Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: I Heard it on the Radio ©Karen Loader, 2016. All Rights Reserved
KAREN LOADER’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
Gallery open Tuesday-Friday 1-5pm, Saturday 11am-4pm, Sunday 11am-5pm; closed Mondays. Exhibition continues until 11 May.
Image: I Heard it on the Radio ©Karen Loader, 2016. All Rights Reserved
KAREN LOADER’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday.
Exhibition continues until 11 May.
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Karen Loader’s artistic interests centre around the differences and similarities between place and space. She sees place as somewhere real and tangible, that can be experienced through the senses, and space as something abstract that is felt rather than observed. Her work explores the transition from one to the other and how both are inevitably intertwined.
Her artistic process begins with walking around a place and documenting it photographically, noting things such as architectural shapes, the textures of walls, the odd juxtapositions of objects and the colours that stand out. For this exhibition, she explored her local neighbourhood – the area between Holloway and Highgate, taking in the back streets and alleyways that branch off the A1 carriageway. Moving through a place physically helps her to construct a rhythmic interpretation of it and, when combined with focused observations, the character or personality of the place starts to emerge. This is a purely subjective act and the outcomes can vary depending on the place and her perception of it.
Back in the studio, she works with these elements of rhythm and observation taking them into intuitive drawings that play with spatial divisions and colour variations. The final stage is to scale up these two processes into larger paintings that hopefully retain some of the mood of the place in which she started. Her aim is to convey an atmosphere of place that can act as a trigger for memory and association and encourage the viewer towards a more contemplative reading of the work.
She often works within the set parameters of a grid format which allows for infinite possibilities to explore spatial and structural juxtapositions, but she is always looking for the moments when the mathematical harmony is disrupted by a slippage in symmetry. Her use of a muted colour palette in thin layers of acrylic paint adds to a sense of disorientation as the eye struggles to focus on a particular point and the mind jumps from shape to shape as it attempts to make connections. Colour plays an important part in creating both the harmony and the disruption of space and is strongly related to the original starting point of a place.
Karen has lived in Holloway for over 25 years. She studied sculpture and installation at the University of East London graduating in 1999. She is currently studying for an MA in Fine Art at The City & Guilds of London Art School. Her work has been widely exhibited since 2002 and she has curated a number of exhibitions in the UK and abroad.
All works are for sale.
www.karenloader.com
28th April to 11th May 2017
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Would you like a bit of friendly help with your phone, laptop or tablet? Just head to the Highgate School Library for an afternoon of free, informal one-to-one computer familiarisation sessions over a nice cup of coffee. We do tea as well. And cake!
If you don’t yet possess any electronic gadgets, don’t worry, we do and we’d love you to come and play with them.
“This is so wonderful! It’s easy – when you know how! Thank you” says 75 year old Highgate Coffee & Computers friend, who has just worked out how to move all his pictures from his phone to his tablet.
If you want more info, give Stuart a call on 020 8347 2411 (quoting Highgate Coffee & Computers). You can also email us on highgatecoffeeandcomputers@gmail.com to tell us what you want to know more about.
Please note the volunteers at these sessions are pupils from the school, ranging in age from 11 to 18 years old. The School has a duty of care to these young people and would be very grateful if you could be mindful of maintaining appropriate interaction with them. Please consider issues such as your language, your expectations regarding the type of matter you raise with the pupils, and the sort of information that the pupils may see on your documents or particular webpages.
If you have any queries then please don’t hesitate to raise them with the members of staff at the session.
If you plan to come, it would be helpful to know, though it is not obligatory.
Warm regards
The Highgate Coffee & Computers volunteers
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday
Image: Monarch migration ©Tom Scase, 2016. All Rights Reserved
The Gaia Principle: 19 May – 1 June
How organisms interact with their inorganic surroundings on earth to form a synergistic self-regulating complex system that helps to maintain and perpetuate the conditions for life on the planet (involving the earth’s biosphere, atmosphere, oceans and soil). (Wikipedia)
Tom Scase’s new work is made up of disparate elements that combine to form a symbiotic whole, where the image has no words, is beyond verbal description and exists in its visual form only as a specialised component, bringing to our attention how we interact and are a part of this perilous and extraordinary nature.
His canvas is a collage of ideas, sometimes deceptively simple, others as a cacophony of intricate brush strokes from which a strange and beautiful form emerges.
Tom is an elected member (2001) of the prestigious London Group. He has won prizes for painting and photography and has exhibited widely. He lives and works in Highgate, London.
Highgate Gallery open Tuesday-Friday 13:00-17:00
Saturday 11:00-16:00
Sunday 11:00-17:00
Closed Monday