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SELF-GUIDED TOUR Sat 11/Sun 12 & Sat 18/Sun 19 Feb | Free Explore Lauderdale House and find out its history in a fun, family friendly way.

LGBT

ANTONIS SEDERAS: THE EXUBERANCE OF YOUTH Tue 7 – Sun 26 Feb, Free Winner of the Summer 2015 ‘Pride in the House’ competition, Sideras will present a selection of selfportrait silkscreen prints..

HIGHGATE HERITAGE FAIR Sat 18 Feb, 12-4pm | Free Meet local people and organisations interested in and passionate about Highgate history and heritage. There will be a range of experts and enthusiasts with stalls in the Lower Gallery of Lauderdale House, all of whom will be happy to answer your questions and even discuss your theories! W

This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.

Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.

She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.

This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.

Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.

Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.

The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.

Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
10-23 March

EXHIBITION: HERITAGE IN THE MAKING   Tue 7 – Sun 26 Feb, Free Documenting the Lauderdale Transformed building works by photographer in residence Polly Hancock and members of the Lauderdale Exposed project. See website for all exhibition times.

SELF-GUIDED TOUR Sat 11/Sun 12 & Sat 18/Sun 19 Feb | Free Explore Lauderdale House and find out its history in a fun, family friendly way.

LGBT

ANTONIS SEDERAS: THE EXUBERANCE OF YOUTH Tue 7 – Sun 26 Feb, Free Winner of the Summer 2015 ‘Pride in the House’ competition, Sideras will present a selection of selfportrait silkscreen prints..

FAMILY WORKSHOP Sun 19 Feb, 2.30–4.30pm | £8.50 Children (along with their parents and carers) can have lots of fun making all kinds of things inspired by the House. Parade around the gallery in your own Tudor ruff, make a Good Luck Chicken inspired by the good luck charms found bricked into our chimney, and bring to life to our historic characters by making stick puppets of Nell Gwynn and King Charles – lots of fun for all!

CABARET AT TEA TIME: KIERAN BROWN supported by Francesca Benton-Stace Sun 19 Feb, 3.30pm | £28.50 – £14  In homage to our glorious past as a Victorian Tea Room, the new Cabaret at Tea Time series combines two of our favourite things: afternoon tea and cabaret! Today’s star is the magnificent Keiran Brown who has recently performed in The Phantom Of the Opera as well as Les Miserables and Wicked.

Philip Lawrence Mon 20 Feb A PINK TRIANGLE follows two men in a complacent, loveless civil partnership in post-Brexit London.

STEPHEN HOSE, PIANO Tue 21 Feb, 1.15pm | Free Stephen Hose trained at the Royal Academy of Music and enjoys an international career as a pianist, musical director and conductor. He’ll perform sonatas by Mozart and Liszt.

EXHIBITION: HERITAGE IN THE MAKING   Tue 7 – Sun 26 Feb, Free Documenting the Lauderdale Transformed building works by photographer in residence Polly Hancock and members of the Lauderdale Exposed project. See website for all exhibition times.

LGBT

ANTONIS SEDERAS: THE EXUBERANCE OF YOUTH Tue 7 – Sun 26 Feb, Free Winner of the Summer 2015 ‘Pride in the House’ competition, Sideras will present a selection of selfportrait silkscreen prints..

EXHIBITION: HERITAGE IN THE MAKING   Tue 7 – Sun 26 Feb, Free Documenting the Lauderdale Transformed building works by photographer in residence Polly Hancock and members of the Lauderdale Exposed project. See website for all exhibition times.

LGBT

ANTONIS SEDERAS: THE EXUBERANCE OF YOUTH Tue 7 – Sun 26 Feb, Free Winner of the Summer 2015 ‘Pride in the House’ competition, Sideras will present a selection of selfportrait silkscreen prints..

THE MOERAN QUARTET Thu 23 Feb, 7.30pm | £12/£10 With pieces by Beethoven, Bach, Elgar, Mascagni, Mozart, and Borodin, as well as 20th century works by Irving Berlin and Cole Porter.

EXHIBITION: HERITAGE IN THE MAKING   Tue 7 – Sun 26 Feb, Free Documenting the Lauderdale Transformed building works by photographer in residence Polly Hancock and members of the Lauderdale Exposed project. See website for all exhibition times.

LGBT

ANTONIS SEDERAS: THE EXUBERANCE OF YOUTH Tue 7 – Sun 26 Feb, Free Winner of the Summer 2015 ‘Pride in the House’ competition, Sideras will present a selection of selfportrait silkscreen prints..

changing of the seasons

1st Half: Bruno Heinen Solo

2nd Half: Bruno Heinen/Camerata Alma Viva

The dynamic ensemble Camerata Alma Viva and renowned jazz pianist/composer Bruno Heinen has embarked on a daring new collaboration. They have recorded theit take on one of the most recognisable and oft performed works in all classical music. Heinen’s Four Seasons is a completely new composition. Rather than an arrangement of the Vivaldi, Heinen to answer the question posed to him by the Camerata. If Vivaldi were alive today, what might a new Four Seasons sound like? Heinen explores a written and improvised language somewhere between jazz and impressionism to attempt to answer. With influences from the historically informed performance practice (emphasising the baroque spirit of freedom and transparency) and the language of of modern jazz improvisation.

They will be launching their album with a solo set from Heinen in the first half and their Changing of the Seasons in the second.

Time: 20.00 to 22.30

Price band:

Standard: – £15.00

Concessions: – £10.00

EXHIBITION: HERITAGE IN THE MAKING   Tue 7 – Sun 26 Feb, Free Documenting the Lauderdale Transformed building works by photographer in residence Polly Hancock and members of the Lauderdale Exposed project. See website for all exhibition times.

LGBT

ANTONIS SEDERAS: THE EXUBERANCE OF YOUTH Tue 7 – Sun 26 Feb, Free Winner of the Summer 2015 ‘Pride in the House’ competition, Sideras will present a selection of selfportrait silkscreen prints..

EXHIBITION: HERITAGE IN THE MAKING   Tue 7 – Sun 26 Feb, Free Documenting the Lauderdale Transformed building works by photographer in residence Polly Hancock and members of the Lauderdale Exposed project. See website for all exhibition times.

LGBT

ANTONIS SEDERAS: THE EXUBERANCE OF YOUTH Tue 7 – Sun 26 Feb, Free Winner of the Summer 2015 ‘Pride in the House’ competition, Sideras will present a selection of selfportrait silkscreen prints..

walk feb poster

JOHN ETHERIDGE & VIMALA ROWE Sun 26 Feb, 7.30pm | £15/£12 Guitar legend John Etheridge and sensational new vocal star Vimala Rowe weave a magical spell, taking you on a musical voyage from India to Africa, the Middle East and the USA.

27^th February
Highgate Modern Homes

Professor David Porter and Elspeth Clements
Highgate is the location of perhaps the largest and finest concentration of modern homes anywhere in Britain, but because of the historic context and the pressure on land many are hidden away. To celebrate the 50^th anniversary of the Highgate Society, Elspeth Clements and David Porter curated an exhibition in the School Museum over the October half-term holiday to showcase Highgate’s pioneering spirit. David Porter is Emeritus Professor of Architecture at the Glasgow School of Art, and Elspeth Clements is a practising architect and Chairman of the Highgate Society Planning Committee.

To be held at 10A – the Highgate Society and NOT at the HLSI, next door! Thanks

Join the Great British Spring Clean campaign, Saturday 4 March 10.15 – 11.30 am

at the Highgate Society 10A South Grove, Highgate   

During the weekend of 3-5 March many people across the country will take part in the Great British Spring Clean campaign. Last year the campaign got 250,000 people outdoors, active and involved in clean up events.

The Highgate Society is organising one such event. We will supply protective gloves and rubbish bags. All we ask is that you bring yourself, some warm clothing and your enthusiasm. We will start with a short briefing at the Highgate Society 10A South Grove at 10.15 am and then leave for approximately an hour’s tidy up in and around Highgate village. Afterwards, if you have time,  we can warm up and enjoy a tea or coffee back at 10A until midday.

You’ll be joining an ever growing band of people who have had enough of other people’s litter, are willing to donate their time to help clear it up and want to see an end to littering. We’ll prepare a short report afterwards to highlight awareness of what we find.

For any questions please contact the organiser Andrew Sulston via the Highgate Society Website.

This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.

Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.

She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.

This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.

Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.

Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.

The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.

Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017