Bear doesn’t like birthdays
He doesn’t like birthday parties or balloons
He doesn’t like birthday cards or songs or candles
In fact, Bear is quite sure he doesn’t like anything to do with birthdays at all
Mouse on the other hand is determined to show him all the joys a Birthday can offer. Will she succeed?
An uplifting story of friendship, persistence, the importance of trying new things and letting go! Packed with memorable tunes and audience interaction it promises to be a joyful theatrical experience for young children and their families.
Suitable for ages 3+
Tuesday 21st May 1.30pm
Wednesday 22nd May 10.30am, 1.30pm
Thursday 23rd May 10.30am, 1.30pm
Friday 24th May 11am, 1.30pm, 4pm
Saturday 25th May 1.30pm
Sunday 26th May 11am, 1.30pm
Tuesday 28th May 11am, 1.30pm
Wednesday 29th May 11am, 1.30pm, 4pm
Thursday 30th May 11am, 1.30pm
Friday 31st May 11am, 1.30pm, 4pm
Saturday 1st June 11am, 1.30pm, 4pm
Sunday 2nd June 11am, 1.30pm
Tuesday 4th June 10.30am, 1.30pm
Wednesday 5th June 10.30am, 1.30pm
Thursday 6th June 10.30am, 1.30pm
Friday 7th June 10.30am, 1.30pm
Saturday 8th June 11am, 1.30pm, 4pm
Sunday 9th June 11am
In 1960, at the height of his fame, singer, songwriter, and satirist Tom Lehrer gave it all up. He spent the rest of his career as an obscure maths lecturer. This show investigates the strange disappearance of Tom Lehrer – and includes some of his greatest songs, like Poisoning Pigeons in the Park, and The Elements.
Bear doesn’t like birthdays
He doesn’t like birthday parties or balloons
He doesn’t like birthday cards or songs or candles
In fact, Bear is quite sure he doesn’t like anything to do with birthdays at all
Mouse on the other hand is determined to show him all the joys a Birthday can offer. Will she succeed?
An uplifting story of friendship, persistence, the importance of trying new things and letting go! Packed with memorable tunes and audience interaction it promises to be a joyful theatrical experience for young children and their families.
Suitable for ages 3+
Tuesday 21st May 1.30pm
Wednesday 22nd May 10.30am, 1.30pm
Thursday 23rd May 10.30am, 1.30pm
Friday 24th May 11am, 1.30pm, 4pm
Saturday 25th May 1.30pm
Sunday 26th May 11am, 1.30pm
Tuesday 28th May 11am, 1.30pm
Wednesday 29th May 11am, 1.30pm, 4pm
Thursday 30th May 11am, 1.30pm
Friday 31st May 11am, 1.30pm, 4pm
Saturday 1st June 11am, 1.30pm, 4pm
Sunday 2nd June 11am, 1.30pm
Tuesday 4th June 10.30am, 1.30pm
Wednesday 5th June 10.30am, 1.30pm
Thursday 6th June 10.30am, 1.30pm
Friday 7th June 10.30am, 1.30pm
Saturday 8th June 11am, 1.30pm, 4pm
Sunday 9th June 11am
In 1960, at the height of his fame, singer, songwriter, and satirist Tom Lehrer gave it all up. He spent the rest of his career as an obscure maths lecturer. This show investigates the strange disappearance of Tom Lehrer – and includes some of his greatest songs, like Poisoning Pigeons in the Park, and The Elements.
Bear doesn’t like birthdays
He doesn’t like birthday parties or balloons
He doesn’t like birthday cards or songs or candles
In fact, Bear is quite sure he doesn’t like anything to do with birthdays at all
Mouse on the other hand is determined to show him all the joys a Birthday can offer. Will she succeed?
An uplifting story of friendship, persistence, the importance of trying new things and letting go! Packed with memorable tunes and audience interaction it promises to be a joyful theatrical experience for young children and their families.
Suitable for ages 3+
Tuesday 21st May 1.30pm
Wednesday 22nd May 10.30am, 1.30pm
Thursday 23rd May 10.30am, 1.30pm
Friday 24th May 11am, 1.30pm, 4pm
Saturday 25th May 1.30pm
Sunday 26th May 11am, 1.30pm
Tuesday 28th May 11am, 1.30pm
Wednesday 29th May 11am, 1.30pm, 4pm
Thursday 30th May 11am, 1.30pm
Friday 31st May 11am, 1.30pm, 4pm
Saturday 1st June 11am, 1.30pm, 4pm
Sunday 2nd June 11am, 1.30pm
Tuesday 4th June 10.30am, 1.30pm
Wednesday 5th June 10.30am, 1.30pm
Thursday 6th June 10.30am, 1.30pm
Friday 7th June 10.30am, 1.30pm
Saturday 8th June 11am, 1.30pm, 4pm
Sunday 9th June 11am
In 1960, at the height of his fame, singer, songwriter, and satirist Tom Lehrer gave it all up. He spent the rest of his career as an obscure maths lecturer. This show investigates the strange disappearance of Tom Lehrer – and includes some of his greatest songs, like Poisoning Pigeons in the Park, and The Elements.
In 1960, at the height of his fame, singer, songwriter, and satirist Tom Lehrer gave it all up. He spent the rest of his career as an obscure maths lecturer. This show investigates the strange disappearance of Tom Lehrer – and includes some of his greatest songs, like Poisoning Pigeons in the Park, and The Elements.
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
Jeremy Sassoon’s MOJO
Saturday 31st August 7.30pm
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk
“If it’s good enough for Shakespeare, it’s good enough for us.”
Rodgers and Hart’s classic 1938 musical comedy adaptation of The Comedy of Errors returns to the London stage for its debut at Upstairs at the Gatehouse, in a madcap tale of mistaken identity, danger and romance in ancient Greece!
Antipholus of Syracuse and his servant, Dromio, arrive in Ephesus as part of a long search for their respective identical twins from whom they were separated as children during a shipwreck. But citizens of Syracuse caught in Ephesus are subject to the death penalty. As fate has it, there’s another Antipholus who’s an established citizen of Ephesus, served by another Dromio. Confusions multiply as wives are baffled by husbands, one twin is wrongly jailed and Antipholus of Syracuse falls in love with his wife’s sister – or does he?
Arguably Rodgers and Hart’s best, the score includes the hit songs Falling in Love with Love; This Can’t Be Love and Sing for Your Supper.
Music by Richard Rodgers; Lyrics by Lorenz Hart; Book by George Abbott
Directed by Mark Giesser
Presented by arrangement with Concord Theatricals Ltd.
www.concordtheatricals.co.uk