LEARNING
A brand-new play with an original score and captivating movement, LEARNING unravels the poignant journey of Debs and Jonathan—a couple hurtling in opposite directions.
As Jonathan embraces the Jewish faith he’s spent a lifetime evading, Debs, disaffected by years of trying to live up to religious imperatives, yearns to break free. With moments of raw conflict and fleeting calm, they wrestle with the past, grapple with the present, and question whether their love can weather the divide.
LEARNING offers a heartfelt and thought-provoking exploration of identity, belief, and what it means to truly connect with others and with ourselves.
LEARNING
A brand-new play with an original score and captivating movement, LEARNING unravels the poignant journey of Debs and Jonathan—a couple hurtling in opposite directions.
As Jonathan embraces the Jewish faith he’s spent a lifetime evading, Debs, disaffected by years of trying to live up to religious imperatives, yearns to break free. With moments of raw conflict and fleeting calm, they wrestle with the past, grapple with the present, and question whether their love can weather the divide.
LEARNING offers a heartfelt and thought-provoking exploration of identity, belief, and what it means to truly connect with others and with ourselves.
LEARNING
A brand-new play with an original score and captivating movement, LEARNING unravels the poignant journey of Debs and Jonathan—a couple hurtling in opposite directions.
As Jonathan embraces the Jewish faith he’s spent a lifetime evading, Debs, disaffected by years of trying to live up to religious imperatives, yearns to break free. With moments of raw conflict and fleeting calm, they wrestle with the past, grapple with the present, and question whether their love can weather the divide.
LEARNING offers a heartfelt and thought-provoking exploration of identity, belief, and what it means to truly connect with others and with ourselves.
LEARNING
A brand-new play with an original score and captivating movement, LEARNING unravels the poignant journey of Debs and Jonathan—a couple hurtling in opposite directions.
As Jonathan embraces the Jewish faith he’s spent a lifetime evading, Debs, disaffected by years of trying to live up to religious imperatives, yearns to break free. With moments of raw conflict and fleeting calm, they wrestle with the past, grapple with the present, and question whether their love can weather the divide.
LEARNING offers a heartfelt and thought-provoking exploration of identity, belief, and what it means to truly connect with others and with ourselves.
LEARNING
A brand-new play with an original score and captivating movement, LEARNING unravels the poignant journey of Debs and Jonathan—a couple hurtling in opposite directions.
As Jonathan embraces the Jewish faith he’s spent a lifetime evading, Debs, disaffected by years of trying to live up to religious imperatives, yearns to break free. With moments of raw conflict and fleeting calm, they wrestle with the past, grapple with the present, and question whether their love can weather the divide.
LEARNING offers a heartfelt and thought-provoking exploration of identity, belief, and what it means to truly connect with others and with ourselves.
LEARNING
A brand-new play with an original score and captivating movement, LEARNING unravels the poignant journey of Debs and Jonathan—a couple hurtling in opposite directions.
As Jonathan embraces the Jewish faith he’s spent a lifetime evading, Debs, disaffected by years of trying to live up to religious imperatives, yearns to break free. With moments of raw conflict and fleeting calm, they wrestle with the past, grapple with the present, and question whether their love can weather the divide.
LEARNING offers a heartfelt and thought-provoking exploration of identity, belief, and what it means to truly connect with others and with ourselves.
LEARNING
A brand-new play with an original score and captivating movement, LEARNING unravels the poignant journey of Debs and Jonathan—a couple hurtling in opposite directions.
As Jonathan embraces the Jewish faith he’s spent a lifetime evading, Debs, disaffected by years of trying to live up to religious imperatives, yearns to break free. With moments of raw conflict and fleeting calm, they wrestle with the past, grapple with the present, and question whether their love can weather the divide.
LEARNING offers a heartfelt and thought-provoking exploration of identity, belief, and what it means to truly connect with others and with ourselves.
LEARNING
A brand-new play with an original score and captivating movement, LEARNING unravels the poignant journey of Debs and Jonathan—a couple hurtling in opposite directions.
As Jonathan embraces the Jewish faith he’s spent a lifetime evading, Debs, disaffected by years of trying to live up to religious imperatives, yearns to break free. With moments of raw conflict and fleeting calm, they wrestle with the past, grapple with the present, and question whether their love can weather the divide.
LEARNING offers a heartfelt and thought-provoking exploration of identity, belief, and what it means to truly connect with others and with ourselves.
LEARNING
A brand-new play with an original score and captivating movement, LEARNING unravels the poignant journey of Debs and Jonathan—a couple hurtling in opposite directions.
As Jonathan embraces the Jewish faith he’s spent a lifetime evading, Debs, disaffected by years of trying to live up to religious imperatives, yearns to break free. With moments of raw conflict and fleeting calm, they wrestle with the past, grapple with the present, and question whether their love can weather the divide.
LEARNING offers a heartfelt and thought-provoking exploration of identity, belief, and what it means to truly connect with others and with ourselves.
After the sold-out success of their inaugural showcase in 2024, The Jewish Dramatic Association of London–an arts organisation focused on promoting, platforming, and developing early-career Jewish creatives across the capital–is back with another evening of new writing!
Featuring five exciting short plays written by Jews, performed by Jews, and directed by Jews, this is sure to be an evening to remember.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
Written by award-winning journalist Judi Bevan, Too Many Books is a heartfelt, thought-provoking debut play exploring the complexities of international adoption and the emotional journey of parents seeking to create a family.
Set in the 1990s, it follows Daniel and Julia, a couple confronting bureaucratic obstacles, cultural differences, and the pressures on their relationship as they pursue adopting a child from China. As they navigate adoption policies and judgments on their suitability, Daniel and Julia must reconcile their expectations of the adoption process with the stark reality they experience.
This intimate production sheds light on issues of identity, cultural displacement, and the emotional sacrifices parents make. It will resonate deeply with anyone touched by adoption or the longing for family.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.
A simple bedtime story swirls into a surreal tale of four flawed souls stuck in purgatory—a celestial bathroom—in this irreverent yet warmhearted new musical with songs by German pop-rock star Tobias Künzel (Die Prinzen) and Mark Underwood.
With four new arrivals but only three spots in the afterlife, St. Peter is barely keeping his head above water. As each soul pleads their case for a second chance on Earth, ‘help’ arrives in the form of (puppet) Elvis and, you guessed it, (puppet) former leader of the German Democratic Republic, Erich Honecker.
With hints of Avenue Q, this toe-tapping romp through the absurdity of bureaucracy, the search for meaning in utter chaos, and the hope that even the most flawed among us can find redemption promises to be anything but bog-standard.