Dutch Dodo photopolymer print with chine collé, 61.5×56.5cm Tammy Mackay 2019. All rights reserved
Printmakers Council: TIME
The Printmakers Council invites you to find the time to join them in exploring the concept of Time in both traditional and innovative forms printmaking. Determined historically by the rising and the setting of the sun, our modern lifestyles push against the natural rhythms of rest and labour and our now 24-hour economy urges consumer purchasing of smart watches. It’s not just telling the time but scheduling what to do with it. Meanwhile astrophysical research challenges our understanding of time itself. The Printmakers explore our complex relationship with time, a fascinating and engrossing subject for us all.
All work is for sale.
Events:
15 minute talks Sunday 9th February 2-3pm.
Create a print in a 10 minutes. Workshop on Sunday 16th February 2-4pm.
Founded in 1965 by artists including Julian Trevelyan, Michael Rothenstein, Anthony Gross and Agatha Sorel, the Printmakers Council promotes the place of printmaking in the visual arts by:
- Providing information on prints and printmaking to its 250 members and the public
• Encouraging co-operation and exchanges between artists, galleries and printmaking studios and associations
• Holding regular exhibitions of original prints in the UK and abroad
Website: https://printmakerscouncil.com
Exhibition continues until 20 February.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
An evening of Old Time Music Hall
with Sue Yager, Sheila Miller, Racker Donelly, Syd Maddicott
with Chairman Mike Francis
and Derek Marcus at the piano.
Dutch Dodo photopolymer print with chine collé, 61.5×56.5cm Tammy Mackay 2019. All rights reserved
Printmakers Council: TIME
The Printmakers Council invites you to find the time to join them in exploring the concept of Time in both traditional and innovative forms printmaking. Determined historically by the rising and the setting of the sun, our modern lifestyles push against the natural rhythms of rest and labour and our now 24-hour economy urges consumer purchasing of smart watches. It’s not just telling the time but scheduling what to do with it. Meanwhile astrophysical research challenges our understanding of time itself. The Printmakers explore our complex relationship with time, a fascinating and engrossing subject for us all.
All work is for sale.
Events:
15 minute talks Sunday 9th February 2-3pm.
Create a print in a 10 minutes. Workshop on Sunday 16th February 2-4pm.
Founded in 1965 by artists including Julian Trevelyan, Michael Rothenstein, Anthony Gross and Agatha Sorel, the Printmakers Council promotes the place of printmaking in the visual arts by:
- Providing information on prints and printmaking to its 250 members and the public
• Encouraging co-operation and exchanges between artists, galleries and printmaking studios and associations
• Holding regular exhibitions of original prints in the UK and abroad
Website: https://printmakerscouncil.com
Exhibition continues until 20 February.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
The Fitzwilliam String Quartet will be celebrating their 50th Anniversary with works by Haydn, Beethoven (Op 131) and Shostakovich (No. 12). Complimentary glass of wine. Doors open at 7 p.m.
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
Meeting 9:30am on the dates shown. Each event will last an
hour.
11th January Shepherds Hill,
8th February 10A South Grove
7th March Shepherds Hill, outside the Library
11th April Shepherds Hill, outside the Library
9th May 10A South Grove
13th June Shepherds Hill, outside the Library
11th July Shepherds Hill, outside the Library
8th August 10A South Grove
12th September Shepherds Hill, outside the Library
10th October Shepherds Hill, outside the Library
14th November 10A South Grove
12th December Shepherds Hill, outside the Library
Purpose: Collecting litter and reporting any other issues we find to the
relevant Council team for follow up action.
Equipment: We will supply litter picker sticks, gloves and rubbish bags.
Please bring your own litter picker if you have one. Buckets
are also useful as an alternative to keeping litter bags
open. We will collect in rubbish bags at the end.
Safety: We will give a short briefing at the start of each session and
will stick together as a group. We will have a first aid kit.
Any questions: Please e mail infrastructure@highgatesociety.com
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
Image: Keith Hammond, Japanese Maple
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
Image: Keith Hammond, Japanese Maple
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
Old Time Music Hall with The Lissenden Players on Wednesday March 18th: Doors open 7.30 for 8 pm.
