Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Denise Koch for Moon Rock Productions
Written by Liam O’Rafferty
Directed by Tania Azevedo
Musical Director & Arrangements: Daniel Jarvis
2nd – 20th May 2017
Tuesday – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinee at 3pm: 20th May
NO MONDAY PERFORMANCES
A New British Musical by Liam O’Rafferty
With a sell out show at Waterloo East Theatre and rave reviews at the 2016 Edinburgh Fringe, Paper Hearts transfers to Upstairs at the Gatehouse.
Set in a high-street bookshop, aspiring writer Atticus Smith lives avidly through his novel’s characters until the arrival of the fastidious Lilly Sprocket. With a contemporary pop-folk score performed by a company of actor-musicians, Paper Hearts is about passion and finding your place in the world, among books.
Watch the trailer HERE
★ ★ ★ ★ ★
“It is a complete and utter success, I cannot urge you enough to go and see it.”
WESTENDWILMA.COM
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★ ★
“This production breathes fresh air into the commonality of musical theatre love stories”
EdinburghGuide com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“It’s touching, full of heart and soul, brimming with talent and a pleasure to watch”
broadwaybaby.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Fun, energetic, touching and very enjoyable”
threeweeksedinburgh.com
CLICK HERE TO READ THE FULL REVIEW
★ ★ ★ ★
“Hits all the right notes and brings smiles aplenty”
The List
CLICK HERE TO READ THE FULL REVIEW
@paperheartsmus
paperheartsmusical.com
TICKETS
Tuesdays – Fridays & Sundays £18 (£16 Concessions)
Saturdays £20 (£18 Concessions)
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Harry Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Harry Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Harry Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Harry Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Hary Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
23rd – 28th May 2017
Tuesday – Saturday 7.30pm
Sunday at 4pm
Three one-act plays with a Russian theme, directed by Harry Meacher.
THE PROPOSAL
by Anton Chekhov
Ivan Lomov wants to marry Natalya but will a meadow come between them?
THE BEAR
by Anton Chekhov
Death, a debt, a duel and…?
THE GHOSTS
by Harry Meacher, from an idea by Anton Chekhov
He drinks alone with his memories – when an unexpected visitor arrives.
SEE ALL THREE PLAYS IN ONE NIGHT!
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Traffic of the Stage
30th May – 11th June 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Written by John Cooper
Inspired by DOSTOYEVSKY
Direction – Harry Meacher
Costume Design – Andrew McRobb
Set Design – Bryan Hands
John Cooper takes Dostoyevsky’s ‘underground man’ from the nineteenth century novella Notes From Underground and transposes him from St. Petersburg to a subterranean, contemporary London, revealing the universality of the Russian author’s writings
Cooper’s play, based on the second part of the novella, A Story of the Falling Sleet, depicts the tragedy of a man turned in on himself, a man who both craves and despises affection.
A cast of seven actors portray the wide variety of contemporary characters that inhabit the man’s underground world where sex is regarded as a negotiable commodity, where the protagonist finds himself overwhelmed by a society that exploits rather than alleviates his inner pain.
TICKETS
Tuesday – Friday – £16 / £14 concessions
Saturday / Sunday – £18 / £16
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
22nd & 24th August 7.30pm
23rd & 25th August 9.15pm
Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.
LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”
A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
22nd & 24th August 7.30pm
23rd & 25th August 9.15pm
Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.
LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”
A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
22nd & 24th August 7.30pm
23rd & 25th August 9.15pm
Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.
LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”
A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
22nd & 24th August 7.30pm
23rd & 25th August 9.15pm
Macbeth – a classically dark and tragic tale of corruption, murder and betrayal. This time however, it’s different. Tap the Table Productions will present Shakespeare’s quintessential tragedy as a rip-roaring comedy.
During Macbeth Gone Mental prepare yourself for anything from physical to black comedy mixed in with tear-jerkingly poignant moments as Tap the Table take their unapologetic and ridiculous performance style and use it to turn Macbeth on its head.
LOVE MIDLANDS THEATRE – “one of the Bard’s most well-known plays as something completely different.”
A SMALL MIND AT THE THEATRE – “four wonderfully skilled and enthusiastic performers.”
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
Nigel Osner takes an intimate and engaging cabaret journey through a lifetime of yearning, illustrated by original songs and stories. There are a host of quirky characters, male and female. These include the Archangel Gabriel who has quit his job in Heaven to play jazz in New Orleans; a peckish vampire who casts a speculative eye over the audience; and an actor who is bemused at his loss of charisma. The show had an applauded debut at the Edinburgh Fringe 2016. Nigel took it to the Brighton Fringe this May. The show is directed by the actress Janine Wood.
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
Nigel Osner takes an intimate and engaging cabaret journey through a lifetime of yearning, illustrated by original songs and stories. There are a host of quirky characters, male and female. These include the Archangel Gabriel who has quit his job in Heaven to play jazz in New Orleans; a peckish vampire who casts a speculative eye over the audience; and an actor who is bemused at his loss of charisma. The show had an applauded debut at the Edinburgh Fringe 2016. Nigel took it to the Brighton Fringe this May. The show is directed by the actress Janine Wood.
Critically acclaimed J R Theatre return to the Gatehouse to bring you Too Much Punch For Judy by Mark Wheeller.
The powerful true story of a tragic accident that befell two sisters one night in 1983
21st, 23rd & 25th August 7.30pm
22nd, 24th & 26th August 9.15pm
27th August 5pm
9 to 5
From the producer who brought you BREAKING UP IS HARD TO DO
Music & Lyrics by Dolly Parton
Book by Patricia Resnick
30th August – 1st October 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 30th September at 3pm
9 To 5 The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the seminal 1980 hit movie. Set in the late 1970s this hilarious story of friendship and revenge in the Rolodex era is outrageous, thought-provoking, and even a little romantic.
Pushed to the boiling point, three female co-workers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down.
Hey, a girl can scheme, can’t she?
The production will be directed by Joseph Hodges, with Musical Direction by Oliver Hance, Choreography by Chris Whittaker and Casting by Harry Blumenau.
TICKETS
30th & 31st August PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
9 to 5
From the producer who brought you BREAKING UP IS HARD TO DO
Music & Lyrics by Dolly Parton
Book by Patricia Resnick
30th August – 1st October 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 30th September at 3pm
9 To 5 The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the seminal 1980 hit movie. Set in the late 1970s this hilarious story of friendship and revenge in the Rolodex era is outrageous, thought-provoking, and even a little romantic.
Pushed to the boiling point, three female co-workers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down.
Hey, a girl can scheme, can’t she?
The production will be directed by Joseph Hodges, with Musical Direction by Oliver Hance, Choreography by Chris Whittaker and Casting by Harry Blumenau.
TICKETS
30th & 31st August PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
9 to 5
From the producer who brought you BREAKING UP IS HARD TO DO
Music & Lyrics by Dolly Parton
Book by Patricia Resnick
30th August – 1st October 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 30th September at 3pm
9 To 5 The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the seminal 1980 hit movie. Set in the late 1970s this hilarious story of friendship and revenge in the Rolodex era is outrageous, thought-provoking, and even a little romantic.
Pushed to the boiling point, three female co-workers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down.
Hey, a girl can scheme, can’t she?
The production will be directed by Joseph Hodges, with Musical Direction by Oliver Hance, Choreography by Chris Whittaker and Casting by Harry Blumenau.
TICKETS
30th & 31st August PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
9 to 5
From the producer who brought you BREAKING UP IS HARD TO DO
Music & Lyrics by Dolly Parton
Book by Patricia Resnick
30th August – 1st October 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 30th September at 3pm
9 To 5 The Musical, with music and lyrics by Dolly Parton and book by Patricia Resnick, is based on the seminal 1980 hit movie. Set in the late 1970s this hilarious story of friendship and revenge in the Rolodex era is outrageous, thought-provoking, and even a little romantic.
Pushed to the boiling point, three female co-workers concoct a plan to get even with the sexist, egotistical, lying, hypocritical bigot they call their boss. In a hilarious turn of events, Violet, Judy and Doralee live out their wildest fantasy – giving their boss the boot! While Hart remains “otherwise engaged,” the women give their workplace a dream makeover, taking control of the company that had always kept them down.
Hey, a girl can scheme, can’t she?
The production will be directed by Joseph Hodges, with Musical Direction by Oliver Hance, Choreography by Chris Whittaker and Casting by Harry Blumenau.
TICKETS
30th & 31st August PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)