LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
The work Jean Ramsey is showing at Highgate Gallery results from an interest in the relationship
between the drawn and the printed image. It follows on from her studies in photography that
culminated in an exhibition of gum-bichromate prints. This early process utilises the sun to develop
a prepared light-sensitive emulsion that when applied to paper with a pronounced surface or
‘tooth’ can result in a painterly quality.
Jean’s degree in Fine Art (sculpture) from King’s College, Newcastle, then the University of Durham,
included a Hatton Scholarship year. She acknowledges the initial influence of an inspired teacher
in north London, Nommie Durell, whose mantra ‘no day without a line’ continues to resonate with her.
The three-dimensional disciplines of sculpture and her experience in set design established form and structure
as crucial elements in her work and have become the foundation for her current exploration in two-dimensions.
Using traditional subject matter, principally self-portraiture and studies of people she knows well, every
work begins with a drawing.
“Having worked in collaboration with others over the years, as a practitioner and as a teacher, this exhibition
is the result of a not altogether conscious decision to revert to personal discovery through drawing
(seeing) and manipulating (printing)”.
The earlier prints are mainly soft-ground etchings and mezzotints, the later work frequently becoming
monoprints by the combination of inscribing by etching and drawing directly into the inked plate.
There are some preliminary studies and proof prints from the most current work on display in which the
visual development of the idea can be traced. Man Ray, known principally for his photography, describes
painting as “.…an adventure in which some great force might suddenly change the whole aspect of
things….”, echoed by Julian Trevelyan’s ….”collaboration with the god of chance….”, also a reference to painting.
Jean Ramsey’s exhibition of prints suggest the transformation that takes place, from close examination of the
subject, the analysis, via the rigour and fluidity of the printing process that can lead to unforeseen results.
Some earlier gum-bichromate photographic prints, although not hung, are available to view in a portfolio
and the artist will be in attendance throughout the exhibition’s run to discuss her work.
Highgate Gallery opening times: Weds – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 – 17.00
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
The work Jean Ramsey is showing at Highgate Gallery results from an interest in the relationship
between the drawn and the printed image. It follows on from her studies in photography that
culminated in an exhibition of gum-bichromate prints. This early process utilises the sun to develop
a prepared light-sensitive emulsion that when applied to paper with a pronounced surface or
‘tooth’ can result in a painterly quality.
Jean’s degree in Fine Art (sculpture) from King’s College, Newcastle, then the University of Durham,
included a Hatton Scholarship year. She acknowledges the initial influence of an inspired teacher
in north London, Nommie Durell, whose mantra ‘no day without a line’ continues to resonate with her.
The three-dimensional disciplines of sculpture and her experience in set design established form and structure
as crucial elements in her work and have become the foundation for her current exploration in two-dimensions.
Using traditional subject matter, principally self-portraiture and studies of people she knows well, every
work begins with a drawing.
“Having worked in collaboration with others over the years, as a practitioner and as a teacher, this exhibition
is the result of a not altogether conscious decision to revert to personal discovery through drawing
(seeing) and manipulating (printing)”.
The earlier prints are mainly soft-ground etchings and mezzotints, the later work frequently becoming
monoprints by the combination of inscribing by etching and drawing directly into the inked plate.
There are some preliminary studies and proof prints from the most current work on display in which the
visual development of the idea can be traced. Man Ray, known principally for his photography, describes
painting as “.…an adventure in which some great force might suddenly change the whole aspect of
things….”, echoed by Julian Trevelyan’s ….”collaboration with the god of chance….”, also a reference to painting.
Jean Ramsey’s exhibition of prints suggest the transformation that takes place, from close examination of the
subject, the analysis, via the rigour and fluidity of the printing process that can lead to unforeseen results.
Some earlier gum-bichromate photographic prints, although not hung, are available to view in a portfolio
and the artist will be in attendance throughout the exhibition’s run to discuss her work.
Highgate Gallery opening times: Weds – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 – 17.00
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
The work Jean Ramsey is showing at Highgate Gallery results from an interest in the relationship
between the drawn and the printed image. It follows on from her studies in photography that
culminated in an exhibition of gum-bichromate prints. This early process utilises the sun to develop
a prepared light-sensitive emulsion that when applied to paper with a pronounced surface or
‘tooth’ can result in a painterly quality.
