By Eugene Ionesco
Presented by Slip of the Lip Theatre Company
21st July – 1st August 2015
Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm
Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?
“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine
There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.
Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.
Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.
CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:
“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine
“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine
“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre
Running time: 75 minutes with NO interval
Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
| Entrance Hall & Lower GalleryWork collected from a lifetime of painting. Work from Australia, Greece, Britain and her travels in oils and watercolours.In tandem with her painting Charina is a full time potter working locally at Dartmouth Park Pottery which she established and has run for the last 30 years
By Eugene Ionesco
Presented by Slip of the Lip Theatre Company
21st July – 1st August 2015
Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm
Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?
“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine
There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.
Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.
Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.
CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:
“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine
“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine
“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre
Running time: 75 minutes with NO interval
Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
| Entrance Hall & Lower GalleryWork collected from a lifetime of painting. Work from Australia, Greece, Britain and her travels in oils and watercolours.In tandem with her painting Charina is a full time potter working locally at Dartmouth Park Pottery which she established and has run for the last 30 years
By Eugene Ionesco
Presented by Slip of the Lip Theatre Company
21st July – 1st August 2015
Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm
Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?
“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine
There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.
Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.
Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.
CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:
“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine
“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine
“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre
Running time: 75 minutes with NO interval
Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
| Entrance Hall & Lower GalleryWork collected from a lifetime of painting. Work from Australia, Greece, Britain and her travels in oils and watercolours.In tandem with her painting Charina is a full time potter working locally at Dartmouth Park Pottery which she established and has run for the last 30 years
By Eugene Ionesco
Presented by Slip of the Lip Theatre Company
21st July – 1st August 2015
Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm
Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?
“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine
There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.
Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.
Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.
CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:
“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine
“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine
“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre
Running time: 75 minutes with NO interval
Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
By Eugene Ionesco
Presented by Slip of the Lip Theatre Company
21st July – 1st August 2015
Tuesdays – Saturday 7.30pm
Matinees: Saturday 25th & Sunday 26th July at 4pm
Welcome to the home of Mr and Mrs Smith – in the suburbs of London. The Martins have popped in for a game of whist. Or is it dinner? Nobody seems quite sure. Why are they four hours late? Where has Mary the Maid been all afternoon? Is she really a famous detective? And why is the local fire chief hiding in the shrubbery?
“Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy”
– Plays International Magazine
There will be daggers drawn, kisses exchanged and hammers fetched. Frightful stories will be told about red-eyed children, retired country doctors and a snake with a murderous left-hook. And there will be fire. Lots of talk about fire. It’s too highly taxed.
Ionesco’s exploration of the frailties of language, and of the absurdity that arises out of our every day failures to communicate, is more relevant than ever in a world where text speak and poor email etiquette routinely cause offence and confusion. Slip of the Lip Theatre (www.slipofthelip.co.uk) draws out the poignant contemporary relevance while staying faithful to the text and stage directions of Donald Watson’s original translation of this 1950s absurdist classic.
Directed by Paul Hoskins and loved by audiences and critics alike, this “side-splittingly hilarious” comedy of manners is Ionesco’s iconoclastic, absurdist masterwork about distressed communication and that maddening English habit of saying one thing and meaning something else entirely. Ringing doorbells, contrarian clocks and a mysterious bald soprano provide the, at times cacophonous, soundtrack.
CRITICAL ACCLAIM FOR SLIP OF THE LIP’S PRODUCTION OF THE BALD PRIMA DONNA:
“A pitch-perfect production … Some of the most accomplished actors I saw anywhere across the (Brighton) Fringe bring a delicious Joe Ortonish quality to the physical comedy … Slip of the Lip Theatre Company prove adept in remaining true to Ionesco’s intentions by teetering between absurdism and realism while retaining a naturalistic sheen.”
– Plays International Magazine
“The evening was funny throughout and at times side-splittingly hilarious … Griselda Williams and Brian Merry nicely capture the comic angst, repression and isolation of the seemingly straight laced Mr and Mrs Smith … The play remains as relevant as ever.”
– GScene Magazine
“Exceptionally well acted by a hugely talented cast …. [who] drew every ounce of absurdity and humour out of the play”
– Loitering in the Theatre
Running time: 75 minutes with NO interval
Tickets:
£12/£10 Concessions Tues, Weds, Thurs, Fri, Sat Matinees and Sundays
£14/£12 Concessions Saturday Evenings
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
| Entrance Hall & Lower GalleryWork collected from a lifetime of painting. Work from Australia, Greece, Britain and her travels in oils and watercolours.In tandem with her painting Charina is a full time potter working locally at Dartmouth Park Pottery which she established and has run for the last 30 years
Another chance this year to hear the cream of musicians from this renowned society. Music will include a Schubert Piano Sonata transcribed for guitar duo (Concordia). Also you will be able to hear the usual variety of styles from the likes of Oswaldo Santos and Christian Wood.
