Annual book fair, with thousands of great bargains in our sale of good-quality second-hand books. There’s something for everyone: fiction, history, biography, literature, travel and much more. Special collections this year include art and antiquarian books.
Free preview for HLSI members only from 9-10am.
Don’t miss it!
In the shadows of the newly-built Eiffel Tower and Moulin Rouge, the Parisian bohemian community flourishes. Four young men have been trying to make their mark in literature, music, philosophy and art. Financially poor, they are nevertheless rich in camaraderie and romanticism. But this approach can only last so long: are they ready for the consequences when romance meets reality face to face?
Following on from last year’s stunning production of Verdi’s Rigoletto, Opera Loki is delighted to be returning to Upstairs at the Gatehouse in Highgate Village after an extended tour of France and the UK in 2015.
Part of a growing trend of bringing popular opera to trendy venues, the cast includes an impressive collection of British singing talent. Opera Loki is a small charity that aims to support singers early in their careers and brings opera in English to regional communities.
“I think the roars of approval at the end of the evening said it all. It was a cracking performance.”
“What an evening. The only place I expect to be made to cry is Covent Garden, but apparently not! They were wonderful. Such a beautiful voice from the lead, and a beautiful face to go with it”
La Boheme is directed by Laura Attridge, musically directed by Harry Sever and produced by Jane Gray.
Sung in English with a translation by Amanda Holden
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
Join us for Painting with Watercolour and Acrylic. Learn the basics of both materials, how to mix, blend and layer Watercolour and apply Acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on colour mixing for watercolour was published in Febuary 2011. Find out more about Sharon by visiting her website: www.sharonfinmark.co.uk. Late-comers are welcome, and tuition can be pro-rated.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
Children aged 5 – 11 years old
Two separate workshops, from 1-3 pm and 3.30-5.30pm
Maximum – 20 children per workshop – £18 per child.
Led by 3 artists from 24/8 Creative Kids
Cheques (made to Highgate Society) or cash with a stamped,
self-addressed envelope should be sent to: Highgate Society, 10A The
Grove Highgate, London N6 6BN. Your tickets will be mailed to you and
you must bring them on the day. Please book ASAP to avoid
disappointment.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
Join us for Painting with Watercolour and Acrylic. Learn the basics of both materials, how to mix, blend and layer Watercolour and apply Acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on colour mixing for watercolour was published in Febuary 2011. Find out more about Sharon by visiting her website: www.sharonfinmark.co.uk. Late-comers are welcome, and tuition can be pro-rated.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.