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Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays.

Image: Islands, Iona – oil on canvas. ÓLiz Sutherland 2018. All rights reserved

Cityscapes and Landscapes is an exhibition of iPad drawings by Liz Sutherland who will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.

Liz’s latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden and the intense urban cityscapes of London.

Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Cityscapes and Landscapes, 28 June – 11 July, is an exhibition of colourful, expressive paintings, dynamic sketches and fluid iPad drawings by north London artist Liz Sutherland.  Her latest body of work has been inspired by three strikingly different locations: the dramatic seascapes of Scotland and Sweden, and the intense urban cityscapes of London.

In her Scottish scenes she conjures up the beauty and remoteness of the west coast island of Iona, giving the paintings a sense of the freedom of the landscape through the use of expressive brush strokes and a vibrant palette.  The sea is a recurring element in Sutherland’s work and a visit to Sandhammeren beach in southern Sweden has also captured her imagination.  Again, it was the particular quality of the colour and light which she found arresting and in these paintings she seeks to capture the sun’s fleeting brilliance as it hit the coast line on a very cold day in December.

Closer to home are the more familiar scenes of Alexander Palace and iconic views of Waterloo Bridge.  The contrast of the urban juxtaposed with the natural have remained favourite motifs.  It is important for Liz to keep the paintings fresh and alive.  She often works on several at the same time, using confident gestural marks.  She tries out new techniques such as using a syringe or thick brushes attached to poles to apply her paint.  “In this way I have less control and the results continue to surprise and excite me,” she explains.

Liz draws using charcoal and pastels on paper, as well as employing photographs to aid her “re-imagining” when back in her North London studio.  But it is her interest in the use of the iPad that has had the most significant impact on her working methods.  This is particularly noticeable in her London oil paintings.  For Liz, the iPad has become the ‘modern sketchbook’, its particular qualities of line and shape influencing the subsequent transformation into paint.  She is attempting to create a kind of shorthand abstract language in paint, which never quite abandons the subject matter.  “Usually the ones that come out quickly work the best.  The freedom of paint is what I’m trying to produce.”  (Ham and High, 2016).

Highgate Gallery is delighted to announce that Liz will be holding a free demonstration on iPad drawing on Sunday 7^th July from 2-3pm.  Participants should bring their own iPad with the Brushes XP application downloaded if possible.  All levels welcome.

Liz comes from family of artists.  Her grandparents were renowned Scottish painters D.M. Sutherland (RSA) and Dorothy Johnstone (ARSA).  She studied History of Art at UCL and then went on to do a painting postgraduate course at Central St Martin’s.  She has had solo shows in London, Oxford and Ely and exhibits regularly in Open Studios with Collage Arts (previously in the Chocolate Factory).  She trained to be a teacher in 2009 and regularly teaches art to Primary Schools children and to disabled adults.  This is Liz’s second solo show at Highgate Gallery.

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Highgate Gallery is delighted to be hosting the first ever London show of German artist Susanna Storch, whose exhibition comes to us from the Zofia Weiss Gallery in Cracow.

Susanna’s striking, large-scale paintings in acrylic reveal randomly observed scenes of everyday life, in an urban context.  Both people and buildings form her subject matter, and are given equal attention as we glimpse into the lives of the anonymous inhabitants of the city, whether it is Paris, Prague, London, Santiago de Chile, Valparaiso, Frankfurt, Tallin or her home town of Mainz.  Windows create the border between public and private space, and offer almost no view of the rooms behind.  This tension between the visible and the invisible give the paintings a narrative quality, as if one is watching a story about to unfold.  Reflections on the window panes, and curtain drapery, add a fluidity to the harsh geometry of the architectural exteriors, as well as offering a reflection of life back to the viewer.

Susanna has been developing her style, which she describes as Figurative Realism, since studying in Munich and Mainz in the 1980s.  She is also a portrait painter, and with both her Facades and her portraits, photographs form the basis of the pictures, which are worked up back in the studio.  She is a prolific artist who has exhibited in over 50 shows and art fairs since 2001, and she has work in public museums as well as private collections.

Exhibition continues until 26 Sept.

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’     Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

      Night Music, acrylic on canvas 65x81cm. Patrick Hourihan. All rights reserved

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’      Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

     Night Music, acrylic on canvas 65x81cm. Patrick Hourihan. All rights reserved

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’     Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’     Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’     Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’     Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’     Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

      Night Music, acrylic on canvas 65x81cm. Patrick Hourihan. All rights reserved

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’      Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

     Night Music, acrylic on canvas 65x81cm. Patrick Hourihan. All rights reserved

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’     Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’     Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’     Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’     Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

Shadowman: Surrealist Artworks by Patrick Hourihan.  11– 24 October 2019

An exhibition about a Surrealist journey and its discoveries.

