Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
10-23 March
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
Presented by Katy Lipson for Aria Entertainment
Written by Chris Burgess
Directed by Kate Golledge
Musical Arrangements by Andy Collyer
7th February – 11th March 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Saturday Matinees at 3pm: 25th February, 4th & 11th March
NO MONDAY PERFORMANCES
Running Time: approximately two hours including one 15 minute interval
Why have Jews dominated the entertainment industry? How is it that so many writers, composers, performers, directors and producers are Jewish?
THAT’S JEWISH ENTERTAINMENT presents a cornucopia of Jewish talent, with song, dance and comedy spanning decades of Jewish life. From the shtetls of Eastern Europe to Broadway. From Yiddish folk songs to Hollywood blockbusters.
It’s been a long bitter-sweet journey, and on the way contributors to this entertainment heritage are artists such as:
THE GERSHWIN BROTHERS / AL JOLSON / SOPHIE TUCKER / EDDIE CANTOR / IRVING BERLIN
THE MARX BROTHERS / FANNY BRICE / WOODY ALLEN / MEL BROOKS / BARBRA STREISAND
JACKIE MASON / JERRY HERMAN / SID CAESER / JOAN RIVERS / BETTE MIDLER
…and many, many more!
From Louis B Mayer to Steven Spielberg. From The Jazz Singer to Yentl. From fiddlers in the shtetl to Fiddler on the Roof.
A CENTURY OF JEWISH ENTERTAINMENT – IN ONE SHOW!
TICKETS
7th – 12th February
Tuesday – Friday 7.30pm: £16/£14 concessions
Saturday 7.30pm: £18/£16 concessions
Sunday 4pm: £18/£16 concessions
14th – 19th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
21st – 26th February
Tuesday – Friday 7.30pm: £18/£16 concessions
Saturday 3pm: £20/£18 concessions
Saturday 7.30pm: £20/£18 concessions
Sunday 4pm: £20/£18 concessions
28th February – 5th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
Sunday 4pm: £22/£20 concessions
7th – 11th March
Tuesday – Friday 7.30pm: £20/£18 concessions
Saturday 3pm: £22/£20 concessions
Saturday 7.30pm: £22/£20 concessions
BOX OFFICE: 020 8340 3488
Book Tickets Online
Online fee – 5% of total transaction
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
10-23 March
Sunday, March 12 2017 at 7pm at Upstairs at the Gatehouse, Highgate, “Charles Dickens: A Life” one man show presented by actor Robert Powell in aid of the Harington Scheme’s “Herbie Hut” appeal.
Tickets £20 (includes a glass of wine) from Upstairs at the Gatehouse Box Office, 020 8340 3488 (credit/debit card fee 50p).
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
Presented by Original Impact Theatre Company
A Restoration Comedy by George Etherege
14th – 18th March 2017
Tuesday – Saturday 7.30pm
Matinee Saturday 18th March at 3pm
Etherege’s rarely performed The Man of Mode sparkles with wit, romance and scandal. In an age where a person’s quality is measured by the cut of their coat, the pursuit of pleasure is more important than principles.
This restoration comedy follows the rakish young libertine Dorimant, who’s life of debauchery and seduction is turned upside down when he finally meets his match in the beautiful and clever Harriet. She refuses to seccumb to his charms unless Dorimant marries her and leaves the city for the countryside, which for him is a fate worse than death…
Original Impact are pleased to be back at The Gatehouse, following the successful UK tour of their debut play A Working Title.
TICKETS
£15 / £13 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
Presented by Original Impact Theatre Company
A Restoration Comedy by George Etherege
14th – 18th March 2017
Tuesday – Saturday 7.30pm
Matinee Saturday 18th March at 3pm
Etherege’s rarely performed The Man of Mode sparkles with wit, romance and scandal. In an age where a person’s quality is measured by the cut of their coat, the pursuit of pleasure is more important than principles.
This restoration comedy follows the rakish young libertine Dorimant, who’s life of debauchery and seduction is turned upside down when he finally meets his match in the beautiful and clever Harriet. She refuses to seccumb to his charms unless Dorimant marries her and leaves the city for the countryside, which for him is a fate worse than death…
Original Impact are pleased to be back at The Gatehouse, following the successful UK tour of their debut play A Working Title.
TICKETS
£15 / £13 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
Presented by Original Impact Theatre Company
A Restoration Comedy by George Etherege
14th – 18th March 2017
Tuesday – Saturday 7.30pm
Matinee Saturday 18th March at 3pm
Etherege’s rarely performed The Man of Mode sparkles with wit, romance and scandal. In an age where a person’s quality is measured by the cut of their coat, the pursuit of pleasure is more important than principles.
This restoration comedy follows the rakish young libertine Dorimant, who’s life of debauchery and seduction is turned upside down when he finally meets his match in the beautiful and clever Harriet. She refuses to seccumb to his charms unless Dorimant marries her and leaves the city for the countryside, which for him is a fate worse than death…
Original Impact are pleased to be back at The Gatehouse, following the successful UK tour of their debut play A Working Title.
TICKETS
£15 / £13 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
Presented by Original Impact Theatre Company
A Restoration Comedy by George Etherege
14th – 18th March 2017
Tuesday – Saturday 7.30pm
Matinee Saturday 18th March at 3pm
Etherege’s rarely performed The Man of Mode sparkles with wit, romance and scandal. In an age where a person’s quality is measured by the cut of their coat, the pursuit of pleasure is more important than principles.
This restoration comedy follows the rakish young libertine Dorimant, who’s life of debauchery and seduction is turned upside down when he finally meets his match in the beautiful and clever Harriet. She refuses to seccumb to his charms unless Dorimant marries her and leaves the city for the countryside, which for him is a fate worse than death…
Original Impact are pleased to be back at The Gatehouse, following the successful UK tour of their debut play A Working Title.
TICKETS
£15 / £13 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00; Saturday 11:00-16:00; Sunday 11:00-17:00. Closed Monday
10-23 March
Presented by Original Impact Theatre Company
A Restoration Comedy by George Etherege
14th – 18th March 2017
Tuesday – Saturday 7.30pm
Matinee Saturday 18th March at 3pm
Etherege’s rarely performed The Man of Mode sparkles with wit, romance and scandal. In an age where a person’s quality is measured by the cut of their coat, the pursuit of pleasure is more important than principles.
This restoration comedy follows the rakish young libertine Dorimant, who’s life of debauchery and seduction is turned upside down when he finally meets his match in the beautiful and clever Harriet. She refuses to seccumb to his charms unless Dorimant marries her and leaves the city for the countryside, which for him is a fate worse than death…
Original Impact are pleased to be back at The Gatehouse, following the successful UK tour of their debut play A Working Title.
TICKETS
£15 / £13 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Original Impact Theatre Company
A Restoration Comedy by George Etherege
14th – 18th March 2017
Tuesday – Saturday 7.30pm
Matinee Saturday 18th March at 3pm
Etherege’s rarely performed The Man of Mode sparkles with wit, romance and scandal. In an age where a person’s quality is measured by the cut of their coat, the pursuit of pleasure is more important than principles.
This restoration comedy follows the rakish young libertine Dorimant, who’s life of debauchery and seduction is turned upside down when he finally meets his match in the beautiful and clever Harriet. She refuses to seccumb to his charms unless Dorimant marries her and leaves the city for the countryside, which for him is a fate worse than death…
Original Impact are pleased to be back at The Gatehouse, following the successful UK tour of their debut play A Working Title.
TICKETS
£15 / £13 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
SISTERS, SECRETS & LIES
Presented by Chris Taylor
Written by Gail Louw
Starring Norma Cohen & Anne Kavanagh
7.30pm 21st – 23rd March 2017
Is it possible to lose your innocence at 70?
Rika and Edith, close and caring sisters, are about to discover a shocking truth about their past.
Can they adapt or will they now, after seventy years, become strangers? A heartwarming play, set on a kibbutz in Israel in the late 1990s, that reveals the politics, rivalry, sweetness and sadness of the two sisters’ lives; two journeys
that are inextricably entwined.
The plays of multi award-winning writer Gail Louw are performed in the UK and throughout the world.
“Gail Louw has written an exquisite play that will definitely resonate with anyone who’s ever been part of a family”
– Broadway World
“Standing ovation, full house, wild laughter, mountains of charm,what a wonderful evening”
– Theatre 40 Beverly Hills
“ Jewish Chekhov”
– Leda Siskind, Los Angeles
The script for Two Sisters is available in Gail Louw: Collected Plays published by Oberon Books
TICKETS
£16 / £14 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
SISTERS, SECRETS & LIES
Presented by Chris Taylor
Written by Gail Louw
Starring Norma Cohen & Anne Kavanagh
7.30pm 21st – 23rd March 2017
Is it possible to lose your innocence at 70?
Rika and Edith, close and caring sisters, are about to discover a shocking truth about their past.
Can they adapt or will they now, after seventy years, become strangers? A heartwarming play, set on a kibbutz in Israel in the late 1990s, that reveals the politics, rivalry, sweetness and sadness of the two sisters’ lives; two journeys
that are inextricably entwined.
The plays of multi award-winning writer Gail Louw are performed in the UK and throughout the world.
“Gail Louw has written an exquisite play that will definitely resonate with anyone who’s ever been part of a family”
– Broadway World
“Standing ovation, full house, wild laughter, mountains of charm,what a wonderful evening”
– Theatre 40 Beverly Hills
“ Jewish Chekhov”
– Leda Siskind, Los Angeles
The script for Two Sisters is available in Gail Louw: Collected Plays published by Oberon Books
TICKETS
£16 / £14 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
This exhibition entitled Energy shows mixed media land and seascape originals, limited edition prints, and seven small oil paintings illustrating the landform project being created in Cornwall. Elspeth works on the cusp of abstraction and figuration. “I attempt to reveal energy, a vitality which, once engaged, never diminishes with time.” This has been the appeal.
Elspeth qualified as an architect from Liverpool University, practiced for years and was invited to teach soon after qualifying. She has no formal training in painting but as an architect was regularly asked to make substantial commissions in glass and paint, and to lecture abroad.
She designed three large stained windows in West London in 1981, 1989 and 1996, and in 1983 painted a huge political cartoon, a mural in a house in Westminster for an active politician. It was during these projects she realized the power of communication through composition. In 1999 Elspeth was shortlisted for Millennium artist for North Cornwall. Six interactive proposals were made, all local and doable, including a dark skies project down-directing street lighting – all seen as too ambitious.
This exhibition can be seen as a retrospective on 20 years of painting. Three years of blindness (2013-16) make this show a real celebration and a natural transition to any potential new work. Elspeth started painting landscapes in 1991 while teaching design workshops in Australia. In November last year she returned, with improved – but impaired – vision, to Australia to paint the extreme coastal points including Point Lookout in the west and Albany in the south-west, which may lead to an inevitably different style of future work, but for now a celebration of sight and works dated to 2013.
Initially Elspeth exhibited her paintings in themed shows, for example at Salisbury Playhouse in 1996, with 80 small works around the drum to highlight erosion and pollution (the Sea Empress oil spill off west Wales and the breakage of Spurn Point road in Lincolnshire), issues in the environment but always the aesthetics of light, heat and sound as space makers, interactions that make a whole. This interest, focusing on energy and environmental conditions, has been reflected in the choice of subject and titles of earlier exhibitions. She has held a total of 22 exhibitions in London and elsewhere since 1994 and reviews, including the Spectator in 2002, have recommended a wider audience. She has also been interviewed on radio: Woman’s Hour 1994, BBC Radio 4 2013 and Liverpool City Radio 2008. Her paintings are held in collections in the UK and overseas. The concerns reflected in her shows underpin the educational facility in Cornwall as it progresses.
Intensity is a quality that penetrates the images which range from the quietude of a scene on the Thames to a force 9 wave off Land’s End. The interrelationship of abstraction and figuration mentioned earlier remains the prime creative interest to the artist. A timeless zero.
The next few years may prove very different. Elspeth hopes you and your friends will share refreshments with her as this new journey commences. She will be in the gallery throughout the exhibition.
Image: Shadows near Bridge of Orchy © Elspeth Hamilton, 2016. All Rights Reserved
Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
10-23 March 2017
SISTERS, SECRETS & LIES
Presented by Chris Taylor
Written by Gail Louw
Starring Norma Cohen & Anne Kavanagh
7.30pm 21st – 23rd March 2017
Is it possible to lose your innocence at 70?
Rika and Edith, close and caring sisters, are about to discover a shocking truth about their past.
Can they adapt or will they now, after seventy years, become strangers? A heartwarming play, set on a kibbutz in Israel in the late 1990s, that reveals the politics, rivalry, sweetness and sadness of the two sisters’ lives; two journeys
that are inextricably entwined.
The plays of multi award-winning writer Gail Louw are performed in the UK and throughout the world.
“Gail Louw has written an exquisite play that will definitely resonate with anyone who’s ever been part of a family”
– Broadway World
“Standing ovation, full house, wild laughter, mountains of charm,what a wonderful evening”
– Theatre 40 Beverly Hills
“ Jewish Chekhov”
– Leda Siskind, Los Angeles
The script for Two Sisters is available in Gail Louw: Collected Plays published by Oberon Books
TICKETS
£16 / £14 concessions
Credit/debit card fee – 50p per ticket
Online fee – 5% of total transaction
BOX OFFICE: 020 8340 3488
Book Tickets Online
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)
Presented by Joseph Hodges Entertainments
Book by Ben H. Winters & Erik Jackson
Music by Neil Sedaka, Howard Greenfield and Phillip Cody
Musical Arrangements by Tom Kitt
29th March – 23rd April 2017
Tuesdays – Saturdays 7.30pm
Sundays at 4pm
Extra matinee Saturday 22nd April at 3pm
This musical comedy features eighteen songs written by pop icon Neil Sedaka including:
“Stupid Cupid”
“Laughter in the Rain”
“Solitaire”
“Oh! Carol”
“Calendar Girl”
and of course the unforgettable title track:
“Breaking Up is Hard to do”
Set during the 1960 Labour Day weekend at “Esther’s Paradise Resort Hotel” in Catskills, New York, the show features friends Marge and Lois from Brooklyn, looking for a good time and romance. They are hoping to find “Where the boys are” as Marge has been jilted at the alter and doesn’t want to be “Solitaire” so takes Lois to her honeymoon destination. Catskills is a resort which showcased young entertainers and Neil Sedaka met his wife of 54 years, Leba, at her Mother’s hotel there and contributed many of his own ventures into the book.
Inevitably two boys come along and the foursome together with Esther and the local comedian whisk us to 1960s colours and costume and the heat of Neil Sedaka’s singable catchy tunes. You WILL leave humming one of your favourites, but which one?
CAST
The cast will feature Robyn Mellor (Grease, Dreamboats and Petticoats, American Idiot) as Lois, Lauren Cocoracchio (Lost Boy) as Marge, Katie Paine (We Will Rock You) as Esther, Jonny Muir (The Simon and Garfunkel Story) as Gabe, Damien Walsh (Sunny Afternoon, Dreamboats and Petticoats) as Del, and Andrew Bradley (Godspell, Annie) as Harvey, completing the cast are Abigail Carter-Simpson (Aliens Love Underpants) and Samuel Bailey (Pop Factor).
Jordan Murphy will direct the production with musical direction from Oliver Hance, design by Richard Cooper, choreography by Alyssa Noble, lighting by Jai Morjaria and Casting by Harry Blumenau for Debbie O’Brien Casting. The production is produced by Joseph Hodges Entertainments.
TICKETS
29th & 30th March PREVIEWS – ALL TICKETS £10
Tues / Weds / Thurs – £18 (£16 concessions)
Fri / Sat / Sun – £20 (£18 concessions)