Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Helped by his aristocratic lover Edwina Mountbatten, cabaret singer “Hutch” has become Britain’s first black superstar – but a gossip columnist hints at their affair in the Sunday People. In the libel case which follows, Edwina is ordered to appear in court to deny ever having met Hutch. But despite her public denial, Hutch’s records are no longer on the airwaves. Edwina encourages him to go and see the BBC’s Director of Variety – a budding songwriter called Eric Maschwitz. Hutch takes Eric’s as-yet-unknown song These Foolish Things and turns it into a massive hit. The BBC embargo ends – but so too does Hutch’s hope of achieving national recognition.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Helped by his aristocratic lover Edwina Mountbatten, cabaret singer “Hutch” has become Britain’s first black superstar – but a gossip columnist hints at their affair in the Sunday People. In the libel case which follows, Edwina is ordered to appear in court to deny ever having met Hutch. But despite her public denial, Hutch’s records are no longer on the airwaves. Edwina encourages him to go and see the BBC’s Director of Variety – a budding songwriter called Eric Maschwitz. Hutch takes Eric’s as-yet-unknown song These Foolish Things and turns it into a massive hit. The BBC embargo ends – but so too does Hutch’s hope of achieving national recognition.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Helped by his aristocratic lover Edwina Mountbatten, cabaret singer “Hutch” has become Britain’s first black superstar – but a gossip columnist hints at their affair in the Sunday People. In the libel case which follows, Edwina is ordered to appear in court to deny ever having met Hutch. But despite her public denial, Hutch’s records are no longer on the airwaves. Edwina encourages him to go and see the BBC’s Director of Variety – a budding songwriter called Eric Maschwitz. Hutch takes Eric’s as-yet-unknown song These Foolish Things and turns it into a massive hit. The BBC embargo ends – but so too does Hutch’s hope of achieving national recognition.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
Leaves on the pond – watercolour – 61x46cm. DeeMcLean 2018. All rights reserved
The restoration of the ecology at the Model Boating Pond on Hampstead Heath
A Year at the Boat Pond is an exhibition of watercolours, acrylics and mixed media that documents the restoration of the ecology at the Model Boating Pond on Hampstead Heath in London following the rebuilding of its dam in 2015-16. The paintings record the aquatic and meadow planting taking root and growing through the seasons.
Journeying through the places that she is emotionally attached to, and looking at how they are all intimately linked by the changing global climate, Dee McLean’s paintings reflect how beautiful and precious our ecosystems are, exploring the relationship between our landscapes and ourselves.
She has written a book in conjunction with the exhibition which explores the geology and history of the Heath, the work done on the ponds and looking at the how the changing global climate has led to the changes in our weather patterns making this environmentally important work necessary. Dee will give you an opportunity to hear about the project in a talk on Saturday 13th and Saturday 20th at 2pm.
Dee studied Illustration at Harrow School of Art and went on to a career in Medical Illustration. She has also had several exhibitions of botanical paintings and drawings and taken on private commissions. Dee is now bringing her love of science and art back into painting, drawing and writing, and hopes that through her art she can remind us that we can all play a part in protecting our own environment.
Dee’s projects take her around the world, painting directly from the geology, flora and fauna she finds on her travels, looking to capture the ephemeral nature of our environment.
Following on from this show, Dee has an exhibition of her Gulf Coast paintings in Covington, Louisiana, USA in May 2019.
All Dee’s projects have a local charity attached to them. Heath Hands, who are the voluntary organisation on the Heath, will receive a donation from all sales of original paintings, the book, prints and cards from this project.
The original hippy musical HAIR made its debut on the London stage in Autumn 1968.
Fifty years on, some of the original cast members get back together to talk about their experience of being in the very first rock musical.
Paul Nicholas, Annabel Leventon and Peter Straker have all gone on to be major stars in British theatre.
We are hoping that other cast members from HAIR will join Paul, Annabel and Peter. Come and listen to them talk about that wonderful period of love and peace. Help us recreate the Age of Aquarius and Let The Sunshine In!
There will also be a few old film clips to remind everyone what a hippy happy time we enjoyed in the Swinging Sixties.
Hosted by John Plews
The inspiring true story of football’s greatest ever underdogs.
Set in the early years of Association Football, The Giant Killers follows a ragtag bunch of Lancashire mill workers who defied all odds to become the first working-class team in the country to play in the FA Cup. Left tired and despondent from the cotton famine of the 1870s, this small group of northern lads found pride and hope in a game that up until then had been reserved for the upper classes. Darwen FC rose up against prevailing social prejudice and the might of the Football Association, to earn a place in history as the first real ‘giant-killers’ in English football, and take on the “poshest team of all” – The Old Etonians. Scoring a massive moral victory for all working class people, the team proved that passion and spirit is worth more than wealth and privilege. When the Battlefield is the football pitch, everyone is equal. The Giant Killers is an absorbing, heartfelt story of a town that came together to achieve the impossible and win the respect of the nation. A rip-roaring evening out, whether you know the off-side rule or not!
Directed by Andrew Loudon (director of the West End productions of Carries War, Little Women and Cool Hand Luke).
Recommended Age 12+
★★★★★
“Enthrals from start to finish. A real belter – and not just for footie fans.”
The Reviews Hub
★★★★★
“A remarkable and entertaining show.”
British Theatre Guide
★★★★★
“Fascinating. Absorbing.”
One4 review
★★★★★
“Edge of the seat stuff. High quality theatre!”
Edinburgh Guide
The inspiring true story of football’s greatest ever underdogs.
Set in the early years of Association Football, The Giant Killers follows a ragtag bunch of Lancashire mill workers who defied all odds to become the first working-class team in the country to play in the FA Cup. Left tired and despondent from the cotton famine of the 1870s, this small group of northern lads found pride and hope in a game that up until then had been reserved for the upper classes. Darwen FC rose up against prevailing social prejudice and the might of the Football Association, to earn a place in history as the first real ‘giant-killers’ in English football, and take on the “poshest team of all” – The Old Etonians. Scoring a massive moral victory for all working class people, the team proved that passion and spirit is worth more than wealth and privilege. When the Battlefield is the football pitch, everyone is equal. The Giant Killers is an absorbing, heartfelt story of a town that came together to achieve the impossible and win the respect of the nation. A rip-roaring evening out, whether you know the off-side rule or not!
Directed by Andrew Loudon (director of the West End productions of Carries War, Little Women and Cool Hand Luke).
Recommended Age 12+
★★★★★
“Enthrals from start to finish. A real belter – and not just for footie fans.”
The Reviews Hub
★★★★★
“A remarkable and entertaining show.”
British Theatre Guide
★★★★★
“Fascinating. Absorbing.”
One4 review
★★★★★
“Edge of the seat stuff. High quality theatre!”
Edinburgh Guide
The inspiring true story of football’s greatest ever underdogs.
Set in the early years of Association Football, The Giant Killers follows a ragtag bunch of Lancashire mill workers who defied all odds to become the first working-class team in the country to play in the FA Cup. Left tired and despondent from the cotton famine of the 1870s, this small group of northern lads found pride and hope in a game that up until then had been reserved for the upper classes. Darwen FC rose up against prevailing social prejudice and the might of the Football Association, to earn a place in history as the first real ‘giant-killers’ in English football, and take on the “poshest team of all” – The Old Etonians. Scoring a massive moral victory for all working class people, the team proved that passion and spirit is worth more than wealth and privilege. When the Battlefield is the football pitch, everyone is equal. The Giant Killers is an absorbing, heartfelt story of a town that came together to achieve the impossible and win the respect of the nation. A rip-roaring evening out, whether you know the off-side rule or not!
Directed by Andrew Loudon (director of the West End productions of Carries War, Little Women and Cool Hand Luke).
Recommended Age 12+
★★★★★
“Enthrals from start to finish. A real belter – and not just for footie fans.”
The Reviews Hub
★★★★★
“A remarkable and entertaining show.”
British Theatre Guide
★★★★★
“Fascinating. Absorbing.”
One4 review
★★★★★
“Edge of the seat stuff. High quality theatre!”
Edinburgh Guide
On 2 – 4 November, the Highgate Literary and Scientific Institution & the Highgate Gallery will throw open its doors to welcome 30 highly skilled designer/makers, exhibiting and selling their unique creations. As ever Handmade In Highgate is passionate about those who are passionate about making and creating their own unique work.
The Institute and gallery offer the perfect location and the perfect opportunity for visitors to meet, chat with and buy from some of the most talented and prolific artist/designer/makers working in the UK today.
For more information on the amazing designer/maker/artists participating in this year’s Handmade In Highgate, please see:
www.hand-made-in-highgate.com/exhibitors/
Friday 2nd November 5-9pm
Saturday 3rd November 10am-6pm
Sunday 4th November 11am-5pm
The inspiring true story of football’s greatest ever underdogs.