Starring: Louisa Bayman, Orla Roberts, Cathy Joyner and Martin Nail, with Paul Kenealy in the Chair and Derek Marcus at the piano.
Bring your friends and join in all the choruses!
ORGANIC ORIGINS. Photographic Artworks by Keith Hammond
Artist and photographer Keith Hammond’s first solo exhibition at the Highgate Gallery in London takes a radical departure to nature photography.
Entitled Organic Origins, the exhibition showcases 14 of Hammond’s landscape works. Mostly taken in north London’s open spaces, including Hampstead Heath and Waterlow Park close to the gallery, each has a different theme, from Japanese Maple (2014) to Water Iris Shoots (2015), Frost on Leaf and Grass (2015) and Arching Beech (2016).
In these large-scale works, Hammond’s intention is to explore the way we look at nature. Rather than use a single shot composed in the picturesque tradition, he takes a radical approach, using a grid system that investigates each landscape from multiple viewpoints. Hammond then incorporates these smaller images and details into each finished image, making works that are more than the sum of their parts, and which reward repeated viewing.
The artworks in Organic Origins also invite comparison with other artists such as Gilbert and George and David Hockney, whose workshops he has attended. Hammond’s use of “joiners” (the photographic term for smaller images that combine to compose a larger picture) itself questions the act of perception, inviting a re-evaluation of photographic truth and the single “decisive moment”. Instead, his artworks respond to the way the eye actually works in nature: sometimes near, sometimes far, always restless.
“We don’t look at a beautiful tree or a landscape for just a split second. We take our time, our eyes wander all over the scene, we take it all in; the leaves shake in the wind, the waters ripple, the clouds move, the light changes. Nothing is static.” Keith Hammond, 2019
Hammond also works on his images post-production. Several of the landscapes in Organic Origins have been digitally manipulated to bring out details that are unattainable within the normal colour spectrum. The intention is to gain a wider harmony in the image – and express a wider truth about the relationship between the viewer and the natural world.
“I want to connect with something essential about the natural world; something that is palpably already there if we just take the time to look.” Keith Hammond, 2019.
“I have had a passion for trees since I was a small girl. If you’re similarly attracted to their changing colours and shapes, please spend time at Keith Hammond’s exhibition at the Highgate Gallery. He is a remarkable photographer.” Dame Judi Dench, 2020.
The artworks are for sale. From a series of 50 images, the 14 limited-edition works in the exhibition range from 1-2.5m in size. Prices £1,000-£4,000.
About Keith Hammond
A photographer since the 1960s, Keith Hammond has had a long career as an artist and photographer. In 1998-99 he was invited to judge the John Kobal Portrait Award (now Taylor Wessing) exhibited at the National Portrait Gallery, London. 2014 Art for Art Sake, Cork St Gallery, London.
Exhibition continues until 19 March.
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
The Highgate Film Society operates on a membership subscription basis and membership is open to all: you do not have to be a member of the HLSI in order to join.
Subscription films are shown in the Victoria Hall. Except where otherwise stated, doors open at 7.30pm and films start at 8pm. Complimentary wine and juice are available before every performance and, for longer films, during an interval.
The subscription films in our 2019/20 season are listed below. The first film is free. Non-HFS members are also very welcome to attend any non-subscription events taking place during the season.
Two membership options are available and can be bought both through the office and on the door:
- Full Member: one subscription payment of £35 per person for all nine films Join Now
- Associate Member: one subscription payment of £15 per person which allows entry to any film for £5 Join Now
Guests: £8 per ticket. HFS Members only may buy guest tickets in advance from the office, either in person or by telephone payment. Guest tickets will not be available on the door.
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
HLSI’s annual book event for children.
Come and meet storyteller extraordinaire Vanessa Woolf on the theme of CATS. £2 for each child. Reserve a place at hlsi.net/whats-on/childrens-book-fair.
Vanessa Woolf tells stories that are real, exciting, magical and engaging from start to finish, often using props and music.
Free admission to book fair selling second-hand books, home-baked cakes and biscuits, and featuring face-painting and a quiet story corner.
@highgatelitsci
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm