Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
The spirit of rebellion lives on in the anarchic figurative and abstract oil on canvas works of Philip Diggle. In his own words ‘art that is political, erotic, abstract, exposed and does something other than sit and entertain in a museum. I am for an art that embroils itself with every day and comes out on top’.
Philip Diggle: Bringing It All Back Home
9-22 February 2024
Exhibition times:
Wed – Fri: 13.00 – 17.00
Saturday: 11.00 – 16.00
Sunday 11.00 – 17.00
Bringing It All Back Home references Bob Dylan and the voice of poetry, protest and politics that
characterised a period of artistic blossoming in New York and elsewhere in the 1960’s, including Diggle’s
own home town of Manchester where he was involved in the punk scene of the 1970’s and 1980’s.
The spirit of rebellion lives on in this anarchic show of figurative and abstract work. Diggle is, in his own
words, “…for an art that is political, erotic, abstract, exposed – and does something other than sit and entertain
…in a museum. I am for an art that embroils itself with everyday and comes out on top”.
Diggle references Sartre, Baudelaire and Wittgenstein: “…climbing Wittgenstein’s metaphorical ladder
of knowledge…I needed to jump from the it’s last rung – without a net or anything like argument – so
that the world could be correctly understood – painted and given some form of impression of penetrating
the essence of things.”
He cites the recent Soutine/Kossoff show at Hastings Contemporary as one which excited him. Many of his
own oil paintings have heavily encrusted and worked-on surfaces, “enlivened by a constant play of
oppositions, each an abstract drama of visual events, a material metaphor for the invisible dynamics of the
world it reflects” (Mel Gooding, art critic). Jackson Pollock is also a key influence, especially the large
New York canvases. Pollock’s phrase “I am nature” resonates in this show.
Philip Diggle has lived in Highgate for over 30 years and this is his 8th show at Highgate Gallery. He is a
regular contributor to the Royal Academy annual exhibition and has also exhibited in Berlin, Paris,
Barcelona and New York. His work is held in collections at Chase Manhattan Bank and the Rockefeller
Center in New York, at Caius College Cambridge and in many boardrooms and private collections.
There will be works on paper for sale as well as canvases.
Tamas Szigyarto, London-based pianist and composer, presents selected works from two original piano cycles: There Will Be Rainbow and Cone Of Silence, recently released by Navona and Oclassica labels respectively.
The two works, written in neo-romantic style with a touch of impressionism, present a musical dyad. There Will Be Rainbow is bright and optimistic whereas Cone Of Silence reflects on the darker themes of solitude and melancholy. Both cycles accumulate material written over the past decade. Finally, there will be performance of piano poem Blue Hour written by Tamas and his creative partner, pianist and composer, Elena Oleynik.
Thursday, February 22nd
Doors 19:00
Performance 19:30
General £10 / Concession £8
Lauderdale House
Waterlow Park
Highgate Hill
London
N6 5HG
Discover fascinating stories from Highgate’s past, and the diverse history of the communities that make up North London.
Come and chat to over 20 people who are interested in and knowledgeable about the history of our local area, including representatives from local museums, historic houses and local history societies at this FREE fair! Alongside Jacksons Lane, we will also be hosting a ‘memory stall’ this year, and collecting photos from the community that show the venues or Waterlow Park. Have any images from the past that you’d like to share? Bring them along!
Confirmed attendees for this year’s Heritage fair include:
The Arts Society Hampstead Heath
Camden History Society
Camden Tour Guides Association
Channing School
The Coleridge Trust
Friends of Kenwood
Highgate Cemetery
The Highgate Literary & Scientific Institution Archive
The Highgate Roman Kiln Project
Highgate School Museum & Archive
The Highgate Society
Hornsey Historical Society
Jacksons Lane
Kenwood House
Lady Gould’s Charity
Lauderdale House
North London U3A
Memories Stall
Pink Plaques Project
Join us to discover the history of three local venues: Lauderdale House, Jacksons Lane and Upstairs at the Gatehouse.
