The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
The Dresden Project – Indelible Marks is an ongoing reflection on the artist’s maternal family. Intended to further understanding and reconciliation, the project explores a rich personal archive, contemporary historical documentation, and the artist’s own experience, through the fertile medium of print. The exhibition was shown earlier this year in Dresden as part of the 70th commemoration of the bombing of the city by the Allies.
Printed using photolithographs over monoprint, complex collaged images of city, culture, and family hover above subtle painterly grounds. Initially they explore the narrative of the artist’s family from World War I in Eastern Prussia to their forced departure from Dresden in 1936, a process richly described by diarist Victor Klemperer. The project then turns to ‘the War in the Air’, the devastating effects of bombing, and its lead character Bomber Harris. It also considers some of the complexities of the heritage of the devastation and the prevalence of Neo Nazi activity in Dresden.
As the artist writes: ‘There is tragedy at the heart of my relationship to Dresden. The city that provided my mother and her parents with stability, prosperity and a remarkable cultural life from the early 1920’s, then repressed and excluded them, forced their departure in mid-1936 and was destroyed by the country that had offered them safe haven and a life free from persecution.
‘This work begins to repair my relationship with my complex heritage, with Dresden and with Germany. Having grown up in the heart of the German Jewish refugee community in North West London, I want this exhibition to recognise and emphasise the significance of individual stories, the importance of reconciliation and to prompt reflection on our attitude towards refugees.’
The exhibition will accompanied by an explanatory leaflet, and an outreach and education programme. A detailed text panel accompanies each image.
Monica Petzal will talk about her work in the gallery on:
Saturday 10th / Sunday 11th / Saturday 17th / Sunday 18th October at 2.30 pm.
The exhibition moves to the Herbert Museum in Coventry from 12th November to 27th February 2016, in conjunction with an installation by the artist for Coventry Cathedral to commemorate the 75th anniversary of the bombing of Coventry.
Prints are available for purchase. For all details of the project, see www.monicapetzal.com
9-22 October: Open Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
Baroness Helene Hayman will argue for and Robert Preston against. Highgate Literary and Scientific Institution, 8pm,www.hlsi.net
Booked your place to ensure a seat!
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
Hampstead Garden Opera – Don Giovanni – 6 – 15 November 2015
Dear Friends and Supporters,
The city of Oxford is abuzz with the latest rumours, following the death one of the University’s most revered college heads. The talk is that one of the Senior Fellows of his college, a Don with a large personal following – particularly among younger women – is somehow implicated in his death.
Stories of this man, popularly known as Don Giovanni, abound in both the city and the University (‘Town and Gown’). His generosity, his wealth, his charm, his networks, his position and to some extent his creepy D.Phil. student, Leporello, protect him; and he is able to indulge his insatiable appetite for women fearless in his knowledge that his ‘victims’ will not betray him. Many find him desperately attractive regardless of his reputation. Some are brave – or foolhardy – enough to think they can resist him. A few are deluded into believing they can reform him. So far, nobody has blown the whistle and called ‘time’ on him. But I can reveal that this is about to change. The denouement will unfold in November, appropriately and with dramatic finality, on stage in the course of our production of Mozart’s Don Giovanni. You just have to come and see this, for all sorts of reasons.
· The story is vibrantly up-to-date in Stage Director Genevieve Raghu’s Oxford setting, using a new translation by Benjamin Hamilton. This Don Giovanni can easily take his place among the galaxy of fallen celebrities of our day.
· The Music Director for this production will be Jonathon Heyward, fresh from his triumph as outright winner of the 54th International Competition for Young Conductors held in Bésançon, France. Jonathon has been Assistant Music Director for HGO since the autumn of 2014, and conducted one of the performances of Xerxes last April. In his safe hands you will hear all the beauties of Mozart’s score, magnificently sung by HGO’s young singers and played by Musica Poetica London.
· We shall be celebrating HGO’s 30th and final production at Upstairs at the Gatehouse – 27 different operas and three repeats in 15 years! From next May we shall be moving to Jacksons Lane Theatre on the corner of Archway Road and Jacksons Lane, opposite Highgate Underground station. Those of us who have lived through all those eventful years will inevitably have some regrets, but there will be exciting new opportunities and challenges in our new home, including a bigger auditorium and better facilities.
