with Steve Lodev (keyboards), Steve Waterman & Martin Shaw (tpts,), Mark Nightingale & Barnaby Dickinson (tmbs)
Ben Crosland, acoustic and electric bass player, is based in Yorkshire and assembled this premier-league brass section to realise a commission from the 2011 Marsden Jazz Festival, inspired by the Yorkshire Sculpture Park, An Open Place. The compositions are inspired by specific pieces, such as Henry Moore’s Reclining Figures, and Barbara Hepworth’s Family of Man, the whole composition is suffused with the gentle, pastoral quality of the Park. A project like this would be easy meat for a classical brass group, but here the fascination is how some of the most technically-brilliant brassmen of the jazz world preserve the excitement of jazz, spontaneity and creativity without ‘raising the roof’, which in other circumstances they could easily do.
See event website.
In this lecture, Professor Gareth Stedman Jones looks at the last decade and a half of Marx’s life, a period in which he effectively gave up further work on Capital and read up instead on the village community and the early history of man. He was interested in particular in the new work on pre-history which developed from the 1860s onwards connecting this with a notion of primitive communism and an epoch in history before patriarchy and political hierarchy.
Professor Gareth Stedman Jones is Director of the Centre for History and Economics, Cambridge, and a Fellow of King’s College, Cambridge University since 1974. He was Professor of Political Science, History Faculty, Cambridge University from 1997 and in 2010 became Professor of the History of Ideas at Queen Mary, University of London. His publications include An End to Poverty? (2004), a long introduction to Karl Marx and Friedrich Engels, The Communist Manifesto (2002), and The Cambridge History of Nineteenth-Century Political Thought, co-edited with Gregory Claeys, 2011.
He is currently working on an intellectual biography of Marx commissioned by Penguin and a more general work on political thought between the French Revolution and the Revolutions of 1848.
Doors open at 7pm and wine and nibbles will be served. The talk starts promptly at 7.30pm and will last about an hour.
Tickets are non-refundable but, as a courtesy to others, please let us know if you cannot attend.
If you’d like to experience the special atmosphere of Highgate Cemetery East in the soft evening light, then now’s your chance. Last admission will be at 8.30pm on the third Thursday of the month in June, July and August.
Entrance: £4. Just turn up before 8.30pm. No need to book.
If you’d like to experience the special atmosphere of Highgate Cemetery East in the soft evening light, then now’s your chance. Last admission will be at 8.30pm on the third Thursday of the month in June, July and August.
Entrance: £4. Just turn up before 8.30pm. No need to book.
If you’d like to experience the special atmosphere of Highgate Cemetery East in the soft evening light, then now’s your chance. Last admission will be at 8.30pm on the third Thursday of the month in June, July and August.
Entrance: £4. Just turn up before 8.30pm. No need to book.
As an introduction to our 175 anniversary series of talks Highgate Cemetery Trustee and Historian to The Royal Horticultural Society Dr Brent Elliot gives an introduction to the development of Victorian Garden Cemeteries.
When the movement to create large-scale nondenominational cemeteries arose in the nineteenth century there was no tradition of cemetery landscapes in this country for designers to follow. The first cemeteries copied the different styles of country house gardens, ranging from the informal park (Norwood) to the first signs of a return to formal design (Kensal Green and Brompton).
In the 1840s John Claudius Loudon called for cemeteries to be laid out on a grid pattern, planted with conifers; and his, the only book on cemetery design ever published in England, was available for local authorities to use after the Burials Acts of the early 1850s. Every large town or city in the country has a cemetery in the Loudon style.
In the later years of the century a reaction set in with a partial return to informal landscaping and the use of deciduous trees. The arrival of cremation at the century’s end reinforced the trend to informal landscaping and allowed the fashion for the Japanese garden to enter the world of the cemetery.
Dr David McAllister will discuss attitudes to burial in the years leading up to the birth of the Garden Cemetery movement in the early nineteenth century and the establishment of Highgate Cemetery itself. His talk will focus on attempts by a series of writers including Wordsworth, Burke, Godwin and Bentham to identify the value of buried bodies, and to establish whether the grave was anything more than an inefficient dumping ground for human remains.
David McAllister is a lecturer in Victorian Literature at Birkbeck, University of London, and course director of its MA in Victorian Studies.
Concert pianist Julia Wallin, Royal Academy of Music graduate and competition prize winner, invites you to an evening of piano music ranging from playful Debussy to profound and moving Rachmaninoff.
Programme:
Debussy: Suite Bergamasque
Haydn: Sonata in E flat Major Hob. 49
Rachmaninoff: Etude-tableaux, selection
Messiaen: Premiere Communion de la Vierge
Rachmaninoff: Moments Musicaux op.16
Doors open: 6.45pm, Concert starts: 7.15pm, 20 minute interval: 8.00pm, Concert ends: 9.00pm
Bar serving wine, beer, soft drinks and water will be available during interval and after concert
Venue is located in the Lower Gallery of the historic and beautiful Lauderdale House originally build in 1582. Lauderdale House is behind the gates to Waterlow Park on Highgate Hill.
Pietro Gatto will play a varied programme of Bach, Beethoven, Scriabin, Schumann and Chopin. He has been living in Highgate while studying in London and preparing for the Leeds piano competition which he will participate in later this year. Proceeds from the concert will go to support the Friends of Waterlow Park and Lauderdale House.
Bringing the ancient art of Falconry to the modern age, with a far-reaching and breath taking display, that is guaranteed to thrill in the beautiful setting of Highgate Cemetery Courtyard.
Filled with audience participation and interaction, the display also shows the natural attributes and abilities of the birds and exhibits how they live, fly and hunt in the wild.
Including Peregrine Falcons, estimated at reaching speeds of up to 242mph, British Barn Owls, spectacularly silent in flight, spell binding as they fly. The Kestrel – We have all seen them hovering at the side of motorways, but have you ever seen them this close?
Gates open at 7pm for the Static display. The Flying display starts promptly at 7.30pm and will last around 45mins followed by Questions and Answers and an opportunity to take photos.
Highgate Cemetery Bee-keeper, Ian Creer, will talk about honey bees in general and in particular, those resident in Highgate Cemetery.
Ian will cover the differences between honey bees and other bees native to the UK, our relationship with them (including their importance to agriculture and the environment) and the life-cycles and roles within the honey bee hive. He will also discuss the threats to honey bees, the causes and remedies, and compare honey bees in the countryside to those in the City; in particular, those in the cemetery, their forage and the type of honey they produce compared to honey from other sources.
Ian will be bringing along a demonstration hive.
Beethoven’s Sonata in E major Op.109 Nocturnes Op. 15 N.1 and Op.27 N.1
Chopin’s Scherzo Op.39 N.3
and a selection from Albeniz’s The Iberia Suite
St. Michael’s welcomes Alexander in a break from his busy schedule as an internationally renowned soloist and chamber musician, to bring us this special event as part of our Stewardship Campaign.
About Alexander-
Appreciated for the sensitivity and integrity of his interpretations,
Alexander Boyd enjoys a busy career as both soloist and chamber
Born in 1972 he made his Concerto debut in 1983 with the BBC Scottish
Symphony Orchestra, and since his London Wigmore Hall debut in 2001
he has frequently performed at the UK and Australia’s leading recital
halls, as well as giving concerts and appearing in international music
festivals in the US, Canada and throughout Europe.
Recordings include works by Chopin, Debussy and Schumann for the
Abbas and Chartreuse record labels and more recently a recording of
the Iberia Suite by Albeniz for Claudio Records and Naxos, due to be
released in late 2015. He has also broadcast on numerous occasions for
ABC and BBC Radio amongst others.
2015/16 includes recital engagements in the UK, Australia and the USA
as well as performances with cellist and brother Nathaniel Boyd, cellist
Richard Jenkinson, and the Navarra String Quartet.
Alexander is also passionate about teaching and is on the staff at the
Guildhall School of Music and Drama and is a visiting lecturer at the
University of Birmingham.
Battle Field Surgery: Blood Pus and Pain
Discover the gory facts and curious tools used in a time before anesthetics and antiseptics. Meet Mr King, Crimean Surgeon RN, for an enlightening demonstration of the techniques in the theatre of war (not for the faint hearted).
Geoff King will share his wide knowledge of historic medical technique with his amazing collection of real and replica instruments and a little audience participation. Discover how an amputation took place, what happened if you had a bladder stone and learn about the kind of injuries occurred during war.
STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015
We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.
Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.
The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.
For more information on the role, visit http://highgatecemetery.org/help/volunteer
and read our Volunteer Tour Guide role description.
To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.
STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015
We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.
Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.
The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.
For more information on the role, visit http://highgatecemetery.org/help/volunteer
and read our Volunteer Tour Guide role description.
To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.
STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015
We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.
Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.
The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.
For more information on the role, visit http://highgatecemetery.org/help/volunteer
and read our Volunteer Tour Guide role description.
To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.
STARTS 31 OCTOBER 2015. APPLICATIONS CLOSE MONDAY 28 SEPTEMBER 2015
We’re looking for people to share their knowledge and enthusiasm for Highgate Cemetery with our visitors.
Our new course runs over four Saturday mornings from 31st October 10.30am until about 1pm.
The course covers the founding and development of the Cemetery as well as some of the most famous people buried here. You’ll also learn tour guiding skills and cash handling so that you can contribute to a great visitor experience.
For more information on the role, visit http://highgatecemetery.org/help/volunteer
and read our Volunteer Tour Guide role description.
To apply, complete our Volunteer Application Form and return it to us by Monday 28 September 2015.
A concert for a Summer’s Eve.
