with Steve Lodev (keyboards), Steve Waterman & Martin Shaw (tpts,), Mark Nightingale & Barnaby Dickinson (tmbs)
Ben Crosland, acoustic and electric bass player, is based in Yorkshire and assembled this premier-league brass section to realise a commission from the 2011 Marsden Jazz Festival, inspired by the Yorkshire Sculpture Park, An Open Place. The compositions are inspired by specific pieces, such as Henry Moore’s Reclining Figures, and Barbara Hepworth’s Family of Man, the whole composition is suffused with the gentle, pastoral quality of the Park. A project like this would be easy meat for a classical brass group, but here the fascination is how some of the most technically-brilliant brassmen of the jazz world preserve the excitement of jazz, spontaneity and creativity without ‘raising the roof’, which in other circumstances they could easily do.
See event website.
In this lecture, Professor Gareth Stedman Jones looks at the last decade and a half of Marx’s life, a period in which he effectively gave up further work on Capital and read up instead on the village community and the early history of man. He was interested in particular in the new work on pre-history which developed from the 1860s onwards connecting this with a notion of primitive communism and an epoch in history before patriarchy and political hierarchy.
Professor Gareth Stedman Jones is Director of the Centre for History and Economics, Cambridge, and a Fellow of King’s College, Cambridge University since 1974. He was Professor of Political Science, History Faculty, Cambridge University from 1997 and in 2010 became Professor of the History of Ideas at Queen Mary, University of London. His publications include An End to Poverty? (2004), a long introduction to Karl Marx and Friedrich Engels, The Communist Manifesto (2002), and The Cambridge History of Nineteenth-Century Political Thought, co-edited with Gregory Claeys, 2011.
He is currently working on an intellectual biography of Marx commissioned by Penguin and a more general work on political thought between the French Revolution and the Revolutions of 1848.
Doors open at 7pm and wine and nibbles will be served. The talk starts promptly at 7.30pm and will last about an hour.
Tickets are non-refundable but, as a courtesy to others, please let us know if you cannot attend.
On Sunday 14th December Duck Pond Market returns to Lauderdale House with the quarterly Highgate Artisan Food, Craft 7 Vintage Fair with over 50 stands on two floors, including Santa’s Grotto.
Duck Pond Market brings you a vibrant local market place for independent designers, crafters and food producers where everything you can buy comes from a good place.
See you on Sunday
StevenDotsch – The Speculaas Spice Company at http://www.speculaasspice.co.uk/ – bringing you the ‘Taste of Christmas’.
The October meeting of HLWI will be at Highgate Newtown Community Centre [Bertram Street] for this month only. Any interested ladies are welcome to join us to paint a personalised item at Ceramic Circle on the top floor. Otherwise the HLWI meets every third Wednesday of the month at the Holly Lodge Community Centre at 7.30pm. Further enquiries to hlestwi@gmail.com. November 18th is the last meeting of the year – come and get to know us!
On roller-skates and in the air, two women revisit the interweaving stories of their past lives and loves – from the post-war optimism of the late 1940s to the domestic realities of the 1950s and beyond.
Bella Kinetica’s circus theatre show has physical feats that will take your breath away as they skate, spin and fly across the stage.
Featuring the recorded experiences of real women and with a fabulous soundtrack of 40s and 50s music; Life on Wheels is a gentle, moving look back in time.
8PM & 3PM (Sat matinee)
Serenata celebrate the music of Brahms this April at Lauderdale House.
This concert will feature an eclectic programme of Lieder, Duets & Piano Music by the Classical Romanticist, which will include the original scoring of the Love-Song Waltzes and a special arrangement of Wiegenlied, as well as the Gipsy Songs and selected Hungarian Dances.
Serenata will perform Aimez-vous Brahms? on Friday 27 April 2018 at 7:30pm.
Tickets are £12 (£8 concessions) and will be available on the door or from: 22 Chestnut Avenue N8 8NY (020 8348 2983).
Brahms’ gorgeous, stirring Ein Deutsches Requiem is one of the great choral works, full of warm, rich harmonies. Inspired perhaps by the deaths of his mother, and his friend and fellow composer Robert Schumann, its music evokes comfort, loss, fear, peace and joy. Unlike other well known requiems, Brahms’ is not so much a mass for the dead as an offering of solace to those who mourn.
Jane Hopkins conducts Voxcetera, with soprano Ellie Sperling and baritone Jamie Sperling, using Iain Farrington’s acclaimed arrangement of the score for chamber ensemble. It promises to be both a grand and intimate experience.
There will be a bar open before and after the performance, and Voxcetera hopes you’ll stay to join us for wine and cake when the music finishes.
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Voxcetera is a north London-based choir performing regularly in north and central London. Recent activity includes concerts at St Martin-in-the-fields, East Finchley Arts Festival, tours to southern Germany and recording work for Unicef’s Generations campaign. Its most recent Highgate concert was for Christmas 2018, in St Josephs RC Church.
The Tootsie Rollers, London’s original retro girlband, fuse old-school classics with contemporary hits.
The Tootsies have taken their unique sound all over the world and played everywhere from royal palaces to music festivals. They count Colin Firth, Richard Branson and HRH Prince Charles amongst their celebrity followers.
Their charity single ‘Walk the Walk’, in aid of breast cancer awareness, shot to number one in the jazz charts, marking their proudest moment to date.
The Tootsie Rollers can’t wait to bring vintage bang up to date at Lauderdale House. Grab yourself a picnic, a glass of prosecco and come roll with The Tootsies!