with Steve Lodev (keyboards), Steve Waterman & Martin Shaw (tpts,), Mark Nightingale & Barnaby Dickinson (tmbs)
Ben Crosland, acoustic and electric bass player, is based in Yorkshire and assembled this premier-league brass section to realise a commission from the 2011 Marsden Jazz Festival, inspired by the Yorkshire Sculpture Park, An Open Place. The compositions are inspired by specific pieces, such as Henry Moore’s Reclining Figures, and Barbara Hepworth’s Family of Man, the whole composition is suffused with the gentle, pastoral quality of the Park. A project like this would be easy meat for a classical brass group, but here the fascination is how some of the most technically-brilliant brassmen of the jazz world preserve the excitement of jazz, spontaneity and creativity without ‘raising the roof’, which in other circumstances they could easily do.
See event website.
In this lecture, Professor Gareth Stedman Jones looks at the last decade and a half of Marx’s life, a period in which he effectively gave up further work on Capital and read up instead on the village community and the early history of man. He was interested in particular in the new work on pre-history which developed from the 1860s onwards connecting this with a notion of primitive communism and an epoch in history before patriarchy and political hierarchy.
Professor Gareth Stedman Jones is Director of the Centre for History and Economics, Cambridge, and a Fellow of King’s College, Cambridge University since 1974. He was Professor of Political Science, History Faculty, Cambridge University from 1997 and in 2010 became Professor of the History of Ideas at Queen Mary, University of London. His publications include An End to Poverty? (2004), a long introduction to Karl Marx and Friedrich Engels, The Communist Manifesto (2002), and The Cambridge History of Nineteenth-Century Political Thought, co-edited with Gregory Claeys, 2011.
He is currently working on an intellectual biography of Marx commissioned by Penguin and a more general work on political thought between the French Revolution and the Revolutions of 1848.
Doors open at 7pm and wine and nibbles will be served. The talk starts promptly at 7.30pm and will last about an hour.
Tickets are non-refundable but, as a courtesy to others, please let us know if you cannot attend.
Have you ever seen someone buried alive in makeup?
You can see this man has scars. But they’re so far below the top layer, it would take an industrial sandblaster to even them out. And it’s easier to trowel on a few more inches of concealer.
Psychodermabrasion is a red raw tragicomedy about damage done beneath the skin. Live action fuses with recorded sound and projected image to create an offbeat musical monologue. Honest, audacious and bleakly comic, this is a show for anyone who looks in the mirror and can’t.
The eagerly-anticipated début from actor and musician Matthew Floyd Jones(Frisky & Mannish), in association with cult performance artist Dickie Beau.
Tue 10 Feb – Sat 14 Feb 8PM (and Sat 2PM)
“Terrific” Time Out.
“Brilliant” Guardian.
“Eccentric” Independent.
“Fabulous” Scotsman.
Psychodermabrasion contains adult themes.
Have you ever seen someone buried alive in makeup?
You can see this man has scars. But they’re so far below the top layer, it would take an industrial sandblaster to even them out. And it’s easier to trowel on a few more inches of concealer.
Psychodermabrasion is a red raw tragicomedy about damage done beneath the skin. Live action fuses with recorded sound and projected image to create an offbeat musical monologue. Honest, audacious and bleakly comic, this is a show for anyone who looks in the mirror and can’t.
The eagerly-anticipated début from actor and musician Matthew Floyd Jones(Frisky & Mannish), in association with cult performance artist Dickie Beau.
Tue 10 Feb – Sat 14 Feb 8PM (and Sat 2PM)
“Terrific” Time Out.
“Brilliant” Guardian.
“Eccentric” Independent.
“Fabulous” Scotsman.
Psychodermabrasion contains adult themes.
Have you ever seen someone buried alive in makeup?
You can see this man has scars. But they’re so far below the top layer, it would take an industrial sandblaster to even them out. And it’s easier to trowel on a few more inches of concealer.
Psychodermabrasion is a red raw tragicomedy about damage done beneath the skin. Live action fuses with recorded sound and projected image to create an offbeat musical monologue. Honest, audacious and bleakly comic, this is a show for anyone who looks in the mirror and can’t.
The eagerly-anticipated début from actor and musician Matthew Floyd Jones(Frisky & Mannish), in association with cult performance artist Dickie Beau.
Tue 10 Feb – Sat 14 Feb 8PM (and Sat 2PM)
“Terrific” Time Out.
“Brilliant” Guardian.
“Eccentric” Independent.
“Fabulous” Scotsman.
Psychodermabrasion contains adult themes.
Have you ever seen someone buried alive in makeup?
You can see this man has scars. But they’re so far below the top layer, it would take an industrial sandblaster to even them out. And it’s easier to trowel on a few more inches of concealer.
Psychodermabrasion is a red raw tragicomedy about damage done beneath the skin. Live action fuses with recorded sound and projected image to create an offbeat musical monologue. Honest, audacious and bleakly comic, this is a show for anyone who looks in the mirror and can’t.
The eagerly-anticipated début from actor and musician Matthew Floyd Jones(Frisky & Mannish), in association with cult performance artist Dickie Beau.
Tue 10 Feb – Sat 14 Feb 8PM (and Sat 2PM)
“Terrific” Time Out.
“Brilliant” Guardian.
“Eccentric” Independent.
“Fabulous” Scotsman.
Psychodermabrasion contains adult themes.
Have you ever seen someone buried alive in makeup?
You can see this man has scars. But they’re so far below the top layer, it would take an industrial sandblaster to even them out. And it’s easier to trowel on a few more inches of concealer.
Psychodermabrasion is a red raw tragicomedy about damage done beneath the skin. Live action fuses with recorded sound and projected image to create an offbeat musical monologue. Honest, audacious and bleakly comic, this is a show for anyone who looks in the mirror and can’t.
The eagerly-anticipated début from actor and musician Matthew Floyd Jones(Frisky & Mannish), in association with cult performance artist Dickie Beau.
Tue 10 Feb – Sat 14 Feb 8PM (and Sat 2PM)
“Terrific” Time Out.
“Brilliant” Guardian.
“Eccentric” Independent.
“Fabulous” Scotsman.
Psychodermabrasion contains adult themes.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Sex, love and violence in black, pink and turquoise.
A twisted, mystical tribe have gathered in a black fortress. As music, specially composed for the performance, takes over and the family reunion goes awry, the end result is shattered minds and damaged bodies. But who are these people? What do they need? It is universal. It is globally wanted.
The iron cube on the stage is a small mansion, a family home for the strange characters, and it fills with vulnerability and violence. Globally Wanted is a performance of absurd happenings told through circus, acrobatics, parkour, physical theatre and an ingenious design. It pulls the audience so deep into the performance that it is rarely experienced.
Finnish company, Company Uusi Maailma performs for the very first time in London with the UK premiere of Globally Wanted.
”Globally Wanted is a blackish burlesque belch straight at your face. – I have no idea what this could be compared to. Not to anything. Scary, and at the same time pleasurably filling the senses.”
– Helsingin Sanomat, Finland’s leading newspaper
Globally Wanted shows at Jackson’s Lane has been carried out with the support of Finnish Circus Information Centre.
Les Femmes Circus are an all-female circus troupe who combine circus with theatre, dance, singing and percussion to create work that is exciting, moving and breathtaking.
The company are all graduates of the National Centre for Circus Arts and use a range of circus disciplines in their work including aerial, acrobatics, hula hoop and juggling.
With an aesthetic based in the 1950s, Les Femmes Circus use comedy and manipulation to create a world where circus is the norm, playing with fear, love and fantasy, and revealing how fun it can be to misbehave.
Fierce and full of power, the company want to connect with their audiences – and to do so not only by performing tricks, but by telling a story, revealing their feelings, and allowing the audience to fully experience the performance, both visually and emotionally.
Les Femmes Circus are an all-female circus troupe who combine circus with theatre, dance, singing and percussion to create work that is exciting, moving and breathtaking.
The company are all graduates of the National Centre for Circus Arts and use a range of circus disciplines in their work including aerial, acrobatics, hula hoop and juggling.
With an aesthetic based in the 1950s, Les Femmes Circus use comedy and manipulation to create a world where circus is the norm, playing with fear, love and fantasy, and revealing how fun it can be to misbehave.
Fierce and full of power, the company want to connect with their audiences – and to do so not only by performing tricks, but by telling a story, revealing their feelings, and allowing the audience to fully experience the performance, both visually and emotionally.