Jean’s degree in Fine Art (sculpture) from King’s College, Newcastle, then the University of Durham,
included a Hatton Scholarship year. She acknowledges the initial influence of an inspired teacher
in north London, Nommie Durell, whose mantra ‘no day without a line’ continues to resonate with her.
The three-dimensional disciplines of sculpture and her experience in set design established form and structure
as crucial elements in her work and have become the foundation for her current exploration in two-dimensions.
Using traditional subject matter, principally self-portraiture and studies of people she knows well, every
work begins with a drawing.
“Having worked in collaboration with others over the years, as a practitioner and as a teacher, this exhibition
is the result of a not altogether conscious decision to revert to personal discovery through drawing
(seeing) and manipulating (printing)”.
The earlier prints are mainly soft-ground etchings and mezzotints, the later work frequently becoming
monoprints by the combination of inscribing by etching and drawing directly into the inked plate.
There are some preliminary studies and proof prints from the most current work on display in which the
visual development of the idea can be traced. Man Ray, known principally for his photography, describes
painting as “.…an adventure in which some great force might suddenly change the whole aspect of
things….”, echoed by Julian Trevelyan’s ….”collaboration with the god of chance….”, also a reference to painting.
Jean Ramsey’s exhibition of prints suggest the transformation that takes place, from close examination of the
subject, the analysis, via the rigour and fluidity of the printing process that can lead to unforeseen results.
Some earlier gum-bichromate photographic prints, although not hung, are available to view in a portfolio
and the artist will be in attendance throughout the exhibition’s run to discuss her work.
Highgate Gallery opening times: Weds – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 – 17.00
LONGITUDE
A Clockmaker’s Obsession
World premiere of a new musical with crashing waves, swelling music, and an emotional storm across the 18th century that will make you wish you’d brought your life jacket.
Come with us on an epic voyage across time and space to share the trials of a simple clockmaker who lost almost everything in his quest to save others.
A true story of betrayal, obsession, and injustice, conquered only by the love of his family and the intervention of Mad King George.
Ages: 8+
Elin Harries & Asako Ogawa
The work Jean Ramsey is showing at Highgate Gallery results from an interest in the relationship
between the drawn and the printed image. It follows on from her studies in photography that
culminated in an exhibition of gum-bichromate prints. This early process utilises the sun to develop
a prepared light-sensitive emulsion that when applied to paper with a pronounced surface or
‘tooth’ can result in a painterly quality.
Jean’s degree in Fine Art (sculpture) from King’s College, Newcastle, then the University of Durham,
included a Hatton Scholarship year. She acknowledges the initial influence of an inspired teacher
in north London, Nommie Durell, whose mantra ‘no day without a line’ continues to resonate with her.
The three-dimensional disciplines of sculpture and her experience in set design established form and structure
as crucial elements in her work and have become the foundation for her current exploration in two-dimensions.
Using traditional subject matter, principally self-portraiture and studies of people she knows well, every
work begins with a drawing.
“Having worked in collaboration with others over the years, as a practitioner and as a teacher, this exhibition
is the result of a not altogether conscious decision to revert to personal discovery through drawing
(seeing) and manipulating (printing)”.
The earlier prints are mainly soft-ground etchings and mezzotints, the later work frequently becoming
monoprints by the combination of inscribing by etching and drawing directly into the inked plate.
There are some preliminary studies and proof prints from the most current work on display in which the
visual development of the idea can be traced. Man Ray, known principally for his photography, describes
painting as “.…an adventure in which some great force might suddenly change the whole aspect of
things….”, echoed by Julian Trevelyan’s ….”collaboration with the god of chance….”, also a reference to painting.
Jean Ramsey’s exhibition of prints suggest the transformation that takes place, from close examination of the
subject, the analysis, via the rigour and fluidity of the printing process that can lead to unforeseen results.
Some earlier gum-bichromate photographic prints, although not hung, are available to view in a portfolio
and the artist will be in attendance throughout the exhibition’s run to discuss her work.
