocrity…and one imagines he’ll be venting plenty of spleen in the process.*
*Warning: may contain some f**king strong language.
Ages 14+
Jonathan Pie is a respected News reporter for a respected News broadcaster but he has a problem. He has several problems. He hates his job. He hates his colleagues. But mainly he hates the f**king News.
Join him for this live show where he hilariously reveals the truth behind recent News events both home and abroad. He’ll also be discussing his own meteoric rise to mediocrity…and one imagines he’ll be venting plenty of spleen in the process.*
*Warning: may contain some f**king strong language.
Ages 14+
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
There will be no Highgate Coffee & Computers session on 16 December.
Highgate School has amazing computer facilities, and the friendly students will be there to help sort out your problems. There will also be coffee/tea and cake.
Please note the volunteers at these sessions are pupils from the school, ranging in age from 11 to 18 years old. The School has a duty of care to these young people and would be very grateful if you could be mindful of maintaining appropriate interaction with them. Please consider issues such as your language, your expectations regarding the type of matter you raise with the pupils, and the sort of information that the pupils may see on your documents or particular webpages.
If you have any queries then please don’t hesitate to raise them with the members of staff at the session.
If you plan to come, it would be helpful to know, though it is not obligatory.
We look forward to seeing you this Friday!
The Highgate Coffee & Computers volunteers
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Shows at 10am; 12.00 or 13.30 and 15.00 Most days!
We’re going on a bear hunt.
We’re going to catch a big one.
What a beautiful day!
We’re not scared.
A family go on an expedition of a lifetime – running down the grassy bank, wading through the cold river, squelching over the oozy mud, stumbling into the dark forest, then peering into a cave… what will they find?
Little Angel Theatre brings Michael Rosen’s thrilling and funny adventure to life in this entrancing puppetry production directed by Peter Glanville and with music and lyrics by renowned singer-songwriter Barb Jungr.
Age 2-7
“You couldn’t wish for a sweeter introduction to theatre” ★★★★ Time Out
“A must-see family show…oozes melodious charm” The Stage
“An imaginative and highly entertaining puppet show for young and old alike.” Huffington Post
Highgate School has amazing computer facilities, and the friendly and knowledgeable student volunteers always prove really popular with our Highgate Coffee & Computers visitors. The students will help with any computer question, from the simplest problem to the fiendishly tricky challenges, nothing seems to defeat them!
And of course, there’s the famous cake that comes with the coffee and tea. Worth a visit all on its own!
Please note the volunteers at these sessions are pupils from the school, ranging in age from 11 to 18 years old. The School has a duty of care to these young people and would be very grateful if you could be mindful of maintaining appropriate interaction with them. Please consider issues such as your language, your expectations regarding the type of matter you raise with the pupils, and the sort of information that the pupils may see on your documents or particular webpages.
If you have any queries then please don’t hesitate to raise them with the members of staff at the session.
Highgate School has amazing computer facilities, and the friendly and knowledgeable student volunteers always prove really popular with our Highgate Coffee & Computers visitors. The students will help with any computer question, from the simplest problem to the fiendishly tricky challenges, nothing seems to defeat them!
And of course, there’s the famous cake that comes with the coffee and tea. Worth a visit all on its own!
Please note the volunteers at these sessions are pupils from the school, ranging in age from 11 to 18 years old. The School has a duty of care to these young people and would be very grateful if you could be mindful of maintaining appropriate interaction with them. Please consider issues such as your language, your expectations regarding the type of matter you raise with the pupils, and the sort of information that the pupils may see on your documents or particular webpages.
If you have any queries then please don’t hesitate to raise them with the members of staff at the session.
Highgate School has amazing computer facilities, and the friendly and knowledgeable student volunteers always prove really popular with our Highgate Coffee & Computers visitors. The students will help with any computer question, from the simplest problem to the fiendishly tricky challenges, nothing seems to defeat them!
And of course, there’s the famous cake that comes with the coffee and tea. Worth a visit all on its own!
Please note the volunteers at these sessions are pupils from the school, ranging in age from 11 to 18 years old. The School has a duty of care to these young people and would be very grateful if you could be mindful of maintaining appropriate interaction with them. Please consider issues such as your language, your expectations regarding the type of matter you raise with the pupils, and the sort of information that the pupils may see on your documents or particular webpages.
If you have any queries then please don’t hesitate to raise them with the members of staff at the session.
Highgate School has amazing computer facilities, and the friendly and knowledgeable student volunteers always prove really popular with our Highgate Coffee & Computers visitors. The students will help with any computer question, from the simplest problem to the fiendishly tricky challenges, nothing seems to defeat them!
And of course, there’s the famous cake that comes with the coffee and tea. Worth a visit all on its own!
Please note the volunteers at these sessions are pupils from the school, ranging in age from 11 to 18 years old. The School has a duty of care to these young people and would be very grateful if you could be mindful of maintaining appropriate interaction with them. Please consider issues such as your language, your expectations regarding the type of matter you raise with the pupils, and the sort of information that the pupils may see on your documents or particular webpages.
If you have any queries then please don’t hesitate to raise them with the members of staff at the session.
TheHighgate Coffee & Computers’ special Cyber scam session is today!
Numbers are limited so please email to say if you’ll be joining us on Friday 04 October and if you’re bringing a friend.
Highgate School has amazing computer facilities, and the friendly and knowledgeable student volunteers always prove really popular with our Highgate Coffee & Computers visitors. The students will help with any computer question, from the simplest problem to the fiendishly tricky challenges, nothing seems to defeat them!
And of course, there’s the famous cake that comes with the coffee and tea. Worth a visit all on its own!
Please note the volunteers at these sessions are pupils from the school, ranging in age from 11 to 18 years old. The School has a duty of care to these young people and would be very grateful if you could be mindful of maintaining appropriate interaction with them. Please consider issues such as your language, your expectations regarding the type of matter you raise with the pupils, and the sort of information that the pupils may see on your documents or particular webpages.
If you have any queries then please don’t hesitate to raise them with the members of staff at the session.
Highgate School has amazing computer facilities, and the friendly and knowledgeable student volunteers always prove really popular with our Highgate Coffee & Computers visitors. The students will help with any computer question, from the simplest problem to the fiendishly tricky challenges, nothing seems to defeat them!
And of course, there’s the famous cake that comes with the coffee and tea. Worth a visit all on its own!
Please note the volunteers at these sessions are pupils from the school, ranging in age from 11 to 18 years old. The School has a duty of care to these young people and would be very grateful if you could be mindful of maintaining appropriate interaction with them. Please consider issues such as your language, your expectations regarding the type of matter you raise with the pupils, and the sort of information that the pupils may see on your documents or particular webpages.
If you have any queries then please don’t hesitate to raise them with the members of staff at the session.