The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
Join us for Painting with Watercolour and Acrylic. Learn the basics of both materials, how to mix, blend and layer Watercolour and apply Acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on colour mixing for watercolour was published in Febuary 2011. Find out more about Sharon by visiting her website: www.sharonfinmark.co.uk. Late-comers are welcome, and tuition can be pro-rated.
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
Join us for Painting with Watercolour and Acrylic. Learn the basics of both materials, how to mix, blend and layer Watercolour and apply Acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on colour mixing for watercolour was published in Febuary 2011. Find out more about Sharon by visiting her website: www.sharonfinmark.co.uk. Late-comers are welcome, and tuition can be pro-rated.
Baroness Helene Hayman will argue for and Robert Preston against. Highgate Literary and Scientific Institution, 8pm,www.hlsi.net
Booked your place to ensure a seat!
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
Join us for Painting with Watercolour and Acrylic. Learn the basics of both materials, how to mix, blend and layer Watercolour and apply Acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on colour mixing for watercolour was published in Febuary 2011. Find out more about Sharon by visiting her website: www.sharonfinmark.co.uk. Late-comers are welcome, and tuition can be pro-rated.
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
Join us for Painting with Watercolour and Acrylic. Learn the basics of both materials, how to mix, blend and layer Watercolour and apply Acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on colour mixing for watercolour was published in Febuary 2011. Find out more about Sharon by visiting her website: www.sharonfinmark.co.uk. Late-comers are welcome, and tuition can be pro-rated.
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
For artists of all levels, beginners and advanced students, who wish to expand their skills. This course also looks at anatomy and spends some time focusing on a single pose. Taught by art tutor, Zoe Hirson. Materials will be provided. Late-comers are welcome, and tuition can be pro-rated.
Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis and consist of 13 classes. Each week children will build on their skills learnt in previous weeks. The class finishes on week 13 with an informal ‘Private View’ of student work for friends and family. Late-comers are welcome, and tuition can be pro-rated.
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
For the beginner and developing student who wishes to explore their creative potential in drawing focusing mainly on Still Life. This term will be exploring essential drawing techniques – observation, perspective, negative spaces, mark-making and composition using historic artefacts at London’s Museums. Be inspired by ancient african and asian objects and wildlife specimens. With support and encouragement from art tutor, Zoe Hirson. Please bring drawing pads, pencils, conte pencils and rubbers. No charcoal, pastels or paints will be allowed inside the museums. It is advisable to bring a foldable chair. Late-comers are welcome, and tuition can be pro-rated.
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
Join us for Painting with Watercolour and Acrylic. Learn the basics of both materials, how to mix, blend and layer Watercolour and apply Acrylic. Explore how to make dynamic compositions that produce interesting paintings using still Life, photographs and sketches as inspiration. Our art tutor, Sharon Finmark, lives in North London & studied at Central St. Martins School of Art. She has had several books published on painting & drawing – one on colour mixing for watercolour was published in Febuary 2011. Find out more about Sharon by visiting her website: www.sharonfinmark.co.uk. Late-comers are welcome, and tuition can be pro-rated.
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
Drop-in class – no advance booking.
Having the choice between 2 models – one maintaining longer poses (up to 1 hr) and another keeping to shorter poses (4 to 15 mins) – makes this class quite special. Sharon Finmark, our tutor, is there to offer support and expertise responding to the individual needs of the class. Bring materials, paper on sale.