In the shadows of the newly-built Eiffel Tower and Moulin Rouge, the Parisian bohemian community flourishes. Four young men have been trying to make their mark in literature, music, philosophy and art. Financially poor, they are nevertheless rich in camaraderie and romanticism. But this approach can only last so long: are they ready for the consequences when romance meets reality face to face?
Following on from last year’s stunning production of Verdi’s Rigoletto, Opera Loki is delighted to be returning to Upstairs at the Gatehouse in Highgate Village after an extended tour of France and the UK in 2015.
Part of a growing trend of bringing popular opera to trendy venues, the cast includes an impressive collection of British singing talent. Opera Loki is a small charity that aims to support singers early in their careers and brings opera in English to regional communities.
“I think the roars of approval at the end of the evening said it all. It was a cracking performance.”
“What an evening. The only place I expect to be made to cry is Covent Garden, but apparently not! They were wonderful. Such a beautiful voice from the lead, and a beautiful face to go with it”
La Boheme is directed by Laura Attridge, musically directed by Harry Sever and produced by Jane Gray.
Sung in English with a translation by Amanda Holden
In the shadows of the newly-built Eiffel Tower and Moulin Rouge, the Parisian bohemian community flourishes. Four young men have been trying to make their mark in literature, music, philosophy and art. Financially poor, they are nevertheless rich in camaraderie and romanticism. But this approach can only last so long: are they ready for the consequences when romance meets reality face to face?
Following on from last year’s stunning production of Verdi’s Rigoletto, Opera Loki is delighted to be returning to Upstairs at the Gatehouse in Highgate Village after an extended tour of France and the UK in 2015.
Part of a growing trend of bringing popular opera to trendy venues, the cast includes an impressive collection of British singing talent. Opera Loki is a small charity that aims to support singers early in their careers and brings opera in English to regional communities.
“I think the roars of approval at the end of the evening said it all. It was a cracking performance.”
“What an evening. The only place I expect to be made to cry is Covent Garden, but apparently not! They were wonderful. Such a beautiful voice from the lead, and a beautiful face to go with it”
La Boheme is directed by Laura Attridge, musically directed by Harry Sever and produced by Jane Gray.
Sung in English with a translation by Amanda Holden
In the shadows of the newly-built Eiffel Tower and Moulin Rouge, the Parisian bohemian community flourishes. Four young men have been trying to make their mark in literature, music, philosophy and art. Financially poor, they are nevertheless rich in camaraderie and romanticism. But this approach can only last so long: are they ready for the consequences when romance meets reality face to face?
Following on from last year’s stunning production of Verdi’s Rigoletto, Opera Loki is delighted to be returning to Upstairs at the Gatehouse in Highgate Village after an extended tour of France and the UK in 2015.
Part of a growing trend of bringing popular opera to trendy venues, the cast includes an impressive collection of British singing talent. Opera Loki is a small charity that aims to support singers early in their careers and brings opera in English to regional communities.
“I think the roars of approval at the end of the evening said it all. It was a cracking performance.”
“What an evening. The only place I expect to be made to cry is Covent Garden, but apparently not! They were wonderful. Such a beautiful voice from the lead, and a beautiful face to go with it”
La Boheme is directed by Laura Attridge, musically directed by Harry Sever and produced by Jane Gray.
Sung in English with a translation by Amanda Holden
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
Join us for Painting with Watercolour and Acrylic. Learn the basics of both materials, how to mix, blend and layer Watercolour and apply Acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on colour mixing for watercolour was published in Febuary 2011. Find out more about Sharon by visiting her website: www.sharonfinmark.co.uk. Late-comers are welcome, and tuition can be pro-rated.
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
Join us for Painting with Watercolour and Acrylic. Learn the basics of both materials, how to mix, blend and layer Watercolour and apply Acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on colour mixing for watercolour was published in Febuary 2011. Find out more about Sharon by visiting her website: www.sharonfinmark.co.uk. Late-comers are welcome, and tuition can be pro-rated.
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
Join us for Painting with Watercolour and Acrylic. Learn the basics of both materials, how to mix, blend and layer Watercolour and apply Acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on colour mixing for watercolour was published in Febuary 2011. Find out more about Sharon by visiting her website: www.sharonfinmark.co.uk. Late-comers are welcome, and tuition can be pro-rated.
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
Join us for Painting with Watercolour and Acrylic. Learn the basics of both materials, how to mix, blend and layer Watercolour and apply Acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on colour mixing for watercolour was published in Febuary 2011. Find out more about Sharon by visiting her website: www.sharonfinmark.co.uk. Late-comers are welcome, and tuition can be pro-rated.
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk