PRESENTED BY COLLABORATIVE ARTISTS
25th – 30th April 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
An odyssey through 20th century European chansons
From the Russian cabaret artist Alexander Vertinsky to Edith Piaf via the music of the Comedian Harmonists in the early 1930’s, Daniel Donskoy will perform German, Yiddish, French and Russian chansons, accompanied by Inga Davis-Rutter and her trio. Each evening will also include guest performances by London’s most acclaimed West End performers.
A Song Goes Round the World is transferring from St. James Studio after its premiere in May 2016, that was received with great critical acclaim.
***** ‘Truly Magical’ – Views from the Gods
**** ‘An outstanding mastery’ – Jonathan Baz
Donskoy’s background is as eclectic as the programme of this evening. He was born in Russia and raised in 1990’s Berlin, before coming to London via several years in Tel Aviv. A Song Goes Round the World is Donskoy’s first solo show; further acting credits include BBC4’s Detectorists, the ITV1 Drama Victoria as well as playing Jim O’Connor in Tennessee Williams’ Glass Menagerie at Nottingham Playhouse.
“In times of uncertainty relating to the European Union, this is a chance to bring Europe together through music – even if just for one evening”, says Donskoy.
The evening will include songs from life in the poor Parisian faubourgs, Yiddish theatre tales of loss and joy, songs sung by Russian political prisoners of the Tsar, witty German cabaret and much more.
Collaborative Artists’ latest major production You Won’t Succeed On Broadway, If You Don’t Have Any Jews was nominated for Best Off-West End Production at the 2016 WhatsOnStage awards.
TICKETS
£18 / £16 concessions
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
PRESENTED BY COLLABORATIVE ARTISTS
25th – 30th April 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
An odyssey through 20th century European chansons
From the Russian cabaret artist Alexander Vertinsky to Edith Piaf via the music of the Comedian Harmonists in the early 1930’s, Daniel Donskoy will perform German, Yiddish, French and Russian chansons, accompanied by Inga Davis-Rutter and her trio. Each evening will also include guest performances by London’s most acclaimed West End performers.
A Song Goes Round the World is transferring from St. James Studio after its premiere in May 2016, that was received with great critical acclaim.
***** ‘Truly Magical’ – Views from the Gods
**** ‘An outstanding mastery’ – Jonathan Baz
Donskoy’s background is as eclectic as the programme of this evening. He was born in Russia and raised in 1990’s Berlin, before coming to London via several years in Tel Aviv. A Song Goes Round the World is Donskoy’s first solo show; further acting credits include BBC4’s Detectorists, the ITV1 Drama Victoria as well as playing Jim O’Connor in Tennessee Williams’ Glass Menagerie at Nottingham Playhouse.
“In times of uncertainty relating to the European Union, this is a chance to bring Europe together through music – even if just for one evening”, says Donskoy.
The evening will include songs from life in the poor Parisian faubourgs, Yiddish theatre tales of loss and joy, songs sung by Russian political prisoners of the Tsar, witty German cabaret and much more.
Collaborative Artists’ latest major production You Won’t Succeed On Broadway, If You Don’t Have Any Jews was nominated for Best Off-West End Production at the 2016 WhatsOnStage awards.
TICKETS
£18 / £16 concessions
Image: I Heard it on the Radio ©Karen Loader, 2016. All Rights Reserved
KAREN LOADER’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays. Exhibition continues until 11 May.
PRESENTED BY COLLABORATIVE ARTISTS
25th – 30th April 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
An odyssey through 20th century European chansons
From the Russian cabaret artist Alexander Vertinsky to Edith Piaf via the music of the Comedian Harmonists in the early 1930’s, Daniel Donskoy will perform German, Yiddish, French and Russian chansons, accompanied by Inga Davis-Rutter and her trio. Each evening will also include guest performances by London’s most acclaimed West End performers.
A Song Goes Round the World is transferring from St. James Studio after its premiere in May 2016, that was received with great critical acclaim.
***** ‘Truly Magical’ – Views from the Gods
**** ‘An outstanding mastery’ – Jonathan Baz
Donskoy’s background is as eclectic as the programme of this evening. He was born in Russia and raised in 1990’s Berlin, before coming to London via several years in Tel Aviv. A Song Goes Round the World is Donskoy’s first solo show; further acting credits include BBC4’s Detectorists, the ITV1 Drama Victoria as well as playing Jim O’Connor in Tennessee Williams’ Glass Menagerie at Nottingham Playhouse.
“In times of uncertainty relating to the European Union, this is a chance to bring Europe together through music – even if just for one evening”, says Donskoy.
The evening will include songs from life in the poor Parisian faubourgs, Yiddish theatre tales of loss and joy, songs sung by Russian political prisoners of the Tsar, witty German cabaret and much more.
Collaborative Artists’ latest major production You Won’t Succeed On Broadway, If You Don’t Have Any Jews was nominated for Best Off-West End Production at the 2016 WhatsOnStage awards.
TICKETS
£18 / £16 concessions
Image: I Heard it on the Radio ©Karen Loader, 2016. All Rights Reserved
KAREN LOADER’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday.
Exhibition continues until 11 May.
COLLABORATIVE ARTISTS PRESENTS
25th – 30th April 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
An odyssey through 20th century European chansons
From the Russian cabaret artist Alexander Vertinsky to Edith Piaf via the music of the Comedian Harmonists in the early 1930’s, Daniel Donskoy will perform German, Yiddish, French and Russian chansons, accompanied by Inga Davis-Rutter and her trio. Each evening will also include guest performances by London’s most acclaimed West End performers.
A Song Goes Round the World is transferring from St. James Studio after its premiere in May 2016, that was received with great critical acclaim.
***** ‘Truly Magical’ – Views from the Gods
**** ‘An outstanding mastery’ – Jonathan Baz
Donskoy’s background is as eclectic as the programme of this evening. He was born in Russia and raised in 1990’s Berlin, before coming to London via several years in Tel Aviv. A Song Goes Round the World is Donskoy’s first solo show; further acting credits include BBC4’s Detectorists, the ITV1 Drama Victoria as well as playing Jim O’Connor in Tennessee Williams’ Glass Menagerie at Nottingham Playhouse.
“In times of uncertainty relating to the European Union, this is a chance to bring Europe together through music – even if just for one evening”, says Donskoy.
The evening will include songs from life in the poor Parisian faubourgs, Yiddish theatre tales of loss and joy, songs sung by Russian political prisoners of the Tsar, witty German cabaret and much more.
Collaborative Artists’ latest major production You Won’t Succeed On Broadway, If You Don’t Have Any Jews was nominated for Best Off-West End Production at the 2016 WhatsOnStage awards.
TICKETS
£18 / £16 concessions
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Image: I Heard it on the Radio ©Karen Loader, 2016. All Rights Reserved
KAREN LOADER’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays. Exhibition continues until 11 May.
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Image: I Heard it on the Radio ©Karen Loader, 2016. All Rights Reserved
KAREN LOADER’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday.
Exhibition continues until 11 May.
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online