Two groups at the same time and in the same place.
For ages 5 to 7: Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis. Each week children will build on their skills learnt in previous weeks. The class finishes with an informal ‘Private View’ of student work for friends and family.
For ages 8 to 12: Develop your skills and look at the styles and techniques of the great artists and art movements. Join our art teacher on a tour of perspective, compostion, colour therory and mixing, design and a variety of media to improve your drawing and painting and create your own masterpieces! The classes run on a termly basis and finish with an informal ‘Private View’ of student work for friends and family.
Two groups at the same time and in the same place.
For ages 5 to 7: Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis. Each week children will build on their skills learnt in previous weeks. The class finishes with an informal ‘Private View’ of student work for friends and family.
For ages 8 to 12: Develop your skills and look at the styles and techniques of the great artists and art movements. Join our art teacher on a tour of perspective, compostion, colour therory and mixing, design and a variety of media to improve your drawing and painting and create your own masterpieces! The classes run on a termly basis and finish with an informal ‘Private View’ of student work for friends and family.
Two groups at the same time and in the same place.
For ages 5 to 7: Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis. Each week children will build on their skills learnt in previous weeks. The class finishes with an informal ‘Private View’ of student work for friends and family.
For ages 8 to 12: Develop your skills and look at the styles and techniques of the great artists and art movements. Join our art teacher on a tour of perspective, compostion, colour therory and mixing, design and a variety of media to improve your drawing and painting and create your own masterpieces! The classes run on a termly basis and finish with an informal ‘Private View’ of student work for friends and family.
Join us for our HLSI Antiques & Craft Fair on Sat 25th June, 11-5. Admission £1.50, children free. Refreshments including cream teas on the terrace. 25 eclectic stalls.
Address: Highgate Literary & Scientific Institution, 11 South Grove, London N6 6BS
There are no parking restrictions.
Tubes: Archway,Kentish Town. Buses to Highgate Village: 271 210 143 214. Bus W5 to the end of Hornsey Lane/Waterlow Park.
Two groups at the same time and in the same place.
For ages 5 to 7: Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis. Each week children will build on their skills learnt in previous weeks. The class finishes with an informal ‘Private View’ of student work for friends and family.
For ages 8 to 12: Develop your skills and look at the styles and techniques of the great artists and art movements. Join our art teacher on a tour of perspective, compostion, colour therory and mixing, design and a variety of media to improve your drawing and painting and create your own masterpieces! The classes run on a termly basis and finish with an informal ‘Private View’ of student work for friends and family.
Two groups at the same time and in the same place.
For ages 5 to 7: Learn how to make wonderful pictures! An introduction to the basics of drawing and painting. The classes run on a termly basis. Each week children will build on their skills learnt in previous weeks. The class finishes with an informal ‘Private View’ of student work for friends and family.
For ages 8 to 12: Develop your skills and look at the styles and techniques of the great artists and art movements. Join our art teacher on a tour of perspective, compostion, colour therory and mixing, design and a variety of media to improve your drawing and painting and create your own masterpieces! The classes run on a termly basis and finish with an informal ‘Private View’ of student work for friends and family.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
Maggie Jennings – Vivificante. 8-21 July.
Exuberant, colourful and vibrant, Maggie Jennings’ work celebrates the energy of living things. She works with the vigour and dynamism that she perceives in the world around her to produce strong, sensuous images.
This exhibition is the narrative of her life, and shows the stories and passions which she would like to share with you.
Her fascination is with the state of being and living: beginning with recalling the enchantments of her childhood in Devon, lying in long grass or up a tree watching animals, birds and insects lead their idiosyncratic lives. She has travelled extensively, and has taken workshops in Zimbabwe and Namibia. She was awarded a scholarship in Greece, and a printmaking residency in the Canary Islands. In Tenerife, she worked under blue skies with fragrant breezes and surrounded by brilliant blooms. This set the mood for her art career. The Tenerifians taught her a favourite word – Vivificante (life-giving, inspirational), the title of this show.
She is never without a sketch book and uses her visual diaries rather than a camera to record her travels and experiences. She will be exhibiting a series of these tiny books alongside the larger works in this exhibition.
Whilst all forms of printmaking fascinate her, the main body of her work is in the form of spontaneous, gestural mono-screenprints, painted directly through the mesh, leaving no room for correction and indecision. Her book “Fine Art Screenprinting”, published in 2015, describes these and other methods.
In her recent work, Maggie focuses on her home town London, scaling down and making more intimate works: etchings of buildings and crowds of people, made precious with hand painted papers and gold dust.
Maggie trained at Bristol (BA), and at Chelsea (MA). She teaches printmaking part-time at The Royal Drawing School and Heatherleys School of Art, and lives locally near Hornsey Lane.
During the exhibition there will be talks on the artist’s work on Sunday 10 July at 11.30am and
on Sunday 17 July at 3.30pm. Maggie will be in the gallery throughout the exhibition.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm (3pm on Sunday 10 July) ; closed Mondays.
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
ROBERT CUNNING – The City and Beyond
Highgate Gallery
16-29 September 2016
City, country and the boundary between
The City and Beyond considers the relationship between city and country and the boundary between urban and rural.
A common thread of Robert Cunning’s paintings is that they evoke a strong sense of place, whether it is the deep rural hills of South Shropshire and the Welsh Marches, or the inner cityscapes of London and New York. His paintings observe the changing architectural spaces of our cities and the seasonal changes of the countryside.
W G Sebald commented: “Places seems to me to have some kind of memory, in that they activate memory in those who look at them.”
The memory of place is key to some of the paintings. The impressive mountains and hills of Wales and the borderland contain ancient rock formations and fossils, giving clues to the history of earlier times. The river estuary of London was once covered in forest, the remnants of which are revealed by tides to this day.
Robert Cunning lived and taught in London for 20 years and now lives in rural Shropshire. The journey between the two places informs his work, for example, the entrance into London by rail at Euston and Kings Cross. This area, which used to be on the outskirts of the city, has been redeveloped considerably in recent times for the International ‘Eurostar’ at St Pancras.
His training as a gilder and frame-maker naturally inclined him towards the preparation of gesso for frames and panels. The smooth surface of the gesso allows the images to emerge with great clarity. The paintings are built up slowly with many layers of thin oil paint which are blended together while still wet.
www.robertcunning.co.uk
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday