The story of the kitchen garden and the healing of the land

https://docs.google.com/forms/d/e/1FAIpQLSfRD4TVjQ9T4b0HXs-_kA-BoF9cPuaztsXRYtZNsrp7d6_2Vg/viewform

Join Tim Blanning, Professor Emeritus of Modern European History at the University of Cambridge and a Fellow of the British Academy, on a journey down the valley of the River Danube.

Talks start at 6.00pm each Tuesday and will be delivered by Zoom. There will be a short question and answer session at the end, using the Chat facility on Zoom.

Please register for a Tuesday Talk by noon on the day of the talk.

Zoom invitations will be sent out on the afternoon of the talk.

NB Start time: 6.00pm
Waiting Room open 5 minutes before.
Booking will close at 12 noon.

Monday 7th September  7.00 pm 2020

A talk by Ruth Hazeldine on the history of ice cream

“There is more to the story of ice cream than just the pleasure of eating it. It has a long social history, as well as a culinary one. The first written record of ice cream being eaten in England is in 1671 at a feast held for Charles II. The first printed recipe was published in 1718 by Mary Eales, Court Confectioner to Queen Anne. Where did this delicacy originate? Well, you’re always safe if you say “China”, and in this case it’s true: records from the T’ang Dynasty in about AD 618 refer to iced milk mixed with flour and camphor being served at court. Sounds horrible, doesn’t it?

Soon afterwards the method made its way to Italy, where it was much improved by the addition of fruits and sugar and by 1672,  90 different flavours were being offered at the Café Procope in Paris.  I will show you a picture of me standing outside the shop, with an ice-creamy smile on my face!. In fact, it felt like Eating Winter with a Spoon!”

Ruth Hazeldine

This is an online Zoom event. (Click here for advice on how to participate.)

Pre-booking on Eventbrite is essential – click here. The Zoom meeting link will be sent by email on or before the day of the event.

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk

www.jasonsumray.com

Monday 14th September 2020   7.00 pm
This is an online Zoom event – booking details below

In conversation with Martha Halford-Fumagalli, local author Robert Lyons will talk about his recently published book, a fictionalised account of a 1970’s financial scandal.

THE SHELL COLLECTOR tells the roller-coaster story of Guy Magnus, an ambitious, unprincipled young share-dealer. The story has a number of threads. One is the personal rivalry between Guy and a stockbroker friend, Harry Griffin. They bet a lunch at Maxim’s in Paris on who will be first to ‘show’ a fortune of £1 million.

During the late 1960s Guy wheels and deals his way towards his fortune. By 1973 he is ready for a major deal. Harry’s route to wealth is his shareholding in an ill-managed conglomerate, Britton Trust.

Britton Trust is an ideal asset-rich target for Guy. He sets up a £100 company, Westchurch, as the vehicle for a £20 million take-over bid. A merchant bank, Ulster & Cayman, provides the finance, conditional on Guy giving his personal guarantee for the repayment of its loan.

The day the take-over is completed, a secondary bank collapses and share and property values plummet. Westchurch is unable to repay its loans and Guy has to meet his personal guarantee. Meanwhile Harry Griffin has achieved the sale of his Britton Trust shares and become a millionaire. But in a final twist, it is he who pays for lunch at Maxim’s.

The author was born in Leeds and is a graduate of Pembroke College, Oxford. He became a director of a large retailing group which itself became the victim of a company take-over. He knew ‘Guy Magnus’ socially, and met a number of the other characters during his business career. He and his wife have lived in Highgate for more than fifty years, enjoying the musical and theatrical life that London has to offer. They have two children and six grandchildren, aged from one to 23.

This is an online Zoom event. (Click here for advice on how to participate.)

Pre-booking on Eventbrite is essential – click here. The Zoom meeting link will be sent by email on or before the day of the event.

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk

www.jasonsumray.com

Register online to be sent the zoom link

Monday 21st September 2020   7.00 pm

Completely landlocked, surrounded by Russia and China, and known as the Land of Blue Skies, Mongolia is noted for its vast rugged expanses  that link land and sky and is one of the last few places on the planet where nomadic life is still a living tradition. With the lowest population density among all independent countries in the world, it is this vast and majestic emptiness that is the country’s enduring appeal, bringing the traveller, as it does, into a close communion with nature and its nomadic inhabitants.  Join Betty Pires as she takes you on tour, via Zoom, through the fabled land of Genghis Khan, Emperor of the Mongol Empire, who established the largest contiguous empire in history.  Betty will take you through the massive Gobi Desert and the shores of Lake Hovsgol,  the ruins of Kharakhorum, site of the 13^th century capital of the Mongol Empire, the scenic Flaming Cliffs where Roy Chapman Andrews found the first ever dinosaur eggs and listen to traditional “throat singing”

This is an online Zoom event. (Click here for advice on how to participate.)

Pre-booking on Eventbrite is essential – click here. The Zoom meeting link will be sent by email on or before the day of the event.

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

See website for more details

Highgate Literary& Scientific Institution

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Image: detail from ‘Spoons Looking Right’ © Jason Sumray, oil on canvas. All rights reserved

What’s in a Jug?  Paintings and etchings by Jason Sumray     11-24 September 2020

For his Highgate Gallery show ‘What’s in a Jug?’ Jason Sumray brings together a series of oil paintings and etchings that are invented Still Lifes.  He takes ordinary objects and gives them new meanings;  grouping and juxtaposing them as if they are protagonists in table-top dramas.

The series began with an interest in images where the human presence was still strongly felt but figures were absent.  Drawers are half open, stools and chairs empty, plates, cutlery, jugs and serviettes left on the dinner table.  Jason’s purpose was not to create a direct or distinguishable narrative, but rather to offer triggers that evoke potential meaning.  In time, he has become more concerned with a different kind of ‘narrative’ played out in his imaginary theatre world of objects;  where, in the tradition of Still Life, the things seem to exist autonomously regardless of human involvement, and what is important is their relationship to one another and to the empty space.

Several paintings in the exhibition deal with a preoccupation with the theme of ‘Spilt Strawberries and Cream’;  images that were begun as a response to Chardin’s quietly evocative ‘Basket of Wild Strawberries’ (1761).  Jason felt he wanted to upset Chardin’s delicate and finely balanced conical construction.

Jason’s interest in the language of light and dark has been extended into the discipline of etching using solely black ink.  He loves the blackness of the medium and how it’s possible to play with the way the forms emerge or disappear into the darkness, where edges are lost and then re-emerge.  He etches from his paintings;  they inform each other.

Jason Sumray lives and paints in North London.  He has exhibited in various galleries in London and elsewhere and has been shortlisted for a number of Open Competitions.  He won the Discerning Drawing Bursary in 2011 and was joint winner of the Marshwood Arts Award in 2017.  His series of paintings based on Samuel Beckett’s ‘Krapp’s Last Tape’ were exhibited as part of the inaugural International Beckett Festival, Enniskillen, NI, in 2012.  In 2016 his Fisherman paintings were shown in the Fishing Museum in Cromer.  Jason gained his Masters in Fine Art from the Sir John Cass School of Art and was awarded Distinction for his research on the nature of symbolism and metaphor in paintings.  In 2016 he was proud to curate the exhibition of paintings of his friend and mentor Ron Delavigne at the Highgate Gallery.

For further information please contact Jasonsumray@yahoo.co.uk www.jasonsumray.com

Ticket details on website

Highgate Literary& Scientific Institution

Handmade in Highgate the Summer  Fair 2020 will take place on 25 – 27 September. Come and find some of the UK’s most talented designer/makers at the Highgate Literary & Scientific Institution, entrance is FREE and everyone is welcome.

Times:

Friday 25 September: 5pm – 8pm

Saturday 26 September: 10am – 6pm

Sunday 27 September: 11am – 5pm

Handmade in Highgate the Summer  Fair 2020 will take place on 25 – 27 September. Come and find some of the UK’s most talented designer/makers at the Highgate Literary & Scientific Institution, entrance is FREE and everyone is welcome.

Times:

Friday 25 September: 5pm – 8pm

Saturday 26 September: 10am – 6pm

Sunday 27 September: 11am – 5pm

Handmade in Highgate the Summer  Fair 2020 will take place on 25 – 27 September. Come and find some of the UK’s most talented designer/makers at the Highgate Literary & Scientific Institution, entrance is FREE and everyone is welcome.

