The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
7:30pm til LATE
We’re back from the Edinburgh Fringe Festival for the one year anniversary of Stitchin’ Fiction – The only new writing night where everything is decided on the night!
It’s on.
What happens when you take a handful of writers, add a dollop actors, whisk in a sprinkle of direction; and give them an hour to rehearse before doors open to the public?
Stitchin’ Fiction – The original new writing night where casting, directing, and performing takes place in the course of a single evening!
SF is a collaboration to provide creative minds a platform to workshop, and share ideas over new writing in a relaxed environment.
Roll a D6
6:30 onwards – Free Entry
How better to meet random people in a pub then with a session of Bullshit Scrabble (make up the words, and justify them to your new friends) or over a few rounds of Cards Against Humanity (“a game for truly horrible people”)? Or maybe you fancy trying out the best game to ever emerge from Germany? That’s right, the ridiculous Camel Up.
And if that doesn’t get you going, we also have other lesser-known gems like Rapidough (dictionary with play dough), Story Dice (an imagination stimulator like no other) or the sublime Love Letter (think Tinder without smartphones or shallow hook-ups). For the traditionalists amongst you we also have a number of Argos-based stalwarts including Chess, Draughts, Backgammon, Risk, Monopoly, Game Of Life, Operation, Hungry Hippos, Guess Who, and many more.
Organised by local nutjob David Harrison – him and his merry men have been running a regression session in the Dungeons & Dragons Speakeasy out back for the last couple of months. If you want in on that as well drop him a line on David@kililive.com.
Plus its ….
Two for One Burger Tuesday! Order a burger tonight and get 2! Amazing offer and its getting very popular so get in early. Offer available from 6pm onwards.
6pm onwards.
Order a burger tonight and get 2! Amazing offer and its getting very popular so get in early.
7.30pm
Discussing his latest book: Brief Candle in the Dark, My Life in Science. SOLD OUT.
7.30pm
Music, film & some questions on other things!
London’s longest running music quiz returns on a new weekly Wednesday night slot… plus there is a full kitchen open so you can even have your dinner here before participating. We have a great new league and great prizes with your fantastic host Scott to take you through it…
Please book tables by emailing the website.
Details TBC
Baroness Helene Hayman will argue for and Robert Preston against. Highgate Literary and Scientific Institution, 8pm,www.hlsi.net
Booked your place to ensure a seat!
9pm
Hosted by Louise & Roisin! Get down to the sounds of the 90’s… all the sounds of indie and soul classics starting at 9pm and building into a very lively night once the early weekend crowd come out!
DJ’s from 10pm playing the best in soul, motown and old time rock n roll!
Halloween Special
Soul, Motown, 60’S Garage and Indie rock n roll DJ’s through till 2am. It’ll be a very busy night so get in early folks!
7pm every Sunday evening
Tara Minton plus Special Guests
A Sunday Special from 7pm with loads of acts and headlined by the greatest harp player in London (and we think the best ever)… Tara Minton!
Sunday Roast Lunches served all day 12 noon to 8pm
6pm- midnight
Kav and crew give a master class in dancing, rock & roll and rockabilly. They always know how to give Highgate a proper old school 50’s style ‘Hop’.
6pm onwards.
Order a burger tonight and get 2! Amazing offer and its getting very popular so get in early.
7.30pm
Music, film & some questions on other things!
London’s longest running music quiz returns on a new weekly Wednesday night slot… plus there is a full kitchen open so you can even have your dinner here before participating. We have a great new league and great prizes with your fantastic host Scott to take you through it…
Please book tables by emailing the website.
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Lost in the Supermarket
10pm – 2am
A night for dancing! Hosted by the very glamorous Ms Ali Rose, it’s got soul, Elvis, RnB, Motown, Indie dreams and a little Bruce… All brought to you lovingly by the girl with the rosette!
Swing Patrol – ”Swing Dancing in north London”
Class starts at 3pm
Boogaloo Bounce – Swing & Blues session: 3-7pm
Starting with a taster lesson 3.00-3.45. 3.45-6.00 social dancing.
Cost: £8. No partner or experience required.
Lindy Hop, Charleston, Balboa, Blues… we teach the great swing dances of the 20s 30s and 40s for your dancing pleasure. No partner required, two left feet owners welcome, you just need to want to have a whole lot of fun. See you there!
Sharing what we think are the most joyful and wonderful dances in the world… Lindy Hop, Blues, Charlestonand Balboa. Welcome to our north London team. See you on the dance floor soon!
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Clubnight, 9pm-2am
DJ Jimi Laff spins the tunes till late… soul, disco and indie rock & roll!
7pm every Sunday evening
Tara Minton plus Special Guests
A Sunday Special from 7pm with loads of acts and headlined by the greatest harp player in London (and we think the best ever)… Tara Minton!
Sunday Roast Lunches served all day 12 noon to 8pm
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Blue Monday is a monthly live music night created for lesbian and bi sexual women attracting a strong following of transgender, straight and gay music lovers and welcomes everyone.
Blue Monday showcases the finest up and coming music artists in London. Known for its chilled and friendly vibes, Blue Monday takes place at the legendary Boogaloo in Highgate on the 2nd Monday of every month in North London and is run by Miri, RoseRed & Vans.
http://www.groups.to/bluemonday
Each night is streamed live worldwide online and you can watch here: http://www.planet-london.com/minisite/BlueMonday.html or
http://www.ustream.tv/channel/blue-monday-live
Follow us on Twitter: http://twitter.com/bluemondayldn
Blue Monday TV: http://www.youtube.com/user/BlueMondayTV
Facebook: http://www.facebook.com/bluemondayldn
If you would like to play please drop us a message.
Roll a D6
6:30 onwards – Free Entry
How better to meet random people in a pub then with a session of Bullshit Scrabble (make up the words, and justify them to your new friends) or over a few rounds of Cards Against Humanity (“a game for truly horrible people”)? Or maybe you fancy trying out the best game to ever emerge from Germany? That’s right, the ridiculous Camel Up.
And if that doesn’t get you going, we also have other lesser-known gems like Rapidough (dictionary with play dough), Story Dice (an imagination stimulator like no other) or the sublime Love Letter (think Tinder without smartphones or shallow hook-ups). For the traditionalists amongst you we also have a number of Argos-based stalwarts including Chess, Draughts, Backgammon, Risk, Monopoly, Game Of Life, Operation, Hungry Hippos, Guess Who, and many more.
Organised by local nutjob David Harrison – him and his merry men have been running a regression session in the Dungeons & Dragons Speakeasy out back for the last couple of months. If you want in on that as well drop him a line on David@kililive.com.
Plus its ….
Two for One Burger Tuesday! Order a burger tonight and get 2! Amazing offer and its getting very popular so get in early. Offer available from 6pm onwards.
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
7.30pm
Music, film & some questions on other things!
London’s longest running music quiz returns on a new weekly Wednesday night slot… plus there is a full kitchen open so you can even have your dinner here before participating. We have a great new league and great prizes with your fantastic host Scott to take you through it…
Please book tables by emailing the website.
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk