A celebration of London life through the ages, with readings, riotous anecdotes and live music. Dickens, Emmeline Pankhurst, Pepys, Blake, Boswell, Ian Dury, Dostoevsky and Virginia Woolf are among those featured. The actors are Daniel Dresner and Kate Walsh, who is about to join Radio 4 as a continuity announcer; music is by Bow and Bellows (violin, vocals, horn, accordion).
Serenata celebrate the music of Brahms this April at Lauderdale House.
This concert will feature an eclectic programme of Lieder, Duets & Piano Music by the Classical Romanticist, which will include the original scoring of the Love-Song Waltzes and a special arrangement of Wiegenlied, as well as the Gipsy Songs and selected Hungarian Dances.
Serenata will perform Aimez-vous Brahms? on Friday 27 April 2018 at 7:30pm.
Tickets are £12 (£8 concessions) and will be available on the door or from: 22 Chestnut Avenue N8 8NY (020 8348 2983).
Written by John Godber
Lucky Eric, Judd, Les and Ralph are the original men in black as they tell the tale of one night in a disco in the 80’s in this outrageous parody of Saturday Night Fever! All the gang are out on the town, the boys, the girls, the cheesy DJ, the late night kebab man and the taxi home, all under the watchful eyes of the Bouncers.
‘You’ll be rolling in the aisles’ The Daily Mail
‘Bouncers is not so much a play as it is a social phenomenon’ The Guardian
Written by John Godber
Lucky Eric, Judd, Les and Ralph are the original men in black as they tell the tale of one night in a disco in the 80’s in this outrageous parody of Saturday Night Fever! All the gang are out on the town, the boys, the girls, the cheesy DJ, the late night kebab man and the taxi home, all under the watchful eyes of the Bouncers.
‘You’ll be rolling in the aisles’ The Daily Mail
‘Bouncers is not so much a play as it is a social phenomenon’ The Guardian
Brahms’ gorgeous, stirring Ein Deutsches Requiem is one of the great choral works, full of warm, rich harmonies. Inspired perhaps by the deaths of his mother, and his friend and fellow composer Robert Schumann, its music evokes comfort, loss, fear, peace and joy. Unlike other well known requiems, Brahms’ is not so much a mass for the dead as an offering of solace to those who mourn.
Jane Hopkins conducts Voxcetera, with soprano Ellie Sperling and baritone Jamie Sperling, using Iain Farrington’s acclaimed arrangement of the score for chamber ensemble. It promises to be both a grand and intimate experience.
There will be a bar open before and after the performance, and Voxcetera hopes you’ll stay to join us for wine and cake when the music finishes.
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Voxcetera is a north London-based choir performing regularly in north and central London. Recent activity includes concerts at St Martin-in-the-fields, East Finchley Arts Festival, tours to southern Germany and recording work for Unicef’s Generations campaign. Its most recent Highgate concert was for Christmas 2018, in St Josephs RC Church.
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+
After moving from Germany to London over ten years ago to live and work in a more diverse community, renowned sword swallower, circus artist and dazzling burlesque artist Livia Kojo Alour learned that life-long feelings of self-hatred and otherness are part internalised racism and part survival techniques. With a successful career under her stage name MisSa, but tiring of playing someone else full-time, Black Sheep has been long in the making, serving as a candid autobiographical work and a euphoric reclamation of Livia’s identity and ongoing fortitude.
Black Sheep is a story about a Black woman finding love and a testament of personal strength, developed through transcending the white gaze, overcoming institutional racism and leaning into radical vulnerability. Securing her place as a pivotal UK Queer Black voice while telling her story via a heady mix of physical theatre, spoken word, song and sword swallowing, Black Sheep is timely, unsettling and deeply personal.
Suitable for ages 14+