Highgate Gallery opening times: Weds – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 – 17.00
East London Shakespeare Festival is heading to Lauderdale House with sparkling rom-com Much Ado About Nothing.
Sun-soaked mischief & romance under the Mediterranean stars. Set against the luxurious backdrop of a modern-day Messina, this opulent tale is brimming with wit, trickery & mischief with heart coming out on top. With ELSF’s trademark contemporary twists and turns, high-energy party numbers and audience participation. A family friendly night!
The East London Shakespeare Festival (ELSF) merges the contemporary culture of London with the inspirational storytelling of Shakespeare’s plays in outdoor parks and community spaces across London. They launched in 2021 with a magical, riotous, sold-out production of A Midsummer Night’s Dream (receiving an Off West End Award Nomination for Best Company), an 80’s inspired Twelfth Night in 2022 and another Off West End Award Nomination for Best Company Ensemble for Romeo & Juliet in 2023. A festival vibe will be encouraged with gates opening an hour before the show, so bring a picnic and why not sign up for a mask-making workshop run one of our in-house-party-goers (actors) – make your own mask and be part of the masked party!
Parental Guidance – the play features kissing. The show is directed by Rosie Ward. The producers – and co-directors of the East London Shakespeare Festival – are: Ursula Early & Rosie Ward.
The work Jean Ramsey is showing at Highgate Gallery results from an interest in the relationship
between the drawn and the printed image. It follows on from her studies in photography that
culminated in an exhibition of gum-bichromate prints. This early process utilises the sun to develop
a prepared light-sensitive emulsion that when applied to paper with a pronounced surface or
‘tooth’ can result in a painterly quality.
Jean’s degree in Fine Art (sculpture) from King’s College, Newcastle, then the University of Durham,
included a Hatton Scholarship year. She acknowledges the initial influence of an inspired teacher
in north London, Nommie Durell, whose mantra ‘no day without a line’ continues to resonate with her.
The three-dimensional disciplines of sculpture and her experience in set design established form and structure
as crucial elements in her work and have become the foundation for her current exploration in two-dimensions.
Using traditional subject matter, principally self-portraiture and studies of people she knows well, every
work begins with a drawing.
“Having worked in collaboration with others over the years, as a practitioner and as a teacher, this exhibition
is the result of a not altogether conscious decision to revert to personal discovery through drawing
(seeing) and manipulating (printing)”.
The earlier prints are mainly soft-ground etchings and mezzotints, the later work frequently becoming
monoprints by the combination of inscribing by etching and drawing directly into the inked plate.
There are some preliminary studies and proof prints from the most current work on display in which the
visual development of the idea can be traced. Man Ray, known principally for his photography, describes
painting as “.…an adventure in which some great force might suddenly change the whole aspect of
things….”, echoed by Julian Trevelyan’s ….”collaboration with the god of chance….”, also a reference to painting.
Jean Ramsey’s exhibition of prints suggest the transformation that takes place, from close examination of the
subject, the analysis, via the rigour and fluidity of the printing process that can lead to unforeseen results.
Some earlier gum-bichromate photographic prints, although not hung, are available to view in a portfolio
and the artist will be in attendance throughout the exhibition’s run to discuss her work.
Highgate Gallery opening times: Weds – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 – 17.00
East London Shakespeare Festival is heading to Lauderdale House with sparkling rom-com Much Ado About Nothing.
Sun-soaked mischief & romance under the Mediterranean stars. Set against the luxurious backdrop of a modern-day Messina, this opulent tale is brimming with wit, trickery & mischief with heart coming out on top. With ELSF’s trademark contemporary twists and turns, high-energy party numbers and audience participation. A family friendly night!
The East London Shakespeare Festival (ELSF) merges the contemporary culture of London with the inspirational storytelling of Shakespeare’s plays in outdoor parks and community spaces across London. They launched in 2021 with a magical, riotous, sold-out production of A Midsummer Night’s Dream (receiving an Off West End Award Nomination for Best Company), an 80’s inspired Twelfth Night in 2022 and another Off West End Award Nomination for Best Company Ensemble for Romeo & Juliet in 2023. A festival vibe will be encouraged with gates opening an hour before the show, so bring a picnic and why not sign up for a mask-making workshop run one of our in-house-party-goers (actors) – make your own mask and be part of the masked party!
Parental Guidance – the play features kissing. The show is directed by Rosie Ward. The producers – and co-directors of the East London Shakespeare Festival – are: Ursula Early & Rosie Ward.
The work Jean Ramsey is showing at Highgate Gallery results from an interest in the relationship
between the drawn and the printed image. It follows on from her studies in photography that
culminated in an exhibition of gum-bichromate prints. This early process utilises the sun to develop
a prepared light-sensitive emulsion that when applied to paper with a pronounced surface or
‘tooth’ can result in a painterly quality.
Jean’s degree in Fine Art (sculpture) from King’s College, Newcastle, then the University of Durham,
included a Hatton Scholarship year. She acknowledges the initial influence of an inspired teacher
in north London, Nommie Durell, whose mantra ‘no day without a line’ continues to resonate with her.
The three-dimensional disciplines of sculpture and her experience in set design established form and structure
as crucial elements in her work and have become the foundation for her current exploration in two-dimensions.
Using traditional subject matter, principally self-portraiture and studies of people she knows well, every
work begins with a drawing.
“Having worked in collaboration with others over the years, as a practitioner and as a teacher, this exhibition
is the result of a not altogether conscious decision to revert to personal discovery through drawing
(seeing) and manipulating (printing)”.
The earlier prints are mainly soft-ground etchings and mezzotints, the later work frequently becoming
monoprints by the combination of inscribing by etching and drawing directly into the inked plate.
There are some preliminary studies and proof prints from the most current work on display in which the
visual development of the idea can be traced. Man Ray, known principally for his photography, describes
painting as “.…an adventure in which some great force might suddenly change the whole aspect of
things….”, echoed by Julian Trevelyan’s ….”collaboration with the god of chance….”, also a reference to painting.
Jean Ramsey’s exhibition of prints suggest the transformation that takes place, from close examination of the
subject, the analysis, via the rigour and fluidity of the printing process that can lead to unforeseen results.
Some earlier gum-bichromate photographic prints, although not hung, are available to view in a portfolio
and the artist will be in attendance throughout the exhibition’s run to discuss her work.
Highgate Gallery opening times: Weds – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 – 17.00
The work Jean Ramsey is showing at Highgate Gallery results from an interest in the relationship
between the drawn and the printed image. It follows on from her studies in photography that
culminated in an exhibition of gum-bichromate prints. This early process utilises the sun to develop
a prepared light-sensitive emulsion that when applied to paper with a pronounced surface or
‘tooth’ can result in a painterly quality.
Jean’s degree in Fine Art (sculpture) from King’s College, Newcastle, then the University of Durham,
included a Hatton Scholarship year. She acknowledges the initial influence of an inspired teacher
in north London, Nommie Durell, whose mantra ‘no day without a line’ continues to resonate with her.
The three-dimensional disciplines of sculpture and her experience in set design established form and structure
as crucial elements in her work and have become the foundation for her current exploration in two-dimensions.
Using traditional subject matter, principally self-portraiture and studies of people she knows well, every
work begins with a drawing.
“Having worked in collaboration with others over the years, as a practitioner and as a teacher, this exhibition
is the result of a not altogether conscious decision to revert to personal discovery through drawing
(seeing) and manipulating (printing)”.
The earlier prints are mainly soft-ground etchings and mezzotints, the later work frequently becoming
monoprints by the combination of inscribing by etching and drawing directly into the inked plate.
There are some preliminary studies and proof prints from the most current work on display in which the
visual development of the idea can be traced. Man Ray, known principally for his photography, describes
painting as “.…an adventure in which some great force might suddenly change the whole aspect of
things….”, echoed by Julian Trevelyan’s ….”collaboration with the god of chance….”, also a reference to painting.
Jean Ramsey’s exhibition of prints suggest the transformation that takes place, from close examination of the
subject, the analysis, via the rigour and fluidity of the printing process that can lead to unforeseen results.
Some earlier gum-bichromate photographic prints, although not hung, are available to view in a portfolio
and the artist will be in attendance throughout the exhibition’s run to discuss her work.
Highgate Gallery opening times: Weds – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 – 17.00
The work Jean Ramsey is showing at Highgate Gallery results from an interest in the relationship
between the drawn and the printed image. It follows on from her studies in photography that
culminated in an exhibition of gum-bichromate prints. This early process utilises the sun to develop
a prepared light-sensitive emulsion that when applied to paper with a pronounced surface or
‘tooth’ can result in a painterly quality.
Jean’s degree in Fine Art (sculpture) from King’s College, Newcastle, then the University of Durham,
included a Hatton Scholarship year. She acknowledges the initial influence of an inspired teacher
in north London, Nommie Durell, whose mantra ‘no day without a line’ continues to resonate with her.
The three-dimensional disciplines of sculpture and her experience in set design established form and structure
as crucial elements in her work and have become the foundation for her current exploration in two-dimensions.
Using traditional subject matter, principally self-portraiture and studies of people she knows well, every
work begins with a drawing.
“Having worked in collaboration with others over the years, as a practitioner and as a teacher, this exhibition
is the result of a not altogether conscious decision to revert to personal discovery through drawing
(seeing) and manipulating (printing)”.
The earlier prints are mainly soft-ground etchings and mezzotints, the later work frequently becoming
monoprints by the combination of inscribing by etching and drawing directly into the inked plate.
There are some preliminary studies and proof prints from the most current work on display in which the
visual development of the idea can be traced. Man Ray, known principally for his photography, describes
painting as “.…an adventure in which some great force might suddenly change the whole aspect of
things….”, echoed by Julian Trevelyan’s ….”collaboration with the god of chance….”, also a reference to painting.
Jean Ramsey’s exhibition of prints suggest the transformation that takes place, from close examination of the
subject, the analysis, via the rigour and fluidity of the printing process that can lead to unforeseen results.
Some earlier gum-bichromate photographic prints, although not hung, are available to view in a portfolio
and the artist will be in attendance throughout the exhibition’s run to discuss her work.
Highgate Gallery opening times: Weds – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 – 17.00
The work Jean Ramsey is showing at Highgate Gallery results from an interest in the relationship
between the drawn and the printed image. It follows on from her studies in photography that
culminated in an exhibition of gum-bichromate prints. This early process utilises the sun to develop
a prepared light-sensitive emulsion that when applied to paper with a pronounced surface or
‘tooth’ can result in a painterly quality.
Jean’s degree in Fine Art (sculpture) from King’s College, Newcastle, then the University of Durham,
included a Hatton Scholarship year. She acknowledges the initial influence of an inspired teacher
in north London, Nommie Durell, whose mantra ‘no day without a line’ continues to resonate with her.
The three-dimensional disciplines of sculpture and her experience in set design established form and structure
as crucial elements in her work and have become the foundation for her current exploration in two-dimensions.
Using traditional subject matter, principally self-portraiture and studies of people she knows well, every
work begins with a drawing.
“Having worked in collaboration with others over the years, as a practitioner and as a teacher, this exhibition
is the result of a not altogether conscious decision to revert to personal discovery through drawing
(seeing) and manipulating (printing)”.
The earlier prints are mainly soft-ground etchings and mezzotints, the later work frequently becoming
monoprints by the combination of inscribing by etching and drawing directly into the inked plate.
There are some preliminary studies and proof prints from the most current work on display in which the
visual development of the idea can be traced. Man Ray, known principally for his photography, describes
painting as “.…an adventure in which some great force might suddenly change the whole aspect of
things….”, echoed by Julian Trevelyan’s ….”collaboration with the god of chance….”, also a reference to painting.
Jean Ramsey’s exhibition of prints suggest the transformation that takes place, from close examination of the
subject, the analysis, via the rigour and fluidity of the printing process that can lead to unforeseen results.
Some earlier gum-bichromate photographic prints, although not hung, are available to view in a portfolio
and the artist will be in attendance throughout the exhibition’s run to discuss her work.
Highgate Gallery opening times: Weds – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 – 17.00
The work Jean Ramsey is showing at Highgate Gallery results from an interest in the relationship
between the drawn and the printed image. It follows on from her studies in photography that
culminated in an exhibition of gum-bichromate prints. This early process utilises the sun to develop
a prepared light-sensitive emulsion that when applied to paper with a pronounced surface or
‘tooth’ can result in a painterly quality.
Jean’s degree in Fine Art (sculpture) from King’s College, Newcastle, then the University of Durham,
included a Hatton Scholarship year. She acknowledges the initial influence of an inspired teacher
in north London, Nommie Durell, whose mantra ‘no day without a line’ continues to resonate with her.
The three-dimensional disciplines of sculpture and her experience in set design established form and structure
as crucial elements in her work and have become the foundation for her current exploration in two-dimensions.
Using traditional subject matter, principally self-portraiture and studies of people she knows well, every
work begins with a drawing.
“Having worked in collaboration with others over the years, as a practitioner and as a teacher, this exhibition
is the result of a not altogether conscious decision to revert to personal discovery through drawing
(seeing) and manipulating (printing)”.
The earlier prints are mainly soft-ground etchings and mezzotints, the later work frequently becoming
monoprints by the combination of inscribing by etching and drawing directly into the inked plate.
There are some preliminary studies and proof prints from the most current work on display in which the
visual development of the idea can be traced. Man Ray, known principally for his photography, describes
painting as “.…an adventure in which some great force might suddenly change the whole aspect of
things….”, echoed by Julian Trevelyan’s ….”collaboration with the god of chance….”, also a reference to painting.
Jean Ramsey’s exhibition of prints suggest the transformation that takes place, from close examination of the
subject, the analysis, via the rigour and fluidity of the printing process that can lead to unforeseen results.
Some earlier gum-bichromate photographic prints, although not hung, are available to view in a portfolio
and the artist will be in attendance throughout the exhibition’s run to discuss her work.
Highgate Gallery opening times: Weds – Fri: 13.00 – 17.00, Sat: 11.00 – 16.00, Sun: 11.00 – 17.00
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
This exhibition explores five different ways of investigating and photographing the urban environment.
Cordial invitations to Finding Place, our inaugural group show of contemporary paintings by 5 artists who originally met at the Essential School of Painting.
Find the list of works on our website or on the piano at the entrance to our show. The number on the left side of each painting takes you to the story of how each work helped the artist to find place for a connection to nature, an ancestral memory, time with family and more. A truly great looking show, found on the ground floor in Lauderdale House.
John Etheridge’s Blue Spirits are coming back to light up our Tea Lawn this summer, once again accompanied by the dulcet tones of jazz legend Vimala Rowe.
Led by internationally renowned Guitar legend John Etheridge, Blue Spirits is completed by Pete Whittaker (Organ) and George Double (Drums).
Drawing on a vast reservoir of musical experience spanning over 50 years, Etheridge distils the bluesier side of his musical world in a repertoire that has intensity and emotion as its main quality, with subtlety, fluidity and interaction as its centre. Pete Whittaker is a superb accompanist, and soloist and drummer George Double is celebrated for his drive and invention.
The Trio will be joined by special guest vocalist Vimala Rowe, known for her soulful and passionate delivery.
Cordial invitations to Finding Place, our inaugural group show of contemporary paintings by 5 artists who originally met at the Essential School of Painting.
Find the list of works on our website or on the piano at the entrance to our show. The number on the left side of each painting takes you to the story of how each work helped the artist to find place for a connection to nature, an ancestral memory, time with family and more. A truly great looking show, found on the ground floor in Lauderdale House.
Cordial invitations to Finding Place, our inaugural group show of contemporary paintings by 5 artists who originally met at the Essential School of Painting.
Find the list of works on our website or on the piano at the entrance to our show. The number on the left side of each painting takes you to the story of how each work helped the artist to find place for a connection to nature, an ancestral memory, time with family and more. A truly great looking show, found on the ground floor in Lauderdale House.
Cordial invitations to Finding Place, our inaugural group show of contemporary paintings by 5 artists who originally met at the Essential School of Painting.
Find the list of works on our website or on the piano at the entrance to our show. The number on the left side of each painting takes you to the story of how each work helped the artist to find place for a connection to nature, an ancestral memory, time with family and more. A truly great looking show, found on the ground floor in Lauderdale House.