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Mar
14
Sat
HCS – Bach’s St Matthew Passion @ All Hallows Church
Mar 14 @ 5:30 pm – 9:30 pm

Arguably the greatest of all Bach’s settings of the Passion, the St Matthew Passion was described by Sir Hubert Parry as “the richest and noblest example of sacred music in existence.”

Matthew Buswell – Christus
Rupert Charlesworth – Evangelist
Soraya Mafi – soprano
Magid El-Bushra – countertenor
Adrian Ward – tenor
Sam Evans – baritone
New London Orchestra
Ronald Corp – conductor

This performance uses the edition in English by the tenor Neil Jenkins and tells the story of Christ’s betrayal, trial and crucifixion.

Tickets are now available to book online at http://www.ticketsource.co.uk/highgatechoral

Please note the early start time and bring a picnic for the 45-minute interval. Wine and water will be on sale.

Mar
25
Sun
Crossing Continents: Ricardo Curbelo and Fiona Harrison in Concert @ Lauderdale House
Mar 25 @ 7:00 pm – 9:00 pm
Crossing Continents: Ricardo Curbelo and Fiona Harrison in Concert @ Lauderdale House | England | United Kingdom

Ricardo Curbelo (Harp, Cuatro, Maracas, Vocals)
“A sheer delight to see and listen to” (Arran Music Society, 2016)

Fiona Harrison, (Classical Guitar)
“… a musician of great sensitivity both to her instrument and the mood of the music … gifted with a superbly confident technique.” (Hampshire Chronicle)

Travel on a rich and exciting musical journey with these two fine soloists.
Innovative Latin American harpist, composer and poet, Ricardo Curbelo, combines traditional music from a variety of Latin American countries, together with his own, spellbinding compositions. Vibrant, energetic and jazzy pieces contrast with more classical, enchanting melodies and tender vocals. He is delighted to share this concert with wonderful classical guitarist, Fiona Harrison, who will also present a fascinating and varied programme of music, crossing cultures and centuries from Renaissance England through to contemporary Japan.

Mar
9
Sat
Highgate Choral Society Spring Concert @ All Hallows' Church
Mar 9 @ 7:00 pm – 9:30 pm

hcs_JGM_A5_2pp March final

Janacek’s Glagolitic Mass, so-named as it uses a ninth century text written in Old Church Slavonic, is also known as the Slavonic Mass. Rather than a traditional sacred piece, Janacek is thought to have conceived his mass as a celebration of Slavic culture and the pan-Slavic movement that he supported.

The Glagolitic Mass was first performed in Brno, Czechoslovakia, in April 1926. It is a highly original work for choir, organ and orchestra that expresses dramatic energy and tenderness in equal measure, and is recognised today as one of most significant contributions to choral music in the twentieth century.

Poulenc’s Gloria is a joyful rendering of the Gloria text from the Catholic Mass, and one of Poulenc’s most celebrated works. Scored for soprano, choir and large orchestra, it was composed in 1959 and first performed in 1961 in Boston to critical acclaim. Poulenc was known for composing music of sharp contrasts and his Gloria, which is jocund as well as solemn, is no exception.


Always Moving On is a brand new work for choir and orchestra, written by newcomer Christopher Ashley. An eight-minute orchestral march of aspiration and healing, it provides a modern twist to the familiar and popular format pioneered by Elgar and Walton in the early 20th century. The piece gives expression to the timeless virtues of hope, joy, patience and tolerance, offering respite from uncertainty and gloom.