If Kraftwerk made circus it would look something like this: comedy meets electro-robotic-vogueing in an epic feat of handstand endurance!
Natalie Reckert is a German hand balancer who loves to dance to electronic beats and read Wikipedia articles about load experiments. In her highly skilled one-woman experiment, she tests the limits of the body and the stability of quite a lot of eggs. Brilliantly absurd and totally unique.
“PURE CIRCUS MAGIC” REVIEWS HUB
—
We have introduced a Pay What You Decide policy for Postcards Festival 2016 shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
![CONSTRUCTS: Katie Hare / Callum Hill / Ellie Power @ LUX | London | England | United Kingdom](https://www.highgatecalendar.org/wp-content/uploads/2016/09/Callum-Hill-Solo-Damas-2016-300x169.jpg)
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
![CONSTRUCTS: Katie Hare / Callum Hill / Ellie Power @ LUX | London | England | United Kingdom](https://www.highgatecalendar.org/wp-content/uploads/2016/09/Callum-Hill-Solo-Damas-2016-300x169.jpg)
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
![CONSTRUCTS: Katie Hare / Callum Hill / Ellie Power @ LUX | London | England | United Kingdom](https://www.highgatecalendar.org/wp-content/uploads/2016/09/Callum-Hill-Solo-Damas-2016-300x169.jpg)
CONSTRUCTS is the inaugural exhibition at LUX’s new home in Waterlow Park, in Highgate. It marks LUX’s return to Camden, where its predecessor organisation, the London Film-Makers’ Co-operative, was based for more than three decades.
Curated by Matt Carter, the exhibition features work by three emerging London-based artists who graduated this year: Katie Hare (MFA Goldsmiths), Callum Hill (MA RCA), and Ellie Power (BA Wimbledon). Their work spans across HD video, CGI, gaming networks, installation, animation, found footage and 16mm film, with each artist’s diverse practice engaging with and utilising moving image in its many forms today. The works presented in this exhibition interrogate the constructs of the mediums themselves, the latent power they might hold, and examine their relationships to individual and collective cultural constructs.
CONSTRUCTS continues the partnership initiated in 2014 between Art Licks Weekend and LUX for the Moving Image programme of the festival.
In a dystopian world where humans have retreated far underground, Kuno alone questions their now total dependency on technology to live and communicate with each other, but in his struggle to break out can he reach the Earth’s surface before the Machine stops?
A chilling prediction and exploration of our increasingly complex relationship with technology based on a short story by EM Forster. Featuring a brand new soundtrack composed by John Foxx, pioneer of electronic music and founder of Ultravox, and analogue synth specialist, Benge.
In a dystopian world where humans have retreated far underground, Kuno alone questions their now total dependency on technology to live and communicate with each other, but in his struggle to break out can he reach the Earth’s surface before the Machine stops?
A chilling prediction and exploration of our increasingly complex relationship with technology based on a short story by EM Forster. Featuring a brand new soundtrack composed by John Foxx, pioneer of electronic music and founder of Ultravox, and analogue synth specialist, Benge.
In a dystopian world where humans have retreated far underground, Kuno alone questions their now total dependency on technology to live and communicate with each other, but in his struggle to break out can he reach the Earth’s surface before the Machine stops?
A chilling prediction and exploration of our increasingly complex relationship with technology based on a short story by EM Forster. Featuring a brand new soundtrack composed by John Foxx, pioneer of electronic music and founder of Ultravox, and analogue synth specialist, Benge.
In a dystopian world where humans have retreated far underground, Kuno alone questions their now total dependency on technology to live and communicate with each other, but in his struggle to break out can he reach the Earth’s surface before the Machine stops?
A chilling prediction and exploration of our increasingly complex relationship with technology based on a short story by EM Forster. Featuring a brand new soundtrack composed by John Foxx, pioneer of electronic music and founder of Ultravox, and analogue synth specialist, Benge.
In a dystopian world where humans have retreated far underground, Kuno alone questions their now total dependency on technology to live and communicate with each other, but in his struggle to break out can he reach the Earth’s surface before the Machine stops?
A chilling prediction and exploration of our increasingly complex relationship with technology based on a short story by EM Forster. Featuring a brand new soundtrack composed by John Foxx, pioneer of electronic music and founder of Ultravox, and analogue synth specialist, Benge.