Best Comedy
Adelaide Fringe Weekly Award Winner
★★★★★
“Off-the-wall, zany, crazy, very funny… two comic geniuses.”
– Glam Adelaide
★★★★
“Silliness as an art form.”
– The Scotsman
Side-splitting, stiff-upper-lipped hilarity from multi-award-winning comedy duo Dan Lees and Neil Frost. These charming and eccentric idiots deliver belly laughs with expert clowning and razor-sharp.
★★★★★ Top 20 MUST SEE SHOWS
“A masterclass in physical comedy… his power to inspire and enthuse is undeniable.”
— List
“Very, Very Funny”
— New York Times
After fifteen 5-star reviews, and numerous awards, this dangerous, seductive comedy-monster descends on London to unleash his critically-acclaimed juggernaut. Prepare yourself for an edge of your seat roller-coaster of raw conversation, traps/rewards and catch-22’s.
Jacksons Lane presents a brand-new strand of free live music events in our bar this Summer, curated by Highgate musician Steve Somerset. Each month will see Steve and his band The Lost Weekend perform alongside special guests. Arrive early to bag a seat!
Admission free, donations welcome on the night.
Enjoy an evening on the Tea Lawn with one of the world’s leading harpists and award winning sax: ‘Ukraine meets West Africa’ an evening on the Tea Lawn.
Harpist Alina Bzhezhinska joins tenor saxophonist Tony Kofi in a duo that unites the music styles of the Ukraine and West Africa and celebrates the harmony between the harp and the saxophone.
Undoubtedly one of the leading harpists in the world today, Alina Bzhezhinska (a.k.a. AlinaHipHarp) is a one-woman powerhouse on a mission to bring harp to the forefront of contemporary sound. Bzhezhinska is the creator of HipHarpCollective, who recently won the Parliamentary Jazz Award’s Best Ensemble of the Year 2024. The group’s double LP “Reflections” (BBE Music) won best album of the year 2023 by Preston Music and Alina Bzhezhinska’s Quartet was nominated for Best Live Act of the Year at JazzFM Awards 2017.
Tony Kofi is a multi award winning saxophonists, a recording career that has seen collaborations with Donald Byrd, Eddie Henderson, Abdullah Ibrahim and Ornette Coleman to name a few. Kofi’s solowork, in particular his 2020 album ‘A Different Kind Of Soul’ and his recently reissued ‘Plays Monk’ cement his reputation as one of the UK’s most accomplished saxophonists.
‘…Bzhezhinska shares with Alice (Coltrane) a mastery of the jazz harp.’ ★★★★★ The Times
‘There is so much respect in jazz circles for Tony Kofi.’ Jazzwise
Join us on Saturday 28 June 2025 as we mark 50 years of Jacksons Lane with a weekend of creativity, community, and celebration.
Expect circus parades, live music, pop-up performances, workshops, food, crafts, and plenty of surprises — plus a chance to dive into our rich history through exhibitions, trails, and storytelling.
Highlights include:
- A circus parade
- A BBQ
- Pop-up performances
- A heritage trail and shopfront displays celebrating our activist roots
- A poster and archive exhibition of five decades of Jacksons Lane
- A listening studio capturing the voices and stories of our community
- Workshops, crafts and family activities throughout the building
- A community stage featuring local performers
Whether you’ve known us for years or are brand new, come be part of this special moment.
Join us for a spectacular night of live music, circus, comedy, and dance as we celebrate 50 years of Jacksons Lane! Hosted by long-time Jacksons Lane favourite Kaveh Rahnama, this special cabaret brings together artists past and present for an unforgettable evening. And enjoy a complimentary glass of prosecco upon arrival.
Tickets are sure to sell fast. Book early to be part of the celebration!
Tuesday 01 July, 7.30pm & Thursday 03 July, 8.45pm
★★★★★
“Masterful physical comedy.”
— Ed Spotlight
★★★★★ “Funny, emotional, and intelligent.”
— Arts Awards Voice
From the creators of Boris & Sergey comes a one-hour, one-man show brimming with puppetry, physical comedy, and mime. Hilarious, absurd, and often magical, this captivating performance juxtaposes themes of loneliness and belonging with pure joy and exhilaration. With pathos, dark humour, and Victorian aesthetics, it creates a wonderfully mysterious backdrop for a poetic and surreal journey – all with a generous sprinkle of silliness.
★★★★★
“The perfect musical comedy act – it should not be missed.”
— Broadway Baby
Taylor Swift had Eras. Otto & Astrid go through Stages.
Fresh from Glastonbury Festival, Berlin’s Prince and Princess of Art Rock and Europop—Otto & Astrid of Die Roten Punkte—blast through a blisteringly hilarious set of songs from (almost) all of their albums.
The utterly dysfunctional siblings are a lipstick-smeared sonic collision of The B-52s, The Pixies, Kraftwerk, and early Ramones.
This multi-award-winning duo has taken the stage everywhere from Soho Theatre in London to Joe’s Pub in New York and The Roxy in Los Angeles.
One of the most irreverently side-splitting gigs you’ll ever see, packed with ridiculously infectious songs.
★★★★★
“Theatre of Cruelty, Grand Guignol and Grotesque, performed magnificently”
– Artshub
★★★★
“A suffocating yet hopeful piece of must-see physical theatre”
– A Youngish Perspective
Symbolically based on true events, The Weight of Shadow explores mental health deterioration through dance, mime, and aerial acrobatics. Inspired by Sasha’s partner, Ciana Fitzgerald, it reflects the enigmatic language of the psyche.
Immersing audiences in a psychiatric patient’s 24-hour struggle to grasp reality, the show offers a poignant exploration of resilience, inner turmoil, and the complexities of mental illness.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
★★★★
“The most irresistibly silly, fun and unexpected cabaret show. Hosted by Norway’s finest clowns Anna Marie Simonsen and Marie Kallevik Straume”
— Instafest review
After sold-out shows at the 2024 Edinburgh Fringe, Naughty Cabaret is coming to London Clown Festival — a queer, feminist cabaret packed with energy, clowning, and comedy.
Every performance features a fresh, ever-changing line-up spanning clown, circus, music, burlesque, character comedy, and more.
Naughty Cabaret has wowed audiences in Australia, Edinburgh, London, and Norway, with past guest performers including Lara Ricote, Elf Lyons, Siblings, Frankie Thompson, Paulina Lenoir, Hannah Camilleri, Ella The Great, Lucy Hopkins, and Dairy King.
Hosted by “Queens of the ridiculous” (Wee Review), Anna Marie Simonsen and Marie Kallevik Straume—also seen in the “irresistibly silly” ★★★★ (The Guardian) clown comedy Troll.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
“Victoria Melody should be a national treasure, a household name.”
— Time Out
Award-winning theatre-maker Victoria Melody, directed by the legendary Mark Thomas, blends storytelling, comedy, elaborate costumes, and historical re-enactment to celebrate Britain’s ordinary heroes.
Shining a light on food bank workers, volunteers, and community organisers, it explores the people who quietly keep the country running. Through immersive research and first-hand experience — becoming a musketeer included — Victoria uncovers the passion, struggle, and humour in everyday lives.
With her signature wit and curiosity, she invites audiences to see the world differently, offering a joyful and unexpected take on who really shapes Britain.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
★★★★
“One of comedy’s most skilled performers… this is an exquisite, erudite, well-crafted show”
— Evening Standard
★★★★
“His shows are a joy to watch”
— The Guardian
“He is one amazing comedian”
—Time Out
From the comedian who invented the phrase ‘No Planet B’, Rob Newman brings a new show about future cities, lost beavers, philistine Bingo callers, Dorothy Parker’s Multiverse Diaries and A Man Called Clive.
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Exhibition at Highgate Gallery: Fates and Furies
4 – 17 July 2025
Vivien Thomason is a consummate colourist. She drips, swirls, layers and streams colour sometimes balanced and harmonious, sometimes menacing and unexpected. Her abstract works are a clear statement about the power of colour to energise our senses and feed our thoughts and fantasies.
The traumas of the earth and the rage of long-forgotten victims are all recurring themes. Unashamedly gothic, Vivien often incorporates apocalyptic figures storming from the canvas like ‘Furies’ on a quest to avenge the injustices and misogyny of the world. Vivien also re-works Gauguin’s Tahitian paintings, reclaiming the exploited young women as empowered ‘witches’, no longer weak or submissive. Other compositions include ‘maps’ of the sea and land incorporating bird and animal motifs, ‘necklace’ paintings with large carved beads layered over mourning ‘figures’, lost in lament. Regardless of the dramatic themes, touches of humour are also in evidence. Her paintings are rendered and dripped in liquid acrylics.
After a lengthy career in fashion, Vivien picked up her paints and poured her passions onto canvas. Her career made her profoundly aware how colour can appeal and affect mood. It also clarified how women are treated and often exploited in the industry. After years of faster and faster fashion, Vivien seeks to make amends by creating work that references the state of our world today and the climate catastrophe.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays & Sundays 10:00-16:00
Mondays & Tuesdays Closed
Private View: Friday 04 July 2025 18:00-20:30
Jacksons Lane presents a brand-new strand of free live music events in our bar this Summer, curated by Highgate musician Steve Somerset. Each month will see Steve and his band The Lost Weekend perform alongside special guests. Arrive early to bag a seat!
Admission free, donations welcome on the night.
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
A playful evening of vocal performance with boundary-pushing singers Eleanor Westbrook and Oskar McCarthy, celebrating the radical spirit of 20th and 21st-century vocal music.
The programme explores pioneering works by Cage, Xenakis, and Aperghis, alongside daring reinterpretations of older music and contemporary works from both established and emerging composers. Featuring Ben Smith on piano, plus a balloon and a toy glockenspiel.
