Nikki Yeoh is a creative free spirit who, although deeply rooted in the language of improvisation, is open to a range of music that leans as much to populism as it does high art.
Since her emergence on the British jazz scene in the mid-90s, pianist Nikki Yeoh has proved to be an improviser, composer and all-round adventurer who has continually sought to broaden her musical horizons.
Accomplished soloist as she is, Nikki has also excelled as a composer; this is borne out by the number of very significant commissions. Among the most notable recent works is her Suite Of Seven Tunes based on the seven deadly sins, for the internationally renowned reeds virtuoso, John Sunman. River Spirit, which was written for The Oxford New College Boys Choir following a commission from Oxford Contemporary Music.
Yeoh’s output to date reflects an irrepressible spirit of curiosity that has taken her into areas far and wide, be it gigs with cutting edge jazz musicians such as Steve Williamson and Courtney Pine, soul stars like Jean Carne and Roy Ayers, or the fiercely original hip-hop group The Roots. Regardless of the setting Yeoh always shows the same degree of dynamism and responsiveness, qualities that she has developed through both her personal research of the history of music and extensive travels in Latin America, India, the Far East and Europe.
These three artists, friends since art college, share a common interest in figurative and landscape themes, their work reflecting a love of both traditional painting and its modern counterpart.
The inspiration for Ken Gallagher’s work is his family in Ireland and the moody Donegal landscape. Figures working the land or sitting at a table are familiar subjects in his drawings and heavily worked etchings. His London work is motivated by the landscape and aspects of day to day life in the city.
John Mortimer’s work is mainly concerned with the urban and rural landscape and the human figure. All his works begin with drawing directly from the subject and later he develops his ideas in his studio where the challenge is to make pictorial sense from what is essentially visual chaos. In recent years, John has worked on a series of self-portrait images, painting directly from life, a subject he first approached in his late fifties.
Anthony Taylor is strongly influenced by expressionist painting, but he has always sought an individual approach, believing that experience and observation are the bedrocks of meaningful work. He is a keen lover of the outdoors, in particular the high moorland tracts and rugged landscapes found in the North West of England. His recent landscape work, featuring old and decrepit dry-stone walls, makes a striking contrast to the paintings of the dry-stone walls – the paret seca – of Minorca, which he recorded whilst there on holiday.
About the artists: Ken Gallagher studied at Horsey College of Art and the Royal Academy Schools, London. He lives in East London, dividing his time between Ireland and England. John Mortimer studied at Accrington College, Liverpool Polytechnic Faculty of Art and Design and the Royal Academy Schools. He is based in East London. Anthony Taylor is a northern based artist who trained at Accrington College and Liverpool College of Art. He has exhibited widely throughout the North West of England having held solo shows in Liverpool, Bury, Manchester, Leeds and many other venues. His work is in both private and public collections.
For further information about any of the artists please contact Anthony Taylor anthony_taylor22@hotmail.com
Exhibition continues until 7 April.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
These three artists, friends since art college, share a common interest in figurative and landscape themes, their work reflecting a love of both traditional painting and its modern counterpart.
The inspiration for Ken Gallagher’s work is his family in Ireland and the moody Donegal landscape. Figures working the land or sitting at a table are familiar subjects in his drawings and heavily worked etchings. His London work is motivated by the landscape and aspects of day to day life in the city.
John Mortimer’s work is mainly concerned with the urban and rural landscape and the human figure. All his works begin with drawing directly from the subject and later he develops his ideas in his studio where the challenge is to make pictorial sense from what is essentially visual chaos. In recent years, John has worked on a series of self-portrait images, painting directly from life, a subject he first approached in his late fifties.
Anthony Taylor is strongly influenced by expressionist painting, but he has always sought an individual approach, believing that experience and observation are the bedrocks of meaningful work. He is a keen lover of the outdoors, in particular the high moorland tracts and rugged landscapes found in the North West of England. His recent landscape work, featuring old and decrepit dry-stone walls, makes a striking contrast to the paintings of the dry-stone walls – the paret seca – of Minorca, which he recorded whilst there on holiday.