UPSTAIRS AT THE GATEHOUSE, HIGHGATE VILLAGE, LONDON N6 4BD
Evenings: November 6, 7, 10, 11, 12, 13 & 14 @ 7.30 pm
Matinées: Saturday November 14 @ 2.30 pm: Sundays November 8 & 15 @ 4.0 pm
Tickets all performances £23 (£21 concessions November 6, 7 and 8 only)
BOX OFFICE – 020 8340 3488
ON-LINE – upstairsatthegatehouse.com
See also www.hgo.org.uk
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
This year our Annual HWG Exhibition will be held in the Victoria Hall of the Highgate Literary and Scientific Institution, 11 South Grove, Highgate, London N6 6BS. We look forward to seeing you there.
Opening Hours: Tuesday to Friday 1-5pm, Saturday 11am-4pm and Sunday 11am-5pm Gallery closed: Monday
Music & Lyrics by Laurence O’Keefe & Nell Benjamin
Book by Heather Hach
Based on the novel by Amanda Brown
& the MGM movie
16th December 2015 – 31st January 2016
Winner of three Olivier Awards including ‘Best Musical’, Legally Blonde The Musical is an all-singing, all-dancing romantic comedy.
The show follows the story of sorority president Elle Woods as she crosses the country on a mission to find love at Harvard Law School.
‘Everything about this production feels fresh’
‘★★★★’
– Mark Shenton, The Stage
‘A top quality production of a brilliant show’
– Cat Duffy, Bargain Theatre
‘This lovely, funny musical is a highlight of north London’s Christmas calendar’
– Aline Waites, Ham & High
‘An in-your-face power pack of a show’
– Richard Osley, Camden New Journal
‘Fizzing with fun’
– Howard Loxton, British Theatre Guide
‘A high-octane show with wildly energetic dance routines imaginatively choreographed by Anthony Whiteman’
– Jeremy Chapman, Musical Theatre Review
‘A truly terrific show which has so much more to it than first meets the eye’
– Andrew Tomlins, West End Frame
CLICK HERE TO READ THE REVIEWS IN FULL
Follow the show on Twitter: @LegallyHighgate
Creatives:Director – John Plews
Musical Director – Matt Abrams
Choreographer – Anthony Whiteman
Casting – Harry Blumenau
Designer – Isobel Power Smith
Costume Supervisor – Yasmin Kaberry
Lighting Designer – Sam Waddington
Sound Designer – Jon Raper
Producer – Katie Plews
Cast:
Suzie Aries
Ross Barnes
Katie Bradley
Robert Colvin
Abbie Chambers
Adam Crossley
Lily De-La-Haye
Chris Durtnal
Emma Ingram
Jodie Jacobs
Scott Norton
Hugh Osborne
***MEET THE CAST & DIRECTOR***
Tuesday 12th January, post-show
FREE
Join us after the 7.30pm performance to hear all about the making of the production, and for the chance to put your questions to those involved!
Click HERE for full prices and info
Running time: 2 hours 30 minutes approx, with one 15-minute interval
Music & Lyrics by Laurence O’Keefe & Nell Benjamin
Book by Heather Hach
Based on the novel by Amanda Brown
& the MGM movie
16th December 2015 – 31st January 2016
Winner of three Olivier Awards including ‘Best Musical’, Legally Blonde The Musical is an all-singing, all-dancing romantic comedy.
The show follows the story of sorority president Elle Woods as she crosses the country on a mission to find love at Harvard Law School.
