Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July.     Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

 Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July.    Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

 Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon

 Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July.     Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

 Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July.     Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

 Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July.     Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

 Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July.     Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

 Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July.    Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

 Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July. Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon

cabaret at tea time

In homage to our glorious past – after the House was restored in 1893 it served as the Waterlow Park tearoom for 70 years- we’re introducing Cabaret at Tea Time with a ticket offer that combines a high tea plus cabaret ticket. What better way to spend a Sunday than with a drink, food, and amazing cabaret!

Cabaret Tea A – £28.50

Glass of Prosecco

Hot smoked salmon with cream cheese and chive bridge roll

Free-range egg mayonnaise and mustard cress bridge roll

Rich chocolate brownie square

Cabaret Tea B – £25.50

Luscombe Wild Bubbly Elderflower Presse

Hot smoked salmon with cream cheese and chive bridge roll

Free-egg mayonnaise and mustard cress bridge roll

Rich chocolate brownie square

Host: Tim McArthur

Headline: Shona White

Shona White is an experienced Scottish actress and singer, who gained her post graduate qualification in Musical Theatre from the Royal Academy of Music in 1998. Just some of her numerous theatre credits include Florence Vassy in ‘Chess’ (Prince of Wales Theatre, Toronto), Rita in ‘All the Fun of the Fair’ (Garrick Theatre), Betty in ‘Shout’ (UK Tour), Elphaba/ Standby in ‘Wicked’ (Apollo Victoria Theatre), and Magenta/ Usherette in ‘The Rocky Horror Show’ (Playhouse Theatre). She has also performed many solo cabarets at venues including The Pheasantry, appeared in concerts including ‘An Evening with Elton John’ at The Royal Albert Hall, and has recently released a debut album, ‘I’ll Bring You A Song’, which is available on iTunes.

Support: TBC

 Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July.     Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

 Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July.     Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

 Image: © Cay Schröder, 2016. All Rights Reserved

Bodegón y Jazz: watercolour and oil paintings by Cay Schröder

Cay Schröder lives with his wife in Camden, London but works mainly from his studio in the Canary Islands where the quality of light gives a directness to his work both in watercolour and in oils.

Though by definition he is a representational artist who enjoys using the skills and techniques of the Old Masters, he is still very much a modern painter of today. When studying the immortals da Vinci, Rembrandt, van Dyck and Velasquez, Cay wants to know how their creative processes worked, their colour palettes and methods.

Cay began his love of watercolour when he was studying Interior Design at Chelsea. He loves the unpredictability of the medium and the challenge to control the paint for this very English art form. He is inspired by the work of, amongst others, John Sell Cotman and William Russell Flint and, more recently, Rowland Hilder and David Curtis. His early career in graphics, working in black and white ink and later gouache, helps with the technique of mixing pigments to work in oils.

Cay’s absolute favourite artist is John Singer Sargent who dabbled with Impressionism – but never joined the group. Sargent’s sticking to his own way of seeing and then painting gave Cay his own methodology of looking carefully until he can “see” his subject, only then starting to draw or paint. He is currently delighted and inspired by the photorealists Richard Estes and Ralph Goings.

“Art can certainly shock, challenge or even disturb but it can also be an antidote to stress, creating a calm and peaceful atmosphere to enjoy. Visitors to my exhibition,” says Cay, “will find colourful still life, portraits of some of my musical heroes and maybe recognize some much loved landscapes. I hope to awaken a happy ‘feel good’ response of recognition and pleasure.”

Exhibition continues until 20 July.     Highgate Gallery open Tue-Fri 1-5; Sat 11-4; Sun 11-5. Closed Mon.

the rose and the bulbul

a promenade performance

TWO PERFORMANCES AT MIDDAY AND 3PM

Coke Studio artist Arieb Azhar joins dancers and musicians to celebrate the unity amidst diversity expressed through the symbols of the rose and the bulbul (nightingale).  The performance will take place on the Tea Lawn at Lauderdale House and Waterlow Park. The Rose and the Bulbul is co-produced by Kadam/Pulse and Luton Culture with the support of Grants for the Arts, Amal and Cockayne and London Communities Foundation.

The Rose and the Bulbul is a family-friendly performance with professional and community-based performers that taps into the love affair that humans have with creating gardens. It will be dedicated to the memory of MP Jo Cox: “We are far more united and have far more in common with each other than things that divide us”.

The performance of dance, music and spoken word was inspired by the ideas that shaped the gardens at Stockwood Park, Luton. The title ‘Rose and Bulbul’ is derived from the significance of the rose as the symbol of beauty and perfection both in Persian literature and equally important in the English heritage as a Tudor emblem. The bulbul is the Indian equivalent of the nightingale which represents the woods and wilderness beyond the cultivated garden.

Storytellers, dancers and musicians will create an experience to bring alive the space of the garden and the audience will meet the Rose and the Bulbul, who come truly to understand their present only through a journey into each other’s past. Statues become dancers as the audiences are led in succession through a Mughal garden, a European walled garden and finally into open grounds, celebrating the synthesis of Islamic, Christian, Pagan and Hindu traditions. The Rose and the Bulbul is above all a story of love and acceptance.

The performance brings together the talent of outstanding young actor-writer Kamal Kaan (‘While the Water Weeps Next to the Water’, BBC Radio ‘Headline Ballads’ 2016); director Sita Thomas (Shakespearean scholar, Milkshake presenter and Bollywood dancer) and the popular choreographer-dancer Kali Chandrasegaram.

theatre on the tea lawn

twelfth night by william shakespeare

After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.

Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre.  They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!

Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!

Tips for our audience:

If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances

There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability

Bring something warm as even on a hot day the evenings can get chilly

The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.

theatre on the tea lawn

twelfth night by william shakespeare

After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.

Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre.  They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!

Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!

Tips for our audience:

If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances

There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability

Bring something warm as even on a hot day the evenings can get chilly

The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.

theatre on the tea lawn

twelfth night by william shakespeare

After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.

Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre.  They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!

Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!

Tips for our audience:

If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances

There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability

Bring something warm as even on a hot day the evenings can get chilly

The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.

theatre on the tea lawn

twelfth night by william shakespeare

After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.

Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre.  They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!

Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!

Tips for our audience:

If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances

There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability

Bring something warm as even on a hot day the evenings can get chilly

The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.

theatre on the tea lawn

twelfth night by william shakespeare

After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.

Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre.  They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!

Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!

Tips for our audience:

If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances

There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability

Bring something warm as even on a hot day the evenings can get chilly

The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.

theatre on the tea lawn

twelfth night by william shakespeare

After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.

Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre.  They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!

Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!

Tips for our audience:

If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances

There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability

Bring something warm as even on a hot day the evenings can get chilly

The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.

theatre on the tea lawn

twelfth night by william shakespeare

After the great success of The Importance of Being Earnest in 2016, the award-winning Shooting Stars Theatre Company return to Lauderdale House with a fresh and modern interpretation of Twelfth Night.

Shooting Stars was formed in 2006 by Helen Crosse and quickly gained a reputation for producing high quality professional theatre.  They produce classic Shakespeare but bring it up to date and make it relevant to a modern audience with modern dress and in updated settings and ‘worlds’. Definately theatre for the whole family!

Shooting Star’s productions are always accessible, so even those not versed in the Bard’s comic play will be rolling with laughter. This is a play of mistaken identity and love triangles and takes its rightful place as one of Shakespeare’s best loved plays. Confused identity, cross-dressing and cross-garters are sure to make this an evening to remember!

Tips for our audience:

If it rains the ‘show will go on’ – we will only cancel in very extreme circumstances

There are no refunds but if we do have to abandon the show before the interval you will be offered a ticket for another night subject to availability

Bring something warm as even on a hot day the evenings can get chilly

The Café will be open for you to purchase food and drink on the evening but you are welcome to bring a picnic along with a blanket or chair to sit on. Chairs will be seated at the back of the Tea Lawn.

Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.

The powerful true story of a tragic accident that befell two sisters one night in 1983

21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm

22nd & 24th August 7.30pm
23rd & 25th August 9.15pm

Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.

LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”

A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”

Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.

The powerful true story of a tragic accident that befell two sisters one night in 1983

21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm

22nd & 24th August 7.30pm
23rd & 25th August 9.15pm

Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.

LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”

A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”

Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.

The powerful true story of a tragic accident that befell two sisters one night in 1983

21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm

22nd & 24th August 7.30pm
23rd & 25th August 9.15pm

Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.

LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”

A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”

Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.

The powerful true story of a tragic accident that befell two sisters one night in 1983

21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm

22nd & 24th August 7.30pm
23rd & 25th August 9.15pm

Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.

LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”

A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”

Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.

The powerful true story of a tragic accident that befell two sisters one night in 1983

21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm

Nigel Osner takes an intimate and engaging cabaret journey through a lifetime of yearning, illustrated by original songs and stories. There are a host of quirky characters, male and female. These include the Archangel Gabriel who has quit his job in Heaven to play jazz in New Orleans; a peckish vampire who casts a speculative eye over the audience; and an actor who is bemused at his loss of charisma. The show had an applauded debut at the Edinburgh Fringe 2016. Nigel took it to the Brighton Fringe this May. The show is directed by the actress Janine Wood.

Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.

The powerful true story of a tragic accident that befell two sisters one night in 1983

21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm

Nigel Osner takes an intimate and engaging cabaret journey through a lifetime of yearning, illustrated by original songs and stories. There are a host of quirky characters, male and female. These include the Archangel Gabriel who has quit his job in Heaven to play jazz in New Orleans; a peckish vampire who casts a speculative eye over the audience; and an actor who is bemused at his loss of charisma. The show had an applauded debut at the Edinburgh Fringe 2016. Nigel took it to the Brighton Fringe this May. The show is directed by the actress Janine Wood.

Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.

The powerful true story of a tragic accident that befell two sisters one night in 1983

21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm

9 to 5

From the producer who brought you BREAKING UP IS HARD TO DO

Music & Lyrics by Dolly Parton

Book by Patricia Resnick

30th August – 1st October 2017

Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 30th September at 3pm

9 To 5 The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the seminal 1980 hit movie. Set in the late 1970s this hilarious story of friendship and revenge in the Rolodex era is outrageous, thought-provoking, and even a little romantic.

Pushed to the boiling point, three female co-workers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down.

Hey, a girl can scheme, can’t she?

The production will be directed by Joseph Hodges, with Musical Direction by Oliver Hance, Choreography by Chris Whittaker and Casting by Harry Blumenau.

TICKETS
30th & 31st August PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)

9 to 5

From the producer who brought you BREAKING UP IS HARD TO DO

Music & Lyrics by Dolly Parton

Book by Patricia Resnick

30th August – 1st October 2017

Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 30th September at 3pm

9 To 5 The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the seminal 1980 hit movie. Set in the late 1970s this hilarious story of friendship and revenge in the Rolodex era is outrageous, thought-provoking, and even a little romantic.

Pushed to the boiling point, three female co-workers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down.

Hey, a girl can scheme, can’t she?

The production will be directed by Joseph Hodges, with Musical Direction by Oliver Hance, Choreography by Chris Whittaker and Casting by Harry Blumenau.

TICKETS
30th & 31st August PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)

9 to 5

From the producer who brought you BREAKING UP IS HARD TO DO

Music & Lyrics by Dolly Parton

Book by Patricia Resnick

30th August – 1st October 2017

Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 30th September at 3pm

9 To 5 The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the seminal 1980 hit movie. Set in the late 1970s this hilarious story of friendship and revenge in the Rolodex era is outrageous, thought-provoking, and even a little romantic.

Pushed to the boiling point, three female co-workers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down.

Hey, a girl can scheme, can’t she?

The production will be directed by Joseph Hodges, with Musical Direction by Oliver Hance, Choreography by Chris Whittaker and Casting by Harry Blumenau.

TICKETS
30th & 31st August PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)