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The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

The Highgate Watercolour Group look forward to welcoming their visitors, both local and from further afield, and take great pleasure in presenting their work in this beautiful historic house.

This year they will have the cream of their output on display, beautifully framed and reasonably priced.  Nearly all members are represented, so there is great variety and hopefully something for everyone.

In August, the Highgate Watercolour Group painting activities moved out of 10A South Grove, where they usually work, enabling them to exploit the city more widely. Look out for paintings of Omved Gardens in Highgate, views of Hampstead and the Heath, as well as other north London hotspots. And of course one of their favourite venues is Waterlow Park and Lauderdale House itself.

Everyone is welcome to the private view on Wednesday 11th October from 7.30 pm to 9.30pm – come meet the artists and see the work first!

The gallery is generally open:

• Monday – Tuesday : 12pm to 4pm
• Wednesday : 11am to 3pm
• Thursday – Sunday : 12pm to 4pm

Please note that the gallery hours may change or the gallery may close at short notice due to private events. To avoid disappointment, please check our most up-to-date opening hours by clicking here or calling us on 020 8348 8716 the day before your visit.

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

A celebration of the legendary Italian tenor Beniamino Gigli!

This concert will feature the talented Yuri Sabatini, accompanied on the piano by the graceful playing of Caroline Jaya-Ratnam.

The program is a mesmerising mix of Gigli’s most iconic pieces, showcasing the tenor’s incredible vocal range and emotional depth. Lauderdale House sets the stage for this special night. It’s a tribute not to be missed for all the music lovers out there!

PROGRAMME:

Buzzi-Peccia – Lolita

Bixio – La canzone dell’amore

Di Chiara – La Spagnola

Bixio – Mamma

Caccini – Amarilli

Boito – Giunto sul passo estremo

Cilea – E’ la solita storia del pastore

Puccini – Che gelida manina

Donizetti – Una furtiva lagrima

Tosti – L’ultima canzone

De Curtis – Non ti scordar di me

Bixio – Parlami d’amore Mariu’

Innocenzi – Addio, Sogni di gloria

Denza – Funiculì Funiculà

Leoncavallo – Mattinata

Verdi – La donna è mobile

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Marianne Fox Ockinga: Kings Cross – All Change

Recording the current upheaval in the landscape round the two great Victorian railway terminals of King’s Cross and St Pancras in relief prints, etchings, paintings, and drawings. A revolution in human and architectural affairs. This exhibition focuses on the huge changes in the area brilliantly depicted by Dickens in his novel ‘Dombey and Sons’ and frequented by the young Thomas Hardy.

Marianne has worked in the area for more than four decades. She has sketched and painted in the field, setting up her easel in notorious locations such as Goodsway and Coal Drop Yard, beside the Granary Square campus of the University of the Arts.

“These works are from the year 2000, when the area round St Pancras changed dramatically. It had become a gloomy and derelict place, as many of the old red brick Victorian buildings crumbled or were eradicated by the developers’ wrecking ball. I first saw and recorded this when, some years before, I was invited into the now demolished Culross Building to draw and paint. From the roof, I could clearly see the outline of Highgate in the distance.”

Recovering from a serious illness, in 2001 Marianne felt reinvigorated and eager to get down to work again at St Pancras. The first shock was to see cranes behind a scaffold of hoardings starting to yank out the Victorian gasholders. Marianne wanted to record what was happening quickly, knowing time was not on her side. Often, she went out at night, using the canal towpath, especially sinister in the shadows now that the familiar public lighting had been removed. By working regularly on site, local businesses got to know her work, and became supportive. Several exhibitions, presentations and shows in public and commercial venues ensued. These began with ‘Transition July 2002’ at the CTRL Visitor Centre at St Pancras. She held shows in a range of venues in the UK and Netherlands.

Marianne was born in the Netherlands but began her art education at the Bath Academy of Art in 1960. She completed her training at the  Rijksakademie, Amsterdam, returning to settle in the UK in 1971.  Marianne has always favoured working in the open air, drawing and painting from observation. Until 2000 she focused on landscapes across Europe, in the Netherlands and Italy especially. She also has taken portrait commissions. Since 1971 printmaking became the main focus of her work, especially after acquiring a large Columbian press.

In London Marianne has also worked at large sites in transformation, undertaken by invitation and commission, such as the Olympic Park for the 2012 Games and the Arsenal Emirates complex. She was also witness to the decommissioning and conversion of the elegant art deco Arsenal Highbury Stadium complex, recording in a variety of media. Her work is in collections both public and private, among them the Victoria and Albert Museum. She is a brother member of the Art Workers Guild.

Highgate Gallery is open:

Wed – Friday: 13.00 – 17.00

Saturday: 11.00 – 16.00

Sunday: 11.00 – 17.00

Handmade in Highgate is back for its winter/Christmas designer/maker fair. Featuring a line-up of up to 30 of the UK’s finest contemporary makers. Entrance is free to the wonderful (normally closed to the public) Highgate Literary and Scientific Institution. Added extras include a knockdown book sale in the historic library.

Handmade In Highgate opens:

Friday 1 December: 5pm – 8pm

Saturday 2 December: 10am – 6pm

Sunday 3 December: 11am – 5pm

Musicians from the “Icons of Greek music” project come together once again to perform a concert of music by three of Greece’s most loved and iconic composers: Mikis Theodorakis, Manos Hadjidakis and Stavros Xarhakos.

There is not a household in Greece that does not have their beautiful melodies colouring their lives. The folk songs have become classics, almost like anthems. They can be heard being played by a small duo in the smallest taverna to the biggest orchestra in the greatest concert halls around the world and they touch everybody in their own personal way…they are songs and lyrics which wherever we are in life we can relate to.

Join us for an afternoon of lyrical melodies, pulsating rhythms and poetic lyrics that reach into the soul of Greece.

Performers:

Maria Tsirodimitri – voice, guitar

Pavlos Carvalho – cello, bouzouki, vocals

Manolis Taouxis – double bass, bouzouki, vocals

George Tsolakis – voice, guitar

George Angelopoulos – bouzouki, mandolin, baglama

See Friday 1/12/23 for details.

Handmade in Highgate is back for its winter/Christmas designer/maker fair. Featuring a line-up of up to 30 of the UK’s finest contemporary makers. Entrance is free to the wonderful (normally closed to the public) Highgate Literary and Scientific Institution. Added extras include a knockdown book sale in the historic library.

Handmade In Highgate opens:

Friday 1 December: 5pm – 8pm

Saturday 2 December: 10am – 6pm

Sunday 3 December: 11am – 5pm

Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.

Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.

The class will feature a good variety of professional life models to keep the classes fresh and interesting.

Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.

The course runs in two batches:

Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb

Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar

Price: £125.00 for 5 sessions

To book yourself in, please follow the link:

https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course

Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.

Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.

The class will feature a good variety of professional life models to keep the classes fresh and interesting.

Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.

The course runs in two batches:

Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb

Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar

Price: £125.00 for 5 sessions

To book yourself in, please follow the link:

https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course

Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.

Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.

The class will feature a good variety of professional life models to keep the classes fresh and interesting.

Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.

The course runs in two batches:

Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb

Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar

Price: £125.00 for 5 sessions

To book yourself in, please follow the link:

https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course

Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.

Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.

The class will feature a good variety of professional life models to keep the classes fresh and interesting.

Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.

The course runs in two batches:

Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb

Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar

Price: £125.00 for 5 sessions

To book yourself in, please follow the link:

https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course