Come and find up to 30 brilliant designer/makers at The Highgate Literary & Scientific Institution this September. The fair opens on Friday 9 September: 2pm – 7pm, Saturday 10 September: 10am – 6pm, Sunday 11 September: 11am – 5pm. The HLSI library will also be hosting a book sale. Entrance is FREE and everyone is welcome!
Come and find up to 30 brilliant designer/makers at The Highgate Literary & Scientific Institution this September. The fair opens on Friday 9 September: 2pm – 7pm, Saturday 10 September: 10am – 6pm, Sunday 11 September: 11am – 5pm. The HLSI library will also be hosting a book sale. Entrance is FREE and everyone is welcome!
Come and find up to 30 brilliant designer/makers at The Highgate Literary & Scientific Institution this September. The fair opens on Friday 9 September: 2pm – 7pm, Saturday 10 September: 10am – 6pm, Sunday 11 September: 11am – 5pm. The HLSI library will also be hosting a book sale. Entrance is FREE and everyone is welcome!
Anne McNeill Pulati – Allegories and Metaphors
16-29 September 2022
Anne McNeill Pulati uses the figure as a vehicle, metaphorically and pictorially, in her creative practice. These images are her personal reflections of human experience and spirituality.
Inspiration and research for the work includes ancient and modern belief systems, myths and legends, and cultural variations from around the world, particularly regarding the journey of the soul. For many years she has been interested in metaphor and often incorporates motifs and symbols, ignoring compositional perspectives and using metaphysical landscapes.
Symbols which are commonly understood, such as figures, angels, flowers, rivers, and shadows appear frequently. Anne states that she is principally a colourist. The medium of paint offers her the freedom to tell a narrative through colours, textures and surfaces and allows an immediacy that encourages her imagination.
Art-making has enabled Anne to develop an understanding of the journey in life which she follows. The essence of Quakerism sits in her life’s journey. The making of a painting has come, for her, from a place which at that point is a “story beginning to unfold.”
“Through the act of creativity, I enter a process which delivers something that usually surprises me and also is not consciously designed. In this process, I receive insights and a fulfillment only by entering this activity.”
She believes that we all have gifts that are not our own, but are to share, and which may possibly benefit others. The fact that we should share our gifts is the point, and it is usually fear of failure that stops us. She says: “It doesn’t matter what you share, it’s the intention behind it that people will see.” In showing her work she hopes that those who see it, will be able to ponder on their own responses.
For more information contact the artist: info@annemcneillPulati.com
View the website: https://www.singulart.com/en/artist/anne-mcneill-pulati-10683
To subscribe to newsletter: https://landing.mailerlite.com/webforms/landing/h5d5y8
Contact Co-ordinator for Highgate Gallery: bethrobertson@blueyonder.co.uk
Gallery open Wed-Fri 13:00-17:00, Sat 11:00-16:00, Sun 11:00-17:00
Anne McNeill Pulati
Allegories and Metaphors
16-29 September 2022
Anne McNeill Pulati uses the figure as a vehicle, metaphorically and pictorially, in her creative practice. These images are her personal reflections of human experience and spirituality.
Inspiration and research for the work includes ancient and modern belief systems, myths and legends, and cultural variations from around the world, particularly regarding the journey of the soul. For many years she has been interested in metaphor and often incorporates motifs and symbols, ignoring compositional perspectives and using metaphysical landscapes.
Symbols which are commonly understood, such as figures, angels, flowers, rivers, and shadows appear frequently. Anne states that she is principally a colourist. The medium of paint offers her the freedom to tell a narrative through colours, textures and surfaces and allows an immediacy that encourages her imagination.
Art-making has enabled Anne to develop an understanding of the journey in life which she follows. The essence of Quakerism sits in her life’s journey. The making of a painting has come, for her, from a place which at that point is a “story beginning to unfold.”
“Through the act of creativity, I enter a process which delivers something that usually surprises me and also is not consciously designed. In this process, I receive insights and a fulfillment only by entering this activity.”
She believes that we all have gifts that are not our own, but are to share, and which may possibly benefit others. The fact that we should share our gifts is the point, and it is usually fear of failure that stops us. She says: “It doesn’t matter what you share, it’s the intention behind it that people will see.” In showing her work she hopes that those who see it, will be able to ponder on their own responses.
For more information contact the artist: info@annemcneillPulati.com
View the website: https://www.singulart.com/en/artist/anne-mcneill-pulati-10683
To subscribe to newsletter: https://landing.mailerlite.com/webforms/landing/h5d5y8
Contact Co-ordinator for Highgate Gallery: bethrobertson@blueyonder.co.uk
Gallery open Wed-Fri 13:00-17:00, Sat 11:00-16:00, Sun 11:00-17:00
Anne McNeill Pulati
Allegories and Metaphors
16-29 September 2022
Anne McNeill Pulati uses the figure as a vehicle, metaphorically and pictorially, in her creative practice. These images are her personal reflections of human experience and spirituality.
Inspiration and research for the work includes ancient and modern belief systems, myths and legends, and cultural variations from around the world, particularly regarding the journey of the soul. For many years she has been interested in metaphor and often incorporates motifs and symbols, ignoring compositional perspectives and using metaphysical landscapes.
Symbols which are commonly understood, such as figures, angels, flowers, rivers, and shadows appear frequently. Anne states that she is principally a colourist. The medium of paint offers her the freedom to tell a narrative through colours, textures and surfaces and allows an immediacy that encourages her imagination.
Art-making has enabled Anne to develop an understanding of the journey in life which she follows. The essence of Quakerism sits in her life’s journey. The making of a painting has come, for her, from a place which at that point is a “story beginning to unfold.”
“Through the act of creativity, I enter a process which delivers something that usually surprises me and also is not consciously designed. In this process, I receive insights and a fulfillment only by entering this activity.”
She believes that we all have gifts that are not our own, but are to share, and which may possibly benefit others. The fact that we should share our gifts is the point, and it is usually fear of failure that stops us. She says: “It doesn’t matter what you share, it’s the intention behind it that people will see.” In showing her work she hopes that those who see it, will be able to ponder on their own responses.
For more information contact the artist: info@annemcneillPulati.com
View the website: https://www.singulart.com/en/artist/anne-mcneill-pulati-10683
To subscribe to newsletter: https://landing.mailerlite.com/webforms/landing/h5d5y8
Contact Co-ordinator for Highgate Gallery: bethrobertson@blueyonder.co.uk
Gallery open Wed-Fri 13:00-17:00, Sat 11:00-16:00, Sun 11:00-17:00
Anne McNeill Pulati
Allegories and Metaphors
16-29 September 2022
Anne McNeill Pulati uses the figure as a vehicle, metaphorically and pictorially, in her creative practice. These images are her personal reflections of human experience and spirituality.
Inspiration and research for the work includes ancient and modern belief systems, myths and legends, and cultural variations from around the world, particularly regarding the journey of the soul. For many years she has been interested in metaphor and often incorporates motifs and symbols, ignoring compositional perspectives and using metaphysical landscapes.
Symbols which are commonly understood, such as figures, angels, flowers, rivers, and shadows appear frequently. Anne states that she is principally a colourist. The medium of paint offers her the freedom to tell a narrative through colours, textures and surfaces and allows an immediacy that encourages her imagination.
Art-making has enabled Anne to develop an understanding of the journey in life which she follows. The essence of Quakerism sits in her life’s journey. The making of a painting has come, for her, from a place which at that point is a “story beginning to unfold.”
“Through the act of creativity, I enter a process which delivers something that usually surprises me and also is not consciously designed. In this process, I receive insights and a fulfillment only by entering this activity.”
She believes that we all have gifts that are not our own, but are to share, and which may possibly benefit others. The fact that we should share our gifts is the point, and it is usually fear of failure that stops us. She says: “It doesn’t matter what you share, it’s the intention behind it that people will see.” In showing her work she hopes that those who see it, will be able to ponder on their own responses.
For more information contact the artist: info@annemcneillPulati.com
View the website: https://www.singulart.com/en/artist/anne-mcneill-pulati-10683
To subscribe to newsletter: https://landing.mailerlite.com/webforms/landing/h5d5y8
Contact Co-ordinator for Highgate Gallery: bethrobertson@blueyonder.co.uk
Gallery open Wed-Fri 13:00-17:00, Sat 11:00-16:00, Sun 11:00-17:00
Anne McNeill Pulati
Allegories and Metaphors
16-29 September 2022
Anne McNeill Pulati uses the figure as a vehicle, metaphorically and pictorially, in her creative practice. These images are her personal reflections of human experience and spirituality.
Inspiration and research for the work includes ancient and modern belief systems, myths and legends, and cultural variations from around the world, particularly regarding the journey of the soul. For many years she has been interested in metaphor and often incorporates motifs and symbols, ignoring compositional perspectives and using metaphysical landscapes.
Symbols which are commonly understood, such as figures, angels, flowers, rivers, and shadows appear frequently. Anne states that she is principally a colourist. The medium of paint offers her the freedom to tell a narrative through colours, textures and surfaces and allows an immediacy that encourages her imagination.
Art-making has enabled Anne to develop an understanding of the journey in life which she follows. The essence of Quakerism sits in her life’s journey. The making of a painting has come, for her, from a place which at that point is a “story beginning to unfold.”
“Through the act of creativity, I enter a process which delivers something that usually surprises me and also is not consciously designed. In this process, I receive insights and a fulfillment only by entering this activity.”
She believes that we all have gifts that are not our own, but are to share, and which may possibly benefit others. The fact that we should share our gifts is the point, and it is usually fear of failure that stops us. She says: “It doesn’t matter what you share, it’s the intention behind it that people will see.” In showing her work she hopes that those who see it, will be able to ponder on their own responses.
For more information contact the artist: info@annemcneillPulati.com
View the website: https://www.singulart.com/en/artist/anne-mcneill-pulati-10683
To subscribe to newsletter: https://landing.mailerlite.com/webforms/landing/h5d5y8
Contact Co-ordinator for Highgate Gallery: bethrobertson@blueyonder.co.uk
Gallery open Wed-Fri 13:00-17:00, Sat 11:00-16:00, Sun 11:00-17:00
Snapshot Photography and Highgate School’s Collection
Elaine Woodbridge has been a volunteer archivist at Highgate School for the last two years working on the school’s photographic slide collection and other projects. Elaine has been fascinated with mid-century slide photographs since she began collecting them more than twenty years ago in South Africa. In her journey with old slides, she has digitised and creatively edited them, shared them on social media, made art and given public talks about them.
Found photographs have an enthusiastic following in popular culture where people do everything from collecting, blogging and making art with them, to trying to reunite them with their original owners. The snapshots of yesterday have also influenced mainstream photography and given rise to new aesthetic traditions. They have great creative potential and have been used by artists in a myriad of ways. But they also contain an intimate and important record of people’s lives and society in past decades, as well as the worlds of work and education. Elaine has read widely on this subject which finds itself at the meeting place of technology, history, popular culture, fine art and archives.
Elaine is completing a Masters degree in Archives and Records Management at the University of Dundee and previously studied Archaeology, Anthropology and Sociology at the University of Cape Town. She is not averse to scratching around in flea markets and dusty drawers for lost photographs. Elaine was delighted to be given the task of working with Highgate’s slide collections, showing school life in the 1960s and 1980s, which she says is a treasure trove of surprising images that open a window on decades past, and is a valuable component of the school’s archive holdings. She asks what we can learn from them and how to understand the collection against the backdrop of British vernacular photography.
Elaine will discuss concepts of snapshot photography and offer behind-the-scenes insights into caring for and archiving a slide collection, covering storage and preservation, copyright and digitisation. Her talk will be illustrated with stunning images from her South African collection, as well as those of Highgate School. She will comment on the value of the collection for bringing to light the school’s changing education technology, built environment and way of life. The 1960s to 1980s was a period on the brink of great technological and digital change. It is a world still cherished in the living memories of many parents and alumni.
Join Elaine Woodbridge online on September 26 to hear more about this intriguing topic and see a glimpse of life at the school back in the day.
Anne McNeill Pulati – Allegories and Metaphors
16-29 September 2022
Anne McNeill Pulati uses the figure as a vehicle, metaphorically and pictorially, in her creative practice. These images are her personal reflections of human experience and spirituality.
Inspiration and research for the work includes ancient and modern belief systems, myths and legends, and cultural variations from around the world, particularly regarding the journey of the soul. For many years she has been interested in metaphor and often incorporates motifs and symbols, ignoring compositional perspectives and using metaphysical landscapes.
Symbols which are commonly understood, such as figures, angels, flowers, rivers, and shadows appear frequently. Anne states that she is principally a colourist. The medium of paint offers her the freedom to tell a narrative through colours, textures and surfaces and allows an immediacy that encourages her imagination.
Art-making has enabled Anne to develop an understanding of the journey in life which she follows. The essence of Quakerism sits in her life’s journey. The making of a painting has come, for her, from a place which at that point is a “story beginning to unfold.”
“Through the act of creativity, I enter a process which delivers something that usually surprises me and also is not consciously designed. In this process, I receive insights and a fulfillment only by entering this activity.”
She believes that we all have gifts that are not our own, but are to share, and which may possibly benefit others. The fact that we should share our gifts is the point, and it is usually fear of failure that stops us. She says: “It doesn’t matter what you share, it’s the intention behind it that people will see.” In showing her work she hopes that those who see it, will be able to ponder on their own responses.
For more information contact the artist: info@annemcneillPulati.com
View the website: https://www.singulart.com/en/artist/anne-mcneill-pulati-10683
To subscribe to newsletter: https://landing.mailerlite.com/webforms/landing/h5d5y8
Contact Co-ordinator for Highgate Gallery: bethrobertson@blueyonder.co.uk
Gallery open Wed-Fri 13:00-17:00, Sat 11:00-16:00, Sun 11:00-17:00
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
The Cycle of Life, a recurring theme in the work of Marilyn Simler, took on a deeper and more penetrating exploration during this time. Simler says, “For the first time in years, I was able to focus on creating a new body of work, working every day immersed in the flow with little interruption”. Emerging from lockdown, and being presented with the openness and thrill of the vastness of the landscape and enduring positivity of the world, explains the title of the exhibition.
What has emerged is a series that has come from within, which considers the impact of the pandemic and of being more solitary.
Simler’s works reference the magnitude of the natural world which becomes a metaphor for the life cycle. Her preoccupation is with the organic structure of plants and seed pods, and the celebratory glory of flowers, the journey from germination, sprouting, growing, budding, flowering, fading, drooping, folding in, dying, drying, merging…..to re-emergence. She observes the variety of seasonal landscapes, the sea and its treasures of shells and lumps of coral, in turn creating worlds within worlds and explored in mixed media.
Marilyn works intuitively allowing the work to develop in an unplanned exploratory manner; each piece becoming a journey of its own. The work has recognisable and abstracted forms that are integrated into abstract spaces, and she uses a variety of media including drawing, watercolours, acrylics and collage on both paper and canvas. Often a few surprise elements are integrated into the surface of the ground.
The vibrant colours and textures of Southern Africa are inherent in Simler’s work, having spent her formative years growing up there and gaining a BA Honours in Fine Arts at Wits University. After emigrating to the UK with her family she obtained an MA in Fine Arts at Middlesex University.
She has exhibited widely in both group and solo exhibitions, including the Cadogan Gallery and the Royal Opera House.
Her work is held in Public Collections, including the Rolls Building, Unilever, and the V&A print collection portfolio with the PMC Publications. Awards include the Print prize at Middlesex University, St Cuthbert’s Mill Award for the National Open Print and the Zenith Purchase Prize at the Mall Gallery London. Commissions include Royal Caribbean Cruise line, and many corporate and private commissions.
For more information www.marilynsimler.net
HIGHGATE SCIENCE GROUP at the Highgate Literary and Scientific lnstitution 11 South Grove, Highgate, London N6 Tel 020 8340 3343, admin@HLSl.net, www.hlsi.net
STARTS 8PM . DOORS OPEN AT 7.30pm Please book by 1pm on the day of the event
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
Sandy Laing 4-17 November 2022
Sandy Laing, painting graduate of the Royal College of Art in 1975, is exhibiting in his first European show in over 42 years, featuring drawings, collages and paintings from the full length of his career.
Sandy Laing’s individual approach to painting is a legacy absorbed by inspirational teaching he received in his early teens. He taught art following a RCA Masters in painting and his own creative output was political, humorous, and highly subjective. By combining paint, pen, ink, and printers’ blocks with assemblages of carefully selected found objects his work intrigues, rich in landscape and argument.
Sandy Laing will be on show at the Highgate Gallery on:
Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00
Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 04 November 18:00-20:30
The fair will feature up to 30 of the UK’s brightest and most talented artists and makers. As we are approaching Christmas the fair will feature plenty of high quality gift ideas for all tastes and budgets.
Friday 18 November
Handmade In Highgate is back for the Winter Fair.
Come and find up to 30 of the UK’s brightest and best designer/makers.
Please come and join us at our preview of Handmade In Highgate for a glass of wine, we open from 17.00 – 20.00.
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Entrance if FREE and everyone is welcome.
The fair will feature up to 30 of the UK’s brightest and most talented artists and makers. As we are approaching Christmas the fair will feature plenty of high quality gift ideas for all tastes and budgets.
On Saturday 19 November Handmade in Highgate will be open from 10am – 6pm.
Entrance if FREE and everyone is welcome.
Handmade In Highgate is back at the HLSI for its annual designer/maker winter fair. The fair will feature up to 30 of the UK’s brightest and most talented artists and makers. As we are approaching Christmas the fair will feature plenty of high quality gift ideas for all tastes and budgets.
On Sunday 20 November Handmade in Highgate will be open from 11am – 5pm
Entrance if FREE and everyone is welcome.
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits. 
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30
Interdisciplinary artist Elspeth Hamilton, who has also worked as an architect, glass artist, teacher, writer and environmental educator, presents an exhibition which spans over 40 years of work and focuses thematically on seascapes, riverscapes and portraits.
Her expressive paintings explore the language between figuration and abstraction, and are preoccupied with the tension Hamilton sees between ‘rough and smooth’, both in terms of the forces of nature, and our experience of life. It was a preoccupation she first realised on the Pembrokeshire coast where she was fascinated by the stillness of a rock pool juxtaposed with the wild sea. On the coastline in Dominica, she depicts the effects of erosion on the dramatic cliffs. In Spain, she captures an approaching storm and in Cornwall the elemental drama where sea meets rugged cliffs.
Wednesdays to Fridays 13:00-17:00, Saturdays 11:00-16:00Sundays 11:00-17:00, Mondays & Tuesdays Closed Private View: Friday 10 February 2023 18:00-20:30