Image: ©Danny Israel, 2016. All Rights Reserved
Night Fishing in Ugljan (which continues until 22 June) is a series of 38 paintings which arose out of a trip to the island of Uglijan, in Croatia, where Danny Israel watched the fishermen use powerful lights to attract the fish to the surface.
These paintings follow the stream of life, from microscopic forms to larger sea mammals, as they emerge from the deep. It seemed there was a symbolism to this event, which it might be possible to approach in paint. As it turned out this experience proved to be an infinite source of wonder at the drama beneath the surface.
These acrylic images are achieved by liberal use of the same medium, water, but Danny also wanted to create surfaces which in themselves are visually engaging, which arrest the attention, which detain the eye and which invoke the imagination.
Danny Israel studied Fine Art at the University of Wales (Cardiff). His first exhibition was at Reading Museum in 1972 and he then exhibited annually at The Beecroft Gallery in Southend on Sea, Essex between 1972 and 1980. He has work in various collections including the Victoria and Albert Museum Print Department and that of Elton John, and has exhibited occasionally over the intervening years.
After a successful auction in 2014 he returned to exhibiting with a sell-out exhibition at the Babylon Gallery in Ely, and more recently at Highgate Contemporary Art. This exhibition at HLSI is his third in the current series, and is much the largest.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: ©Danny Israel, 2016. All Rights Reserved
Night Fishing in Ugljan (which continues until 22 June) is a series of 38 paintings which arose out of a trip to the island of Uglijan, in Croatia, where Danny Israel watched the fishermen use powerful lights to attract the fish to the surface.
These paintings follow the stream of life, from microscopic forms to larger sea mammals, as they emerge from the deep. It seemed there was a symbolism to this event, which it might be possible to approach in paint. As it turned out this experience proved to be an infinite source of wonder at the drama beneath the surface.
These acrylic images are achieved by liberal use of the same medium, water, but Danny also wanted to create surfaces which in themselves are visually engaging, which arrest the attention, which detain the eye and which invoke the imagination.
Danny Israel studied Fine Art at the University of Wales (Cardiff). His first exhibition was at Reading Museum in 1972 and he then exhibited annually at The Beecroft Gallery in Southend on Sea, Essex between 1972 and 1980. He has work in various collections including the Victoria and Albert Museum Print Department and that of Elton John, and has exhibited occasionally over the intervening years.
After a successful auction in 2014 he returned to exhibiting with a sell-out exhibition at the Babylon Gallery in Ely, and more recently at Highgate Contemporary Art. This exhibition at HLSI is his third in the current series, and is much the largest.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: ©Danny Israel, 2016. All Rights Reserved
Night Fishing in Ugljan (which continues until 22 June) is a series of 38 paintings which arose out of a trip to the island of Uglijan, in Croatia, where Danny Israel watched the fishermen use powerful lights to attract the fish to the surface.
These paintings follow the stream of life, from microscopic forms to larger sea mammals, as they emerge from the deep. It seemed there was a symbolism to this event, which it might be possible to approach in paint. As it turned out this experience proved to be an infinite source of wonder at the drama beneath the surface.
These acrylic images are achieved by liberal use of the same medium, water, but Danny also wanted to create surfaces which in themselves are visually engaging, which arrest the attention, which detain the eye and which invoke the imagination.
Danny Israel studied Fine Art at the University of Wales (Cardiff). His first exhibition was at Reading Museum in 1972 and he then exhibited annually at The Beecroft Gallery in Southend on Sea, Essex between 1972 and 1980. He has work in various collections including the Victoria and Albert Museum Print Department and that of Elton John, and has exhibited occasionally over the intervening years.
After a successful auction in 2014 he returned to exhibiting with a sell-out exhibition at the Babylon Gallery in Ely, and more recently at Highgate Contemporary Art. This exhibition at HLSI is his third in the current series, and is much the largest.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: ©Danny Israel, 2016. All Rights Reserved
Night Fishing in Ugljan (which continues until 22 June) is a series of 38 paintings which arose out of a trip to the island of Uglijan, in Croatia, where Danny Israel watched the fishermen use powerful lights to attract the fish to the surface.
These paintings follow the stream of life, from microscopic forms to larger sea mammals, as they emerge from the deep. It seemed there was a symbolism to this event, which it might be possible to approach in paint. As it turned out this experience proved to be an infinite source of wonder at the drama beneath the surface.
These acrylic images are achieved by liberal use of the same medium, water, but Danny also wanted to create surfaces which in themselves are visually engaging, which arrest the attention, which detain the eye and which invoke the imagination.
Danny Israel studied Fine Art at the University of Wales (Cardiff). His first exhibition was at Reading Museum in 1972 and he then exhibited annually at The Beecroft Gallery in Southend on Sea, Essex between 1972 and 1980. He has work in various collections including the Victoria and Albert Museum Print Department and that of Elton John, and has exhibited occasionally over the intervening years.
After a successful auction in 2014 he returned to exhibiting with a sell-out exhibition at the Babylon Gallery in Ely, and more recently at Highgate Contemporary Art. This exhibition at HLSI is his third in the current series, and is much the largest.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: ©Danny Israel, 2016. All Rights Reserved
Night Fishing in Ugljan (which continues until 22 June) is a series of 38 paintings which arose out of a trip to the island of Uglijan, in Croatia, where Danny Israel watched the fishermen use powerful lights to attract the fish to the surface.
These paintings follow the stream of life, from microscopic forms to larger sea mammals, as they emerge from the deep. It seemed there was a symbolism to this event, which it might be possible to approach in paint. As it turned out this experience proved to be an infinite source of wonder at the drama beneath the surface.
These acrylic images are achieved by liberal use of the same medium, water, but Danny also wanted to create surfaces which in themselves are visually engaging, which arrest the attention, which detain the eye and which invoke the imagination.
Danny Israel studied Fine Art at the University of Wales (Cardiff). His first exhibition was at Reading Museum in 1972 and he then exhibited annually at The Beecroft Gallery in Southend on Sea, Essex between 1972 and 1980. He has work in various collections including the Victoria and Albert Museum Print Department and that of Elton John, and has exhibited occasionally over the intervening years.
After a successful auction in 2014 he returned to exhibiting with a sell-out exhibition at the Babylon Gallery in Ely, and more recently at Highgate Contemporary Art. This exhibition at HLSI is his third in the current series, and is much the largest.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: ©Danny Israel, 2016. All Rights Reserved
Night Fishing in Ugljan (which continues until 22 June) is a series of 38 paintings which arose out of a trip to the island of Uglijan, in Croatia, where Danny Israel watched the fishermen use powerful lights to attract the fish to the surface.
These paintings follow the stream of life, from microscopic forms to larger sea mammals, as they emerge from the deep. It seemed there was a symbolism to this event, which it might be possible to approach in paint. As it turned out this experience proved to be an infinite source of wonder at the drama beneath the surface.
These acrylic images are achieved by liberal use of the same medium, water, but Danny also wanted to create surfaces which in themselves are visually engaging, which arrest the attention, which detain the eye and which invoke the imagination.
Danny Israel studied Fine Art at the University of Wales (Cardiff). His first exhibition was at Reading Museum in 1972 and he then exhibited annually at The Beecroft Gallery in Southend on Sea, Essex between 1972 and 1980. He has work in various collections including the Victoria and Albert Museum Print Department and that of Elton John, and has exhibited occasionally over the intervening years.
After a successful auction in 2014 he returned to exhibiting with a sell-out exhibition at the Babylon Gallery in Ely, and more recently at Highgate Contemporary Art. This exhibition at HLSI is his third in the current series, and is much the largest.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon
cabaret at tea time
In homage to our glorious past – after the House was restored in 1893 it served as the Waterlow Park tearoom for 70 years- we’re introducing Cabaret at Tea Time with a ticket offer that combines a high tea plus cabaret ticket. What better way to spend a Sunday than with a drink, food, and amazing cabaret!
Cabaret Tea A – £28.50
Glass of Prosecco
Hot smoked salmon with cream cheese and chive bridge roll
Free-range egg mayonnaise and mustard cress bridge roll
Rich chocolate brownie square
Cabaret Tea B – £25.50
Luscombe Wild Bubbly Elderflower Presse
Hot smoked salmon with cream cheese and chive bridge roll
Free-egg mayonnaise and mustard cress bridge roll
Rich chocolate brownie square
Host: Tim McArthur
Headline: Shona White
Shona White is an experienced Scottish actress and singer, who gained her post graduate qualification in Musical Theatre from the Royal Academy of Music in 1998. Just some of her numerous theatre credits include Florence Vassy in ‘Chess’ (Prince of Wales Theatre, Toronto), Rita in ‘All the Fun of the Fair’ (Garrick Theatre), Betty in ‘Shout’ (UK Tour), Elphaba/ Standby in ‘Wicked’ (Apollo Victoria Theatre), and Magenta/ Usherette in ‘The Rocky Horror Show’ (Playhouse Theatre). She has also performed many solo cabarets at venues including The Pheasantry, appeared in concerts including ‘An Evening with Elton John’ at The Royal Albert Hall, and has recently released a debut album, ‘I’ll Bring You A Song’, which is available on iTunes.
Support: TBC
Times:
3.30 – doors open and tea served
4.30 – show starts
5 – interval
5.20 – second half starts
6.15 – end
Time: 15:30
Venue: Lauderdale House
If you just want to join us for Cabaret then you can purchase a full price ticket for £16.00 / £14.00 concession for students, unwaged & Equity members only.
Time: 15:30
Venue: Lauderdale House
Price band | A | B |
Standard | £28.50 | £25.50 |
Concession | £16.00 | £14.00 |
Child |
Concessions are available for students, people on benefit and over 60s. Proof must be provided when collecting tickets.
Ages All ages welcome.
to book
Box office: 02083488716
Email: enquiries@lauderdale.org.uk
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
Image: © Cay Schröder, 2016. All Rights Reserved
Bodegón y Jazz: watercolour and oil paintings by Cay Schröder
Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.
Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.
Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.
Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.
“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”
Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.
the rose and the bulbul
a promenade performance
TWO PERFORMANCES AT MIDDAY AND 3PM
Coke Studio artist Arieb Azhar joins dancers and musicians to celebrate the unity amidst diversity expressed through the symbols of the rose and the bulbul (nightingale). The performance will take place on the Tea Lawn at Lauderdale House and Waterlow Park. The Rose and the Bulbul is co-produced by Kadam/Pulse and Luton Culture with the support of Grants for the Arts, Amal and Cockayne and London Communities Foundation.
The Rose and the Bulbul is a family-friendly performance with professional and community-based performers that taps into the love affair that humans have with creating gardens. It will be dedicated to the memory of MP Jo Cox: “We are far more united and have far more in common with each other than things that divide us”.
The performance of dance, music and spoken word was inspired by the ideas that shaped the gardens at Stockwood Park, Luton. The title ‘Rose and Bulbul’ is derived from the significance of the rose as the symbol of beauty and perfection both in Persian literature and equally important in the English heritage as a Tudor emblem. The bulbul is the Indian equivalent of the nightingale which represents the woods and wilderness beyond the cultivated garden.
Storytellers, dancers and musicians will create an experience to bring alive the space of the garden and the audience will meet the Rose and the Bulbul, who come truly to understand their present only through a journey into each other’s past. Statues become dancers as the audiences are led in succession through a Mughal garden, a European walled garden and finally into open grounds, celebrating the synthesis of Islamic, Christian, Pagan and Hindu traditions. The Rose and the Bulbul is above all a story of love and acceptance.
The performance brings together the talent of outstanding young actor-writer Kamal Kaan (‘While the Water Weeps Next to the Water’, BBC Radio ‘Headline Ballads’ 2016); director Sita Thomas (Shakespearean scholar, Milkshake presenter and Bollywood dancer) and the popular choreographer-dancer Kali Chandrasegaram.
theatre on the tea lawn
twelfth night by william shakespeare
After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.
Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre. They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!
Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!
Tips for our audience:
If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances
There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability
Bring something warm as even on a hot day the evenings can get chilly
The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.
theatre on the tea lawn
twelfth night by william shakespeare
After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.
Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre. They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!
Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!
Tips for our audience:
If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances
There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability
Bring something warm as even on a hot day the evenings can get chilly
The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.
theatre on the tea lawn
twelfth night by william shakespeare
After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.
Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre. They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!
Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!
Tips for our audience:
If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances
There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability
Bring something warm as even on a hot day the evenings can get chilly
The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.
theatre on the tea lawn
twelfth night by william shakespeare
After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.
Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre. They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!
Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!
Tips for our audience:
If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances
There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability
Bring something warm as even on a hot day the evenings can get chilly
The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.
theatre on the tea lawn
twelfth night by william shakespeare
After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.
Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre. They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!
Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!
Tips for our audience:
If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances
There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability
Bring something warm as even on a hot day the evenings can get chilly
The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.
theatre on the tea lawn
twelfth night by william shakespeare
After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.
Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre. They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!
Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!
Tips for our audience:
If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances
There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability
Bring something warm as even on a hot day the evenings can get chilly
The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.
theatre on the tea lawn
twelfth night by william shakespeare
After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.
Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre. They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!
Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!
Tips for our audience:
If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances
There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability
Bring something warm as even on a hot day the evenings can get chilly
The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
22nd & 24th August 7.30pm
23rd & 25th August 9.15pm
Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.
LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”
A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
22nd & 24th August 7.30pm
23rd & 25th August 9.15pm
Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.
LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”
A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
22nd & 24th August 7.30pm
23rd & 25th August 9.15pm
Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.
LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”
A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm