Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.
Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.
Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.
It is the story of the battle for hope and the survival of a community in a small wooden shed.
It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.
The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.
Red Shed is the third part in a trilogy that started with the multi award winning shows Bravo Figaro and Cuckooed.
Mark returns to the place where he first started to perform in public, a red wooden shed in Wakefield, the Labour Club, to celebrate the club’s 50th birthday.
Interviewing old friends and comrades Mark pieces together the club’s history and works with the club to campaign with some of the poorest workers in the country for their rights.
It is the story of the battle for hope and the survival of a community in a small wooden shed.
It is part theatre, part stand up, part journalism, part activism and returns to Mark’s obsessions of community and struggle.
The show will involve the audience (in a nice way) to help recreate the shed and its inhabitants.
Jonathan Pie is a respected News reporter for a respected News broadcaster but he has a problem. He has several problems. He hates his job. He hates his colleagues. But mainly he hates the f**king News.
Join him for this live show where he hilariously reveals the truth behind recent News events both home and abroad. He’ll also be discussing his own meteoric rise to mediocrity…and one imagines he’ll be venting plenty of spleen in the process.*
*Warning: may contain some f**king strong language.
Ages 14+
Jonathan Pie is a respected News reporter for a respected News broadcaster but he has a problem. He has several problems. He hates his job. He hates his colleagues. But mainly he hates the f**king News.
Join him for this live show where he hilariously reveals the truth behind recent News events both home and abroad. He’ll also be discussing his own meteoric rise to mediocrity…and one imagines he’ll be venting plenty of spleen in the process.*
*Warning: may contain some f**king strong language.
Ages 14+
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
An enchanting concert of duets and solos for cello and guitar. Charles Ellis and Ian Kelleher will take you on a musical journey spanning centuries and continents including gems by Bach, Legnani, Piazzolla, Ravel and Villa-Lobos.
To book, contact Ian Kelleher on info@iankelleher-guitar.co.uk or by phoning 01371 878 403.
Tickets: standard £15 | concessions £10 | children £5
The Guitar and Cello Concert takes place in Lauderdale House’s Long Gallery on 19 October. Doors open at 7pm, concert begins 7.30pm.
A Pentecost performance of uplifting and (hopefully) sunlit sacred music on the Spanish Guitar.
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“A sequence of timeless emotions, such as awe, reverence, ecstasy, penitence, prayer, gratitude, rapture, worship, praise, ardour, resolve, Jonathan Byrd’s music presences us at the Holy Spirit’s descent as the disciples’ likely knew it”