The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
HIGHGATE SCIENCE GROUP at the Highgate Literary and Scientific lnstitution 11 South Grove, Highgate, London N6 Tel 020 8340 3343, admin@HLSl.net, www.hlsi.net
STARTS 8PM . DOORS OPEN AT 7.30pm Please book by 1pm on the day of the event
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
The fair will feature up to 30 of the UK’s brightest and most talented artists and makers. As we are approaching Christmas the fair will feature plenty of high quality gift ideas for all tastes and budgets.
Friday 18 November
Handmade In Highgate is back for the Winter Fair.
Come and find up to 30 of the UK’s brightest and best designer/makers.
Please come and join us at our preview of Handmade In Highgate for a glass of wine, we open from 17.00 – 20.00.
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Entrance if FREE and everyone is welcome.
The fair will feature up to 30 of the UK’s brightest and most talented artists and makers. As we are approaching Christmas the fair will feature plenty of high quality gift ideas for all tastes and budgets.
On Saturday 19 November Handmade in Highgate will be open from 10am – 6pm.
Entrance if FREE and everyone is welcome.
Handmade In Highgate is back at the HLSI for its annual designer/maker winter fair. The fair will feature up to 30 of the UK’s brightest and most talented artists and makers. As we are approaching Christmas the fair will feature plenty of high quality gift ideas for all tastes and budgets.
On Sunday 20 November Handmade in Highgate will be open from 11am – 5pm
Entrance if FREE and everyone is welcome.
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits. 
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Handmade In Highgate is back with up to 30 brilliant designer/makers and artists. We are open:
Friday 10 March: 5pm – 8pm
Saturday 11 March: 10am – 6pm
Sunday 12 March: 11am – 5pm
Handmade in Highgate is held in the beautiful Highgate Literary & Scientific Institution in Highgate Village. Entrance is FREE
Handmade In Highgate is back with up to 30 brilliant designer/makers and artists. We are open:
Friday 10 March: 5pm – 8pm
Saturday 11 March: 10am – 6pm
Sunday 12 March: 11am – 5pm
Handmade in Highgate is held in the beautiful Highgate Literary & Scientific Institution in Highgate Village. Entrance is FREE
Handmade In Highgate is back with up to 30 brilliant designer/makers and artists. We are open:
Friday 10 March: 5pm – 8pm
Saturday 11 March: 10am – 6pm
Sunday 12 March: 11am – 5pm
Handmade in Highgate is held in the beautiful Highgate Literary & Scientific Institution in Highgate Village. Entrance is FREE
Nathaniel Boyd a British-Australian artist born and brought up in Highgate, presents a show of glowing still lives set in dreamscape worlds, and fine, plein air landscapes. Through the medium of oil, Boyd enters a performative state, drawn from his work as a classical cellist, to create work with transformative emotional power and lasting impact.
Nathaniel Boyd a British-Australian artist born and brought up in Highgate, presents a show of glowing still lives set in dreamscape worlds, and fine, plein air landscapes. Through the medium of oil, Boyd enters a performative state, drawn from his work as a classical cellist, to create work with transformative emotional power and lasting impact.
Tom Scase
A restless mind at work and play
Highgate Gallery: 21 April – 4 May
Due to the unfortunate cancellation of the Eugenia Alekseyev exhibition, Highgate Gallery is pleased to announce that artist Tom Scase will show in her place.
A restless mind at work and play.
The exhibition will feature unseen archive work alongside recent insights. Scase employs joyful use of colour juxtaposed with sinister undertones that call into question our perception of space and relationship with nature, through drawing, painting, photography and collage. Tom’s work is organic and rhythmic. A restless mind at work and play provides a rare opportunity to see how connections evolve.
Highgate Gallery at Highgate Literary & Scientific Institution
Open: Wedneseday – Friday: 13.00 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
11 South Grove
London N6 6BS
020 8340 3343
Tom Scase
A restless mind at work and play
Highgate Gallery: 21 April – 4 May
Due to the unfortunate cancellation of the Eugenia Alekseyev exhibition, Highgate Gallery is pleased to announce that artist Tom Scase will show in her place.
A restless mind at work and play.
The exhibition will feature unseen archive work alongside recent insights. Scase employs joyful use of colour juxtaposed with sinister undertones that call into question our perception of space and relationship with nature, through drawing, painting, photography and collage. Tom’s work is organic and rhythmic. A restless mind at work and play provides a rare opportunity to see how connections evolve.
Highgate Gallery at Highgate Literary & Scientific Institution
Open: Wedneseday – Friday: 13.00 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
11 South Grove
London N6 6BS
020 8340 3343