Eleanor Westbrook is an expressive interdisciplinary performer working at the intersection of opera, physical theatre, clowning, and experimental music. She has appeared across the UK and Europe, from the Edinburgh Fringe to Southbank Centre, and collaborated with companies such as Belarus Free Theatre, Waste Paper Opera Company, and Kneehigh Theatre. Her original works have been featured at Soho Theatre’s Fool’s Moon and the De La Warr Pavilion. Known for her visceral energy and surrealist storytelling, Eleanor is committed to reimagining classical forms through a contemporary lens. She is artistic director of TUFT, producing large-scale performance events in Hastings Castle and Caves, and is currently developing a multidisciplinary production of Titus Andronicus.
Oskar McCarthy is a dynamic actor-singer performing new music and old music in new ways. He has premiered operas by Avner Dorman, Robert Reid Allan and Bertie Baigent, and commissioned new work including Laura Bowler’s Lines, Letters and Disinformation for baritone and tape, performed at Snape Maltings and Café OTO. He has recorded works by Meredith Monk and Ion Marmarinos, improvised operatic monologues with composer/violist Zeo Fawcett, and collaborated with Rufus Elliot on durational six-hour vocal installations. A VOICEBOX alumnus, he trained at the Royal Conservatoire of Scotland and recently worked with the Royal Opera House’s Opera Lab, part of the Jette Parker Programme. He is co-Artistic Director of Festival Voices, performing at venues including Kings Place, Bold Tendencies, and Southbank Centre.
Join Ellie and Oskar on a voyage into the squelching heart of Contemporary Vocal Sünd.
Georges Aperghis Recitations 9 & 11 (1977)
John Cage Aria (1958)
Jonathan Cole TSS-k-haa (2008)
Liz Dilnot Johnson Pig (2022)
Cheryl Frances-Hoad Le Vampire (2021)
G. F. Handel Ah mio cor (1735 / 2025)
Chris Kirkham (arr.) Bonny at Morn (trad. / 2022)
Geoffrey Poole Heynonnynonny Smallprint (2009)
Iannis Xenakis Pour Maurice (1982)
Annelies Van Parys 3 Haiku’s (2012)
Errollyn Wallen Deadalus (2004)
Judith Weir Ständchen (1997)
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
“One of Britain’s outstanding poets”
— Sir Paul McCartney
“Fantastically entertaining. As a writer of comic prose Clarke is the match of anyone alive, and his turns of phrase are as sharp as his suits”
— The Times
A literary phenomenon and ‘Godfather of Punk Poetry‘, John Cooper Clarke has shaped music, literature, and fashion. From his iconic poem I Wanna Be Yours — a global hit with the Arctic Monkeys — to Evidently Chickentown featuring in The Sopranos, his influence is undeniable.
Rising from Salford’s working men’s clubs to sharing stages with Joy Division, The Clash, and the Sex Pistols, John became one of punk’s most important figures. His sharp-witted performances blend classic verse, new material, and hilarious riffs on modern life.
With a 2025 tour set for major venues like the London Palladium and Co-op Live, this is a rare chance to see a living legend up close at Jacksons Lane.
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
★★★★★
— The Edinburgh Reporter
★★★★
— The Times
“Pick of the Fringe”
— Ian Rankin
Spurs and Scotland star John White was one of the best footballers of the 1960s. However, in July 1964, he was struck by lightning and killed at just 27 years old. From humble beginnings outside Edinburgh to football fame and his tragic death, the play captures John’s cheeky humour and follows the journey of his son, Rob White, who was only five months old when his father died.
The Ghost of White Hart Lane premiered at Tottenham Hotspur Stadium in July 2024 — the first live play performed at the venue — before a sell-out month-long run at Underbelly, Edinburgh Fringe last summer.
Based on the Sunday Times bestseller by Rob White and Julie Welch, the play was commissioned to mark 60 years since John White’s passing. This deeply personal and nostalgic story offers a fresh perspective on grief, growing up without a father, and male mental health.
Loved by audiences and critics alike, The Ghost of White Hart Lane returns to North London by popular demand this summer
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.
“Delightful”
— The Guardian
“A beautiful display of circus-infused creativity”
— Curtain Call
Following the success of last year’s run, our adaptation of Tove Jansson’s The Fir Tree — Christmas Comes to Moominvalley — returns to delight audiences of all ages!
The Moomins are woken up from their winter sleep to be told that ‘Christmas’ is coming. The only trouble is, the puzzled Moomins have no idea who, or what ‘Christmas’ is . . .
Audiences will be captivated by the lovable Moomintroll, his parents, Moominmamma and Moominpappa and all their friends, with breathtaking circus, stunning imagery, enchanting storytelling, and magical music. The Moomin family demonstrate their special values of tolerance, kindness and integrity, as they prepare for their first Christmas – helping us understand what the festive season is really all about.
For ages 3-103
Produced especially for The Moomins 80th anniversary and as part of Jacksons Lane’s 50th birthday programme. Previews take place on the 5th December 2025.
Accessibility
This production features captions that are embedded into the design and world of the play. The best seats for captions are rows D-G seats 6-16. For more information on creative captioning, visit creativecaptioning.com.