Speakers from three of Highgate’s key entertainment venues join us for a special Heritage Weekend talk! With each building facing uncertain futures at one stage or another, this talk will provide a fascinating insight into the transformations and challenges involved in converting each into the venues we know today.
We will hear from Nick Peacey, one of the driving forces behind Lauderdale House’s conversion to an Arts and Cultural Centre, alongside John Plews – long time manager of the award-winning Upstairs at the Gatehouse theatre. Finally, we will be hearing from the team at Jacksons Lane and their amazing journey from derelict church to thriving community venue!
Highgate has more than its fair share of locations if you’re looking for a pint, a bite to eat…or a historic ceremony involving antlers!
Originally a village outside of London, Highgate has long been a welcoming spot for travellers and visitors alike. Join us for this fascinating talk as we discover the history of some of its more interesting watering holes!
Hear from an expert on the history of the local pubs and hostelries and open your eyes to some of the more bizarre rituals such as the ‘Swearing of the Horns’. You’ll find out all about St Joseph’s Parish Centre, which has hosted everything from boxing matches to beauty contests and is still the cheapest pint in Highgate! And we chat to Kate Fugallo who ran the Lauderdale café with her husband Salvatore, from 1985 to 2014, helping take the organisation from one century into another! As she says, ‘we didn’t realise when we pitched up in 1985 it would turn out to be a major part of our lives and of our childrens’.
Take a step back in time at Lauderdale House’s annual Heritage Weekend. On Sunday 25 February we’re hosting a special Heritage Family Fun Day for children and families to explore the history of the house and the area.
Drop in for all kinds of fun and free activities between 11am and 4pm – activities are free and you don’t need to book in advance!
Discover the stories of the Victorian children who lived in the house on our interactive touchscreens.
Explore the House with our family trail (there will be a chocolate prize for the first 50 children to complete it!).
From 11.30am to 3.30pm, a craft session making Tudor ruffs and masks for a masquerade ball!
No unaccompanied children – bring your parent and carer so they can join in too!
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Heckel’s Horse is the alias used by local artist Edgeworth Johnstone for a series of works based on collaborative paintings he made over the last ten years with Medway artist Billy Childish, 18 years his senior. Hence, Johnstone acting alone is Heckel’s Horse Jr. These beguiling works have their roots in primitive and symbolist art using colour and the language of dreams to great effect.
Open: Wednesday and Thursday: 13.00 – 17.00
Heckel’s Horse is the alias used by local artist Edgeworth Johnstone for a series of works based on collaborative paintings he made over the last ten years with Medway artist Billy Childish, 18 years his senior. Hence, Johnstone acting alone is Heckel’s Horse Jr. These beguiling works have their roots in primitive and symbolist art using colour and the language of dreams to great effect.
Open: Wednesday and Thursday: 13.00 – 17.00
Heckel’s Horse is the alias used by local artist Edgeworth Johnstone for a series of works based on collaborative paintings he made over the last ten years with Medway artist Billy Childish, 18 years his senior. Hence, Johnstone acting alone is Heckel’s Horse Jr. These beguiling works have their roots in primitive and symbolist art using colour and the language of dreams to great effect.
Open: Wednesday and Thursday: 13.00 – 17.00
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Heckel’s Horse is the alias used by local artist Edgeworth Johnstone for a series of works based on collaborative paintings he made over the last ten years with Medway artist Billy Childish, 18 years his senior. Hence, Johnstone acting alone is Heckel’s Horse Jr. These beguiling works have their roots in primitive and symbolist art using colour and the language of dreams to great effect.
Open: Wednesday and Thursday: 13.00 – 17.00
Heckel’s Horse is the alias used by local artist Edgeworth Johnstone for a series of works based on collaborative paintings he made over the last ten years with Medway artist Billy Childish, 18 years his senior. Hence, Johnstone acting alone is Heckel’s Horse Jr. These beguiling works have their roots in primitive and symbolist art using colour and the language of dreams to great effect.
