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In 1890 the Impressionist painter Claude Monet bought a property at Giverny, a village to the northwest of Paris. He redesigned the grounds and diverted water from a nearby stream to create a lily pond with a Japanese bridge. In these gardens he found an infinite source of creative inspiration for his late paintings, nowadays considered his greatest achievements.

Talks start at 6.00pm each Tuesday and will be delivered by Zoom. There will be a short question and answer session at the end, using the Chat facility on Zoom.

Please register for a Tuesday Talk by noon on the day of the talk.

Zoom invitations will be sent out on the afternoon of the talk.

NB Start time: 6.00pm
Waiting Room open 5 minutes before.
Booking will close at 12 noon.

Proposer: Paul Kafno, television producer and writer

Opposer: Martyn Bond, former BBC producer and foreign correspondent

Please join us to debate the live topic of the BBC, enlightened by the arguments of expert speakers, supported by ‘seconders’ from local sixth forms. Speakers from the floor will be able to make contributions to the debate, which will have the same format as usual.

Please note: start time 6pm

Booking closes at 12 noon

https://members.hlsi.net/Event-Booking/EventId/108

This month Catherine Budgett-Meakin interviews Martin Adeney.

Martin Adeney worked as a journalist, reporting on labour and British industry for the Guardian, Sunday Telegraph and the BBC. He had his own public relations agency and is the author of a book published just before the Brexit vote, ‘Baggage of Empire; reporting politics and industry in the shadow of imperial decline’.

At this time, the interviews will be on Zoom, but we hope they will be able to take place in the HLSI in due course.

Please register by 12 noon on Friday 17th July.
Zoom invitations will be sent out on the day.
NB Start time: 4.00pm
Waiting Room open 5 minutes before.

First up we have a very special comedy night with multi-award winning stand-up comedian and our host for the evening Matt Richardson. Matt lives around the corner from Lauderdale House and is a one of the most exciting names on the circuit currently rising through the ranks.

Joining him are:

• the amazing Ivo Graham  who is a regular face on Live At the Apollo, Mock the Week, Have I Got News for You…and many many more.
• Edinburgh comedy best newcomer nominee 2019 Helen Bauer.
• and one the UK’s top stand up comedians and familiar TV face Hal Cruttenden.

Come rain or shine we’ll be there to entertain you so make sure you bring attire for all weathers! It’s going to be a lot of fun! 

Don’t fancy queuing up for your snacks and drinks? You can now pre-order drinks and a picnic for collection on the night. When buying your tickets online simply add your selection to your basket before checkout and we’ll have it ready for you.

We have done everything we can to keep you safe and make these events Covid-19 secure – please read the ‘What You Need To Know’ tab for more information.

And please note tickets MUST be purchased in advance.

Join Tim Blanning, Professor Emeritus of Modern European History at the University of Cambridge and a Fellow of the British Academy, on a journey down the valley of the River Danube.

Talks start at 6.00pm each Tuesday and will be delivered by Zoom. There will be a short question and answer session at the end, using the Chat facility on Zoom.

Please register for a Tuesday Talk by noon on the day of the talk.

Zoom invitations will be sent out on the afternoon of the talk.

NB Start time: 6.00pm
Waiting Room open 5 minutes before.
Booking will close at 12 noon.

Tonight Cabaret returns to Lauderdale House with:

The ever glamorous and stunning Alison Guill who has appeared in West End shows such as Phantom of the Opera and Carousel, leading roles with OperaUK and shortly before lockdown in her own cabaret at Lauderdale House. She’ll treat you to a selection of fun and upbeat Sondheim, Gershwin, Ivor Novello and Rogers & Hammerstein with plenty of comedy songs! Alison is accompanied by Lauderdale House pianist-in-residence Stephen Hose.

The charismatic and versatile Tim McArthur who has appeared in cabaret in New York, Kuala Lumpur and across London including the Purcell Room and, of course, Lauderdale House. Get ready for a set packed with uplifting songs about overcoming your fears and the challenges of life, from great composers such as Irving Berlin, Kander & Ebb, Burt Bacharach and Jerry Herman. Tim is accompanied by Aaron Clingham, resident Musical Director at Ye Olde Rose and Crown Pub Theatre in Walthamstow.

Come rain or shine we’ll be there to entertain you so make sure you bring attire for all weathers! It’s going to be a lot of fun! 

Don’t fancy queuing up for your snacks and drinks? You can now pre-order drinks and a picnic for collection on the night. When buying your tickets online simply add your selection to your basket before checkout and we’ll have it ready for you.

