So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
So begins Once Upon a Mattress, a magical musical comedy journey into the world of Hans Christian Anderson’s beloved story of the princess and the pea.
But this isn’t your usual fairy tale, and princess Winnifred isn’t your usual fairy-tale princess. The Kingdom in which she seeks her prince seethes with a very adult problem, which won’t end until a very stubborn Queen Aggravain allows her son to marry Alas, he is his mother’s prince, and is any princess really good enough?
The 1959 classic Tony-nominated hit from Mary Rodgers–daughter legendary composer Richard Rodgers–returns to London for the first time in many moons!
Tickets
Thursday 5th and Friday 6th March – Previews – all tickets £10
Tue/Wed/Thurs: £18/£16 (concession)
Fri/Sat/Sun: £20/£18 (concession)
Tuesdays – Saturdays: 7.30pm
Sundays: 4.00pm
Extra Matinee – Saturday 28th March: 3.00pm
Monday 25th May 2020
7.30 pm
An illustrated discussion between Siri Zanelli and Andrew Sulston in which they tell of their own experiences and travels and offer tips for visitors, covering topics including Japanese society, the worlds of education, work and leisure, linguistic challenges and more.
This is an online meeting delivered through Zoom. To participate click here to complete the booking form. You will be sent a link via email prior to the meeting.
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
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Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
I will be presenting a highly varied programme of solo flute repertoire including some standard works by Debussy, CPE Bach and Eugene Bozza whilst also including lesser known pieces by Wil Offermans and Nicholas Maw. I will also be premiering a new work that I have commissioned for this recital which is a set of variations written on an original theme by Poulenc. The theme, written for solo flute, is a rare gem in the flute repertoire, seldom performed due to it’s short duration, however the set of variations on the theme extends the beauty of Poulenc’s writing and should be a real highlight of the recital.
I consider myself very lucky in the respect that I have access to a beautiful venue at Jackson’s Lane Arts Centre in Highgate, so am able to present the performance from a unique and atmospheric space rather than from my own home. I am very excited to present this recital and would love to be able to share it with as many people as I can.
I am hoping to also use the performance as an opportunity to raise money, replacing funds that I have lost due to cancelled work during this difficult period. I will be inviting donations towards this cause with a share of the proceeds also going towards supporting the NHS and Jacksons Lane as a venue who are also struggling in this uncertain time.
or email Andy: Andyjamesmunro@outlook.com
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Check for more details – see https://highgatesociety.com/news/
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell
Online exhibition: From Here to There, Richard Layzell
We are pleased to share a new film by Richard Layzell retracing and remembering his journey to Waterlow Park.
Since the Summer of 2018 artist Richard Layzell has been in residence at LUX as our Creative Ecologist, helping us to think about and interpret the environment of Waterlow Park, in which LUX is located, as part of his wider research project The Naming. Like all of us Richard is under lockdown in London, but living in N4 he can walk to Waterlow Park during his allotted daily exercise. In his affecting new work, From Here to There he reflects on this journey and the park where he has been based for the last two years.
The Naming is a research project challenging and questioning how, through categorization and naming, we distance ourselves from aspects of the natural world and the cultural world. Inspirational figures are Jane Jacobs, Arne Naess (who chained himself to Mardalsfossen waterfall in Norway in 1970 to prevent a dam being built), First Nations beliefs in general and especially the Mi’kmaq community in Nova Scotia and the ancient Greek philosopher Heraclitus. The work he is producing includes discussions, performances, ‘interventions’, audio recordings, video, photography, ‘imprints’ using the earliest form of printing known as Takuhon, and an ongoing body of creative writing. He is celebrating particular trees and the songs of particular birds, especially the pied butcherbird from Australia.
Richard Layzell works in performance, video and installation – and with industry and communities – has been recognised internationally.
He has been commissioned by most of the major public galleries and museums across the UK and completed many international artist residencies. As an experienced facilitator he’s led creative workshops with people of all ages and backgrounds internationally. His groundbreaking interactive installation Tap Ruffle and Shave, commissioned by Glasgow Museums, toured to London, Manchester and Newcastle and was seen by 100,000 people. He developed a series of innovative residencies in industry, defining the role of the visionaire, expanding the artist’s role in redefining corporate culture and the community of the workplace. He subsequently applied this experience in the cultural sector with an expanded socially engaged practice, working on ambitious projects with communities in Bristol, Swindon, Glasgow, Coventry, Colchester, Liverpool, London, Shanghai, and Perth (Australia), amongst others.
His current work The Naming is manifesting in many different forms and locations, including Ephesus (Turkey), Mardalsfossen (Norway), Nova Scotia, New Brunswick, Montreal, Vancouver, Skyros (Greece), London, Bristol, Colchester, Seoul, Sydney and Alice Springs.
Visit the LUX website to watch the film and download an audio transcript.
https://lux.org.uk/online-exhibition/from-here-to-there-richard-layzell