Open: Wednesday and Thursday: 13.00 – 17.00
Heckel’s Horse is the alias used by local artist Edgeworth Johnstone for a series of works based on collaborative paintings he made over the last ten years with Medway artist Billy Childish, 18 years his senior. Hence, Johnstone acting alone is Heckel’s Horse Jr. These beguiling works have their roots in primitive and symbolist art using colour and the language of dreams to great effect.
Open: Wednesday and Thursday: 13.00 – 17.00
Heckel’s Horse is the alias used by local artist Edgeworth Johnstone for a series of works based on collaborative paintings he made over the last ten years with Medway artist Billy Childish, 18 years his senior. Hence, Johnstone acting alone is Heckel’s Horse Jr. These beguiling works have their roots in primitive and symbolist art using colour and the language of dreams to great effect.
Open: Wednesday and Thursday: 13.00 – 17.00
Heckel’s Horse is the alias used by local artist Edgeworth Johnstone for a series of works based on collaborative paintings he made over the last ten years with Medway artist Billy Childish, 18 years his senior. Hence, Johnstone acting alone is Heckel’s Horse Jr. These beguiling works have their roots in primitive and symbolist art using colour and the language of dreams to great effect.
Open: Wednesday and Thursday: 13.00 – 17.00
Have a cuppa and settle in for an evening of delightful life drawing with our new 5 week evening course for new and experienced students alike.
Taught by Artist Clare Grossman, this 5 week course will comprise of 2 hour classes on Monday evenings. Students will receive structured tuition, with the opportunity to work to a set objective each week as well as the chance to work individually as they wish.
The class will feature a good variety of professional life models to keep the classes fresh and interesting.
Please bring your own mug for tea as well as drawing materials. Paper will be available to purchase in the class.
About Clare Grossman
Clare trained at Camberwell School of Art, attaining a Masters Degree in Fine Art Printmaking. Since then she has continued her practice from her own studio in North London and with various professional print studios.
Her art has been commissioned by numerous corporate and commercial companies and she exhibits regularly with galleries across the UK and abroad.
What You Need
Charcoal
Soft graphite pencils 2B to 8B
A box of colour chalk pastels (not oil pastels)
Black & White chalk pastels
Putty Rubber
2 Bull Dog clips (to clip paper to boards)
Some cash (coins) to pay for paper
The course runs in two batches:
Run 1 (Mondays 7pm-9pm): 8th Jan, 15th Jan, 22nd Jan, 29th Jan, 5th Feb
Run 2 (Mondays 7pm-9pm): 19th Feb, 26th Feb, 4th Mar, 11th Mar, 18th Mar
Price: £125.00 for 5 sessions
To book yourself in, please follow the link:
https://www.lauderdalehouse.org.uk/whats-on/life-drawing-course
Heckel’s Horse is the alias used by local artist Edgeworth Johnstone for a series of works based on collaborative paintings he made over the last ten years with Medway artist Billy Childish, 18 years his senior. Hence, Johnstone acting alone is Heckel’s Horse Jr. These beguiling works have their roots in primitive and symbolist art using colour and the language of dreams to great effect.
Open: Wednesday and Thursday: 13.00 – 17.00
Heckel’s Horse is the alias used by local artist Edgeworth Johnstone for a series of works based on collaborative paintings he made over the last ten years with Medway artist Billy Childish, 18 years his senior. Hence, Johnstone acting alone is Heckel’s Horse Jr. These beguiling works have their roots in primitive and symbolist art using colour and the language of dreams to great effect.
Open: Wednesday and Thursday: 13.00 – 17.00
Handmade in Highgate, the designer maker Spring Fair.
Now in its 8th year!
Handmade in Highgate are the designer/maker fairs held at the beautiful historic Highgate Literary and Scientific Institution (HLSI) in Highgate Village.
The fair’s focus is to feature and support the UK’s brightest and best designer/ maker talent.
As ever we have a wonderful, award winning line up, featuring artists and makers creating and selling work in all disciplines and price range.
Handmade In Highgate is open:
Friday 22 March: 5pm – 8pm
Saturday 23 March: 10am – 6pm
Sunday 24 March: 11am – 5pm
Handmade in Highgate, the designer maker Spring Fair.