We have done everything we can to keep you safe and make these events Covid-19 secure – please read the ‘What You Need To Know’ tab for more information. 

And please note tickets MUST be purchased in advance.

Led by internationally renowned Guitar legend John Etheridge, Blue Spirits is completed by Pete Whittaker (Organ) and Nic France (Drums).

Drawing on a vast reservoir of musical experience spanning 48 years, Etheridge distills the bluesier side of his musical world in a repertoire that has intensity and emotion as its main quality, with subtlety, fluidity and interaction as its centre. Pete Whittaker is a superb accompanist and soloist and drummer Nic France is celebrated for his drive and invention.

For tonight’s show the Trio will be joined by special guest vocalist Vimala Rowe, known for her soulful and passionate delivery. Expect edgy and engaging repertoire with a forceful drive.

Come rain or shine we’ll be there to entertain you so make sure you bring attire for all weathers! It’s going to be a lot of fun! 

Don’t fancy queuing up for your snacks and drinks? You can now pre-order drinks and a picnic for collection on the night. When buying your tickets online simply add your selection to your basket before checkout and we’ll have it ready for you.

We have done everything we can to keep you safe and make these events Covid-19 secure – please read the ‘What You Need To Know’ tab for more information. 

And please note tickets MUST be purchased in advance.

Sāvitri is told by Death that her husband Satyavān is about to die. When he returns from his day’s work in the forest he collapses. Death now offers Sāvitri a wish, and she asks for ‘Life’. Death agrees, but Sāvitri then points out that life for her is indivisible from her husband’s life. Death has been tricked and admits defeat. Satyavān revives: even death, like life, is ‘Māyā’ – illusion.

HGO brings live opera back to London with an open-air, socially-distanced production of Gustav Holst’s ‘Sāvitri’ , a tale of life, death, illusion and hope powerfully resonant with our times. HGO is dedicated to supporting singers at the start of their careers – they will lead the return of vibrant opera to the capital.

The staged open-air production, with orchestra, of this one-act opera will take place, in accordance with government regulations, in the portico of Lauderdale House, Highgate, with the audince sonciall disnntanced on the lawn. There are two performances per evening (at 18:30 and 20:00) on the
13th, 15, 20th and 22nd August –

The production is staged by Julia Mintzer, and conducted by Thomas Payne. Fou more detials see www.hgo.org.uk/savitri or Lauderdale House website.

Tonight’s Classical evening is presented by The Unlocked Trio, brought together by the strangeness of Lockdown, and features two of our resident musicians, pianist Stephen Hose and violinist Thomas Leate, who are joined by cellist Molly Carter.

They will be performing:

Haydn Trio in G major (Gypsy Rondo)

Beethoven Trio in C minor Op. 1 No. 3

Malcolm Arnold Trio Op. 54

A selection of popular Palm Court trios

Come rain or shine we’ll be there to entertain you! Make sure you bring attire for all weathers! It’s going to be a lot of fun! 

Don’t fancy queuing up for your snacks and drinks? You can now pre-order drinks and a picnic for collection on the night. When buying your tickets online simply add your selection to your basket before checkout and we’ll have it ready for you.

We have done everything we can to keep you safe and make these events Covid-19 secure – please read the ‘What You Need To Know’ tab for more information. 

And please note tickets MUST be purchased in advance.

Sāvitri is told by Death that her husband Satyavān is about to die. When he returns from his day’s work in the forest he collapses. Death now offers Sāvitri a wish, and she asks for ‘Life’. Death agrees, but Sāvitri then points out that life for her is indivisible from her husband’s life. Death has been tricked and admits defeat. Satyavān revives: even death, like life, is ‘Māyā’ – illusion.

HGO brings live opera back to London with an open-air, socially-distanced production of Gustav Holst’s ‘Sāvitri’ , a tale of life, death, illusion and hope powerfully resonant with our times. HGO is dedicated to supporting singers at the start of their careers – they will lead the return of vibrant opera to the capital.

The staged open-air production, with orchestra, of this one-act opera will take place, in accordance with government regulations, in the portico of Lauderdale House, Highgate, with the audince sonciall disnntanced on the lawn. There are two performances per evening (at 18:30 and 20:00) on the
13th, 15, 20th and 22nd August –

The production is staged by Julia Mintzer, and conducted by Thomas Payne. Fou more detials see www.hgo.org.uk/savitri or Lauderdale House website.

Sāvitri is told by Death that her husband Satyavān is about to die. When he returns from his day’s work in the forest he collapses. Death now offers Sāvitri a wish, and she asks for ‘Life’. Death agrees, but Sāvitri then points out that life for her is indivisible from her husband’s life. Death has been tricked and admits defeat. Satyavān revives: even death, like life, is ‘Māyā’ – illusion.

HGO brings live opera back to London with an open-air, socially-distanced production of Gustav Holst’s ‘Sāvitri’ , a tale of life, death, illusion and hope powerfully resonant with our times. HGO is dedicated to supporting singers at the start of their careers – they will lead the return of vibrant opera to the capital.

The staged open-air production, with orchestra, of this one-act opera will take place, in accordance with government regulations, in the portico of Lauderdale House, Highgate, with the audince sonciall disnntanced on the lawn. There are two performances per evening (at 18:30 and 20:00) on the
13th, 15, 20th and 22nd August –

The production is staged by Julia Mintzer, and conducted by Thomas Payne. Fou more detials see www.hgo.org.uk/savitri or Lauderdale House website.

Tonight’s showtune night includes all your favourite songs from a great selection of iconic shows. If we can’t ask you to sing, then you can join in with the actions and ‘actalong’ to great classics such as Hakuna Matata, Chitty Chitty Bang, Bang, Doe A Deer and more!

The versatile and charismatic Tim McArthur is joined by the vibrant and talented Sarah Dearlove, and on the keys musical director and pianist Ben Papworth.

Come rain or shine we’ll be there to entertain you! Make sure you bring attire for all weathers! It’s going to be a lot of fun! 

Don’t fancy queuing up for your snacks and drinks? You can now pre-order drinks and a picnic for collection on the night. When buying your tickets online simply add your selection to your basket before checkout and we’ll have it ready for you.

We have done everything we can to keep you safe and make these events Covid-19 secure – please read the ‘What You Need To Know’ tab for more information. 

And please note tickets MUST be purchased in advance.

Sāvitri is told by Death that her husband Satyavān is about to die. When he returns from his day’s work in the forest he collapses. Death now offers Sāvitri a wish, and she asks for ‘Life’. Death agrees, but Sāvitri then points out that life for her is indivisible from her husband’s life. Death has been tricked and admits defeat. Satyavān revives: even death, like life, is ‘Māyā’ – illusion.

HGO brings live opera back to London with an open-air, socially-distanced production of Gustav Holst’s ‘Sāvitri’ , a tale of life, death, illusion and hope powerfully resonant with our times. HGO is dedicated to supporting singers at the start of their careers – they will lead the return of vibrant opera to the capital.

The staged open-air production, with orchestra, of this one-act opera will take place, in accordance with government regulations, in the portico of Lauderdale House, Highgate, with the audince sonciall disnntanced on the lawn. There are two performances per evening (at 18:30 and 20:00) on the
13th, 15, 20th and 22nd August –

The production is staged by Julia Mintzer, and conducted by Thomas Payne. Fou more detials see www.hgo.org.uk/savitri or Lauderdale House website.

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk

www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk

www.jasonsumray.com

Register online to be sent the zoom link

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

See website for more details

Highgate Literary& Scientific Institution

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Ticket details on website

Highgate Literary& Scientific Institution

Handmade in Highgate the Summer  Fair 2020 will take place on 25 – 27 September. Come and find some of the UK’s most talented designer/makers at the Highgate Literary & Scientific Institution, entrance is FREE and everyone is welcome.

Times:

Friday 25 September: 5pm – 8pm

Saturday 26 September: 10am – 6pm

Sunday 27 September: 11am – 5pm

Handmade in Highgate the Summer  Fair 2020 will take place on 25 – 27 September. Come and find some of the UK’s most talented designer/makers at the Highgate Literary & Scientific Institution, entrance is FREE and everyone is welcome.

Times:

Friday 25 September: 5pm – 8pm

Saturday 26 September: 10am – 6pm

Sunday 27 September: 11am – 5pm

Handmade in Highgate the Summer  Fair 2020 will take place on 25 – 27 September. Come and find some of the UK’s most talented designer/makers at the Highgate Literary & Scientific Institution, entrance is FREE and everyone is welcome.

Times:

Friday 25 September: 5pm – 8pm

Saturday 26 September: 10am – 6pm

Sunday 27 September: 11am – 5pm

For details see website

Highgate Literary& Scientific Institution

For more details see website

Highgate Literary& Scientific Institution

   Image: Thirst.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

   Image: Thirst.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

Image: Thirst.  textile collage.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

Two evenings of interaction and reflection with talks, poetry and more, on themes from the show, Jonathan & Ariella Green, ‘A Shared Landscape’:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).