About the artists: Ken Gallagher studied at Horsey College of Art and the Royal Academy Schools, London. He lives in East London, dividing his time between Ireland and England. John Mortimer studied at Accrington College, Liverpool Polytechnic Faculty of Art and Design and the Royal Academy Schools. He is based in East London. Anthony Taylor is a northern based artist who trained at Accrington College and Liverpool College of Art. He has exhibited widely throughout the North West of England having held solo shows in Liverpool, Bury, Manchester, Leeds and many other venues. His work is in both private and public collections.
For further information about any of the artists please contact Anthony Taylor anthony_taylor22@hotmail.com
Exhibition continues until 7 April.
Anthony Taylor, Girl In A Mondrian Dress
These three artists, friends since art college, share a common interest in figurative and landscape themes, their work reflecting a love of both traditional painting and its modern counterpart.
The inspiration for Ken Gallagher’s work is his family in Ireland and the moody Donegal landscape. Figures working the land or sitting at a table are familiar subjects in his drawings and heavily worked etchings. His London work is motivated by the landscape and aspects of day to day life in the city.
John Mortimer’s work is mainly concerned with the urban and rural landscape and the human figure. All his works begin with drawing directly from the subject and later he develops his ideas in his studio where the challenge is to make pictorial sense from what is essentially visual chaos. In recent years, John has worked on a series of self-portrait images, painting directly from life, a subject he first approached in his late fifties.
Anthony Taylor is strongly influenced by expressionist painting, but he has always sought an individual approach, believing that experience and observation are the bedrocks of meaningful work. He is a keen lover of the outdoors, in particular the high moorland tracts and rugged landscapes found in the North West of England. His recent landscape work, featuring old and decrepit dry-stone walls, makes a striking contrast to the paintings of the dry-stone walls – the paret seca – of Minorca, which he recorded whilst there on holiday.
About the artists: Ken Gallagher studied at Horsey College of Art and the Royal Academy Schools, London. He lives in East London, dividing his time between Ireland and England. John Mortimer studied at Accrington College, Liverpool Polytechnic Faculty of Art and Design and the Royal Academy Schools. He is based in East London. Anthony Taylor is a northern based artist who trained at Accrington College and Liverpool College of Art. He has exhibited widely throughout the North West of England having held solo shows in Liverpool, Bury, Manchester, Leeds and many other venues. His work is in both private and public collections.
For further information about any of the artists please contact Anthony Taylor anthony_taylor22@hotmail.com
Exhibition continues until 7 April.
These three artists, friends since art college, share a common interest in figurative and landscape themes, their work reflecting a love of both traditional painting and its modern counterpart.
The inspiration for Ken Gallagher’s work is his family in Ireland and the moody Donegal landscape. Figures working the land or sitting at a table are familiar subjects in his drawings and heavily worked etchings. His London work is motivated by the landscape and aspects of day to day life in the city.
John Mortimer’s work is mainly concerned with the urban and rural landscape and the human figure. All his works begin with drawing directly from the subject and later he develops his ideas in his studio where the challenge is to make pictorial sense from what is essentially visual chaos. In recent years, John has worked on a series of self-portrait images, painting directly from life, a subject he first approached in his late fifties.
Anthony Taylor is strongly influenced by expressionist painting, but he has always sought an individual approach, believing that experience and observation are the bedrocks of meaningful work. He is a keen lover of the outdoors, in particular the high moorland tracts and rugged landscapes found in the North West of England. His recent landscape work, featuring old and decrepit dry-stone walls, makes a striking contrast to the paintings of the dry-stone walls – the paret seca – of Minorca, which he recorded whilst there on holiday.
About the artists: Ken Gallagher studied at Horsey College of Art and the Royal Academy Schools, London. He lives in East London, dividing his time between Ireland and England. John Mortimer studied at Accrington College, Liverpool Polytechnic Faculty of Art and Design and the Royal Academy Schools. He is based in East London. Anthony Taylor is a northern based artist who trained at Accrington College and Liverpool College of Art. He has exhibited widely throughout the North West of England having held solo shows in Liverpool, Bury, Manchester, Leeds and many other venues. His work is in both private and public collections.
For further information about any of the artists please contact Anthony Taylor anthony_taylor22@hotmail.com
Exhibition continues until 7 April.
Take a break on a Tuesday lunchtime and enjoy 45 minutes of gorgeous classical music performed live by our resident musicians upstairs in the beautiful Long Gallery overlooking Waterlow Park.
Stephen Hose trained at the Royal Academy of Music where he held a Vaughan Williams scholarship. He has specialised in chamber music and has worked extensively as a Musical Director, conductor and pianist in London and regional theatre, in addition to appearances in France, Sweden, Ireland, and Germany.
These three artists, friends since art college, share a common interest in figurative and landscape themes, their work reflecting a love of both traditional painting and its modern counterpart.
The inspiration for Ken Gallagher’s work is his family in Ireland and the moody Donegal landscape. Figures working the land or sitting at a table are familiar subjects in his drawings and heavily worked etchings. His London work is motivated by the landscape and aspects of day to day life in the city.
John Mortimer’s work is mainly concerned with the urban and rural landscape and the human figure. All his works begin with drawing directly from the subject and later he develops his ideas in his studio where the challenge is to make pictorial sense from what is essentially visual chaos. In recent years, John has worked on a series of self-portrait images, painting directly from life, a subject he first approached in his late fifties.
Anthony Taylor is strongly influenced by expressionist painting, but he has always sought an individual approach, believing that experience and observation are the bedrocks of meaningful work. He is a keen lover of the outdoors, in particular the high moorland tracts and rugged landscapes found in the North West of England. His recent landscape work, featuring old and decrepit dry-stone walls, makes a striking contrast to the paintings of the dry-stone walls – the paret seca – of Minorca, which he recorded whilst there on holiday.
About the artists: Ken Gallagher studied at Horsey College of Art and the Royal Academy Schools, London. He lives in East London, dividing his time between Ireland and England. John Mortimer studied at Accrington College, Liverpool Polytechnic Faculty of Art and Design and the Royal Academy Schools. He is based in East London. Anthony Taylor is a northern based artist who trained at Accrington College and Liverpool College of Art. He has exhibited widely throughout the North West of England having held solo shows in Liverpool, Bury, Manchester, Leeds and many other venues. His work is in both private and public collections.
For further information about any of the artists please contact Anthony Taylor anthony_taylor22@hotmail.com
Exhibition continues until 7 April.
These three artists, friends since art college, share a common interest in figurative and landscape themes, their work reflecting a love of both traditional painting and its modern counterpart.
The inspiration for Ken Gallagher’s work is his family in Ireland and the moody Donegal landscape. Figures working the land or sitting at a table are familiar subjects in his drawings and heavily worked etchings. His London work is motivated by the landscape and aspects of day to day life in the city.
John Mortimer’s work is mainly concerned with the urban and rural landscape and the human figure. All his works begin with drawing directly from the subject and later he develops his ideas in his studio where the challenge is to make pictorial sense from what is essentially visual chaos. In recent years, John has worked on a series of self-portrait images, painting directly from life, a subject he first approached in his late fifties.
Anthony Taylor is strongly influenced by expressionist painting, but he has always sought an individual approach, believing that experience and observation are the bedrocks of meaningful work. He is a keen lover of the outdoors, in particular the high moorland tracts and rugged landscapes found in the North West of England. His recent landscape work, featuring old and decrepit dry-stone walls, makes a striking contrast to the paintings of the dry-stone walls – the paret seca – of Minorca, which he recorded whilst there on holiday.
About the artists: Ken Gallagher studied at Horsey College of Art and the Royal Academy Schools, London. He lives in East London, dividing his time between Ireland and England. John Mortimer studied at Accrington College, Liverpool Polytechnic Faculty of Art and Design and the Royal Academy Schools. He is based in East London. Anthony Taylor is a northern based artist who trained at Accrington College and Liverpool College of Art. He has exhibited widely throughout the North West of England having held solo shows in Liverpool, Bury, Manchester, Leeds and many other venues. His work is in both private and public collections.
For further information about any of the artists please contact Anthony Taylor anthony_taylor22@hotmail.com
Exhibition continues until 7 April.
Renowned for his melodic and warmly lyrical trumpet playing, Chris Batchelor has been composing music for almost as long as he’s been performing. Winner of the prestigious Paul Hamlyn Foundation Award for Composers and a BBC Jazz Award, this new ensemble sees Batchelor further honing and distilling the approach he established in his writing for the influential groups Loose Tubes and Big Air.
Batchelor’s distinctive compositions for Zoetic are the outcome of his long lasting immersion in a wide range of music in London’s varied scene, from East African guitar band grooves to echoes of wistful European folk themes and sinuous lines reminiscent of Arabic music.
Zoetic is an exceptional combination of musicians who have played together for years in many other settings. Guitarist John Parricelli and bassist Steve Watts were fellow members of Loose Tubes, for which Batchelor was a key composer and soloist. The addition of violist Margrit Hasler and percussionist Paul Clarvis results in a unique and intriguing collective sound, rich in textural possibilities.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Waterlow Park Trust AGM
6:30pm for 7pm Monday 23rd May at Lauderdale House
A Zero Carbon Park? But what might this mean?
The Waterlow Park Trust Advisory Group will explain its role in giving local stakeholders a role in governance, policy and operational oversight in Waterlow Park.
The Trust strategy will be presented and your input sought, especially in relation to one of the objectives which is to develop what it means to be a ‘zero carbon park’ and how such an objective might be achieved.
To find out more about the Trust and the work of the Advisory Group please visit www.waterlowparktrust.org.uk
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
The Blue Town Trio features emerging London-based talent Zoe Francis on vocals, multi-award winning Jim Mullen on guitar (Morrissey Mullen, Terry Callier, Mose Alison, Georgie Fame, Gene Harris), and the incomparable Ross Stanley on Hammond organ.
It’s a cracking repertoire of classic standards with fresh arrangements. Songs including “Spring Can Really Hang You Up the Most”, “Too Late Now”, “Skylark”, “Who Can I Turn To”, “Midnight Sun”, “Nature Boy”, “Daydream”, “My One and Only Love”, “In a Sentimental Mood”, “Cinema Paradiso” and many more. Zoe’s love of a great lyric and beautiful voice set against the rich layers of sound from Ross’s Hammond and Jim’s melodic blues lines make this trio sound like a mini orchestra – not to be missed!
“Something a bit special is going on when this artist takes the stage…a classy poised singer” – London Jazz News on Zoe Francis
“Zoe communicates a love and understanding of the classic American Songbook with the lightest of touches, her choice of not-quite forgotten songs is canny too” – Dave Gelly (The Observer)
Tina Leslie – London Dreams – 10-23 June 2022
These oil and mixed-media paintings from London-based artist Tina Leslie speak to each other in their contrasts, both in theme, between city and countryside, and in style, between representative and abstract. The cityscapes capture atmospheric light and show familiar landmarks from unexpected vantage points, while the paintings in the Nature’s Threads series have a viewpoint that is up close, in the tangle of nature itself.
Christina Eberhart: Do you Hear the Flowers Sing?
1-14 July 2022
The title of Christina Eberhart’s exhibition ‘Do you hear the flowers sing?’ is a reference to the work of Anthropologist Natasha Myers, whose study of our interconnectedness with nature has inspired the artist. Plants have an agency and a unique intelligence which needs to be acknowledged.
‘The recognition that plants are breathing us into being, that their exhaling is the possibility of our inhale’ – Natasha Myers
The exhibition includes paintings, drawings, prints and cyanotypes.
The paintings are playful celebrations of colour and shape, and a sensory response to the exuberance found in plant life. Christina Eberhart is exploring and experimenting with how to show nature in art. She invents or paints from memory, then simplifies and refines the imagery, so that the paintings sit at the intersection between representation and abstraction. The intention is to provide a liminal space, with scope for the viewer to respond to them in their own personal way.
Plants and trees are an absolute necessity and integral to our lives and Christina explores and examines our relationship to them. Recent science is making astonishing discoveries about the behaviour of plants: their ability to communicate and procreate while rooted to the spot is helped by their unique sensory faculties and strategic choices of colour, light and environment.
For the works on paper, Christina applies a range of methods and processes that lend themselves particularly well to responding and capturing different types of phenomena and natural elemental influences. She works with plant dyes on textiles, and with an early photographic method called cyanotype.
The artist finds cyanotypes endlessly fascinating because the outcome depends directly on light and water. She will be showing several in the exhibition, and offering a workshop on the subject during the show for those who are interested in making their own.
Included in the exhibition is a series of paintings and drawings depicting crows and ravens, which add an element of ancient naturistic symbolism to the show. In the world of mythology and augury there are countless interpretations pertaining to these clever birds, from foretelling death and renewal to a change in circumstances. Hence they are apt symbols for the challenging times we live in.
Christina Eberhart is an artist living and working in London. She trained at Central St. Martins (2001) and her work has been included in numerous shows in London and abroad and is enjoyed by private collectors.
Drop-in Cyanotype workshop Sunday 10 July during Gallery opening hours.
Tina Leslie – London Dreams – 10-23 June 2022
These oil and mixed-media paintings from London-based artist Tina Leslie speak to each other in their contrasts, both in theme, between city and countryside, and in style, between representative and abstract. The cityscapes capture atmospheric light and show familiar landmarks from unexpected vantage points, while the paintings in the Nature’s Threads series have a viewpoint that is up close, in the tangle of nature itself.
Tina Leslie – London Dreams – 10-23 June 2022
These oil and mixed-media paintings from London-based artist Tina Leslie speak to each other in their contrasts, both in theme, between city and countryside, and in style, between representative and abstract. The cityscapes capture atmospheric light and show familiar landmarks from unexpected vantage points, while the paintings in the Nature’s Threads series have a viewpoint that is up close, in the tangle of nature itself.
Tina Leslie – London Dreams – 10-23 June 2022
These oil and mixed-media paintings from London-based artist Tina Leslie speak to each other in their contrasts, both in theme, between city and countryside, and in style, between representative and abstract. The cityscapes capture atmospheric light and show familiar landmarks from unexpected vantage points, while the paintings in the Nature’s Threads series have a viewpoint that is up close, in the tangle of nature itself.
Tina Leslie – London Dreams – 10-23 June 2022
These oil and mixed-media paintings from London-based artist Tina Leslie speak to each other in their contrasts, both in theme, between city and countryside, and in style, between representative and abstract. The cityscapes capture atmospheric light and show familiar landmarks from unexpected vantage points, while the paintings in the Nature’s Threads series have a viewpoint that is up close, in the tangle of nature itself.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Tina Leslie – London Dreams – 10-23 June 2022
These oil and mixed-media paintings from London-based artist Tina Leslie speak to each other in their contrasts, both in theme, between city and countryside, and in style, between representative and abstract. The cityscapes capture atmospheric light and show familiar landmarks from unexpected vantage points, while the paintings in the Nature’s Threads series have a viewpoint that is up close, in the tangle of nature itself.
Tina Leslie – London Dreams – 10-23 June 2022
These oil and mixed-media paintings from London-based artist Tina Leslie speak to each other in their contrasts, both in theme, between city and countryside, and in style, between representative and abstract. The cityscapes capture atmospheric light and show familiar landmarks from unexpected vantage points, while the paintings in the Nature’s Threads series have a viewpoint that is up close, in the tangle of nature itself.