Now in its 8th year!
Handmade in Highgate are the designer/maker fairs held at the beautiful historic Highgate Literary and Scientific Institution (HLSI) in Highgate Village.
The fair’s focus is to feature and support the UK’s brightest and best designer/ maker talent.
As ever we have a wonderful, award winning line up, featuring artists and makers creating and selling work in all disciplines and price range.
Handmade In Highgate is open:
Friday 22 March: 5pm – 8pm
Saturday 23 March: 10am – 6pm
Sunday 24 March: 11am – 5pm
Handmade in Highgate, the designer maker Spring Fair.
Now in its 8th year!
Handmade in Highgate are the designer/maker fairs held at the beautiful historic Highgate Literary and Scientific Institution (HLSI) in Highgate Village.
The fair’s focus is to feature and support the UK’s brightest and best designer/ maker talent.
As ever we have a wonderful, award winning line up, featuring artists and makers creating and selling work in all disciplines and price range.
Handmade In Highgate is open:
Friday 22 March: 5pm – 8pm
Saturday 23 March: 10am – 6pm
Sunday 24 March: 11am – 5pm
The President of the Royal Society of Portrait Painters, Anthony Connolly along with two fellow members, Toby Wiggins and Andrew James, will be curating a unique exhibition that goes to the heart of their reasons for making their work. Sixty new and unseen paintings, drawings and sculptures will form a dynamic dialogue that explores overlapping themes including personal memories, history, landscape, religion and a shared belief in the need for authenticity of spirit to be at the heart of the creative process.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00, Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 12 April 2024 18:00-20:30
The President of the Royal Society of Portrait Painters, Anthony Connolly along with two fellow members, Toby Wiggins and Andrew James, will be curating a unique exhibition that goes to the heart of their reasons for making their work. Sixty new and unseen paintings, drawings and sculptures will form a dynamic dialogue that explores overlapping themes including personal memories, history, landscape, religion and a shared belief in the need for authenticity of spirit to be at the heart of the creative process.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00, Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 12 April 2024 18:00-20:30
The President of the Royal Society of Portrait Painters, Anthony Connolly along with two fellow members, Toby Wiggins and Andrew James, will be curating a unique exhibition that goes to the heart of their reasons for making their work. Sixty new and unseen paintings, drawings and sculptures will form a dynamic dialogue that explores overlapping themes including personal memories, history, landscape, religion and a shared belief in the need for authenticity of spirit to be at the heart of the creative process.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00, Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 12 April 2024 18:00-20:30
The President of the Royal Society of Portrait Painters, Anthony Connolly along with two fellow members, Toby Wiggins and Andrew James, will be curating a unique exhibition that goes to the heart of their reasons for making their work. Sixty new and unseen paintings, drawings and sculptures will form a dynamic dialogue that explores overlapping themes including personal memories, history, landscape, religion and a shared belief in the need for authenticity of spirit to be at the heart of the creative process.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00, Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 12 April 2024 18:00-20:30
The President of the Royal Society of Portrait Painters, Anthony Connolly along with two fellow members, Toby Wiggins and Andrew James, will be curating a unique exhibition that goes to the heart of their reasons for making their work. Sixty new and unseen paintings, drawings and sculptures will form a dynamic dialogue that explores overlapping themes including personal memories, history, landscape, religion and a shared belief in the need for authenticity of spirit to be at the heart of the creative process.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00, Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 12 April 2024 18:00-20:30
The President of the Royal Society of Portrait Painters, Anthony Connolly along with two fellow members, Toby Wiggins and Andrew James, will be curating a unique exhibition that goes to the heart of their reasons for making their work. Sixty new and unseen paintings, drawings and sculptures will form a dynamic dialogue that explores overlapping themes including personal memories, history, landscape, religion and a shared belief in the need for authenticity of spirit to be at the heart of the creative process.
Gallery times: Wednesdays to Fridays 13:00-17:00,
Saturdays 11:00-16:00, Sundays 11:00-17:00,
Mondays & Tuesdays Closed
Private View: Friday 12 April 2024 18:00-20:30