Set in the early years of Association Football, The Giant Killers follows a ragtag bunch of Lancashire mill workers who defied all odds to become the first working-class team in the country to play in the FA Cup. Left tired and despondent from the cotton famine of the 1870s, this small group of northern lads found pride and hope in a game that up until then had been reserved for the upper classes. Darwen FC rose up against prevailing social prejudice and the might of the Football Association, to earn a place in history as the first real ‘giant-killers’ in English football, and take on the “poshest team of all” – The Old Etonians. Scoring a massive moral victory for all working class people, the team proved that passion and spirit is worth more than wealth and privilege. When the Battlefield is the football pitch, everyone is equal. The Giant Killers is an absorbing, heartfelt story of a town that came together to achieve the impossible and win the respect of the nation. A rip-roaring evening out, whether you know the off-side rule or not!
Directed by Andrew Loudon (director of the West End productions of Carries War, Little Women and Cool Hand Luke).
Recommended Age 12+
★★★★★
“Enthrals from start to finish. A real belter – and not just for footie fans.”
The Reviews Hub
★★★★★
“A remarkable and entertaining show.”
British Theatre Guide
★★★★★
“Fascinating. Absorbing.”
One4 review
★★★★★
“Edge of the seat stuff. High quality theatre!”
Edinburgh Guide
On 2 – 4 November, the Highgate Literary and Scientific Institution & the Highgate Gallery will throw open its doors to welcome 30 highly skilled designer/makers, exhibiting and selling their unique creations. As ever Handmade In Highgate is passionate about those who are passionate about making and creating their own unique work.
The Institute and gallery offer the perfect location and the perfect opportunity for visitors to meet, chat with and buy from the some of the most talented and prolific artist/designer/makers working in the UK today.
For more information on the amazing designer/maker/artists participating in this year’s Handmade In Highgate, please see:
www.hand-made-in-highgate.com/exhibitors/
Friday 2nd November 5-9pm
Saturday 3rd November 10am-6pm
Sunday 4th November 11am-5pm
The inspiring true story of football’s greatest ever underdogs.
Set in the early years of Association Football, The Giant Killers follows a ragtag bunch of Lancashire mill workers who defied all odds to become the first working-class team in the country to play in the FA Cup. Left tired and despondent from the cotton famine of the 1870s, this small group of northern lads found pride and hope in a game that up until then had been reserved for the upper classes. Darwen FC rose up against prevailing social prejudice and the might of the Football Association, to earn a place in history as the first real ‘giant-killers’ in English football, and take on the “poshest team of all” – The Old Etonians. Scoring a massive moral victory for all working class people, the team proved that passion and spirit is worth more than wealth and privilege. When the Battlefield is the football pitch, everyone is equal. The Giant Killers is an absorbing, heartfelt story of a town that came together to achieve the impossible and win the respect of the nation. A rip-roaring evening out, whether you know the off-side rule or not!
Directed by Andrew Loudon (director of the West End productions of Carries War, Little Women and Cool Hand Luke).
Recommended Age 12+
★★★★★
“Enthrals from start to finish. A real belter – and not just for footie fans.”
The Reviews Hub
★★★★★
“A remarkable and entertaining show.”
British Theatre Guide
★★★★★
“Fascinating. Absorbing.”
One4 review
★★★★★
“Edge of the seat stuff. High quality theatre!”
Edinburgh Guide
On 2 – 4 November, the Highgate Literary and Scientific Institution & the Highgate Gallery will throw open its doors to welcome 30 highly skilled designer/makers, exhibiting and selling their unique creations. As ever Handmade In Highgate is passionate about those who are passionate about making and creating their own unique work.
The Institute and gallery offer the perfect location and the perfect opportunity for visitors to meet, chat with and buy from the some of the most talented and prolific artist/designer/makers working in the UK today.
For more information on the amazing designer/maker/artists participating in this year’s Handmade In Highgate, please see:
www.hand-made-in-highgate.com/exhibitors/
Friday 2nd November 5-9pm
Saturday 3rd November 10am-6pm
Sunday 4th November 11am-5pm
The inspiring true story of football’s greatest ever underdogs.
Set in the early years of Association Football, The Giant Killers follows a ragtag bunch of Lancashire mill workers who defied all odds to become the first working-class team in the country to play in the FA Cup. Left tired and despondent from the cotton famine of the 1870s, this small group of northern lads found pride and hope in a game that up until then had been reserved for the upper classes. Darwen FC rose up against prevailing social prejudice and the might of the Football Association, to earn a place in history as the first real ‘giant-killers’ in English football, and take on the “poshest team of all” – The Old Etonians. Scoring a massive moral victory for all working class people, the team proved that passion and spirit is worth more than wealth and privilege. When the Battlefield is the football pitch, everyone is equal. The Giant Killers is an absorbing, heartfelt story of a town that came together to achieve the impossible and win the respect of the nation. A rip-roaring evening out, whether you know the off-side rule or not!
Directed by Andrew Loudon (director of the West End productions of Carries War, Little Women and Cool Hand Luke).
Recommended Age 12+
★★★★★
“Enthrals from start to finish. A real belter – and not just for footie fans.”
The Reviews Hub
★★★★★
“A remarkable and entertaining show.”
British Theatre Guide
★★★★★
“Fascinating. Absorbing.”
One4 review
★★★★★
“Edge of the seat stuff. High quality theatre!”
Edinburgh Guide
In this, his penultimate play, Ibsen explores the effects of hubris on his eponymous character and those around him. Written in the naturalistic style, which was in great favour amongst playwrights of the time, it explores the rise and fall of a man of humble origins – John Gabriel is the son of a miner – who rose to prominence as a banker and financial advisor to the wealthy citizens of his home town and then through greed and ambition is disgraced and brings shame on himself and
his family. In this, as in many of his plays, although Borkman is the central character around whom the action revolves, it is the females in his life who have true strength. It is they who recognise reality and control the final outcome of the story. Though apparently bleak the play offers hope for the future and acknowledges that life goes on, carried forward by the next generation.
In this, his penultimate play, Ibsen explores the effects of hubris on his eponymous character and those around him. Written in the naturalistic style, which was in great favour amongst playwrights of the time, it explores the rise and fall of a man of humble origins – John Gabriel is the son of a miner – who rose to prominence as a banker and financial advisor to the wealthy citizens of his home town and then through greed and ambition is disgraced and brings shame on himself and
his family. In this, as in many of his plays, although Borkman is the central character around whom the action revolves, it is the females in his life who have true strength. It is they who recognise reality and control the final outcome of the story. Though apparently bleak the play offers hope for the future and acknowledges that life goes on, carried forward by the next generation.
In this, his penultimate play, Ibsen explores the effects of hubris on his eponymous character and those around him. Written in the naturalistic style, which was in great favour amongst playwrights of the time, it explores the rise and fall of a man of humble origins – John Gabriel is the son of a miner – who rose to prominence as a banker and financial advisor to the wealthy citizens of his home town and then through greed and ambition is disgraced and brings shame on himself and
his family. In this, as in many of his plays, although Borkman is the central character around whom the action revolves, it is the females in his life who have true strength. It is they who recognise reality and control the final outcome of the story. Though apparently bleak the play offers hope for the future and acknowledges that life goes on, carried forward by the next generation.
In this, his penultimate play, Ibsen explores the effects of hubris on his eponymous character and those around him. Written in the naturalistic style, which was in great favour amongst playwrights of the time, it explores the rise and fall of a man of humble origins – John Gabriel is the son of a miner – who rose to prominence as a banker and financial advisor to the wealthy citizens of his home town and then through greed and ambition is disgraced and brings shame on himself and
his family. In this, as in many of his plays, although Borkman is the central character around whom the action revolves, it is the females in his life who have true strength. It is they who recognise reality and control the final outcome of the story. Though apparently bleak the play offers hope for the future and acknowledges that life goes on, carried forward by the next generation.
HLSI’s annual book fair with thousands of good-quality second-hand books on all subjects: fiction, history, biography, literature, cookery and much more, all at bargain prices. Collections this year include art and special editions.
In this, his penultimate play, Ibsen explores the effects of hubris on his eponymous character and those around him. Written in the naturalistic style, which was in great favour amongst playwrights of the time, it explores the rise and fall of a man of humble origins – John Gabriel is the son of a miner – who rose to prominence as a banker and financial advisor to the wealthy citizens of his home town and then through greed and ambition is disgraced and brings shame on himself and
his family. In this, as in many of his plays, although Borkman is the central character around whom the action revolves, it is the females in his life who have true strength. It is they who recognise reality and control the final outcome of the story. Though apparently bleak the play offers hope for the future and acknowledges that life goes on, carried forward by the next generation.
In this, his penultimate play, Ibsen explores the effects of hubris on his eponymous character and those around him. Written in the naturalistic style, which was in great favour amongst playwrights of the time, it explores the rise and fall of a man of humble origins – John Gabriel is the son of a miner – who rose to prominence as a banker and financial advisor to the wealthy citizens of his home town and then through greed and ambition is disgraced and brings shame on himself and
his family. In this, as in many of his plays, although Borkman is the central character around whom the action revolves, it is the females in his life who have true strength. It is they who recognise reality and control the final outcome of the story. Though apparently bleak the play offers hope for the future and acknowledges that life goes on, carried forward by the next generation.
In this, his penultimate play, Ibsen explores the effects of hubris on his eponymous character and those around him. Written in the naturalistic style, which was in great favour amongst playwrights of the time, it explores the rise and fall of a man of humble origins – John Gabriel is the son of a miner – who rose to prominence as a banker and financial advisor to the wealthy citizens of his home town and then through greed and ambition is disgraced and brings shame on himself and
his family. In this, as in many of his plays, although Borkman is the central character around whom the action revolves, it is the females in his life who have true strength. It is they who recognise reality and control the final outcome of the story. Though apparently bleak the play offers hope for the future and acknowledges that life goes on, carried forward by the next generation.
In this, his penultimate play, Ibsen explores the effects of hubris on his eponymous character and those around him. Written in the naturalistic style, which was in great favour amongst playwrights of the time, it explores the rise and fall of a man of humble origins – John Gabriel is the son of a miner – who rose to prominence as a banker and financial advisor to the wealthy citizens of his home town and then through greed and ambition is disgraced and brings shame on himself and
his family. In this, as in many of his plays, although Borkman is the central character around whom the action revolves, it is the females in his life who have true strength. It is they who recognise reality and control the final outcome of the story. Though apparently bleak the play offers hope for the future and acknowledges that life goes on, carried forward by the next generation.
In this, his penultimate play, Ibsen explores the effects of hubris on his eponymous character and those around him. Written in the naturalistic style, which was in great favour amongst playwrights of the time, it explores the rise and fall of a man of humble origins – John Gabriel is the son of a miner – who rose to prominence as a banker and financial advisor to the wealthy citizens of his home town and then through greed and ambition is disgraced and brings shame on himself and
his family. In this, as in many of his plays, although Borkman is the central character around whom the action revolves, it is the females in his life who have true strength. It is they who recognise reality and control the final outcome of the story. Though apparently bleak the play offers hope for the future and acknowledges that life goes on, carried forward by the next generation.
Mike Coles, Traffic Lights
Artworks inspired by the theme 50:50 will feature in an exciting new exhibition by more than 30 members of the East Finchley Open Artists (EFOA).
The exhibition features paintings, original prints, photographs and wall-mounted three-dimensional work including textiles and ceramics that interpret the theme 50:50 in a variety of ways, from half-and-half, positive/negative, or literally 50x50cm square.
All of the artists have prepared new works especially for the exhibition. Among them, David Waller explores the idea of twins in a large wall-hung mixed media piece; Christine Watson focuses on the simplicity of the rise and fall of steps at Trajan’s Market in her mezzotint; Cathy Burkinshaw presents a split-screen take on nature in her mixed media work Portobello Road; and photographer Peter Kyte juxtaposes two angled facades of buildings in Sheffield.
Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers. Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year. For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
16-29 November 2018
In this, his penultimate play, Ibsen explores the effects of hubris on his eponymous character and those around him. Written in the naturalistic style, which was in great favour amongst playwrights of the time, it explores the rise and fall of a man of humble origins – John Gabriel is the son of a miner – who rose to prominence as a banker and financial advisor to the wealthy citizens of his home town and then through greed and ambition is disgraced and brings shame on himself and
his family. In this, as in many of his plays, although Borkman is the central character around whom the action revolves, it is the females in his life who have true strength. It is they who recognise reality and control the final outcome of the story. Though apparently bleak the play offers hope for the future and acknowledges that life goes on, carried forward by the next generation.
In this, his penultimate play, Ibsen explores the effects of hubris on his eponymous character and those around him. Written in the naturalistic style, which was in great favour amongst playwrights of the time, it explores the rise and fall of a man of humble origins – John Gabriel is the son of a miner – who rose to prominence as a banker and financial advisor to the wealthy citizens of his home town and then through greed and ambition is disgraced and brings shame on himself and
his family. In this, as in many of his plays, although Borkman is the central character around whom the action revolves, it is the females in his life who have true strength. It is they who recognise reality and control the final outcome of the story. Though apparently bleak the play offers hope for the future and acknowledges that life goes on, carried forward by the next generation.
Mike Coles, Traffic Lights
Artworks inspired by the theme 50:50 will feature in an exciting new exhibition by more than 30 members of the East Finchley Open Artists (EFOA).
The exhibition features paintings, original prints, photographs and wall-mounted three-dimensional work including textiles and ceramics that interpret the theme 50:50 in a variety of ways, from half-and-half, positive/negative, or literally 50x50cm square.
All of the artists have prepared new works especially for the exhibition. Among them, David Waller explores the idea of twins in a large wall-hung mixed media piece; Christine Watson focuses on the simplicity of the rise and fall of steps at Trajan’s Market in her mezzotint; Cathy Burkinshaw presents a split-screen take on nature in her mixed media work Portobello Road; and photographer Peter Kyte juxtaposes two angled facades of buildings in Sheffield.
Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers. Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year. For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
16-29 November 2018
Mike Coles, Traffic Lights
Artworks inspired by the theme 50:50 will feature in an exciting new exhibition by more than 30 members of the East Finchley Open Artists (EFOA).
The exhibition features paintings, original prints, photographs and wall-mounted three-dimensional work including textiles and ceramics that interpret the theme 50:50 in a variety of ways, from half-and-half, positive/negative, or literally 50x50cm square.
All of the artists have prepared new works especially for the exhibition. Among them, David Waller explores the idea of twins in a large wall-hung mixed media piece; Christine Watson focuses on the simplicity of the rise and fall of steps at Trajan’s Market in her mezzotint; Cathy Burkinshaw presents a split-screen take on nature in her mixed media work Portobello Road; and photographer Peter Kyte juxtaposes two angled facades of buildings in Sheffield.
Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers. Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year. For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
16-29 November 2018
Mike Coles, Traffic Lights
Artworks inspired by the theme 50:50 will feature in an exciting new exhibition by more than 30 members of the East Finchley Open Artists (EFOA).
The exhibition features paintings, original prints, photographs and wall-mounted three-dimensional work including textiles and ceramics that interpret the theme 50:50 in a variety of ways, from half-and-half, positive/negative, or literally 50x50cm square.
All of the artists have prepared new works especially for the exhibition. Among them, David Waller explores the idea of twins in a large wall-hung mixed media piece; Christine Watson focuses on the simplicity of the rise and fall of steps at Trajan’s Market in her mezzotint; Cathy Burkinshaw presents a split-screen take on nature in her mixed media work Portobello Road; and photographer Peter Kyte juxtaposes two angled facades of buildings in Sheffield.
Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers. Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year. For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
16-29 November 2018
A comedy of bad manners which starts with the arrival of four guests, invited independently by different members of the Bliss family for a weekend at their country house. The promise of an idyllic and peaceful weekend is quickly trounced by the self-absorbed eccentricities of the family.
Mike Coles, Traffic Lights
Artworks inspired by the theme 50:50 will feature in an exciting new exhibition by more than 30 members of the East Finchley Open Artists (EFOA).
The exhibition features paintings, original prints, photographs and wall-mounted three-dimensional work including textiles and ceramics that interpret the theme 50:50 in a variety of ways, from half-and-half, positive/negative, or literally 50x50cm square.
All of the artists have prepared new works especially for the exhibition. Among them, David Waller explores the idea of twins in a large wall-hung mixed media piece; Christine Watson focuses on the simplicity of the rise and fall of steps at Trajan’s Market in her mezzotint; Cathy Burkinshaw presents a split-screen take on nature in her mixed media work Portobello Road; and photographer Peter Kyte juxtaposes two angled facades of buildings in Sheffield.
Founded in 2004, East Finchley Open Artists is a group of artists and craftspeople – including painters, printers, photographers, ceramicists, glass makers, jewellers, sculptors, textile artists and basket makers – ranging from those who are starting out in their creative careers to well-established professional artists and lecturers. Every summer the EFOA hosts Open House weekends, as well as other public events throughout the year. For information about upcoming events and activities, membership, and to sign up for the monthly e-newsletter, see: www.eastfinchleyopen.org.uk
Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays
16-29 November 2018
A comedy of bad manners which starts with the arrival of four guests, invited independently by different members of the Bliss family for a weekend at their country house. The promise of an idyllic and peaceful weekend is quickly trounced by the self-absorbed eccentricities of the family.
A comedy of bad manners which starts with the arrival of four guests, invited independently by different members of the Bliss family for a weekend at their country house. The promise of an idyllic and peaceful weekend is quickly trounced by the self-absorbed eccentricities of the family.