Presented by OVATION

Devised and Directed by John Plews
Book & lyrics by Jennifer Selway
Music by Simon Slater

27th May – 26th June 2016

Tuesdays – Saturdays at 7.30pm
Sunday matinees at 4pm

A BRAND NEW PLAY WITH MUSIC

Set between 1931 and 1936, Wallis is centered around the love affair that led to the biggest constitutional crisis in modern Royal history.

Just how did Mrs Simpson, a divorced American, capture and keep the heart of the playboy prince?

What secrets lay beneath the scandal that rocked British Society and threatened to bring down Stanley Baldwin’s Government?

Ticket Prices:

Friday 27th May – PREVIEW All tickets £10

28th May – 19th June:

Tuesdays & Wednesdays – £14/£12 concessions

Thursdays & Fridays – £16/£14 concessions

Saturdays & Sundays – £18/£16

21st – 26th June:

Tuesday – Friday – £18/£16 concessions

Saturday 25th & Sunday 26th – £20/£18 concessions

Presented by OVATION

Devised and Directed by John Plews
Book & lyrics by Jennifer Selway
Music by Simon Slater

27th May – 26th June 2016

Tuesdays – Saturdays at 7.30pm
Sunday matinees at 4pm

A BRAND NEW PLAY WITH MUSIC

Set between 1931 and 1936, Wallis is centered around the love affair that led to the biggest constitutional crisis in modern Royal history.

Just how did Mrs Simpson, a divorced American, capture and keep the heart of the playboy prince?

What secrets lay beneath the scandal that rocked British Society and threatened to bring down Stanley Baldwin’s Government?

Ticket Prices:

Friday 27th May – PREVIEW All tickets £10

28th May – 19th June:

Tuesdays & Wednesdays – £14/£12 concessions

Thursdays & Fridays – £16/£14 concessions

Saturdays & Sundays – £18/£16

21st – 26th June:

Tuesday – Friday – £18/£16 concessions

Saturday 25th & Sunday 26th – £20/£18 concessions

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Presented by Falling Pennies Theatre Company

By James Hartnell

20th – 24th July

Wednesday – Saturday 7.30pm
Sunday 4pm

Remedial Remedies looks at how the youth of today are pressured, how the stress of exams and succeeding can affect their overall performance and social life. We follow the story of Bruce, Jack, Kevin and Ben, four students who have failed their English GCSE. It’s the run up to the resit of the exam and they have been placed into a special revision session with a support teacher Mr Winterdon. Each boy deals with the week differently, we see the effects of ADHD and discover more about their relationship with Winterdon, each other and their school, seeing how each boy has a different outlook on the exams and their future life. As the pressure starts to pile on we watch as the cracks begin to appear and see a hopeless Mr Winterdon trying to pave the way to greatness.

TICKETS:
Wednesday/ Thursday/ Friday – £12/£10 concessions
Saturday/ Sunday – £14/£12 concessions

Maggie Jennings – Vivificante. 8-21 July.

Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.

This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.

Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.

She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.

Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.

In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.

Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.

During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.

Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.

Presented by Falling Pennies Theatre Company

By James Hartnell

20th – 24th July

Wednesday – Saturday 7.30pm
Sunday 4pm

Remedial Remedies looks at how the youth of today are pressured, how the stress of exams and succeeding can affect their overall performance and social life. We follow the story of Bruce, Jack, Kevin and Ben, four students who have failed their English GCSE. It’s the run up to the resit of the exam and they have been placed into a special revision session with a support teacher Mr Winterdon. Each boy deals with the week differently, we see the effects of ADHD and discover more about their relationship with Winterdon, each other and their school, seeing how each boy has a different outlook on the exams and their future life. As the pressure starts to pile on we watch as the cracks begin to appear and see a hopeless Mr Winterdon trying to pave the way to greatness.

TICKETS:
Wednesday/ Thursday/ Friday – £12/£10 concessions
Saturday/ Sunday – £14/£12 concessions

Presented by Falling Pennies Theatre Company

By James Hartnell

20th – 24th July

Wednesday – Saturday 7.30pm
Sunday 4pm

Remedial Remedies looks at how the youth of today are pressured, how the stress of exams and succeeding can affect their overall performance and social life. We follow the story of Bruce, Jack, Kevin and Ben, four students who have failed their English GCSE. It’s the run up to the resit of the exam and they have been placed into a special revision session with a support teacher Mr Winterdon. Each boy deals with the week differently, we see the effects of ADHD and discover more about their relationship with Winterdon, each other and their school, seeing how each boy has a different outlook on the exams and their future life. As the pressure starts to pile on we watch as the cracks begin to appear and see a hopeless Mr Winterdon trying to pave the way to greatness.

TICKETS:
Wednesday/ Thursday/ Friday – £12/£10 concessions
Saturday/ Sunday – £14/£12 concessions

Presented by Falling Pennies Theatre Company

By James Hartnell

20th – 24th July

Wednesday – Saturday 7.30pm
Sunday 4pm

Remedial Remedies looks at how the youth of today are pressured, how the stress of exams and succeeding can affect their overall performance and social life. We follow the story of Bruce, Jack, Kevin and Ben, four students who have failed their English GCSE. It’s the run up to the resit of the exam and they have been placed into a special revision session with a support teacher Mr Winterdon. Each boy deals with the week differently, we see the effects of ADHD and discover more about their relationship with Winterdon, each other and their school, seeing how each boy has a different outlook on the exams and their future life. As the pressure starts to pile on we watch as the cracks begin to appear and see a hopeless Mr Winterdon trying to pave the way to greatness.

TICKETS:
Wednesday/ Thursday/ Friday – £12/£10 concessions
Saturday/ Sunday – £14/£12 concessions

Presented by Falling Pennies Theatre Company

By James Hartnell

20th – 24th July

Wednesday – Saturday 7.30pm
Sunday 4pm

Remedial Remedies looks at how the youth of today are pressured, how the stress of exams and succeeding can affect their overall performance and social life. We follow the story of Bruce, Jack, Kevin and Ben, four students who have failed their English GCSE. It’s the run up to the resit of the exam and they have been placed into a special revision session with a support teacher Mr Winterdon. Each boy deals with the week differently, we see the effects of ADHD and discover more about their relationship with Winterdon, each other and their school, seeing how each boy has a different outlook on the exams and their future life. As the pressure starts to pile on we watch as the cracks begin to appear and see a hopeless Mr Winterdon trying to pave the way to greatness.

TICKETS:
Wednesday/ Thursday/ Friday – £12/£10 concessions
Saturday/ Sunday – £14/£12 concessions

Presented by Cian & Al

by Michael Frayn

Saturday 30th July 2016 7pm & 8.15pm

Would you please take a moment to check that all mobile phones and other electronic devices are switched on?
Your calls are important to us!
Photography is permitted throughout.
Please feel free to obstruct the aisles.
Leave luggage unattended!
Talk among yourselves!
Eat! Drink! Sleep! Snore!
Storm out in the middle, if you feel like it, letting your seats thump up and crashing the panic bolts as you go!

Review from Cian & Al’s 2015 Fringe production ‘The Dock Brief’:
“…a comical tour de force…”
“…perfect comic timing…”
“…should not be missed…”
– UK Theatre Network

Matchbox Theatre is a supporter of national energy-saving and traffic-reduction policies.

ALL TICKETS £10

Presented by Cian & Al

by Michael Frayn

Saturday 30th July 2016 7pm & 8.15pm

Would you please take a moment to check that all mobile phones and other electronic devices are switched on?
Your calls are important to us!
Photography is permitted throughout.
Please feel free to obstruct the aisles.
Leave luggage unattended!
Talk among yourselves!
Eat! Drink! Sleep! Snore!
Storm out in the middle, if you feel like it, letting your seats thump up and crashing the panic bolts as you go!

Review from Cian & Al’s 2015 Fringe production ‘The Dock Brief’:
“…a comical tour de force…”
“…perfect comic timing…”
“…should not be missed…”
– UK Theatre Network

Matchbox Theatre is a supporter of national energy-saving and traffic-reduction policies.

ALL TICKETS £10

PART OF THE CAMDEN FRINGE FESTIVAL 2016

Presented by Dystopian Owls

This satirical comedy explores the absurdity between what management say and how they behave.

Set in a Further Education college, this team respond to government budget cuts and an appalling Ofsted inspection by self-serving self-preservation and fraud. The play tracks the new man, Nigel, from his first day. What follows is a darkly comic series of events. His enthusiasm genuinely to put students at the heart of everything will surely make a difference, won’t it?

A Working Title

PART OF THE CAMDEN FRINGE FESTIVAL 2016

Presented by Original Impact Theatre Company

Set over 24 hours this play explores the cogs that drive the city and the people within it.

Whether they are rushing through Covent Garden, changing at Bank, sleeping through their alarms or just drinking a cider on the Thames. Come and see the big smoke and the stories of the people that live there.

PART OF THE CAMDEN FRINGE FESTIVAL 2016

Presented by Dystopian Owls

This satirical comedy explores the absurdity between what management say and how they behave.

Set in a Further Education college, this team respond to government budget cuts and an appalling Ofsted inspection by self-serving self-preservation and fraud. The play tracks the new man, Nigel, from his first day. What follows is a darkly comic series of events. His enthusiasm genuinely to put students at the heart of everything will surely make a difference, won’t it?

A Working Title

PART OF THE CAMDEN FRINGE FESTIVAL 2016

Presented by Original Impact Theatre Company

Set over 24 hours this play explores the cogs that drive the city and the people within it.

Whether they are rushing through Covent Garden, changing at Bank, sleeping through their alarms or just drinking a cider on the Thames. Come and see the big smoke and the stories of the people that live there.

PART OF THE CAMDEN FRINGE FESTIVAL 2016

Presented by Dystopian Owls

This satirical comedy explores the absurdity between what management say and how they behave.

Set in a Further Education college, this team respond to government budget cuts and an appalling Ofsted inspection by self-serving self-preservation and fraud. The play tracks the new man, Nigel, from his first day. What follows is a darkly comic series of events. His enthusiasm genuinely to put students at the heart of everything will surely make a difference, won’t it?

PART OF THE CAMDEN FRINGE FESTIVAL 2016

Presented by Dystopian Owls

This satirical comedy explores the absurdity between what management say and how they behave.

Set in a Further Education college, this team respond to government budget cuts and an appalling Ofsted inspection by self-serving self-preservation and fraud. The play tracks the new man, Nigel, from his first day. What follows is a darkly comic series of events. His enthusiasm genuinely to put students at the heart of everything will surely make a difference, won’t it?

A Working Title

PART OF THE CAMDEN FRINGE FESTIVAL 2016

Presented by Original Impact Theatre Company

Set over 24 hours this play explores the cogs that drive the city and the people within it.

Whether they are rushing through Covent Garden, changing at Bank, sleeping through their alarms or just drinking a cider on the Thames. Come and see the big smoke and the stories of the people that live there.

A Working Title

PART OF THE CAMDEN FRINGE FESTIVAL 2016

Presented by Original Impact Theatre Company

Set over 24 hours this play explores the cogs that drive the city and the people within it.

Whether they are rushing through Covent Garden, changing at Bank, sleeping through their alarms or just drinking a cider on the Thames. Come and see the big smoke and the stories of the people that live there.

PART OF THE CAMDEN FRINGE FESTIVAL 2016

Presented by Dystopian Owls

This satirical comedy explores the absurdity between what management say and how they behave.

Set in a Further Education college, this team respond to government budget cuts and an appalling Ofsted inspection by self-serving self-preservation and fraud. The play tracks the new man, Nigel, from his first day. What follows is a darkly comic series of events. His enthusiasm genuinely to put students at the heart of everything will surely make a difference, won’t it?

An Actor’s Life For Me

PART OF THE CAMDEN FRINGE FESTIVAL

Presented by The Shakespeare Revue Company

THE PERILS AND PLEASURES OF ‘LIFE UPON THE WICKED STAGE’ FROM WILLIAM SHAKESPEARE TO WEST END MUSICALS

This sparkling musical entertainment reveals the pleasures and perils of ‘Life Upon the Wicked Stage’: intimidating auditions, demanding divas and fearsome landladies. First presented at Bristol Old Vic, this hilarious revue features a wonderful mix of sketches and classic songs about the theatre from the pens of Noël Coward, Cole Porter, Irving Berlin, Jerome Kern and Stephen Sondheim including: Another Op’nin’, Another Show, Everything’s Coming Up Roses, The Night I Appeared as Macbeth, Brush Up Your Shakespeare, Mrs Worthington, No Business Like Showbusiness and many more.

“delightful . . . full of sophisticated humour”
Bristol Evening Post