Eugenia Alekseyev: London Day & Night at Highgate Galle
9 – 22 May 2025
The exhibition will be open:
Eugenia Alekseyev, a London-based landscape artist, presents her solo exhibition: London, Day and Night. Featuring urban scenes and the bucolic places of Hampstead Heath, the show is unmistakably local, yet offering a fresh look at familiar places.
Painting within the neo-romanticism tradition, Eugenia uses strong impasto brushstrokes to convey the immediacy of the scene. She opposes what she sees as the rational and rigid process of studio painting preferring to work plein air. Her relationship with her surroundings becomes as important as visual information alone: the raw charge of the rain, snow and wind become an integral part of each painting through brushwork, texture and colour.
Urban scenes explore the experience of a lone individual in a metropolis. The city becomes a symbol and a reflection of the society, and the windows of the buildings, often a feature of Eugenia’s paintings, a reflection of its soul: a way to communicate and understand it.
The landscapes stem from strong emotions – they are a spiritual and unashamedly romantic re-creation of an ephemeral, and yet palpably real world: a search for the sublime and an antidote to the accelerating pace of the modern urban life. They are enigmatic and feel both intimate and public; real and dreamy; but always animated and human.
Eugenia’s Hampstead paintings are held in the permanent collection of Burgh House, Hampstead.
About the Artist
Eugenia Alekseyev is an award-winning artist and art educator based in North London. While living in New York, she studied at the ASLNY. After moving to England, she has received numerous accolades, including Best Plein Air Painting in Plein Air Magazine (U.S.) and Best Painting in the Picture the Heath competition by Hampstead School of Art (2022 and 2024).
Friday 9 May 2025
Saturday 10 May 2025: 10.00 – 16.00
Sunday 11 May 2025: 10.00 – 16.00
Wednesday 14 May 2025: 13.00 – 17.00
Thursday 15 May 2025: 13.00 – 17.00
Friday 16 May 2025: 13.00 – 17.00
Saturday 17 May 2025: 10.00 – 16.00
Sunday 18 May 2025: 10.00 – 16.00
Wednesday 21 May 2025: 13.00 – 17.00
Thursday 22 May 2025: 13.00 – 17.0
LEARN TRADITIONAL KUNG FU & TAI CHI
from Three-Time International Gold Medallist
DANIEL SHAW-ABULAFIA
at The Highgate Society, 10A South Grove, London N6 6BS
Children: Mondays weekly, 17.45 to 18.30 from September 26th
Adults: Mondays weekly, 18.30 to 19.30 from September 26th
COME TO A FREE TRIAL CLASS!
Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.
The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions.
Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.
Eugenia Alekseyev: London Day & Night at Highgate Galle
9 – 22 May 2025
The exhibition will be open:
Eugenia Alekseyev, a London-based landscape artist, presents her solo exhibition: London, Day and Night. Featuring urban scenes and the bucolic places of Hampstead Heath, the show is unmistakably local, yet offering a fresh look at familiar places.
Painting within the neo-romanticism tradition, Eugenia uses strong impasto brushstrokes to convey the immediacy of the scene. She opposes what she sees as the rational and rigid process of studio painting preferring to work plein air. Her relationship with her surroundings becomes as important as visual information alone: the raw charge of the rain, snow and wind become an integral part of each painting through brushwork, texture and colour.
Urban scenes explore the experience of a lone individual in a metropolis. The city becomes a symbol and a reflection of the society, and the windows of the buildings, often a feature of Eugenia’s paintings, a reflection of its soul: a way to communicate and understand it.
The landscapes stem from strong emotions – they are a spiritual and unashamedly romantic re-creation of an ephemeral, and yet palpably real world: a search for the sublime and an antidote to the accelerating pace of the modern urban life. They are enigmatic and feel both intimate and public; real and dreamy; but always animated and human.
Eugenia’s Hampstead paintings are held in the permanent collection of Burgh House, Hampstead.
About the Artist
Eugenia Alekseyev is an award-winning artist and art educator based in North London. While living in New York, she studied at the ASLNY. After moving to England, she has received numerous accolades, including Best Plein Air Painting in Plein Air Magazine (U.S.) and Best Painting in the Picture the Heath competition by Hampstead School of Art (2022 and 2024).
Friday 9 May 2025
Saturday 10 May 2025: 10.00 – 16.00
Sunday 11 May 2025: 10.00 – 16.00
Wednesday 14 May 2025: 13.00 – 17.00
Thursday 15 May 2025: 13.00 – 17.00
Friday 16 May 2025: 13.00 – 17.00
Saturday 17 May 2025: 10.00 – 16.00
Sunday 18 May 2025: 10.00 – 16.00
Wednesday 21 May 2025: 13.00 – 17.00
Thursday 22 May 2025: 13.00 – 17.0
Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.