‘Everything about this production feels fresh’
‘★★★★’
– Mark Shenton, The Stage
‘A top quality production of a brilliant show’
– Cat Duffy, Bargain Theatre
‘This lovely, funny musical is a highlight of north London’s Christmas calendar’
– Aline Waites, Ham & High
‘An in-your-face power pack of a show’
– Richard Osley, Camden New Journal
‘Fizzing with fun’
– Howard Loxton, British Theatre Guide
‘A high-octane show with wildly energetic dance routines imaginatively choreographed by Anthony Whiteman’
– Jeremy Chapman, Musical Theatre Review
‘A truly terrific show which has so much more to it than first meets the eye’
– Andrew Tomlins, West End Frame
CLICK HERE TO READ THE REVIEWS IN FULL
Follow the show on Twitter: @LegallyHighgate
Creatives:Director – John Plews
Musical Director – Matt Abrams
Choreographer – Anthony Whiteman
Casting – Harry Blumenau
Designer – Isobel Power Smith
Costume Supervisor – Yasmin Kaberry
Lighting Designer – Sam Waddington
Sound Designer – Jon Raper
Producer – Katie Plews
Cast:
Suzie Aries
Ross Barnes
Katie Bradley
Robert Colvin
Abbie Chambers
Adam Crossley
Lily De-La-Haye
Chris Durtnal
Emma Ingram
Jodie Jacobs
Scott Norton
Hugh Osborne
***MEET THE CAST & DIRECTOR***
Tuesday 12th January, post-show
FREE
Join us after the 7.30pm performance to hear all about the making of the production, and for the chance to put your questions to those involved!
Click HERE for full prices and info
Running time: 2 hours 30 minutes approx, with one 15-minute interval
Music & Lyrics by Laurence O’Keefe & Nell Benjamin
Book by Heather Hach
Based on the novel by Amanda Brown
& the MGM movie
16th December 2015 – 31st January 2016
Winner of three Olivier Awards including ‘Best Musical’, Legally Blonde The Musical is an all-singing, all-dancing romantic comedy.
The show follows the story of sorority president Elle Woods as she crosses the country on a mission to find love at Harvard Law School.
‘Everything about this production feels fresh’
‘★★★★’
– Mark Shenton, The Stage
‘A top quality production of a brilliant show’
– Cat Duffy, Bargain Theatre
‘This lovely, funny musical is a highlight of north London’s Christmas calendar’
– Aline Waites, Ham & High
‘An in-your-face power pack of a show’
– Richard Osley, Camden New Journal
‘Fizzing with fun’
– Howard Loxton, British Theatre Guide
‘A high-octane show with wildly energetic dance routines imaginatively choreographed by Anthony Whiteman’
– Jeremy Chapman, Musical Theatre Review
‘A truly terrific show which has so much more to it than first meets the eye’
– Andrew Tomlins, West End Frame
CLICK HERE TO READ THE REVIEWS IN FULL
Follow the show on Twitter: @LegallyHighgate
Creatives:Director – John Plews
Musical Director – Matt Abrams
Choreographer – Anthony Whiteman
Casting – Harry Blumenau
Designer – Isobel Power Smith
Costume Supervisor – Yasmin Kaberry
Lighting Designer – Sam Waddington
Sound Designer – Jon Raper
Producer – Katie Plews
Cast:
Suzie Aries
Ross Barnes
Katie Bradley
Robert Colvin
Abbie Chambers
Adam Crossley
Lily De-La-Haye
Chris Durtnal
Emma Ingram
Jodie Jacobs
Scott Norton
Hugh Osborne
***MEET THE CAST & DIRECTOR***
Tuesday 12th January, post-show
FREE
Join us after the 7.30pm performance to hear all about the making of the production, and for the chance to put your questions to those involved!
Click HERE for full prices and info
Running time: 2 hours 30 minutes approx, with one 15-minute interval
Music & Lyrics by Laurence O’Keefe & Nell Benjamin
Book by Heather Hach
Based on the novel by Amanda Brown
& the MGM movie
16th December 2015 – 31st January 2016
Winner of three Olivier Awards including ‘Best Musical’, Legally Blonde The Musical is an all-singing, all-dancing romantic comedy.
The show follows the story of sorority president Elle Woods as she crosses the country on a mission to find love at Harvard Law School.
‘Everything about this production feels fresh’
‘★★★★’
– Mark Shenton, The Stage
‘A top quality production of a brilliant show’
– Cat Duffy, Bargain Theatre
‘This lovely, funny musical is a highlight of north London’s Christmas calendar’
– Aline Waites, Ham & High
‘An in-your-face power pack of a show’
– Richard Osley, Camden New Journal
‘Fizzing with fun’
– Howard Loxton, British Theatre Guide
‘A high-octane show with wildly energetic dance routines imaginatively choreographed by Anthony Whiteman’
– Jeremy Chapman, Musical Theatre Review
‘A truly terrific show which has so much more to it than first meets the eye’
– Andrew Tomlins, West End Frame
CLICK HERE TO READ THE REVIEWS IN FULL
Follow the show on Twitter: @LegallyHighgate
Creatives:Director – John Plews
Musical Director – Matt Abrams
Choreographer – Anthony Whiteman
Casting – Harry Blumenau
Designer – Isobel Power Smith
Costume Supervisor – Yasmin Kaberry
Lighting Designer – Sam Waddington
Sound Designer – Jon Raper
Producer – Katie Plews
Cast:
Suzie Aries
Ross Barnes
Katie Bradley
Robert Colvin
Abbie Chambers
Adam Crossley
Lily De-La-Haye
Chris Durtnal
Emma Ingram
Jodie Jacobs
Scott Norton
Hugh Osborne
***MEET THE CAST & DIRECTOR***
Tuesday 12th January, post-show
FREE
Join us after the 7.30pm performance to hear all about the making of the production, and for the chance to put your questions to those involved!
Click HERE for full prices and info
Running time: 2 hours 30 minutes approx, with one 15-minute interval
Music & Lyrics by Laurence O’Keefe & Nell Benjamin
Book by Heather Hach
Based on the novel by Amanda Brown
& the MGM movie
16th December 2015 – 31st January 2016
Winner of three Olivier Awards including ‘Best Musical’, Legally Blonde The Musical is an all-singing, all-dancing romantic comedy.
The show follows the story of sorority president Elle Woods as she crosses the country on a mission to find love at Harvard Law School.
‘Everything about this production feels fresh’
‘★★★★’
– Mark Shenton, The Stage
‘A top quality production of a brilliant show’
– Cat Duffy, Bargain Theatre
‘This lovely, funny musical is a highlight of north London’s Christmas calendar’
– Aline Waites, Ham & High
‘An in-your-face power pack of a show’
– Richard Osley, Camden New Journal
‘Fizzing with fun’
– Howard Loxton, British Theatre Guide
‘A high-octane show with wildly energetic dance routines imaginatively choreographed by Anthony Whiteman’
– Jeremy Chapman, Musical Theatre Review
‘A truly terrific show which has so much more to it than first meets the eye’
– Andrew Tomlins, West End Frame
CLICK HERE TO READ THE REVIEWS IN FULL
Follow the show on Twitter: @LegallyHighgate
Creatives:
Director – John Plews
Musical Director – Matt Abrams
Choreographer – Anthony Whiteman
Casting – Harry Blumenau
Designer – Isobel Power Smith
Costume Supervisor – Yasmin Kaberry
Lighting Designer – Sam Waddington
Sound Designer – Jon Raper
Producer – Katie Plews
Cast:
Suzie Aries
Ross Barnes
Katie Bradley
Robert Colvin
Abbie Chambers
Adam Crossley
Lily De-La-Haye
Chris Durtnal
Emma Ingram
Jodie Jacobs
Scott Norton
Hugh Osborne
***MEET THE CAST & DIRECTOR***
Tuesday 12th January, post-show
FREE
Join us after the 7.30pm performance to hear all about the making of the production, and for the chance to put your questions to those involved!
Click HERE for full prices and info
Running time: 2 hours 30 minutes approx, with one 15-minute interval
Music & Lyrics by Laurence O’Keefe & Nell Benjamin
Book by Heather Hach
Based on the novel by Amanda Brown
& the MGM movie
16th December 2015 – 31st January 2016
Winner of three Olivier Awards including ‘Best Musical’, Legally Blonde The Musical is an all-singing, all-dancing romantic comedy.
The show follows the story of sorority president Elle Woods as she crosses the country on a mission to find love at Harvard Law School.
‘Everything about this production feels fresh’
‘★★★★’
– Mark Shenton, The Stage
‘A top quality production of a brilliant show’
– Cat Duffy, Bargain Theatre
‘This lovely, funny musical is a highlight of north London’s Christmas calendar’
– Aline Waites, Ham & High
‘An in-your-face power pack of a show’
– Richard Osley, Camden New Journal
‘Fizzing with fun’
– Howard Loxton, British Theatre Guide
‘A high-octane show with wildly energetic dance routines imaginatively choreographed by Anthony Whiteman’
– Jeremy Chapman, Musical Theatre Review
‘A truly terrific show which has so much more to it than first meets the eye’
– Andrew Tomlins, West End Frame
CLICK HERE TO READ THE REVIEWS IN FULL
Follow the show on Twitter: @LegallyHighgate
Creatives:Director – John Plews
Musical Director – Matt Abrams
Choreographer – Anthony Whiteman
Casting – Harry Blumenau
Designer – Isobel Power Smith
Costume Supervisor – Yasmin Kaberry
Lighting Designer – Sam Waddington
Sound Designer – Jon Raper
Producer – Katie Plews
Cast:
Suzie Aries
Ross Barnes
Katie Bradley
Robert Colvin
Abbie Chambers
Adam Crossley
Lily De-La-Haye
Chris Durtnal
Emma Ingram
Jodie Jacobs
Scott Norton
Hugh Osborne
***MEET THE CAST & DIRECTOR***
Tuesday 12th January, post-show
FREE
Join us after the 7.30pm performance to hear all about the making of the production, and for the chance to put your questions to those involved!
Click HERE for full prices and info
Running time: 2 hours 30 minutes approx, with one 15-minute interval
Music & Lyrics by Laurence O’Keefe & Nell Benjamin
Book by Heather Hach
Based on the novel by Amanda Brown
& the MGM movie
16th December 2015 – 31st January 2016
Winner of three Olivier Awards including ‘Best Musical’, Legally Blonde The Musical is an all-singing, all-dancing romantic comedy.
The show follows the story of sorority president Elle Woods as she crosses the country on a mission to find love at Harvard Law School.
‘Everything about this production feels fresh’
‘★★★★’
– Mark Shenton, The Stage
‘A top quality production of a brilliant show’
– Cat Duffy, Bargain Theatre
‘This lovely, funny musical is a highlight of north London’s Christmas calendar’
– Aline Waites, Ham & High
‘An in-your-face power pack of a show’
– Richard Osley, Camden New Journal
‘Fizzing with fun’
– Howard Loxton, British Theatre Guide
‘A high-octane show with wildly energetic dance routines imaginatively choreographed by Anthony Whiteman’
– Jeremy Chapman, Musical Theatre Review
‘A truly terrific show which has so much more to it than first meets the eye’
– Andrew Tomlins, West End Frame
CLICK HERE TO READ THE REVIEWS IN FULL
Follow the show on Twitter: @LegallyHighgate
Creatives:Director – John Plews
Musical Director – Matt Abrams
Choreographer – Anthony Whiteman
Casting – Harry Blumenau
Designer – Isobel Power Smith
Costume Supervisor – Yasmin Kaberry
Lighting Designer – Sam Waddington
Sound Designer – Jon Raper
Producer – Katie Plews
Cast:
Suzie Aries
Ross Barnes
Katie Bradley
Robert Colvin
Abbie Chambers
Adam Crossley
Lily De-La-Haye
Chris Durtnal
Emma Ingram
Jodie Jacobs
Scott Norton
Hugh Osborne
***MEET THE CAST & DIRECTOR***
Tuesday 12th January, post-show
FREE
Join us after the 7.30pm performance to hear all about the making of the production, and for the chance to put your questions to those involved!
Click HERE for full prices and info
Running time: 2 hours 30 minutes approx, with one 15-minute interval
Music & Lyrics by Laurence O’Keefe & Nell Benjamin
Book by Heather Hach
Based on the novel by Amanda Brown
& the MGM movie
16th December 2015 – 31st January 2016
Winner of three Olivier Awards including ‘Best Musical’, Legally Blonde The Musical is an all-singing, all-dancing romantic comedy.
The show follows the story of sorority president Elle Woods as she crosses the country on a mission to find love at Harvard Law School.
‘Everything about this production feels fresh’
‘★★★★’
– Mark Shenton, The Stage
‘A top quality production of a brilliant show’
– Cat Duffy, Bargain Theatre
‘This lovely, funny musical is a highlight of north London’s Christmas calendar’
– Aline Waites, Ham & High
‘An in-your-face power pack of a show’
– Richard Osley, Camden New Journal
‘Fizzing with fun’
– Howard Loxton, British Theatre Guide
‘A high-octane show with wildly energetic dance routines imaginatively choreographed by Anthony Whiteman’
– Jeremy Chapman, Musical Theatre Review
‘A truly terrific show which has so much more to it than first meets the eye’
– Andrew Tomlins, West End Frame
CLICK HERE TO READ THE REVIEWS IN FULL
Follow the show on Twitter: @LegallyHighgate
Creatives:Director – John Plews
Musical Director – Matt Abrams
Choreographer – Anthony Whiteman
Casting – Harry Blumenau
Designer – Isobel Power Smith
Costume Supervisor – Yasmin Kaberry
Lighting Designer – Sam Waddington
Sound Designer – Jon Raper
Producer – Katie Plews
Cast:
Suzie Aries
Ross Barnes
Katie Bradley
Robert Colvin
Abbie Chambers
Adam Crossley
Lily De-La-Haye
Chris Durtnal
Emma Ingram
Jodie Jacobs
Scott Norton
Hugh Osborne
***MEET THE CAST & DIRECTOR***
Tuesday 12th January, post-show
FREE
Join us after the 7.30pm performance to hear all about the making of the production, and for the chance to put your questions to those involved!
Click HERE for full prices and info
Running time: 2 hours 30 minutes approx, with one 15-minute interval
Music & Lyrics by Laurence O’Keefe & Nell Benjamin
Book by Heather Hach
Based on the novel by Amanda Brown
& the MGM movie
16th December 2015 – 31st January 2016
Winner of three Olivier Awards including ‘Best Musical’, Legally Blonde The Musical is an all-singing, all-dancing romantic comedy.
The show follows the story of sorority president Elle Woods as she crosses the country on a mission to find love at Harvard Law School.
‘Everything about this production feels fresh’
‘★★★★’
– Mark Shenton, The Stage
‘A top quality production of a brilliant show’
– Cat Duffy, Bargain Theatre
‘This lovely, funny musical is a highlight of north London’s Christmas calendar’
– Aline Waites, Ham & High
‘An in-your-face power pack of a show’
– Richard Osley, Camden New Journal
‘Fizzing with fun’
– Howard Loxton, British Theatre Guide
‘A high-octane show with wildly energetic dance routines imaginatively choreographed by Anthony Whiteman’
– Jeremy Chapman, Musical Theatre Review
‘A truly terrific show which has so much more to it than first meets the eye’
– Andrew Tomlins, West End Frame
CLICK HERE TO READ THE REVIEWS IN FULL
Follow the show on Twitter: @LegallyHighgate
Creatives:Director – John Plews
Musical Director – Matt Abrams
Choreographer – Anthony Whiteman
Casting – Harry Blumenau
Designer – Isobel Power Smith
Costume Supervisor – Yasmin Kaberry
Lighting Designer – Sam Waddington
Sound Designer – Jon Raper
Producer – Katie Plews
Cast:
Suzie Aries
Ross Barnes
Katie Bradley
Robert Colvin
Abbie Chambers
Adam Crossley
Lily De-La-Haye
Chris Durtnal
Emma Ingram
Jodie Jacobs
Scott Norton
Hugh Osborne
***MEET THE CAST & DIRECTOR***
Tuesday 12th January, post-show
FREE
Join us after the 7.30pm performance to hear all about the making of the production, and for the chance to put your questions to those involved!
Click HERE for full prices and info
Running time: 2 hours 30 minutes approx, with one 15-minute interval