Jeremy Sassoon’s MOJO
Saturday 31st August 7.30pm
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+
Stephen Leslie Productions
presents
FAST
by Kate Barton and Stephen Bennett
“How far would you go to find the perfect cure?”
Fast is the true story of ‘Dr’ Linda Hazzard — complex, charismatic and utterly driven — whose promotion, in the early 1900s, of her own radical fasting cure, gripped the press and divided a nation.
Was she vilified merely as an interfering woman in a man’s world… or were there darker forces at play?
Following huge success in Brighton, Edinburgh and London, playwright Kate Barton and award-winning screenwriter Stephen Bennett have developed the original one-act play to bring you this full-length psychological thriller.
Reviews for the Brighton, Edinburgh, and London runs:
★★★★★
“In Kate Barton, the writer of Fast, they (The Park Theatre) have once again identified an important new voice. We will surely hear more, much more, from Kate Barton”
LONDONTHEATRE1
★★★★
“A powerful play that is sure to have you gripped from beginning to end”
SPY IN THE STALLS
★★★★
“A chilling production…fascinating and entertaining”
THE UPCOMING
★★★★
“‘Unmissable…this psychological thriller plays with your mind and emotions’”
BROADWAY BABY
Shortlisted for Best New Play Award 2018 following sell-out shows at both Brighton and Edinburgh Fringe.
Running Time: 1hr45m
Age Guidance: 12+