‘Inside Patrick Hourihan’s skull there nestles a mental coral reef alive with magical images of unknown dramas and unfamiliar conflicts.  His private world is as intense, as complicated and as visually captivating as anything the ocean reefs have to offer.  His technical wizardry allows him to explore this world of the unconscious and permits us to eavesdrop on its many perverse and contradictory scenes.  His work has the special merit of being instantly recognisable as his. No other artist comes close to his imagery.  An intrepid internal explorer, he is quite splendidly alone in his voyages of irrational beauty.’     Desmond Morris, April 2019.

This selection of paintings, drawings and boxed found objects represents the work of London-based Surrealist Patrick Hourihan.  He has used automatic drawing and other channels of accidental discovery as a way to unlock the poetic potential and sense of the Marvellous that awaits in seemingly mundane and unexpected situations of everyday life.  The spirit of the Shadowman exhibition seduces the viewer to look through newly opened windows with the dreamer’s innocent eye.

Patrick Hourihan is London born.  He studied at the Watford School of Art.  He has been creating imaginative worlds since childhood, leading to a love of Surrealism while at college.  He was, for a number of years, an active member of the Surrealist London Action Group (SLAG).

Website:  http://www.patrickhourihan.com

Highgate Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays

   Image: Abstract Painting  oil on canvas  90x90cm  David Taylor 2019.  All rights reserved

In this group show, Samantha Laub, Jason Sweidan and David Taylor present vibrant abstract paintings, influenced by abstract expressionism.  The paintings demonstrate distinctive emotional responses to the natural.

Samantha, Jason and David have been developing a set of unique styles in close interaction with each other – all with strong colour use.  The theme of present and remembered emotion displays their distinctive styles whilst drawing on a common theme.

Samantha’s works begin as spontaneous outpouring of energy and emotion that she then develops and refines into finished pieces.  Her paintings are visceral, full of movement and texture.

Jason applies oil on canvases to construct and deconstruct images that reflect elements of nature.  His paintings are predominantly fluid, physical and textured using gravity to allow the paint to evolve.

David’s work reflects memories of the natural in which strong colour use is combined with loose natural references that evoke a sense of fluidity, water or landscape.

All three artists are local to the exhibition and originally met at the Hampstead School of Art (HSOA).

Samantha is Creative Director of Gorgeous Brewery based in Highgate and also works in advertising, as well as being a painter.  She has exhibited at a number of HSOA exhibitions and was also shortlisted in the National Open Art exhibition in 2016.

Jason works in investor relations as well as being an artist.  He recently held his first solo art exhibition and has exhibited at several HSOA summer exhibitions and the Green and Stone summer exhibition 2019.  His work is held in private collections in the UK, USA, Spain and Bermuda.

David is a Fellow of the Royal Society of Arts and Professor Emeritus at the University of Brighton.  He is a leading academic social theorist and writer as well as a painter and sociologist of art.

Exhibition continues until 21 November

   Image: Abstract Painting  oil on canvas  90x90cm  David Taylor 2019.  All rights reserved

In this group show, Samantha Laub, Jason Sweidan and David Taylor present vibrant abstract paintings, influenced by abstract expressionism.  The paintings demonstrate distinctive emotional responses to the natural.

Samantha, Jason and David have been developing a set of unique styles in close interaction with each other – all with strong colour use.  The theme of present and remembered emotion displays their distinctive styles whilst drawing on a common theme.

Samantha’s works begin as spontaneous outpouring of energy and emotion that she then develops and refines into finished pieces.  Her paintings are visceral, full of movement and texture.

Jason applies oil on canvases to construct and deconstruct images that reflect elements of nature.  His paintings are predominantly fluid, physical and textured using gravity to allow the paint to evolve.

David’s work reflects memories of the natural in which strong colour use is combined with loose natural references that evoke a sense of fluidity, water or landscape.

All three artists are local to the exhibition and originally met at the Hampstead School of Art (HSOA).

Samantha is Creative Director of Gorgeous Brewery based in Highgate and also works in advertising, as well as being a painter.  She has exhibited at a number of HSOA exhibitions and was also shortlisted in the National Open Art exhibition in 2016.

Jason works in investor relations as well as being an artist.  He recently held his first solo art exhibition and has exhibited at several HSOA summer exhibitions and the Green and Stone summer exhibition 2019.  His work is held in private collections in the UK, USA, Spain and Bermuda.

David is a Fellow of the Royal Society of Arts and Professor Emeritus at the University of Brighton.  He is a leading academic social theorist and writer as well as a painter and sociologist of art.

Exhibition continues until 21 November