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May
4
Thu
karen lane presents the music of nancy wilson & cannonball adderley @ Lauderdale House
May 4 @ 8:30 pm – 10:30 pm

karen lane presents the music of nancy wilson & cannonball adderley

thursday 4 may

With Martin Hathaway | alto, Steve Fishwick | trumpet

Graham Harvey |piano, Simon Woolf | bass,  Matt Fishwick | drums

Arriving from Australia in 2000 after performing at many of the big Asian Festivals, Karen has released five albums to critical acclaim.  She’s worked with some of our finest musicians including Tom Cawley, Andy Hamill and Robin Aspland and has found herself performing in exotic places she’d never imagined she’d see including Sicily, Portafino, Nice, Monte Carlo, Berlin, Cape Town and Bucharest.

Her visit to Lauderdale House will be a unique date on the London scene when she recreates the music of Nancy Wilson. Had she not coincided with the advent of rock and soul, Nancy Wilson would have been considered one of the greatest female jazz singers of them all.  Luckily she did record a number of albums with one of the greatest jazz musicians of all time, Cannonball Adderley and Karen thinks it’s high time Nancy’s music was reassessed.  This is going to be a concert you should not miss!

“.. a fine and distinctive singer” Dave Gelly, The Observer

“.. as accomplished.. as I have heard this year” Peter Quinn, Jazzwise

Time: 20:30

Venue: Lauderdale House

£7 STUDENT CONCESSION

Price band A B
Standard £12.00
Concession £10.00
Child £7.00

Concessions are available for students, people on benefit and over 60s. Proof must be provided when collecting tickets.

to book

Box office: 0208 348 8716

Email: enquiries@lauderdale.org.uk

Website: www.lauderdalehouse.org.uk

Mar
9
Sat
Highgate Choral Society Spring Concert @ All Hallows' Church
Mar 9 @ 7:00 pm – 9:30 pm

hcs_JGM_A5_2pp March final

Janacek’s Glagolitic Mass, so-named as it uses a ninth century text written in Old Church Slavonic, is also known as the Slavonic Mass. Rather than a traditional sacred piece, Janacek is thought to have conceived his mass as a celebration of Slavic culture and the pan-Slavic movement that he supported.

The Glagolitic Mass was first performed in Brno, Czechoslovakia, in April 1926. It is a highly original work for choir, organ and orchestra that expresses dramatic energy and tenderness in equal measure, and is recognised today as one of most significant contributions to choral music in the twentieth century.

Poulenc’s Gloria is a joyful rendering of the Gloria text from the Catholic Mass, and one of Poulenc’s most celebrated works. Scored for soprano, choir and large orchestra, it was composed in 1959 and first performed in 1961 in Boston to critical acclaim. Poulenc was known for composing music of sharp contrasts and his Gloria, which is jocund as well as solemn, is no exception.


Always Moving On is a brand new work for choir and orchestra, written by newcomer Christopher Ashley. An eight-minute orchestral march of aspiration and healing, it provides a modern twist to the familiar and popular format pioneered by Elgar and Walton in the early 20th century. The piece gives expression to the timeless virtues of hope, joy, patience and tolerance, offering respite from uncertainty and gloom.