The oh so hot right now Plastic Boom have created Water on Mars – a meteoric whiz of a show. Take three out of this world skillful young jugglers, six hands and thousands of catches. Add chocolate flies, back flips, giant card castles and magnetic jump ropes. Result: better than sex and as good as chocolate.
Think virtuoso juggling gone wild in this extrinsic playground experiment. Designed for spaceships and distant planets, Water On Mars is the future of juggling!
Co produced with Gandini Juggling, the fringe-storming producers of 4×4 andSmashed.
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We have introduced a Pay What You Decide policy for Postcards Festival 2016shows.
You can attend the shows without paying for a ticket beforehand, but tickets can be reserved in advance (max 4 per booking). When the show finishes, you will have the opportunity to make a donation – either by cash on the door or card at the Box Office.
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Ricardo Curbelo (Harp, Cuatro, Maracas, Vocals)
“A sheer delight to see and listen to” (Arran Music Society, 2016)
Fiona Harrison, (Classical Guitar)
“… a musician of great sensitivity both to her instrument and the mood of the music … gifted with a superbly confident technique.” (Hampshire Chronicle)
Travel on a rich and exciting musical journey with these two fine soloists.
Innovative Latin American harpist, composer and poet, Ricardo Curbelo, combines traditional music from a variety of Latin American countries, together with his own, spellbinding compositions. Vibrant, energetic and jazzy pieces contrast with more classical, enchanting melodies and tender vocals. He is delighted to share this concert with wonderful classical guitarist, Fiona Harrison, who will also present a fascinating and varied programme of music, crossing cultures and centuries from Renaissance England through to contemporary Japan.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.
We are now taking bookings for the Autumn Term for Painting with Watercolour and Acrylic.
This class is the perfect opportunity to learn the basics of both paint mediums; how to mix, blend and layer watercolour and how to apply acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. The cost for the entire term is £225.
Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on learning to draw was published in May 2016.
Painting with Watercolour and Acrylic takes place every Thursday at 10:30am at Lauderdale House. The Autumn Term runs Thursday 13 September to Thursday 13 December. Please note there is no class on 25 October for Half Term.