Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.
Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.
Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.
Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.
Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.
Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.
Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.
Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.
Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.
Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.
Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.
Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.
Following his spell binding presentation last year at the University of London, The International Institute of Peace Studies (Scotland) and the Swiss Cottage Community Centre (London), sensei Corky Quakenbush is back in London to teach his innovative approach to Aikido known as Aiki-Lab – the result of more than thirty years of practice and research.
Sensei Corky classes are open to all – complete beginners and practitioners alike.
While most forms of Aikido are taught through the repetitive emulation of stereotyped katas, Aiki-Lab does not rely on such pre-planned techniques; its focus is on the flow of energy arising from the intentions of those involved, in order to create a space for aiki to manifest. In other words, the goal of Aiki-Lab is to develop a presence that allows for a “center-to-center” connection with an opponent leading to a spontaneous, harmonious response to an attack – known as an aiki resolution.
Sensei Corky Quakenbush (Los Angeles) is back in London to present his unique Aiki-Lab method – at the Highgate Civic and Cultural Centre.
Complete beginners are especially welcome! No Aikido technique, throw, fall or force is strictly necessary!
Corky is the mastermind of the ground-breaking approach to Takemusu Aikido known as AikiLab – a YouTube sensation. Whereas most forms of Aikido are taught through the repetitive emulation of katas or techniques, his approach does not rely on such stereotypes. Instead, the main focus of Aiki-Lab is on the flow of energy arising from the intentions of those involved in a confrontation…
Corky’s re-invention of the Art – the result of more than thirty years of practice and research – his unique gift for teaching, allied to a friendly and open personality, has led to a growing demand for his teaching world-wide.
In this hands-on presentation, you will understand how certain intentional moves which channel beneficent intention towards an opponent, often lead to a safe and harmonious resolution of an attack.
Please book ASAP!
Five £10 concessions available. Please e-mail us in advance.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Linda and John Jenkins: THRESHOLDS. 8-24 June 2018
Nature forms the basis of both Linda’s and John’s work, but their approach in style and medium is very different, resulting in a varied and evocative show.
Linda’s work explores her fascination with surfaces, textures and colours and the responses, both emotional and psychological, that these elements can provoke. She uses collage, fabrics and stitch as well as lino and mono-printing, collagraph, drawing and painting, manipulating her materials to experiment and reveal in an intuitive way. In this process she is also exploring the connections between our exterior and interior worlds.
Inspiration is drawn from the land and seascapes of Australia, rock formations in Norway, beaches in Cornwall, and woods and lakes closer to home. Linda is aiming to evoke a memory of a place and time experienced, as well as opening the doors to new – as yet unexplored – vistas.
John’s photographic work is inspired by landscape and especially trees which he feels are imbued with both spiritual and visual qualities. Working intuitively when editing his photographs he is searching for structures, patterns and textures that reimagine the components of the landscape into new visual experiences.
He is also fascinated by the concept of symmetry which is found in so many forms of art and nature. He endeavours to create work that has a meditative quality and allows the viewer the opportunity to discover hidden worlds. His artworks are constructed as photo collages as their composition is a result of a process of experimentation both with scale and the choice of paper to enhance the image.
All work in the exhibition is for sale.
Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Turning Points in Modern Jewish History
Turning Points in Modern Jewish History
Turning Points in Modern Jewish History
Turning Points in Modern Jewish History