Proceeds to Waterlow Park and The Harington Scheme.
Tickets can be purchased at Brooksby Newsagent in Highgate Village or via tickettailor on: http://www.waterlowpark.org.uk (online booking fees apply).
Martin Barlett (BBC Young Musician 2014) Piano concert for Highgate Society’s 50th Anniversary
Open to All
Max Wall, who is buried in Highgate Cemetery East, is one of the great British comedians of the 20th century, as anyone who saw his character Professor Wallofski will attest. Born Maxwell George Lorimer in Brixton, he made his stage debut as Jack in Mother Goose, going on to appear in many musicals and stage comedies in the 1930s. His distinctive facial expressions and mournful voice led to many parts in films after the war including Chitty Chitty Bang Bang. He played serious parts, too: Vladimir in Beckett’s Waiting for Godot being perhaps the best known.
Max’s close friend Michael Pointon, who is writing a personal memoir about him, will regale the audience with anecdotes and insights. Max was a friend of another star buried at Highgate, Leslie ‘Hutch’ Hutchinson, and Michael will tell us about that friendship and play music Max and Hutch recorded together. The talk will be illustrated with film clips and excerpts from Max’s performances.
Crisis Midwinter Swim
Jump in with Crisis this Christmas!
Challenge yourself to a solo dip or take on a polar relay with friends this winter.
No one should face homelessness, and winter can be the hardest time. Your icy plunge can help end homelessness once and for all.
Will you brave the cold and help raise money for Crisis this Christmas?
From the comfort of your home, follow in a virtual tour in Charles Dickens’ footsteps in a walk from Highgate to the hamlet of North End on the border with Hampstead and Hampstead Garden Suburb. We will follow some of Bill Sikes escape route after murdering Nancy in Oliver Twist, see houses that Dickens stayed in; learn about his friendship with philanthropist Baroness Angela Burdett-Coutts; view the house that inspired Steerforth’s mother’s house in David Copperfield and peep into Highgate Cemtrey where several members of the Dickens family were buried and follow the Gordon rioters in Barnaby Rudge towards Lord Mansfield’s country estate at Kenwood (Caen Wood). We will pay a visit o the Spaniard’s Inn featured in the Pickwick Papers and continue with Bill Sikes’ journey in Oliver Twist from Highgate Hill across the grounds of Kenwood towards Northend and Hendon. We finish in North End where we view the 17th farmhouse that Dickens lodged in after the death of his sister in law Mary Hogarth.
In another little step back to the ethos of the London Novello Ensemble – which is the presentation of great music outside the formal constraints of the concert hall – Murray and Gavin present the two opposites of late 19th century romanticism along with music by Delius, Vitali and Sarasate, and a selection of popular tangos including Piazzolla’s famous ‘Libertango’
Gavin Davies studied the violin with Marta Eitler and at the Royal College of Music with Jaroslav Vanecek and Natasha Boyarsky. He combines a freelance orchestral career with ensembles such as the London Philharmonic and BBC Concert orchestras with regular chamber music and solo performances.
Murray Hipkin is a fulltime member of the music staff at English National Opera, where he has conducted The Mikado, The Gondoliers, The Pirates of Penzance, Kismet, Carousel, Chess and Man of la Mancha. He is musical director of the Pink Singers and the North London Chorus and he recently finished filming Anyone Can Sing for ENO/Sky Arts in the role of music supervisor and accompanist.
Programme to include:
Brahms – Sonata No. 1 in G
Liszt – Romance
Delius – Sonata No. 3
Vitali – Chaconne
Sarasate – Zigeunerweisen
Tangos by Albeniz, Gade, and Piazzolla
Advanced booking is advised as we will be limiting capacity in order to ensure socially distanced seating is available for those who require it. In accordance with normal practice, we respectfully ask that you do a lateral flow test – available free from www.gov.uk/order-coronavirus-lateral-flow-tests.com in the 48 hours prior to the concert – but please do get in touch for a full refund if you get a positive result!
This page is for the performance at Pond Square Chapel, Highgate on 9th December.
To buy tickets for the performance at St Paul’s Lorrimore Square, Kennington on 6th December, please click on this link: Brahms and Liszt in Kennington 6 December
Tamas Szigyarto, London-based pianist and composer, presents selected works from two original piano cycles: There Will Be Rainbow and Cone Of Silence, recently released by Navona and Oclassica labels respectively.
The two works, written in neo-romantic style with a touch of impressionism, present a musical dyad. There Will Be Rainbow is bright and optimistic whereas Cone Of Silence reflects on the darker themes of solitude and melancholy. Both cycles accumulate material written over the past decade. Finally, there will be performance of piano poem Blue Hour written by Tamas and his creative partner, pianist and composer, Elena Oleynik.
Thursday, February 22nd
Doors 19:00
Performance 19:30
General £10 / Concession £8
Lauderdale House
Waterlow Park
Highgate Hill
London
N6 5HG