Tina Leslie – London Dreams – 10-23 June 2022
These oil and mixed-media paintings from London-based artist Tina Leslie speak to each other in their contrasts, both in theme, between city and countryside, and in style, between representative and abstract. The cityscapes capture atmospheric light and show familiar landmarks from unexpected vantage points, while the paintings in the Nature’s Threads series have a viewpoint that is up close, in the tangle of nature itself.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Christina Eberhart: Do you Hear the Flowers Sing?
1-14 July 2022
The title of Christina Eberhart’s exhibition ‘Do you hear the flowers sing?’ is a reference to the work of Anthropologist Natasha Myers, whose study of our interconnectedness with nature has inspired the artist. Plants have an agency and a unique intelligence which needs to be acknowledged.
‘The recognition that plants are breathing us into being, that their exhaling is the possibility of our inhale’ – Natasha Myers
The exhibition includes paintings, drawings, prints and cyanotypes.
The paintings are playful celebrations of colour and shape, and a sensory response to the exuberance found in plant life. Christina Eberhart is exploring and experimenting with how to show nature in art. She invents or paints from memory, then simplifies and refines the imagery, so that the paintings sit at the intersection between representation and abstraction. The intention is to provide a liminal space, with scope for the viewer to respond to them in their own personal way.
Plants and trees are an absolute necessity and integral to our lives and Christina explores and examines our relationship to them. Recent science is making astonishing discoveries about the behaviour of plants: their ability to communicate and procreate while rooted to the spot is helped by their unique sensory faculties and strategic choices of colour, light and environment.
For the works on paper, Christina applies a range of methods and processes that lend themselves particularly well to responding and capturing different types of phenomena and natural elemental influences. She works with plant dyes on textiles, and with an early photographic method called cyanotype.
The artist finds cyanotypes endlessly fascinating because the outcome depends directly on light and water. She will be showing several in the exhibition, and offering a workshop on the subject during the show for those who are interested in making their own.
Included in the exhibition is a series of paintings and drawings depicting crows and ravens, which add an element of ancient naturistic symbolism to the show. In the world of mythology and augury there are countless interpretations pertaining to these clever birds, from foretelling death and renewal to a change in circumstances. Hence they are apt symbols for the challenging times we live in.
Christina Eberhart is an artist living and working in London. She trained at Central St. Martins (2001) and her work has been included in numerous shows in London and abroad and is enjoyed by private collectors.
Drop-in Cyanotype workshop Sunday 10 July during Gallery opening hours.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Christina Eberhart: Do you Hear the Flowers Sing?
1-14 July 2022
The title of Christina Eberhart’s exhibition ‘Do you hear the flowers sing?’ is a reference to the work of Anthropologist Natasha Myers, whose study of our interconnectedness with nature has inspired the artist. Plants have an agency and a unique intelligence which needs to be acknowledged.
‘The recognition that plants are breathing us into being, that their exhaling is the possibility of our inhale’ – Natasha Myers
The exhibition includes paintings, drawings, prints and cyanotypes.
The paintings are playful celebrations of colour and shape, and a sensory response to the exuberance found in plant life. Christina Eberhart is exploring and experimenting with how to show nature in art. She invents or paints from memory, then simplifies and refines the imagery, so that the paintings sit at the intersection between representation and abstraction. The intention is to provide a liminal space, with scope for the viewer to respond to them in their own personal way.
Plants and trees are an absolute necessity and integral to our lives and Christina explores and examines our relationship to them. Recent science is making astonishing discoveries about the behaviour of plants: their ability to communicate and procreate while rooted to the spot is helped by their unique sensory faculties and strategic choices of colour, light and environment.
For the works on paper, Christina applies a range of methods and processes that lend themselves particularly well to responding and capturing different types of phenomena and natural elemental influences. She works with plant dyes on textiles, and with an early photographic method called cyanotype.
The artist finds cyanotypes endlessly fascinating because the outcome depends directly on light and water. She will be showing several in the exhibition, and offering a workshop on the subject during the show for those who are interested in making their own.
Included in the exhibition is a series of paintings and drawings depicting crows and ravens, which add an element of ancient naturistic symbolism to the show. In the world of mythology and augury there are countless interpretations pertaining to these clever birds, from foretelling death and renewal to a change in circumstances. Hence they are apt symbols for the challenging times we live in.
Christina Eberhart is an artist living and working in London. She trained at Central St. Martins (2001) and her work has been included in numerous shows in London and abroad and is enjoyed by private collectors.
Drop-in Cyanotype workshop Sunday 10 July during Gallery opening hours.
Christina Eberhart: Do you Hear the Flowers Sing?
1-14 July 2022
The title of Christina Eberhart’s exhibition ‘Do you hear the flowers sing?’ is a reference to the work of Anthropologist Natasha Myers, whose study of our interconnectedness with nature has inspired the artist. Plants have an agency and a unique intelligence which needs to be acknowledged.
‘The recognition that plants are breathing us into being, that their exhaling is the possibility of our inhale’ – Natasha Myers
The exhibition includes paintings, drawings, prints and cyanotypes.
The paintings are playful celebrations of colour and shape, and a sensory response to the exuberance found in plant life. Christina Eberhart is exploring and experimenting with how to show nature in art. She invents or paints from memory, then simplifies and refines the imagery, so that the paintings sit at the intersection between representation and abstraction. The intention is to provide a liminal space, with scope for the viewer to respond to them in their own personal way.
Plants and trees are an absolute necessity and integral to our lives and Christina explores and examines our relationship to them. Recent science is making astonishing discoveries about the behaviour of plants: their ability to communicate and procreate while rooted to the spot is helped by their unique sensory faculties and strategic choices of colour, light and environment.
For the works on paper, Christina applies a range of methods and processes that lend themselves particularly well to responding and capturing different types of phenomena and natural elemental influences. She works with plant dyes on textiles, and with an early photographic method called cyanotype.
The artist finds cyanotypes endlessly fascinating because the outcome depends directly on light and water. She will be showing several in the exhibition, and offering a workshop on the subject during the show for those who are interested in making their own.
Included in the exhibition is a series of paintings and drawings depicting crows and ravens, which add an element of ancient naturistic symbolism to the show. In the world of mythology and augury there are countless interpretations pertaining to these clever birds, from foretelling death and renewal to a change in circumstances. Hence they are apt symbols for the challenging times we live in.
Christina Eberhart is an artist living and working in London. She trained at Central St. Martins (2001) and her work has been included in numerous shows in London and abroad and is enjoyed by private collectors.
Drop-in Cyanotype workshop Sunday 10 July during Gallery opening hours.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Christina Eberhart: Do you Hear the Flowers Sing?
1-14 July 2022
The title of Christina Eberhart’s exhibition ‘Do you hear the flowers sing?’ is a reference to the work of Anthropologist Natasha Myers, whose study of our interconnectedness with nature has inspired the artist. Plants have an agency and a unique intelligence which needs to be acknowledged.
‘The recognition that plants are breathing us into being, that their exhaling is the possibility of our inhale’ – Natasha Myers
The exhibition includes paintings, drawings, prints and cyanotypes.
The paintings are playful celebrations of colour and shape, and a sensory response to the exuberance found in plant life. Christina Eberhart is exploring and experimenting with how to show nature in art. She invents or paints from memory, then simplifies and refines the imagery, so that the paintings sit at the intersection between representation and abstraction. The intention is to provide a liminal space, with scope for the viewer to respond to them in their own personal way.
Plants and trees are an absolute necessity and integral to our lives and Christina explores and examines our relationship to them. Recent science is making astonishing discoveries about the behaviour of plants: their ability to communicate and procreate while rooted to the spot is helped by their unique sensory faculties and strategic choices of colour, light and environment.
For the works on paper, Christina applies a range of methods and processes that lend themselves particularly well to responding and capturing different types of phenomena and natural elemental influences. She works with plant dyes on textiles, and with an early photographic method called cyanotype.
The artist finds cyanotypes endlessly fascinating because the outcome depends directly on light and water. She will be showing several in the exhibition, and offering a workshop on the subject during the show for those who are interested in making their own.
Included in the exhibition is a series of paintings and drawings depicting crows and ravens, which add an element of ancient naturistic symbolism to the show. In the world of mythology and augury there are countless interpretations pertaining to these clever birds, from foretelling death and renewal to a change in circumstances. Hence they are apt symbols for the challenging times we live in.
Christina Eberhart is an artist living and working in London. She trained at Central St. Martins (2001) and her work has been included in numerous shows in London and abroad and is enjoyed by private collectors.
Drop-in Cyanotype workshop Sunday 10 July during Gallery opening hours.
Christina Eberhart: Do you Hear the Flowers Sing?
1-14 July 2022
The title of Christina Eberhart’s exhibition ‘Do you hear the flowers sing?’ is a reference to the work of Anthropologist Natasha Myers, whose study of our interconnectedness with nature has inspired the artist. Plants have an agency and a unique intelligence which needs to be acknowledged.
‘The recognition that plants are breathing us into being, that their exhaling is the possibility of our inhale’ – Natasha Myers
The exhibition includes paintings, drawings, prints and cyanotypes.
The paintings are playful celebrations of colour and shape, and a sensory response to the exuberance found in plant life. Christina Eberhart is exploring and experimenting with how to show nature in art. She invents or paints from memory, then simplifies and refines the imagery, so that the paintings sit at the intersection between representation and abstraction. The intention is to provide a liminal space, with scope for the viewer to respond to them in their own personal way.
Plants and trees are an absolute necessity and integral to our lives and Christina explores and examines our relationship to them. Recent science is making astonishing discoveries about the behaviour of plants: their ability to communicate and procreate while rooted to the spot is helped by their unique sensory faculties and strategic choices of colour, light and environment.
For the works on paper, Christina applies a range of methods and processes that lend themselves particularly well to responding and capturing different types of phenomena and natural elemental influences. She works with plant dyes on textiles, and with an early photographic method called cyanotype.
The artist finds cyanotypes endlessly fascinating because the outcome depends directly on light and water. She will be showing several in the exhibition, and offering a workshop on the subject during the show for those who are interested in making their own.
Included in the exhibition is a series of paintings and drawings depicting crows and ravens, which add an element of ancient naturistic symbolism to the show. In the world of mythology and augury there are countless interpretations pertaining to these clever birds, from foretelling death and renewal to a change in circumstances. Hence they are apt symbols for the challenging times we live in.
Christina Eberhart is an artist living and working in London. She trained at Central St. Martins (2001) and her work has been included in numerous shows in London and abroad and is enjoyed by private collectors.
Drop-in Cyanotype workshop Sunday 10 July during Gallery opening hours.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Jazz maestro and trumpeter Jay Phelps brings a fresh new band to Lauderdale house featuring music from his upcoming album ‘The Now’.
Prepare for grooves and gusto from a quartet consisting of the crème de la crème in London’s new Jazz scene. Starring Jay Phelps on the trumpet, Tom Ford on guitar, Menelik Claffey on bass, and Harry Ling on drums.
Bring your friends and family along, pack yourselves a picnic and come join us for an evening of musical splendour.
For more information and tickets, please visit our website!
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
The Tootsie Rollers, London’s original retro girlband, fuse old-school classics with contemporary hits.
The Tootsies have taken their unique sound all over the world and played everywhere from royal palaces to music festivals. They count Colin Firth, Richard Branson and HRH Prince Charles amongst their celebrity followers.
Their charity single ‘Walk the Walk’, in aid of breast cancer awareness, shot to number one in the jazz charts, marking their proudest moment to date.
The Tootsie Rollers can’t wait to bring vintage bang up to date at Lauderdale House. Grab yourself a picnic, a glass of prosecco and come roll with The Tootsies!