Times:

Friday 25 September: 5pm – 8pm

Saturday 26 September: 10am – 6pm

Sunday 27 September: 11am – 5pm

For details see website

Highgate Literary& Scientific Institution

For more details see website

Highgate Literary& Scientific Institution

   Image: Thirst.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

   Image: Thirst.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

Image: Thirst.  textile collage.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

Two evenings of interaction and reflection with talks, poetry and more, on themes from the show, Jonathan & Ariella Green, ‘A Shared Landscape’:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

   Image: Thirst.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

https://hlsi.net/ for all details

   Image: Thirst.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

   Image: Thirst.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

For details see website:

Highgate Literary& Scientific Institution

   Image: Thirst.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

   Image: Thirst.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

Image: Thirst.  textile collage.  Ariella Green.  All rights reserved

Jonathan and Ariella Green: A Shared Landscape.  2-15 October 2020

In this joint show, their first in Highgate, Ariella and Jonathan Green are showing recent work expressing the idea of a shared landscape.  They both make images including landscape in their work, but the theme of the show also applies to the shared landscape of their life together, their experience of living and travelling, creating a home and family; aesthetic correspondences that come from making art, looking and working together, and sharing ideas and materials.

There are definite contrasts as well as connections.  Ariella creates textile collages filled with layers of memory from childhood history, family and mythic narrative, peopled with figures and animals. Landscape and other elements from her origin in Israel are combined with those from life in England. Recently she includes an increasing response to the international situation; issues around reaching out to each other across cultures and experience, the possibilities in diversity and need for contact as well as dangers in misunderstanding.

Jonathan’s oil paintings commonly begin with the experience of a state of being in landscape – felt moments and a sense of self.  During work on the painting these moments link in reverie to other aspects of emotion, relationships and memory.  The language of the paintings is particularly the use of colour and form linked to emotion and thought.  Some of these landscapes come from a time following the loss of his parents in 2014 and 2016, marking their passing with memory.

Ariella Green is a textile artist who has exhibited widely in the UK and abroad.  She trained at St Martin’s School of Art, Goldsmiths College and Manchester University and has exhibited with the Crafts Council, “62” textile and “New Fibre Art” groups.  She is a member of the Contemporary Applied Arts (CAA) Gallery in London ‘representing some of the most talented and skilled applied artists working in Britain today.’ (www.caa.org.uk/).  www.ariellagreen.com.

Jonathan Green took Art at A level and a History of Art Tripos at Cambridge University before attending Art school in Paris and Winchester as time out from medical studies.  He is now a Professor of Child and Adolescent Psychiatry in Manchester and has continued painting throughout his medical career, recently exhibiting more regularly.  He has also combined experience in child development, psychology and art into writing and lecturing on an ‘interpersonal approach to painting’ (for instance – DOI: 10.1192/apt.bp.108.005751).

Events – ‘A Shared Landscape Shared’    Sundays 4^th and 11^th October, 6.30pm-8.30pm

Two evenings of interaction and reflection on themes from the show, with talks, poetry, and more:

‘Beauty Gives Me Courage’ – art and resilience in difficult times.

‘The Symbolization of Love’ – art and empathy, loss and renewal.

Details and tickets:  hlsi.net/highgate-gallery  £10 each (£7 for HLSI members).

Join Community Crafternoons for some fun with art. You will use a simple COLLAGE exercise to get an understanding of Klee’s ideas and methods, whilst making our own original art! Suitable for beginners.

MATERIALS
– Plain paper A4 2-3 sheets, 2 sheets, eg junk mail with one plain side
– Colour magazines, newspapers, scraps of coloured craft paper, wrapping paper scraps (NOT foil based)
– PVA glue or Pritt Stick
– Scissors
– Black Sharpie Pen/Marker Pen/Felt Tips
– Pencil
– Ruler
-Acrylic paints optional

PLEASE NOTE: Requires scissors – children should be supervised

BOOK DIRECT: Meetup Join me at ⏱FAST ART: Paul Klee – Wordart, Families & Adults, FREE http://meetu.ps/e/JqklC/JFhjn/a
EMAIL: sujan.nandanwar@gmail.com to request Zoom link.

Workshop originally designed for RECYCLING WEEK, 21-27th September.

Follow my blog page on https://www.facebook.com/sujan.nandanwar
Instagram: @communitycrafternoons

ZOOM Online ONLY