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Jul
4
Mon
Bodyline post-mortem: Why did a cricket series cause an international crisis? @ Mills Centre, Highgate School
Jul 4 @ 6:45 pm – 8:00 pm

The 1932-33 England cricket tour of Australia was one of the most widely reported of all time.  During a period when long-distance communications were either painfully slow or terrifically expensive, c. 130,000 words were wired across the world over a three-day period, costing a small fortune.  Nor did interest in the tour wane within a few years, and even today, over eighty years after the victorious English side left Australia, more is written about this series than any other.  The reason is simple: for the first time in the history of the game, controversy that took place on the field took on a political dimension, causing Dominions Secretary, Jimmy Thomas, to later recall: ‘no politics ever introduced in the British Empire caused me so much trouble as this damn bodyline bowling’.

The talk will be given by James Newton, Head of History at Highgate School.

Jul
6
Fri
Andrew Szydlo As if by Magic @ Highgate School Chapel Quad
Jul 6 @ 4:15 pm – 5:15 pm

Magic with chemistry – suitable for ALL ages.

Mar
9
Sat
Highgate Choral Society Spring Concert @ All Hallows' Church
Mar 9 @ 7:00 pm – 9:30 pm

hcs_JGM_A5_2pp March final

Janacek’s Glagolitic Mass, so-named as it uses a ninth century text written in Old Church Slavonic, is also known as the Slavonic Mass. Rather than a traditional sacred piece, Janacek is thought to have conceived his mass as a celebration of Slavic culture and the pan-Slavic movement that he supported.

The Glagolitic Mass was first performed in Brno, Czechoslovakia, in April 1926. It is a highly original work for choir, organ and orchestra that expresses dramatic energy and tenderness in equal measure, and is recognised today as one of most significant contributions to choral music in the twentieth century.

Poulenc’s Gloria is a joyful rendering of the Gloria text from the Catholic Mass, and one of Poulenc’s most celebrated works. Scored for soprano, choir and large orchestra, it was composed in 1959 and first performed in 1961 in Boston to critical acclaim. Poulenc was known for composing music of sharp contrasts and his Gloria, which is jocund as well as solemn, is no exception.


Always Moving On is a brand new work for choir and orchestra, written by newcomer Christopher Ashley. An eight-minute orchestral march of aspiration and healing, it provides a modern twist to the familiar and popular format pioneered by Elgar and Walton in the early 20th century. The piece gives expression to the timeless virtues of hope, joy, patience and tolerance, offering respite from uncertainty and gloom.