The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions.
Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.
Eugenia Alekseyev: London Day & Night at Highgate Galle
9 – 22 May 2025
The exhibition will be open:
Eugenia Alekseyev, a London-based landscape artist, presents her solo exhibition: London, Day and Night. Featuring urban scenes and the bucolic places of Hampstead Heath, the show is unmistakably local, yet offering a fresh look at familiar places.
Painting within the neo-romanticism tradition, Eugenia uses strong impasto brushstrokes to convey the immediacy of the scene. She opposes what she sees as the rational and rigid process of studio painting preferring to work plein air. Her relationship with her surroundings becomes as important as visual information alone: the raw charge of the rain, snow and wind become an integral part of each painting through brushwork, texture and colour.
Urban scenes explore the experience of a lone individual in a metropolis. The city becomes a symbol and a reflection of the society, and the windows of the buildings, often a feature of Eugenia’s paintings, a reflection of its soul: a way to communicate and understand it.
The landscapes stem from strong emotions – they are a spiritual and unashamedly romantic re-creation of an ephemeral, and yet palpably real world: a search for the sublime and an antidote to the accelerating pace of the modern urban life. They are enigmatic and feel both intimate and public; real and dreamy; but always animated and human.
Eugenia’s Hampstead paintings are held in the permanent collection of Burgh House, Hampstead.
About the Artist
Eugenia Alekseyev is an award-winning artist and art educator based in North London. While living in New York, she studied at the ASLNY. After moving to England, she has received numerous accolades, including Best Plein Air Painting in Plein Air Magazine (U.S.) and Best Painting in the Picture the Heath competition by Hampstead School of Art (2022 and 2024).
Friday 9 May 2025
Saturday 10 May 2025: 10.00 – 16.00
Sunday 11 May 2025: 10.00 – 16.00
Wednesday 14 May 2025: 13.00 – 17.00
Thursday 15 May 2025: 13.00 – 17.00
Friday 16 May 2025: 13.00 – 17.00
Saturday 17 May 2025: 10.00 – 16.00
Sunday 18 May 2025: 10.00 – 16.00
Wednesday 21 May 2025: 13.00 – 17.00
Thursday 22 May 2025: 13.00 – 17.0
Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.
The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions.
Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.
Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.
The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions.
Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.
The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions.
Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.
Celebrated today for his groundbreaking romantic poetry and acclaimed intellect, in 1812 Percy Shelley was seen as a dangerous radical by the establishment. Expelled from Oxford for his atheism he then scandalously eloped with Harriet Westbrook and the two of them went to Dublin to campaign for Irish independence.
The play opens with Shelley fleeing Ireland with his young wife, his support for the failed rebellion making him a marked man. Their notoriety has led to constant surveillance by order of the Home Secretary and we meet them in North Devon trying to rebuild their lives and their political ambitions.
Playwright Richard Bradbury explores the impact of political surveillance on relationships and what we can learn from the past now that we live in a world where we are constantly watched and recorded. Linking the past and present is an ever present theme in his work. Commissioned by the GLA for their commemoration of the two hundred year anniversary of the abolition of the transatlantic slave trade his play ‘Become a Man’ about escaped slave and abolitionist Frederick Douglass (London City Hall and the Hackney Empire) explored our contemporary response to slavery in the context of it’s history.
LEARN TRADITIONAL KUNG FU & TAI CHI
from Three-Time International Gold Medallist
DANIEL SHAW-ABULAFIA
at The Highgate Society, 10A South Grove, London N6 6BS
Children: Mondays weekly, 17.45 to 18.30 from September 26th
Adults: Mondays weekly, 18.30 to 19.30 from September 26th
COME TO A FREE TRIAL CLASS!
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
Enjoy an evening of swing, grooves and inventive improvisation with Deirdre Cartwright’s ORGANIK.
ORGANIK is a new organ trio led by guitarist Deirdre Cartwright with Pete Whittaker on Organ and Gary Hammond on Congas/percussion. You’ll be treated to the sounds of the classic jazz organ/guitar trios of the 1960s – Kenny Burrell/Jimmy Smith, Grant Green/Larry Young, Wes Montgomery/Melvin Rhyne, plus some original takes on the Beatles, Doors, Curtis Mayfield and Kate Bush.
Deirdre Cartwright is an award winning guitarist and composer who became well known presenting the BBC TV’s ground-breaking series ‘Rockschool’. She also played with Afro Latin Jazz group The Guest Stars, recording three albums and touring in 17 countries. In 1991 she formed the Deirdre Cartwright Group which recorded five albums and played international festivals from Mexico to Warsaw. She has also written and recorded albums with the groups Emily Remembered and LUND. More recently she has toured and recorded four albums with ARQ who won Best UK jazz group in the Parliamentary Jazz Awards and British Jazz Awards in 2018. She won the public vote for Best Guitarist at the 2019 British Jazz Awards and in 2020 was awarded Services to Jazz with Blow the Fuse at the Parliamentary Jazz Awards. She also plays with Sea Change, Carol Grimes, PICNIC featuring Annie Whitehead, Electric Landladies and regularly at Ronnie Scott’s in Soho. She has played with legendary guitarist Tal Farlow, studied in America with Mick Goodrick, toured with Jamaican composer Marjorie Whylie, founded Blow the Fuse with Alison Rayner in 1989 and presented on Radio 3.
Pete Whittaker became fascinated with the sound of the Hammond organ after hearing classic 1950s & 60s hard-bop records. Currently involved in projects with some of the UK’s leading musicians including Art Themen and John Etheridge.
Gary Hammond boasts a rich history of performing and recording with The Beautiful South for over a decade. His stellar career includes collaborations with Nina Simone and frequent involvement with various groups across World, Jazz, and Pop genres.
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
Monday 6 Nov coffee computers 10 30
LEARN TRADITIONAL KUNG FU & TAI CHI
from Three-Time International Gold Medallist
DANIEL SHAW-ABULAFIA
at The Highgate Society, 10A South Grove, London N6 6BS
Children: Mondays weekly, 17.45 to 18.30 from September 26th
Adults: Mondays weekly, 18.30 to 19.30 from September 26th
COME TO A FREE TRIAL CLASS!
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
Following a successful showcase at Theatre at The Tabard in 2024, The Crooked Billets brings Peter Mottley’s double bill of forgotten gems to Upstairs at The Gatehouse for a special two week run. Written in the 1980s, these thrilling one-handers use Shakespeare’s Henry V as a framework to explore themes of coming-of-age, class, PTSD, and the real human cost of war.
Before Nell is told through the eyes of a boy actor preparing to take the stage as Nell Quickly AKA Madame Pistol in the first ever production of Henry V. It presents a heart-breaking, darkly comic and meticulously researched insight into the hardships and social dynamics of the time.
After Agincourt is a visceral and brutal recounting of the English invasion of France in 1415. Set in The Boar’s Head Tavern seven years later, a drunk and bitter Pistol details the campaign of bloody battles in vivid modern vernacular at the same time tearing down the heroic picture of King Henry V we’re so familiar with.
LEARN TRADITIONAL KUNG FU & TAI CHI
from Three-Time International Gold Medallist
DANIEL SHAW-ABULAFIA
at The Highgate Society, 10A South Grove, London N6 6BS
Children: Mondays weekly, 17.45 to 18.30 from September 26th
Adults: Mondays weekly, 18.30 to 19.30 from September 26th
COME TO A FREE TRIAL CLASS!
How Margaret Thatcher first won and then lost the Conservative leadership.
The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.
Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?
Retrofitting Old Buildings
Wednesday 11th June 2025
7.00 for 7.30 pm
10A South Grove N6 6BS and on Zoom
Entry £7.50 including a glass of wine (£3.00 on Zoom).
How Margaret Thatcher first won and then lost the Conservative leadership.
The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.
Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?
How Margaret Thatcher first won and then lost the Conservative leadership.
The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.
Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?
Join us for a joyous celebration of the blending of Brazilian rhythms, jazz attitude and the majestic compositions of Antonio Carlos Jobim, Joao Donato and Sergio Mendes.
Jazz Samba takes its inspiration and name from Stan Getz and Charlie Byrd’s ground-breaking 1962 album, the first ever fully-fledged bossa nova album recorded by American jazz musicians which topped the LP charts on its release and produced its own pop hit single – ‘Desafinado’.
Led by John Wilson’s star soloist Mark Crooks on sax and clarinet and the award-winning guitarist Nigel Price (as you’ve never heard him before!), with John Cervantes (piano), Marianne Windham (double bass) and Demi Garcia Sabat (drums/percussion).
How Margaret Thatcher first won and then lost the Conservative leadership.
The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.
Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?
Do come along to meet your neighbours, enjoy a good cup of coffee and find out what is happening in Highgate.
The planning committee often have someone on hand to answer planning queries.
How Margaret Thatcher first won and then lost the Conservative leadership.
The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.
Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?
How Margaret Thatcher first won and then lost the Conservative leadership.
The play concentrates on the personalities, rivalries and machinations involved in the leadership battles and does not set out to take a pro- or anti-Thatcher stance.
Mrs Thatcher blamed her loss of office on the deceitful treachery of Geoffrey Howe, the irresponsible ambition of Michael Heseltine, tawdry Cabinet disloyalty and contemptible backbench weakness. But was that the whole story?